Figurative Prints

A Pop Art lithograph poster of Frank Zappa, artists proof, signed limited edition by English artist Pete Marsh. The work is signed, dated, annotated and numbered in pencil by the art...

Artist: Peter Max (1937) Title: Liberty Head VIII Year: 2003 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Ins...

Screen print in colors on paper. Hand signed and numbered by the artist. Edition of 300. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable ...

Robert Longo (Wo)Men In the Cities - Gretchen (Hand Signed), 1991 Limited Edition Offset Lithograph Frame included Edition of 100 Hand signed lower right front; unnumbered Published by Amnesty International and Act-Up This offset lithograph is based upon Longo's 1982 untitled work featuring one of his models, Gretchen, a charcoal and graphite on paper. Robert Longo’s “Men in Cities...

Artist: Peter Max (1937) Title: Quiet Lake Year: 2000 Edition: 306/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.25 x 8.5 inches Condition: Excellent Inscription...

My friend friend Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown i...

Robert Indiana HEAL, 2015 Silkscreen on 2ply Rising Museum Board Signed, dated and numbered 5/25 on the front This is one of the last works the artist personally signed before he pas...

Yayoi Kusama Offset lithograph poster, 2017 Published by David Zwirner Unframed, with original folds as issued (see photo) Gorgeous Yayoi Kusama offset lithograph poster published by David Zwirner Gallery for a 2018 exhibition. It has natural folds as it was folded in a square, but is otherwise in excellent condition and the folds will frame out This print originally accompanied the monograph "Yayoi Kusama: Festival of Life," published to accompany an exhibition held at David Zwirner, New York, 2017. It was printed in a limited, but unknown edition and has since sold out Yayoi Kusama Biography Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes. Born in 1929 in Matsumoto, Japan, Kusama’s work has been featured widely in both solo and group presentations. She presented her first solo show in her native Japan in 1952. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained renewed widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, both of which took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. In 1998, the Los Angeles County Museum of Art and the Museum of Modern Art, New York, co-organized Love Forever: Yayoi Kusama, 1958–1968, which toured to the Walker Art Center, Minneapolis (1998-1999), and Museum of Contemporary Art, Tokyo (1999). More recently, in 2011 to 2012, her work was the subject of a large-scale retrospective that traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Georges Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York. From 2012 through 2015, three major museum solo presentations of the artist’s work simultaneously traveled to major museums throughout Japan, Asia, and Central and South America. In 2015, the Louisiana Museum of Modern Art in Humlebæk, Denmark, organized a comprehensive overview of Kusama’s practice that traveled to Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; and Helsinki Art Museum. In 2017-2019, a major survey of the artist’s work, Infinity Mirrors, was presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; and the High Museum of Art, Atlanta, Georgia. Yayoi Kusama: Life Is the Heart of the Rainbow, which marked the first large-scale exhibition of Kusama’s work presented in Southeast Asia, opened at the National Gallery of Singapore in 2017 and traveled to the Queensland Art Gallery Gallery of Modern Art in Brisbane, Australia and the Museum of Modern and Contemporary Art in Nusantara, Jakarta. In 2019, All About Love Speaks Forever, an exhibition "tailor-made" specifically for the Fosun Foundation, Shanghai included more than 40 works by the artist. A comprehensive retrospective of the artist’s work was on view at Gropius Bau, Berlin in 2021, and traveled to the Tel Aviv Museum of Art in 2022. KUSAMA: Cosmic Nature...

Jeff Koons (American, born 1955) GOAT: A Tribute to Muhammad Ali (Champ’s Edition), 2004 Sculpture installation: Titled “Radial Champs” and consisting of a blow-up dolphin, a tire sc...

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) Marilyn, 2005 Medium: Lithograph on paper Dimensions: 58.4 x 80 cm Edition of 180: Hand-signed and numbered in pencil Condition: ...

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) Vermeer, 2005 Medium: Lithograph on paper Dimensions: 58.4 × 80 cm Edition of 180: Hand-signed and numbered in pencil Condition: ...

