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Impressionist Landscape Prints

IMPRESSIONIST STYLE

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

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Style: Impressionist
Degas, Femme debout dans une Baignoire, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, La Chanteuse du Cafe-Concert, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...
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1940s Impressionist Landscape Prints

Materials

Engraving

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed
Located in Soquel, CA
"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...
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1950s Impressionist Landscape Prints

Materials

Paper, Ink, Screen

Degas, La Fete de la Patronne, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.625 x 7.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, Famille Cardinal, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 9 x 6 inches Inscription: Unsigned and unnumbered, as issued Notes: From the volum...
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1940s Impressionist Landscape Prints

Materials

Engraving

Early 20th Century Camping in Sierra Mountains Lithograph
Located in Soquel, CA
Wonderful hand-colored lithograph of Sierra Mountain camping scene by Donald Masefield Easton (American, 1896 - 1956), published in 1931. Signed lower right (partially obscured by mat). Presented in rustic wood frame under glass. Image size: 14"H x 18"W. Donald Masefield Easton was a painter, illustrator with his subjects being California landmarks and western scenes. Born is Port Costa...
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1930s Impressionist Landscape Prints

Materials

Paper, Oil Crayon, Ink

Degas, Famille Cardinal, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.375 x 8.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...
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1940s Impressionist Landscape Prints

Materials

Engraving

Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
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1870s Impressionist Landscape Prints

Materials

Engraving, Woodcut

Degas, Deux Femmes, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, La Pianiste et le Chanteur, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.75 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vo...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, Dans l'Omnibus, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 7 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, Femme sortant du bain, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Landscape Prints

Materials

Engraving

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
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1940s Impressionist Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
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1940s Impressionist Landscape Prints

Materials

Lithograph

Brittany Landscape with Figure
Located in Fairlawn, OH
Brittany Landscape with Figure Etching & color aquatint, c. 1920 Signed lower right (see photo) Numbered lower left: "No. 21" (see photo) An early color etching by the artist, based ...
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1920s Impressionist Landscape Prints

Materials

Aquatint

Hand painted Edition#1-Golden Benton Irises-British Awarded Artist-Oil on Giclée
Located in London, GB
This hand painted Limited Edition is 90% hand painted by artist Shizico yi with original oil paint, gesso and acrylic on giclée made on premium aluminium panel. On offer here is the ...
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2010s Impressionist Landscape Prints

Materials

Metal

Pale Day, Impressionist Monotype Print by Stephen Lack
By Stephen Lack
Located in Long Island City, NY
A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 16 x 22 inches on a 22.5 x 27.5 inch sheet. The artwork is signed, dated, titled and numbered ...
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1990s Impressionist Landscape Prints

Materials

Monotype

Degas, Nu debout, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, Le Divan, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Landscape Prints

Materials

Engraving

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
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1940s Impressionist Landscape Prints

Materials

Lithograph

Degas, Au Salon, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...
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1940s Impressionist Landscape Prints

Materials

Engraving

NATURE MORTE AUX TROIS POMMES
Located in Aventura, FL
Lithograph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 310. All reasonable offers will be co...
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Late 20th Century Impressionist Landscape Prints

Materials

Lithograph

Degas, Avenue du Bois-de-Bologne, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 4.75 x 6.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, On attend les Clients, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, Devant la Cheminee, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 9.125 x 12.25 inches; image size: 6.5 x 9 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...
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1940s Impressionist Landscape Prints

Materials

Engraving

Degas, Petite Fete de la Patronne, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 4.875 x 6.625 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
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1940s Impressionist Landscape Prints

Materials

Engraving

Limehouse
Located in New York, NY
JAMES MCNEILL WHISTLER (1834-1903) Limehouse, from Notes lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...
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1870s Impressionist Landscape Prints

Materials

Lithograph

Trees on the Shore of Grunewaldsee, from: Berlin Impressions - German Berlin
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is numbered 20 from the standard edition of 100. There was also an edi...
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1920s Impressionist Landscape Prints

Materials

Drypoint, Etching

Pierre-Auguste Renoir, Seated Nude Woman, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Femme nue assise (Seated Nude Woman), from the album Les Lithographies de Renoir (The Lithographs of Renoir)...
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1950s Impressionist Landscape Prints

