20th Century Landscape Prints

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: Maui Year: 1969 Medium: Color Etching on BFK Rives paper, signed and numbered in pencil Edition: 146/200 Image Size: 10 x 7 inch...

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Jean-Michel Folon (1934- ) Jean-Michel Folon was born in Brussels. He began to study architecture but abandoned it in favor of drawing, which allowed more expressive studies. His drawings have appeared in numerous magazines including Time, Fortune, The New Yorker, and L'Express. In 1969 he had his first one-man show in the United States, followed closely by exhibitions in Tokyo, Venice, Milan, London, Sao Paulo, Geneva, Brussels, and Paris. Folon has illustrated works by Kafka, Lewis Carroll, and Ray Bradbury. In 1973 he created a series of watercolors titled La Mort d'un Arbre (The Death of a Tree), for which Max Ernst created a lithograph as a preface. Folon has completed a 176-square-foot painting for a subway station in Brussels and a 160-square-foot painting for Waterloo Station in London. He is most comfortable using the engraving and drypoint techniques of printmaking. He designed theatre sets, magazine covers, advertisements, posters, wine labels, etc. Often involved in noble undertakings, such as working for world peace, for the disabled, and for safeguarding our environment, he worked on the graphic creation of the "Universal Declaration of the Rights of Man" and produced posters for Unicef, Greenpeace and Amnesty International."  1968 It conceives mural for the house of France to Triennial of Milan, animated of 500 luminous points. It exposes 60 works to the Gallery from France in Paris, and creates a book of end of the year for The Museum of Modern Art of New York. moma. 1969 First exposures to New York, Lefebre Gallery. 1970 Visit Japan and shows in Tokyo and Osaka. It takes part in XXXVè Biennale of Venice in the house of Belgium. First exposure in Italy, in Galleria del Milione in Milan, October. 1971 Carry out a significant exposure to the Museum of Decorative Arts in Paris with 90 works which will be presented later on at the Palate of the Art schools of Charleroi, the Museum of Modern art of Brussels and at Castello Sforzesco of Milan. 1972 Expose to Arts Club of Chicago. 1973 Illustrate the Metamorphosis of Kafka. Alice Editions publishes a collection of watercolours, the Death of a tree, of which he writes also the text. Max Ernst prefaces the book of an original lithography. It belongs to the selection of Belgian artists of XIIè Biennale of Sao Paulo, whose Great Price is decreed to him. 1974 Carry out ten etchings and aquatintes for the Circular Ruins of Jorge Luis Borges. Expose to Milan, the Marconi Studio. For a room of the new subway of Brussels it carries out Magic City, painting of 165 m2. 1975 Undertakes the one second mural decoration, Paysage, for Olivetti, in Waterloo Station in London. Its correspondence in images with Giorgio Soavi is the subject of a book, Lettres with Giorgio, published by Alice Editions. 1976 Expose to the Boymans-van-Beuningen Museum in Rotterdam, then in Deutsches Plakatmuseum, Essen. Carry out covers colors for various magazines, of which Time, which will publish four during years of them. 1977 Expose to Institute of Contemporary Art in London and Spoleto within the framework of XXè Festival, of which it draws the poster. 1978 Expose to the Museum of Modern art of Liege with Milton Glaser. Illustrate Alcools and Calligrammes , of Guillaume Apollinaire. 1979 Illustrate Martian Chroniques , of Ray Bradbury and the complete work of Jacques Prévert in 7 volumes. Exposure of watercolours to the Berggruen Gallery, Paris. 1980 By a series of twelve watercolours and joinings, it illustrates the Autumn in Peking, of Boris Vian, and by a continuation of etchings and aquatintes, the Useless beauty, of Guy of Maupassant. 1981 At the request of Michel Soutter, it designs the decorations of the theatre for works of Frank Martin and Giacomo Pucccini represented with the Large Theatre of Geneva. It carries out images projected for Histoire of the soldier , Igor Stravinsky, with the theatre of the Life in Brussels. 1982 The Museum from the Post office in Paris exposes its work engraved and the Museum Ingres de Montauban organizes an exposure. 1983 It carries out films in drawings in its workshop and turns of the short films to New York, Los Angeles and the Orleans News. Improvise a continuation in images, Conversation, with Milton Glaser, published by Alice Editions. 1984 Retrospective of its posters to Defense in Paris. It carries out the illustrations of the poetic of Guillaume Apollinaire and serious work a succession of etchings and aquatintes for Pluies of New York d' Albert Camus. Exposure to the museum Picasso d' Antibes. 1985 It goes to Japan for a retrospective which will be presented at Tokyo, Osaka and Kamakura. Close to the Door from Italy...