Compression of airline tickets is a work by César Baldaccini (1921 - 1998). Lithograph, 65 x 50 cm. Signature in pencil and fingerprint lower right. Very Good conditions

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. AP 45/50 (there was also a main edition of 250). Screen print on Arches Aquarelle (Rough) Paper. Printed by Alexande...

VARIOUS ARTISTS AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unfram...

Artist: Julian Opie Title: Elena And Cressie Get Ready for the Party 5 Year: 2011 Dimensions: 30 3/4 in. by 24 1/12 in. Edition: 3/30 Publisher: Alan Cristea Gallery London Medium: ...

1960s Milton Glaser Poster Art: Milton Glaser Poppy Gives Thanks: Vintage original Milton Glaser poster c.1968. Designed by Milton Glaser on the occasion of a concert at New York's ...

Montreux Jazz Festival, 1983 Keith Haring Screenprint in colours, on wove Printed by Serigraphie Uldry Bern, Switzerland Published for the Montreux Jazz Festival Sheet: 100 × 70 cm...

Robert Rauschenberg I Love New York, 2001 (LARGE) Plate signed on the front Offset lithograph on high quality wove paper 39.25" x 25 inches (This ship...

Tracey Emin: I Lay Here For You (Hand signed and dated book), 2022 Hardback monograph (hand signed and dated by Tracey Emin) on Munken Lynx Smooth Natural White 170 gsm with endpapers of Colorplan Candy Pink 135 gsm; matt laminate printed cover with black head and tail bands Hand signed and dated by Tracey Emin on the title page. 9 × 6 3/4 × 2/5 inches Unframed Hardback monograph with illustrated boards and no dust jacket as issued, hand signed by Tracey Emin. A beautifully designed publication I Lay Here For You, sumptuously illustrated and with a fascinating essay by Katy Hessell, author of The History of Art without Men. About the project: Tracey Emin’s first Scottish show since 2008, I Lay Here For You (28 May – 2 October) will offer an intimate encounter with love and hope set against the domestic architecture and informal woodland of Jupiter Artland. Imbued with connotations of both warmth and vulnerability, resonating with Tracey Emin’s belief of the ‘personal as political’ the exhibition will feature brand new work by the artist reflecting on the possibility of love after hardship. Tracey Emin’s participation in Jupiter Artland’s 2022 season begins with the unveiling I Lay Here For You, a six metre bronze sited personally by the artist in an old-growth beech grove. Larger than life, powerful and at ease, the sculpture presents a radically different view of woman’s place...

Robert Indiana HOPE for the Democratic National Committee, 2008 Oil silkscreen in colors on watermarked Coventry archival paper 25 × 19 inches Edition 138/200 Signed, dated and numbered 138/200 in graphite pencil on the front; paper is watermarked by AIA with text (There were also 25 Artist's Proofs) Published by American Image Art (AIA) for the Obama Victory Fund and the Democratic National Committee, master printer Gary Lichtenstein Unframed This work was published in 2008 as part of the "Artists for Obama" portfolio, in which some of the top artists contributed prints to raise money for Obama's presidential campaign. Robert Indiana donated all of the proceeds of the sale of this work to electing Barack Obama. During the 2020 election, it became an even greater part of American popular culture when it was featured on the influential NBC show Saturday Night Live's cold open skit featuring the Vice Presidential debate between Kamala Harris and Mike Pence. Mid-debate, "Joe Biden" (played by actor Jim Carrey...

Donald Baechler Limited edition Tony Shafrazi exhibition catalogue (hand signed and dated by Donald Baechler), 1983 Softback monograph (hand signed and dated by Donald Baechler) Bold...

Mr. Chuck Berry by Red Grooms, American (1937) Date: 1978 Screenprint with 3-D "Dancer", signed and numbered in pencil Edition of 127/150 Image Size: 24 x 18.25 inches Size: 33 x 26 ...

Patrick Caulfield's cheeky, Pop Art take on a seaside favorite, dressed lobster, abstracted in graphic black strokes atop a field of red decorated with tiny sprigs. Signed by the art...

David Hockney San Francisco Opera Summer Season (Hand Signed), 1982 Offset lithograph poster (hand signed by David Hockney) 39 × 34 inches Boldly signed by David Hockney on the front...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* The Gelato Festival series is a copyrighted Oliveira ...

