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Realist Landscape Prints

REALIST STYLE

Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world. 

Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history. 

By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.

Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.

Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.

​​Find authentic realist paintings, sculptures, prints and more art on 1stDibs.

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Style: Realist
Christ Church, Oxford 1675 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

1670s Realist Landscape Prints

Materials

Engraving

Forest Sunrise (Hand-printed cyanotype, 18 x 24 inches)
Located in Oakland, CA
Unframed. New from 2023. This is an original, hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints were made. Four have sold. Only six...
Category

2010s Realist Landscape Prints

Materials

Photogram

Oxford 1675 engraving by David Loggan Prospectus Oxoniae Orientalis
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
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1670s Realist Landscape Prints

Materials

Engraving

James Priddey: Durham Cathedral lithograph University City
Located in London, GB
James Priddey (1916-1980) FRSA RBSA Durham Cathedral Lithograph 37 x 36cm A Birmingham-based artist, educated at the Birmingham College of Art and a ...
Category

Mid-20th Century Realist Landscape Prints

Materials

Board, Lithograph

L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category

1870s Realist Landscape Prints

Materials

Drypoint, Etching, Aquatint

The Journey's End (Hand-printed cyanotype, 30 x 20 inches)
Located in Oakland, CA
Unframed. 2022. Signed on the back. This photograph was taken just weeks after the artist's husband died, thus the title, "The Journey's End." Paths that disappear into the mist, p...
Category

2010s Realist Landscape Prints

Materials

Photogram

The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Corner of Cheyne Walk, Chelsea Etching, unsigned, with the artist’s tab, signed in the plate, trimmed to th...
Category

1880s Realist Landscape Prints

Materials

Etching

"Sound Bound, " Framed Limited Edition Giclee Print, 9" x 12"
Located in Westport, CT
This traditional seascape Limited Edition print by Daniel Pollera captures a coastal summer scene with swaying grass in what appears to be a bay. Sailboats with white sails are visib...
Category

2010s Realist Landscape Prints

Materials

Digital, Giclée

David Loggan: All Souls College, Oxford 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) All Souls College...
Category

1670s Realist Landscape Prints

Materials

Engraving

David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
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1670s Realist Landscape Prints

Materials

Engraving

Great St Mary's, University of Cambridge David Loggan 1690 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) The Church of St Mary the Virgin, Cambridge (1690) Engraving 38 x 47 cm Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

1670s Realist Landscape Prints

Materials

Engraving

Spring at My Place
Located in Toronto, Ontario
Christopher Pratt (1935–2022) is one of Canada’s most beloved and recognizable Maritime artists. Born in St. John’s, he dedicated the majority of his artistic practice to depicting s...
Category

1980s Realist Landscape Prints

Materials

Screen

Trinity College, Cambridge engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Cambridge (1690) Engraving 80 x 50 cm Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category

1690s Realist Landscape Prints

Materials

Engraving

Corpus Christi College, Oxford 1675 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
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1670s Realist Landscape Prints

Materials

Engraving

Ruins of the Temple of Kom Ombo, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Ruins of Kom Ombo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Theodoor Galle Martin de Vos 17th Century Engraving Jesus on the Cross
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603) Jesus on the Cross...
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17th Century Realist Landscape Prints

Materials

Engraving

Coffee Shop of Cairo, Egypt: Original 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Coffee-Shop of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in Lo...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Wadham College, Oxford 1675 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Wadham College, Oxford (1675) Engraving 32 x 41 cm Loggan's view of Wadham from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman...
Category

1670s Realist Landscape Prints

Materials

Engraving

Road to Nablous, West Bank: A 19th C. Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Entrance to Nablous, The Holy Land (West Bank)" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Church of the Holy Sepulchre: A 19th C. Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category

1840s Realist Landscape Prints

Materials

Lithograph

David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Wadham College Oxford Engraving 1675 34x42cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category

1670s Realist Landscape Prints

Materials

Engraving

St Catharine's College, Cambridge David Loggan 1690 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) St Catharine's College, Cambridge (1690) Engraving 35 x 46 cm Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

1670s Realist Landscape Prints

Materials

Engraving

Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
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1670s Realist Landscape Prints

Materials

Engraving

Trinity College, Oxford David Loggan 1705 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Oxford (1705) Engraving 32 x 41 cm Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

1670s Realist Landscape Prints

Materials

Engraving

Jesus College, Cambridge engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

1690s Realist Landscape Prints

Materials

Engraving

Magdalene College, Cambridge engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Magdalene College, Cambridge (1690) Engraving 38 x 43 cm Loggan's view of Magdalene from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category

1670s Realist Landscape Prints

Materials

Engraving

David Loggan: New College, Oxford 1690 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) New College...
Category