In this print, Pablo Picasso uses a series of curving lines and soft angles to portray a bird in flight. Relying on the use of perspective, the artist creates a unique view of the animal as it soars through the air, surrounded by organic decoration. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso drawing "Etudes de Mains et Colombe...

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

John Stritch was an American artist best known for his abstract and sculptural work. "Blue Sky" features an abstracted and simplified pastoral landscape. ...

Medium: Lithograph on vélin paper Year: 1965 Paper Size: 19 x 13 inches Catalogue raisonné reference: Bloch, illustration 1197 Inscription: Signed in the plate and unnumbered, as iss...

This artwork titled "Brothers" 1991 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 115/...

Salvador DALI Tienta en Espana, 1983 Lithograph and embossing after an etching Printed signature in the plate On Arches vellum 30 x 37" (74 x 93 cm) REFERENCES : - Catalog raisonn...

Nachum Gutman was one of Israeli's leading impressionistic artists, who painted classic scenes of the landscape and images of the country. His works are in many museums and his work...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Original Woodcut in colors on Japanese paper. Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art...

Artist: Marcelle Stoianovich (French, 1926-2014) Title: Lady With Boats Year: Circa 1975 Medium: Color lithograph Edition: Inscribed E.A in pencil Paper: Wove Image size: ...

Purple and blue hues create a sunset over blue mountains that sit above a quaint village in this beautifully picturesque vintage lithograph by Swedish artist Lennart Jirlow...

Artist: Yaakov Agam (1928) Title: Stars Year: 1989 Medium: Silkscreen on Arches paper Edition: P.P. 3/14, 180, plus proofs Size: 26.5 x 19 inches Condition...

Artist: Georg Karl Pfahler (1926-2002) Title: Untitled Year: 1987-93 Edition: 49/100, plus proofs Medium: Silkscreen on Arches paper Size: 27.5 x 27.5 inches Condition: Good Inscript...

New York Bouquet Lithograph, 1917 Edition: 93 Signed with the artist's cipher in pencil lower right (see photo) This lithograph is inspired by Hassam's oil painting of the same title...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller." Lionshead, Vail, Colorado Vintage Ski Poster...

Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980-83 Using 6.5 million square feet of floating pink fabric, Christo and Jeanne-Claude encircled eleven islands in Miami...

Serigraph Silkscreen on Arches paper, hand signed and numbered in pencil. Theodore Jeremenko was born in Yugoslavia in 1938. When he was twelve, Ted and his family moved to the Un...

American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...

Edition of 100 prints, hand signed. Beautiful representation of Autumn colors, designed by the italian artist Orfeo Vitali and printed by Atelier Franco Cioppi.

Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. ...

The Family of Ruth is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1969. ...

Mykonos Horizon Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 147/200 Image Size: 36 x 18 inches Frame Size: 52 x 34 inches

Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...

Hassam, Childe. THE BIG HORSE CHESTNUT TREE, EASTHAMPTON. C/C 304. Etching, 1922. Signed with the cypher and inscribed "imp." in pencil, and signed, date...

Original “Greece” vintage travel poster. Archivally linen backed and ready to frame. This is an original 1967 Greece vintage travel poste...

Artist: James Rosenquist (1933-2017) Title: Gravity Feed, State II (Glenn 147) Year: 1978 Medium: Etching & Aquatint on Pescia Italia paper Edition: 12/78, plus proofs Size: 22.75 x ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: South Shore Year: 1986 Medium: Serigraph, signed and numbered in pencil Edition: 66/100 Image Size: 18 x...