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) Ice Cream for Mao, 2004 Medium: Lithograph on wove paper Medium: 77.5 × 59 cm Edition of 120: Hand signed and numbered Condition:...

Skulls (FS.II.157) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 36/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #157 (II.157 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...

Alex Katz in Maine, 2005 Hardback monograph (hand signed and dated by Alex Katz) Boldly signed and dated 6.9.10 by Alex Katz on the first front end page 9 3/4 × 11 1/2 × 3/4 inches T...

Andy Warhol Catalogue Raisonne Reference: Feldman & Schellmann II.5 Marilyn Monroe I Love Your Kiss Forever Forever, 1964 Color lithograph on two pages wove paper (from the Artists & Collaborators hand signed edition of 1 Cent Life Portfolio, Estate of the artist Robert Indiana) Edition 85/100 Hand signed by Andy Warhol on the front; numbered 85 on the colophon page a copy of which is affixed to the back of the frame Framed: Elegantly floated in a museum quality wood frame with UV plexiglass A copy of the colophon page has been affixed to the back of the frame. This is the first time the work has been removed from the original signed portfolio acquired from the Estate of Robert Indiana, one of the artists in 1 Cent Life. Framed: elegantly floated and framed in a museum quality wood frame with UV plexiglass This iconic 1964 Andy Warhol lithograph, splayed across two separate pages, is from the Deluxe, hand signed edition of only 100 of the legendary 1 Cent Life Portfolio - one of the most important and celebrated artistic collaborations of the 1960s. Provenance is superb as this was part of the complete portfolio acquired from the estate of Pop Artist Robert Indiana. (There was also an unsigned regular edition of 2000) "Marilyn Monroe I Love Your Kiss Forever Forever" is Warhol’s first depiction of Marilyn Monroe. Unlike later portrayals of the classic Hollywood star’s likeness set against vibrant colors, here Warhol has detailed a focused image of Monroe’s most seductive and elusive feature - her lips - set against a stark white backdrop. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Andy Warhol, along with the European COBRA artists to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints, was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Andy Warhol lithograph...

Roy Lichtenstein Girl With Spraycan (Deluxe hand signed edition of the 1 Cent Life Portfolio, from the estate of artist Robert Indiana), 1964 Limited E...

David Hockney My Parents, from the Collection of Ileana Sonnabend, 1976 Chromogenic print 10 × 8 1/2 inches Signed in ink on the front and numbered 28/80 Unframed This vintage photog...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

Erró (born 1932 in Iceland) Les grands enfants de Mao (The Grandchildren of Mao), 2007 Medium: Lithograph in colors Dimensions: 55 x 55 cm Edition of 125: Hans signed and numbered Co...

Milton Glaser Saratoga Festival Poster 1980: For this annual summer arts festival held in Saratoga New York, Milton Glaser places a Pan...

Mel Ramos (born 1935) Reese's Rose, 2008 Medium: Lithograph in colors Dimensions: 93.5 x 55 cm Edition of 199: Hand-signed and numbered Condition: Mint

Artist: Robert Longo Title: The Entertainer Year: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 85 Size: 30 x 22 inches (76 x 56 cm)

Erró (born 1932 in Iceland) Hommage à Picasso, 2005 Medium: Lithograph on paper Dimensions: 46 x 61 cm Edition of 120: Hand-signed and numbered Condition: Excellent

Saul Steinberg (untitled) Chrysler Building Lithograph from Derrière le miroir: Lithograph in colors c.1970. 11 x 15 inches Very good overall vintage condition. Unsigned from an ed...

Peter SAUL Barcelona Olympic Games : the Athletes, 1992 Original Lithograph Handsigned in pencil Numbered /250 On vellum 63 x 90 cm (c. 25 x 36 in)...

Artist: Peter Max (1937) Title: Sailboat Series II Year: 1998 Edition: 201/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 4.75 x 5.75 inches Condition: Excellent ...

