20th Century Landscape Prints

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Orient Point. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Image Size: 21 x 34 inches, Size: 30...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Mabel Oliver Rae (1868 - 1956) Queens' Bridge, Cambridge Etching 13 x 9 cm Titled lower left and signed lower right in plate, and again in pencil outside plate. The college's famed Mathematical Bridge, which reflects in the ruffled waters of the River Cam. Kate Hillman of the Cambridge University Engineering Department notes that: "One of the most recognisable structures on the Cam, Queens' College bridge was originally built in 1749 by James Essex the Younger. Since then it has been rebuilt twice to the original design of William Etheridge, once in 1866 and again in 1905. In 1866 the bridge deck...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Spring Thaw has vibrant fall colors with melting snow creating a strong contrast as the season is changing and a small section of a stream in the foreground.. Ray Vinella immig...

Artist: Yaakov Agam (1928) Title: Stars Year: 1989 Medium: Silkscreen on Arches paper Edition: P.P. 3/14, 180, plus proofs Size: 26.5 x 19 inches Condition...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Highway Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 30 x 22 inches Paper Si...

Navona Square is an original artwork realized by Giuseppe Malandrino in the 1970s. Original print in etching technique. Hand-signed by the artist on the lower left corner. Good co...

Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Le Goût du Bonheur, 1970. Published by Editions Cercle d'Art, Paris; Carl Schünemann Verlag, Bremen; Harry N. Abrams, Inc., New York; printed by Guenther Dietz, Munich, Fall 1970. Excerpted from the folio, The re-creations in this Album were printed in the Fall of 1970 in the studios of Guenther Dietz, Munich, under the personal supervision of Pablo Picasso. They are in the exact size of the original drawings, and were produced through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil, and charcoal are among the artist's matetials used in making the re-creations in this Album. The paper is handmade and is pure rag Vélin d'Arches. The etchings in the special Albums numbered 1 to 35 were pulled in the Ateliers Grommelynck, Paris. This Album comprises three of Picasso's studio sketchbooks dated respectively by the artist according to day, month, and year, as follows: 25.4.64 -20.5.64, 15.9.04-6,10.64, 8.10.64 - 9.10.64. This is the sole edition of re-creations that will ever be made of these hitherto unpublished drawings and three publishers have collaborated in its creation Harry N. Abrams, Inc., New York Editions Cercle d'Art, Paris Carl Schünemann Verlag, Bremen. The combined edition has been limited to 1998 Albums for the entire world, and these have been divided into three parallel but separate editions, one for each of the participating publishers, and each separate edition has been numbered from 1 to 666. Special Albums, numbered 1 to 35 in each edition, include an original etching signed by Picasso. Of this etching, one hundred twenty-five proofs have been pulled, with twenty reserved for the artist and his friends. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace...

Last Horizon, 1991 Bill Schenck Serigraph, Printers Proof Size: 27.75 x 29.75 inches Billy Schenck has been known internationally for 44 years as one of the originators of the cont...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Original Swiss Travel Poster promoting St. Moritz as winter destination, featuring Germaine Aussey, then a famous French actress. Created by Walter Herdeg who – together with Herber...

Artist: Peter Max (1937) Title: Flowering Angel Year: 1973 Edition: 19/100, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 23 inches Condition: Good Inscription: Signed an...

Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...

Bridgehampton Arne Besser, American (1935–2012) Portfolio: Cityscapes Date: 1981 Screenprint, Signed and numbered in pencil Edition of 250, 30 AP Size: 30 in. x 22 in. (76.2 cm x 55....

Landscape is a beautiful original lithograph on cardboard, realized by the Italian artist Giovanni Omiccioli (Rome, 1901-1975) in 1971. Signed and dated in pencil, on the lower margin. In very good conditions, except for some minor holes on edges, the colors are incredibly bright. Numbered on the lower left margin, 88/90 prints. Giovanni Omiccioli was an Italian painter belonging to the modern movement of the Scuola romana with a dynamic paintwork representing soccer games and sports scenes. Having joined the Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai...