1690s Realist Landscape Prints

Materials

Engraving

University College, Oxford David Loggan 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) University College, Oxford (1675) Engraving 29 x 40 cm Loggan's view of Univ from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

1670s Realist Landscape Prints

Materials

Engraving

Southwark Cathedral engraving c. 1753 for Stow's Survey of London
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category

1750s Realist Landscape Prints

Materials

Engraving

DOMINO Signed Lithograph, Bucks County Landscape, Historic Stone Farmhouse, Cow
Located in Union City, NJ
DOMINO is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography te...
Category

1980s Realist Landscape Prints

Materials

Lithograph

David Loggan: Great St Mary's Church Cambridge University engraving 1690
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1690s Realist Landscape Prints

Materials

Engraving

David Loggan Hertford College Oxford Hart Hall engraving 1675 Aula Cervina
Located in London, GB
David Loggan (1634-1692) Hart Hall - now Hertford College - Oxford - Aula Cervina Engraving 28x39cm Loggan was born to English and Scottish parents, a...
Category

1670s Realist Landscape Prints

Materials

Engraving

1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis North East View of St George's Chapel, Windsor To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x40cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category

Early 1800s Realist Landscape Prints

Materials

Etching, Aquatint

David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
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1670s Realist Landscape Prints

Materials

Engraving

The Sphinx & Pyramid, Giza, Egypt: Original 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Side View of the Great Sphinx" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...
Category

1840s Realist Landscape Prints

Materials

Lithograph

"Vineyard Haven Dinghy, " Framed Limited Edition Giclee Print, 24" x 32"
Located in Westport, CT
This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...
Category

2010s Realist Landscape Prints

Materials

Digital, Giclée

John Boydell 1751 engraving A South Prospect of the City of Oxford
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Mid-18th Century Realist Landscape Prints

Materials

Engraving

Colen Campbell: Althorp Hall - Althrop - Diana Princess of Wales engraving 1725
Located in London, GB
Colen Campbell (1676-1729) Althrop Hall in Northamptonshire the Seat of the Rt Honourable The Earl of Sunderland & co. 35x50cm Engraving (1715-1725) from 'Vitruvius Britannicus, or the British Architect...' Althorp Hall - as it is now written, but still pronounced 'Althrop' - is the seat of the Earl Spencer and the location of the grave of Diana, Princess of Wales...
Category

Early 18th Century Realist Landscape Prints

Materials

Engraving

Saint Moritz, Switzerland
Located in San Francisco, CA
This artwork titled "Saint Moritz, Switzerland" 1922 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the ...
Category

Early 20th Century Realist Landscape Prints

Materials

Etching

Peonies, Realist Aquatint Etching by Jane Freilicher
Located in Long Island City, NY
Artist: Jane Freilicher, American (1924 - 2014) Title: Peonies Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 25 Size: 29.5 x 22 in. (74.93 x 55.88 cm)
Category

1980s Realist Landscape Prints

Materials

Etching, Aquatint

The Letter-Writer, Cairo, Egypt: Original 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Letter-Writer" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Hawke Bay
Located in Toronto, Ontario
Christopher Pratt (1935–2022) is one of Canada’s most beloved and recognizable Maritime artists. Born in St. John’s, he dedicated the majority of his artistic practice to depicting s...
Category

1980s Realist Landscape Prints

Materials

Screen

Schubert's Birthplace, Vienna, Austria
Located in San Francisco, CA
This artwork titled "Schubert's Birthplace, Vienna, Austria" c.1925 is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the a...
Category

Early 20th Century Realist Landscape Prints

Materials

Etching

"Winter Barn" by artist named Berger
Located in Chesterfield, MI
Winter--in all its delicate beauty-- in this lithograph by artist named Berger who pencil signed it and titled it also. It is beautifully framed in a gold wooden frame.
Category

Late 20th Century Realist Landscape Prints

Materials

Lithograph

CAY RUNNER Signed Lithograph, Realistic Runner Boat on Calm Water, Marine Art
By John Lutes
Located in Union City, NJ
Artist - John Lutes (1926-2001) Title - Cay Runner Medium - Lithograph Year Published - 1980 Print Size - 29 x 22 in. Printer - J K Fine Art Editions Co., NY Cay Runner is an original hand drawn, limited edition lithograph, (not a photographically reproduced or digital print) by the American artist John D. Lutes created using traditional hand lithography techniques, proofed and printed in multiple colors on archival Arches paper 100% acid free. Cay Runner depicts a very detailed realistic rendition of a runner boat in still water, a solid light khaki grey sky serving as the backdrop for this quiet marine boat portrait. This is a rare limited edition lithograph by Mr. Lutes not often seen on the marketplace. Cay Runner is in excellent condition, unframed, pencil signed by John Lutes. Print size - 30 x 22 inches, unframed, excellent condition, hand signed in pencil by John Lutes Edition size - 300, plus proofs Year published - 1980 Printer - J K Fine Art Editions Co. NY John D. Lutes, born 1926 in Chicago, died 2001...
Category