Materials

Lithograph

Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
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1890s Impressionist Landscape Prints

Materials

Drypoint, Etching

The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm. A fine impression, printed with subtle tone. The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter. The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
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1870s Impressionist Landscape Prints

Materials

Drypoint, Etching

La rentrée du Berger by Camille Pissarro - Etching
Located in London, GB
La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...
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1880s Impressionist Landscape Prints

Materials

Etching

Sunshine Fields
Located in Deddington, GB
Sunshine Fields by Ann Burnham [2022] limited_edition Linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:3...
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21st Century and Contemporary Impressionist Landscape Prints

Materials

Paper, Linocut

West Wind, Modern Lithograph by Robert Kipniss
Located in Long Island City, NY
West Wind Robert Kipniss, American (1931) Date: circa 1981 Lithograph, signed and numbered in pencil Edition of 151/250 Size: 4 x 3.25 in. (10.16 x 8.255 cm) Frame Size: 11.25 x 9.5 ...
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1980s Impressionist Landscape Prints

Materials

Lithograph

View Near Greve, Impressionist Screenprint by Milton Glaser
Located in Long Island City, NY
A simplified, illustration-style landscape by American artist Milton Glaser. This print is signed and numbered in pencil by the artist. View near Greve Milton Glaser, American (1929...
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1980s Impressionist Landscape Prints

Materials

Screen

Stone Bridge Landscape, Mid Century Hand Colored Lithograph
Located in Soquel, CA
Detailed hand colored landscape lithograph of a stone bridge in the countryside by French artist Albert Aristide Seguin. Signed illegibly in the lower right corner, matches other e...
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Mid-20th Century Impressionist Landscape Prints

Materials

Paper, Color Pencil, Drypoint, Lithograph

On the Kedgwick
Located in New York, NY
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
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1920s Impressionist Landscape Prints

Materials

Etching

Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre (A Disembarking in England) etching, drypoint, aquatint, roulette and spirit ground, 1879 Signed with the artist’s red owl stamp, Lugt 977 (see photo) ...
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1870s Impressionist Landscape Prints

Materials

Drypoint

La Chasse au Tigre, Surrealist Aquatint Etching by Jacques Villon
Located in Long Island City, NY
Artist: Jacques Villon, After Henri Rousseau, French (1844 - 1910), French (1875 - 1963) Title: La Chasse au Tigre Year: 1924 Medium: Etching with Aquatint, signed and dated in th...
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1920s Impressionist Landscape Prints

Materials

Etching, Aquatint

Cityscape, Photorealist Signed Etching by Harvey Kidder
Located in Long Island City, NY
Cityscape Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and numbered in Pencil Edition of 150 Image Size: 19 x 18 inches Size: 30 x 22 in. (76.2 x 55....
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1980s Impressionist Landscape Prints

Materials

Etching

Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185. Provenance: Kraushaar Gallery, New York A fine impression, with wide margins. The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
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Late 19th Century Impressionist Landscape Prints

Materials

Drypoint, Etching

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
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1940s Impressionist Landscape Prints

Materials

Lithograph

Pierre-Auguste Renoir, Pierre Renoir, Frontal Portrait, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Pierre Renoir de face (Pierre Renoir, Frontal Portrait), from the album Les Lithographies de Renoir (The Lit...
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1950s Impressionist Landscape Prints

Materials

Lithograph

Tapestries II
Located in Chesterfield, MI
Floral design extraordinaire! This is a lithograph of an original watercolor signed by Palo Verdes, California artist Dian Clapp Bartz.
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Late 20th Century Impressionist Landscape Prints

Materials

Lithograph

Tapestries II
Tapestries II
$200 Sale Price
20% Off
Degas, Famille Cardinal, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
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1940s Impressionist Landscape Prints

Materials

Engraving

19th century engraving landscape bridge industrial river scene ink signed
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
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1870s Impressionist Landscape Prints