Artist: Julian Opie Title: Elena And Cressie Get Ready for the Party 5 Year: 2011 Dimensions: 30 3/4 in. by 24 1/12 in. Edition: 3/30 Publisher: Alan Cristea Gallery London Medium: Original serigraph on Perspex with background inkjet print in colors on paper. Condition: Excellent. Signature Details: Hand-signed in black ink and numbered 3/30 on a label affixed to the reverse. Julian Opie (born in 1958, in London) is a visual artist, and one of the New British Sculpture movements. Julien Opie LED Artwork...

Artist: Peter Max (1937) Title: Protect Our Children Ver. II Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 13.81 x 17.12 inches Condition: Excel...

Tracey Emin Angel Without You monograph (Hand signed by Tracey Emin), 2013 Hardback monograph with illustrated boards (hand signed by Tracey Emin) Boldly signed in blue ink by Tracey...

Keith Haring Yoko Ono 1987: Rare 1980s Keith Haring illustrated announcement for “Dance Plus” - a 1987 week long performance hosted by Keith Haring, Tseng Kwon Chi, Yoko Ono, Judith ...

Ed Ruscha Chicago International Art Exposition (Hand Signed by Ed Ruscha), 1983 Offset Lithograph. Pencil Signed and dated. Unframed. Signed and dated by Ed Ruscha in graphite pencil...

Ed Ruscha Science is Truth Found Out (Red) Limited Edition scarf , held in bespoke box, 2022 Limited Edition 100% silk twill scarf, bearing Ruscha's authorized signature on both the scarf and the tag Printed artist signature on the scarf itself as well as on the tag; and numbered 287/ 500 (see photographs) 51 1/4 × 51 1/4 inches Unframed About the scarf: This limited-edition scarf by Ed Ruscha was produced in Italy by Massif Central...

Ed Ruscha Reading Ed Ruscha (Hand Signed by Ed Ruscha), 2012 Offset Lithograph Poster Boldly signed in black marker by Ed Ruscha on the lower front, edition of approx. 50 (unnumbered...

  “I paint portraits because I am obsessed with the beauty of close-up human faces. I have always spent hours watching faces from behind a camera with a good zoom, and I guess that i...

Artist: Peter Max (1937) Title: Lady Profile Year: circa 1998 Medium: Silkscreen on archival paper Size: 19.75 x 15.25 inches Condition: Excellent Inscription: Signed in permanent ma...

Mel Ramos 50 Years of Pop Art (Hand signed, dated and inscribed to Nadine by Mel Ramos), 2010 Softback monograph with dust jacket (hand signed, dated and inscribed by Mel Ramos) Hand...

James Rosenquist Somewhere to Light, WACO, Texas 1966, from the New York International Portfolio Lithograph on wove paper Pencil signed and numbered 112/225 on the front Vintage fra...

Artist: Peter Max (1937) Title: Protect Our Future Ver. II Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 13.81 x 17.12 inches Condition: Excelle...

In Roy Lichtenstein Nude Reading, from Nudes, 1994, a woman comfortably lounges in her home, reading a book while devoid of clothes; derived in Lichtenstein’s classical style of high...

Keith Haring lithograph 1982: Double-sided lithographic insert from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi gallery exhibition catalog published on the occasion of Haring’s first gallery-based solo exhibition. From a limited edition of 2000. Offset lithograph; 9 x 9 inches. Condition: very good overall vintage condition with only some minor signs of aging. Published by Tony Shafrazi gallery New York, 1982. Unsigned from an edition of 2000. Well suited for matting and framing. Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS Related Categories Keith Haring Dolphins. Keith Haring prints. Vintage Keith Haring. Keith Haring Tony Shafrazi New York. Street Art. Keith haring animals...

  “I paint portraits because I am obsessed with the beauty of close-up human faces. I have always spent hours watching faces from behind a camera with a good zoom, and I guess that i...

Mel Ramos (born 1935) Caramia Caramello, 2008 Medium: Lithograph in colors Dimensions: 94.5 x 58 cm Edition of 199: Hand-signed and numbered Condition: Excellent “Mr. Ramos (…) bega...

The Original Keith Haring 1987 "Safe Sex" Pop Art Poster is a rare and valuable piece promoting the importance of safe sex and AIDS prevention. Conserv...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...