1980s Realist Landscape Prints

Materials

Lithograph

"The Putting Green" - Figurative Landscape
By Douglas Adams
Located in Soquel, CA
"The Putting Green" - Figurative Landscape 20th century lithograph copy (restrike) of an original painting by British artist Douglas Adams (English, 185...
Category

1970s Realist Landscape Prints

Materials

Lithograph, Paper

Dimanche en Bretagne
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Dimanche en Bretagne, etching, 1939, signed in pencil lower left and inscribed “ep d’artite” lower right. Reference: Laboureur 543, second state (of...
Category

1930s Realist Landscape Prints

Materials

Etching

Puck Corner, SOHO, New York signed, numbered by top architectural artist, Framed
Located in New York, NY
Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front Elegantly matted and f...
Category

1970s Realist Landscape Prints

Materials

Pencil, Etching, Aquatint

"Just the Two of Us, " Framed Limited Edition Giclee Print, 36" x 48"
Located in Westport, CT
This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...
Category

2010s Realist Landscape Prints

Materials

Digital, Giclée

The Four Seasons- Autumn
Located in Chesterfield, MI
Michael Schofield created The Four Seasons; this is Autumn. It is a limited edition lithograph, artist proof, and it is also remarqued and signed by the artist. Purchase this for $2...
Category

Mid-20th Century Realist Landscape Prints

Materials

Lithograph

The Four Seasons- Autumn
The Four Seasons- Autumn
$160 Sale Price
20% Off
Banana Grove
Located in New York, NY
George Biddle (1885-1973), Banana Grove, lithograph, 1928. Signed, titled and numbered in pencil [also annotated in the plate “Biddle/1928, lower right “47). References: Pennigar 81, Trotter 47. In excellent condition, the full sheet, on cream wove BFK RIVES paper, with their (partial) watermark. 12 1/2 x 9, the sheet 20 x 16, archival mounting (non attached mylar hinging between acid free board, glassine cover). A fine fresh rich impression in pristine condition. After Groton, Harvard College...
Category

1920s Realist Landscape Prints

Materials

Lithograph

David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1710s Realist Landscape Prints

Materials

Engraving

Le Bourg de Batz
Located in New York, NY
William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...
Category

1910s Realist Landscape Prints

Materials

Drypoint, Etching

Mediterranean Blue Sea Waves, Handmade Cyanotype Print, Calming Ripples, Limited
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Mediterranean Blue Sea Waves" is a handmade cyanotype print of the subtle tidal flow moving in on the Mediterranean Sea. ...
Category

2010s Realist Landscape Prints

Materials

Watercolor, Emulsion

SALVO, Landscape, Color aquatint
Located in Torino, IT
Landscape, 1990 Original aquatint and aquatint signed by hand by the artist.. (mm. 450x540). Perfect specimen, imprinted on Hahnemühle paper in a total of 100 copies Perfect preserv...
Category

1990s Realist Landscape Prints

Materials

Aquatint

Danzig
Located in San Francisco, CA
This artwork titled "Danzig" c.1920, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 16 x 20 inches, framed size is 26.5 x 30 inches. Custom framed in a wooden silver frame, with light brown matting and dark brown fillets . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Landscape Prints

Materials

Etching

Rathaus in Vienna
Located in San Francisco, CA
This artwork "Rathaus in Vienna" c. 1960 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...
Category

Mid-20th Century Realist Landscape Prints

Materials

Etching

Salzburg View
Located in San Francisco, CA
This artwork titled "Salzburg View" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate m...
Category

Late 20th Century Realist Landscape Prints

Materials

Etching

Antarctica #30, Iceberg, Limited Edition Photograph, Blue, Travel, unframed
Located in Riverdale, NY
Antarctica #30 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 20x30 and it is printed on 24x36 archival pa...
Category

2010s Realist Landscape Prints

Materials

Photographic Paper

Bazaar of Coppersmiths, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Bazaar of the Coppersmiths, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Realist landscape prints for sale on 1stDibs.

Find a wide variety of authentic Realist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Daniel Pollera, John Harris (painter), David Loggan, and Adriaen Collaert. Frequently made by artists working with Digital Print, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Realist landscape prints, so small editions measuring 3.25 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $80 and tops out at $48,000, while the average work sells for $929.

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