The Mountain and the Rose is a Vintage Offset Print by Douglas Prince in 1980. Good conditions.

Claude Tabet, French (1924 - 1979) - Du Descendant les Marches. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 3...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite Maeght, N° 137, 1963. Publish...

screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little." Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..." As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...

Michael Schofield created "The Four Seasons" . This is a limited edition lithograph (Artist Proof) of the Summer Season. (282/800) It is also remarqued. It may be purchased alone fo...

Lithograph and stencil on vélin paper. Paper Size: 15 x 12.2 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Douze aquarelles de Auguste Ro...

Richard Hricko has exhibited internationally in museums, galleries and juried competitions, including the National Academy Museum in New York, Glynn Vivian Art Museum in Wales, and G...

A simplified, illustration-style landscape by American artist Milton Glaser. This print is signed and numbered in pencil by the artist. View near Greve Milton Glaser, American (1929...

Wolf Kahn Untitled, 1982 Original Etching 10 × 15 inches Edition AP (aside from the regular edition of 90) pencil signed, dated and inscribed to Cynthia Frame included: Ships framed ...

Saint Tropez Etching with aquatint, printed in colors, 1964 Signed in ink and numbered in pencil Edition: 71/100 Issued for the album St. Tropez et la Provence, in 1966 Reference: Lo...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as reported on the lower left margin) Dry stamp on the lower margin. Maurizio Coccia, also known as "Rolandi" painter, engraver, sculptor, artistic decorator. Born in Rome in 1940, he studied painting and turned to the masters of the Via Margutta and was inspired by the works of Cagli and Guttuso. After making his debut in the 70s with two exhibitions in Trieste and Rieti, he also exhibits in the United States and in the major Italian galleries...

To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...

This one is a metallic silver gray color. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Ca...

“THE SHADOW OF THE BROOKLYN BRIDGE” Emilio Sanchez (1921-1999) created this color lithograph entitled “Shadow of the Brooklyn Bridge” in 1988. The image size is 21.38 x 30.50 inche...

The Big Church is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the ar...

Boatmen - Eight Scenic Spots Along Sumida River is a modern print realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Ut...

La Hage, Pyrenees , France  by French artist J.J. Regal is an original signed, limited edition aquatint etching printed on BFK Rives paper. This is a very bold design with an or...

Verona is an original artwork realized by Remo Marcorelli in the second half of XX century. Black and white etching. Hand signed on the right. Titled on the lower center: Verona, c...

George O'Connell, American (1926 - ) - The Sun Has Given The Wealth To The Land, Year: 1958, Medium: Etching on Arches, signed, titled and dated in pencil, Image Size: 17.75 x 24 i...

Landscape print of small Japanese city, Nara (A). Signature and seal lower right. Mat board covers the margins which may have date, title and edition. Non-glare glass makes inspection and photography difficult. Visible Area: H 15 in. x W 20.5 in. Artist Biography: Kiyoshi Saito was born in Fukushima prefecture in 1907. At the age of five he moved to Otaru in Hokkaido, where he would come to serve as an apprentice to a sign painter. Saito became infatuated with art after studying drawing with Gyokusen Narita and moved to Tokyo in 1932 to study Western-style painting at the Hongo Painting Institute. He began experimenting with woodblock prints and exhibiting his works with Nihon Hanga Kyokai in 1936. Saito mainly worked in oil painting until his invitation from Tadashige Ono...

S. Angelo dei Lombardi is an original lithograph on paper realized by Giuseppe Megna. Hand-signed on the lower right and numbered on the lower left in pencil, edition of 187/200 pri...

THE WHITE HOUSE FELLOWS is a rare fine art poster by the renowned American Pop artist, Peter Max. THE WHITE HOUSE FELLOWS was created in 1995 in celebration of 30 Years of The White ...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 14.57 x 8.58 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as repor...