Materials

Etching

"Lake with Lily Pads" Lush Green Aquatic Nature Landscape Water Forest Woods Air
Located in Austin, TX
By J. Torrents Llado 35" x 24" Serigraph, Edition 65/75 Hand signed in pencil, bottom right. Hand numbered in pencil, bottom left. This Impressionist-style serigraph by National Tr...
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20th Century Impressionist Landscape Prints

Materials

Screen

“Red Square” Serigraph on Paper
Located in San Francisco, CA
It almost makes one want to board Aeroflot to see this firsthand…maybe going out of Istanbul? Well no. And yet, there’s a universal energy on full display in this view by a master im...
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2010s Impressionist Landscape Prints

Materials

Paper

J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
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1880s Impressionist Landscape Prints

Materials

Drypoint, Etching

Pierre-Auguste Renoir, Claude Renoir with Head Lowered, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Claude Renoir la tete baissee (Claude Renoir with Head Lowered), from the album Les Lithographies de Renoir ...
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1950s Impressionist Landscape Prints

Materials

Lithograph

Hand painted Aluminium Limited Edition #1-Gladiolus in Bloom-Brit Awarded Artist
Located in London, GB
Summer Bloom series began in 2022, which Shizico Yi celebrates the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new cottage garden;...
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2010s Impressionist Landscape Prints

Materials

Metal

Bridge, Amsterdam
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches. Provenance: Vivian and Meyer P. Potamkin, Philadelphia; sale, Sotheby’s, New York, May 11, 1989, lot 302 Samuel Josefowitz, Pully, Switzerland A very fine, shimmering impression of this great rarity. This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
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1880s Impressionist Landscape Prints

Materials

Etching

Le Paddock à Deauville, Impressionist Lithograph Poster after Raoul Dufy
Located in Long Island City, NY
Raoul Dufy, After, French (1877 - 1953) - Le Paddock a Deauville, Year: 1964, Medium: Lithograph Poster, Size: 23.75 x 39 in. (60.33 x 99.06 cm), Frame Size: 32 x 47 inches, Pr...
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1960s Impressionist Landscape Prints

Materials

Lithograph

Fête du Jubilé de la Reine à Bedford Park, Londres
Located in New York, NY
A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...
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1890s Impressionist Landscape Prints

Materials

Lithograph

Les Honneurs, Michel Delacroix
Located in Fairfield, CT
Artist: Michel Delacroix (1933) Title: Les Honneurs Year: 1988 Edition: XCIIII/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon paper, and 25 APs on Rives paper Me...
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1980s Impressionist Landscape Prints

Materials

Lithograph

Rustic Beauford S.C.
Located in Fairlawn, OH
Rustic Beauford S.C. Etching and drypoint on Vidalon paper, c. 1930's Created during the artist's two visits to South Carolina. Signed by the artist in pencil lower right Titled in p...
Category

1930s Impressionist Landscape Prints

Materials

Etching

Pierre-Auguste Renoir, Pierre with Three Sketches, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Pierre aux trois croquis (Pierre with Three Sketches), from the album Les Lithographies de Renoir (The Litho...
Category

1950s Impressionist Landscape Prints

Materials

Lithograph

Desert Spring Landscape
By Laurie Bender
Located in Soquel, CA
Vivid large scale giclee print, 27/95, titled Desert Spring 1996 by Laurie Bender (American, b. 1953). Displayed double linen mat and whitewashed wood frame. Signed lower right and n...
Category

1990s Impressionist Landscape Prints

Materials

Paper, Giclée

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching
By Robert Hogg Nisbet
Located in Soquel, CA
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...
Category

1930s Impressionist Landscape Prints

Materials

Laid Paper, Etching

LA PALETTE (HAND EMBELLISHED)
Located in Aventura, FL
Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Edition AP of 75. Artwork is in excellen...
Category

Early 2000s Impressionist Landscape Prints

Materials

Canvas, Giclée

Impressionist landscape prints for sale on 1stDibs.

Find a wide variety of authentic Impressionist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Ken Elliott, Vahe Yeremyan, Michel Delacroix, and James Abbott McNeill Whistler. Frequently made by artists working with Digital Print, and Giclée Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Impressionist landscape prints, so small editions measuring 3.82 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $125,000, while the average work sells for $950.

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