After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas. The original was destroyed by fire in May 1945 at Immendorf Castle, Lower Austria. Landscapes, for Klimt, are vehicles to convey universal themes such as procreation and the mysteries of life. Using a highly personal language of symbols, Klimt creates a voluptuous scene of fertility, fecundity and domesticity. Klimt uses a similarly lustrous palette of pearly iridescence for the path as he had for many of his female nudes. This feminine quality is intensified by the tunnel-effect produced by the walls of colorful floral blooms whose leafy stalks are redolent with wild abundance at the height of summer.The passage leads to a green covered arbor, womb-like, which contains a simple wooden table and a bench. Human presence is unmistakeable.The two chickens shown in the path provide the link to engage with this scene cerebrally and emotionally. Protective and maternal, the mother hens do somewhat bar one’s path, but by no means in a menacing way. The experiential aspect of walking forward and ignoring those chickens, certain that they will dodge out of the way, heightens the rational with the intuitive senses creating the illusion and feeling that the flanking floral walls are parting to provide clear passage to within. Seen in this context, the age old conundrum to divine what came first, the chicken or the egg, begs the question of the greatest mystery of all. One’s relationship to procreation itself, Klimt shows us, is interwoven all around us. Far from banal, this universal quality of the natural world is fraught with thrilling wonder. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...

LA TOUR, LA NUIT, LE JOUR is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded...

This screenprint was created by New York-born artist Saul Chase (b. 1945). The beauty of Chase's work arises out of the inherent contradiction between his subject and the rendering. ...

Lithograph on Saunders Waterford, St Cuthberts Mill paper. Paper size: 19 x 28 inches. Inscription: Hand signed and unnumbered A.P., as issued. Notes: Published and printed by Circle...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Original 1973 Vail Village, Colorado vintage travel and skiing poster. Preservation linen-mounted in A- condition, ready to frame. Discover Vintage Vail Magic! Take a trip back i...

Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of...

Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...

Artist: Keiko Minami, Japanese (1911 - 2004) Title: Castle Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 120 Image Size: 12 x 11 inches Size: 22 ...

Sunset Landscape Arthur Secunda, American (1927) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 31/300 Size: 25.5 x 34 in. (64.77 x 86.36 cm)

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Edition of 200 Coney Island Philomena Marano is known for her colorful cut paper technique. She worked with Robert Indiana. Ms. Marano's work is in m...

Plate Sz: 16 3/4"H x 25"W Frame Sz: 23 3/4"H x 31 3/4"W Pencil signed: LL Published 1992 by Thomas Ross Limited Binfield, England England v. North America at The Guard's Polo Club, Windsor Great Park. In the presence of Her Majesty Queen Elizabeth II to whom this plate is, with permission, respectfully dedicated by the publishers-Thomas Ross. England (Dark Blue) 1. William Lucas...

Cardinaux, Emil. Jungfubahn 1928. Color lithograph. 50 1/4 x 35 1/2" [large format]. Cardinaux’s posters were very influential on the way Switzerland saw and represented itself in...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

"Flood Waters" is an original wood engraving by Harold Wescott, It features a tree in the center, with its roots wrapping languidly over a form. High waters rise up from the back. Un...

Lithograph on vélin paper. Paper Size: 9.06 x 15.75 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc,...

Claude Tabet, French (1924 - 1979) - Du Descendant les Marches. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 3...

La Hage, Pyrenees , France  by French artist J.J. Regal is an original signed, limited edition aquatint etching printed on BFK Rives paper. This is a very bold design with an or...

London, England is an original signed limited edition aquatint etching by French artist J.J. Regal printed on BFK Rives paper. This is a very bold design with an original depict...

Artist: Peter Max (1937) Title: Heart Series IV Year: 1998 Edition: 300/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 5 x 4 inches Condition: Excellent Inscripti...

To see our other original vintage travel posters, many of which are from Switzerland, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...

Charles Ford, American Photo Realist Pop Artist Texas Artist Photorealism is a movement which began in the late 1960's, in which scenes are painted in a style closely resembling phot...

GENE KLOSS (1903 – 1996) TAOS INDIAN JESTERS, 1944 Etching and aquatint, Signed and titled in pencil. Edition 30. Image 11” x 13 7/8”, sheet 13 ¼ x 16 ½”. In very good condition sa...

You definitely need this fantastic Mid-Century serigraph of Chicago's Executive House hotel and the Chicago River by artist Mark Coomer, in its original of...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...