Artist: Ronald Julius Christensen – American (1923-1999) Title: Moon Mist Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 21 x 27.5 inches. Sheet size: 22.5 x 30 inches Signature: Signed lower right Edition size: 295 This one: 240/295 Condition: Good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in good, never-framed condition with a faint crease in the upper right margin and a faint stain 4" x 1/2" in the upper left margin, both far from the image. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...

London, England is an original signed limited edition aquatint etching by French artist J.J. Regal printed on BFK Rives paper. This is a very bold design with an original depict...

Artist: Bertram George Buchanan (English, 1873-1962) Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level" *Each work is signed by Buchanan in pencil lower right Circa ...

Artist: Rene Magritte (after) Title: La Traversée Difficile Year of Original: 1968 Year of Printing: 1968 Medium: Lithograph, signed 'F.M' by Fernand Mourlot in pencil Edition: 350 ...

Artist: Fairfield Porter (1907-1975) Title: Street Scene (L.18) Year: 1969 Medium: Lithograph on Arches paper Edition: 69/100, plus proofs Size: 22.25 x 30 inches Condition: Excellen...

This naturalistic lithograph in warm earthly colors Lake was made by Mario Sportelli in 1970. It is a hand-signed artist's proof. Excellent condition.

Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...

The Golden Gate Lithograph on wove paper watermarked GC, 1940 Signed in pencil by the artist (see photo) Publisher: Associated American Artists Edition: 189, unnumbered The image depicts The Golden Gate Bridge which connects San Francisco and Marin County, California References And Exhibitions: Illustrated: Adams, The Sensuous Life of Adolf Dehn, Fig. 13.17, page 324 Reference: L & O 325 AAA Index 391 Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...

Italian State Railways is an original artwork realized in the early century by Aleardo Terzi. Mixed colored lithograph. A vintage affiche depicting Ita...

Illustration II is an original etching by Maurice Chot Plassot (Neully-sur-Seine 1929). Hand- signed by the artist on the lower right corner and the title on the left corner. Imag...

THE LOOKOUT is an original hand drawn lithograph by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniques on archival Arches paper 100% acid free. THE LOOKOUT depicts a quiet boating scene with a young woman dressed in a long, Victorian style navy blue skirt, white blouse and navy neck scarf solidly standing aboard her sailboat gazing out toward the viewer. Ms. Caldwell-Fisher presents a nostalgic look back at New England life portraying a Victorian era female sailor on her sailboat floating on still water, surrounded by peaceful blue skies. THE LOOKOUT evokes a wistful affection for the past with its classic coloration of blues, beige, brown, yellow ochre, black, touches red and white. THE LOOKOUT captures a moment of tranquility while boating during the earlier era of a New England summer season delightfully expressed by the talented American woman artist, Sally Caldwell Fisher. Print size - 16.5 x 9.5 inches, unframed, mint condition, pencil signed by Sally Caldwell-Fisher Sally Caldwell-Fisher was born in Philadelphia 1951, raised in Michigan. She graduated from the University of Michigan and started selling her artwork. Upon moving to New England in the early seventies, she immediately fell in love with its natural beauty - a beauty of contrasts; the granite and dark pines, the fields of snow, and the sparkling sea. It quickly became Caldwell-Fisher's passion to paint New England life in its variety and harmony with nature. Sally Caldwell Fisher portrays in her images a world brimming with charm and simplicity. Attracted to the whimsical, she illustrates everyday life in rural...

Signed, titled and numbered from the edition of 100. Doare is one of several French artists, including Francois Houtin and Erik Desmazieres, who emerged in the early ’70s where dra...

Cricket palace is a vintage offset print realized after Renato Guttuso. The picture is in very good conditions, no signature. Renato Guttuso, born Aldo Renato Guttuso (26 December ...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

Bastille Day Paris is an original hand drawn lithograph by the French artist Urbain Huchet depicting a lively French street celebration on Bastille Day, the July 14th French national...

Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...