Realist Landscape Prints
REALIST STYLE
Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world.
Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history.
By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.
Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.
Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.
Find authentic realist paintings, sculptures, prints and more art on 1stDibs.
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Style: Realist
Paris, Montmartre, Le Sacre Coeur
Located in San Francisco, CA
This artwork titled "Paris, Montmartre, Le Sacre Coeur" c. 1970 is a color etching by noted Austrian artist Robert Kasimir, 1914-2002. It is signed at t...
Category
Late 20th Century Realist Landscape Prints
Materials
Etching
Early 18th Century Globe Terrestre Engraving
By Francois Halma
Located in Soquel, CA
Wonderfully detailed steel engraving of the earth, locations labeled in French: Afrique, Grande Tartarie, La Chine, etc., by By Francois Halma (Dutch, 1653-1722), 1705. Interesting f...
Category
Early 1700s Realist Landscape Prints
Materials
Paper, Ink
Busy Street, Vienna
Located in San Francisco, CA
This artwork Busy Street, Vienna" c. 1970 is a color etching by noted Austrian artist Robert Kasimir, 1914-2002. It is signed at the lower center in penci...
Category
Late 20th Century Realist Landscape Prints
Materials
Etching
ARLINGTON HOUSE Signed Hand Drawn Lithograph, Victorian House Portrait, Realism
Located in Union City, NJ
ARLINGTON HOUSE is an original hand drawn limited edition lithograph by Merv Corning printed using traditional hand lithography techniques on archival Arc...
Category
1970s Realist Landscape Prints
Materials
Lithograph
Michael Sansers, Bicyclette, Large Canvas Print, Affordable Art, Art Online
Located in Deddington, GB
Michael Sansers
Bicyclette
Large Canvas Print
Edition of 50
Sold Unframed
(Please note that in situ images are purely an indication of how a piece m...
Category
2010s Realist Landscape Prints
Materials
Canvas, Archival Ink
John Speede Map The Countye Palatine of Chester with that most ancient citie
By John Speed
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
17th Century Realist Landscape Prints
Materials
Engraving
I KNEW EACH STONE AND TREE Signed Lithograph, Bearded Man, Biblical Landscape
Located in Union City, NJ
I KNEW EACH STONE AND TREE.....Both Grape and Wine To Me is an original hand drawn stone lithograph by Emanuel Schary(Israel, b. 1924, d. 1994) printed using hand lithography techniq...
Category
1970s Realist Landscape Prints
Materials
Lithograph
Rothenburg, Ploentein
Located in San Francisco, CA
This artwork titled "Rothenburg, Ploentein" 1984 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed and dedicated in pencil. The oval image s...
Category
Mid-20th Century Realist Landscape Prints
Materials
Etching
John Speede Map The Countye of Monmouth
By John Speed
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
17th Century Realist Landscape Prints
Materials
Engraving
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Realist Landscape Prints
Materials
Engraving
David Roberts' 19th Century Hand Colored Lithograph, "Fortress of Ibrim, Nubia"
Located in Alamo, CA
"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition.
The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left.
There are four additional listings of David Roberts engravings of Egypt...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Antarctica #30, Iceberg, Limited Edition Photograph, Blue, Travel, unframed
By John Conn
Located in Riverdale, NY
Antarctica #30 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 20x30 and it is printed on 24x36 archival pa...
Category
2010s Realist Landscape Prints
Materials
Photographic Paper
Hoer Dachstein, Austria
Located in San Francisco, CA
This artwork titled "Hoer Dachstein, Austria" c. 1960 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate ...
Category
Mid-20th Century Realist Landscape Prints
Materials
Etching
Adrian Collaert early engraving Martin de Vos The Circumcision of Christ
Located in London, GB
We have the full series of 52 prints from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all fro...
Category
17th Century Realist Landscape Prints
Materials
Engraving
Somme, Coucher de Soleil
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912)
Title: Somme, Coucher De Soleil
Year: Circa 1965
Medium: Color Etching
Edition: Numbered 109/300 i...
Category
Mid-20th Century Realist Landscape Prints
Materials
Aquatint
"Marine Chantier de Construction": 18th C. Engraving of Shipbuilding by Diderot
Located in Alamo, CA
"Marine Chantier de Construction", plate VIII from the 18th century "Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers" (Encyclopedia, or a Systematic Dict...
Category
1750s Realist Landscape Prints
Materials
Etching, Engraving
Reflections. [Central Park.]
Located in New York, NY
Signed and titled in pencil. Inscribed "51/285." Edition 285. Very good condition.
Category
1980s Realist Landscape Prints
Materials
Lithograph
![Reflections. [Central Park.]](https://a.1stdibscdn.com/harold-altman-prints-works-on-paper-reflections-central-park-for-sale/a_3312/1584714433053/97558_1_master.jpg?width=240 "central park harold hill")
The Street, Chelsea - 1880s etching by Whistler follower Theodore Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA
(1847-1926)
The Street, Chelsea Embankment
Etching, signed in the plate, signed on the artist’s tab, trimmed to the platemark by the artist, framed
15...
Category
1880s Realist Landscape Prints
Materials
Etching
The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA
(1847-1926)
The Corner of Cheyne Walk, Chelsea
Etching, unsigned, with the artist’s tab, signed in the plate, trimmed to th...
Category
1880s Realist Landscape Prints
Materials
Etching
Clarendon Building Oxford, William Nicholson lithograph 1905 Stafford Gallery
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Nicholson
Clarendon Building, Oxford
Signed, published by Stafford Gallery, with their blindstamp
Lithograph
32x26cm
Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...
Category
Early 1900s Realist Landscape Prints
Materials
Lithograph
"View Towards the Pyramids": David Roberts' 19th Century Hand Colored Lithograph
Located in Alamo, CA
"View Towards the Pyramids" is a 19th century full folio sized hand-colored lithograph by David Roberts from his monumental publication "The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia", published in London in 1846. It depicts a scene of a boat on the Nile, along with several smaller boats. Saccara (Saqqara), near Memphis, the original capital of Egypt, can be seen in the background with its ancient Step Pyramid of Pharoah Djoser. This was the first Egyptian pyramid, designed by the physician and architect Imhotep. Pharoah Snofru’s (Sneferu) failed design Bent Pyramid and the subsequent replacement Red Pyramid can be seen in Dashour (Dashur). These structures preceded the more famous pyramids in Giza.
This lithograph is professionally framed in a gold-colored wood frame, double cream-colored mats and it is glazed with museum quality archival material. The print is in excellent condition.
There are four additional listings of David Roberts engravings of Egypt...
Category
1840s Realist Landscape Prints
Materials
Lithograph
David Loggan St Peter's College Oxford New Hall Inn - Aula Novi Hospitii 1675
By David Loggan
Located in London, GB
David Loggan (1634-1692)
St Peter's College Oxford - New Inn Hall, Aula Novi Hospitii
Engraving 1675
25x36cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University.
Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College).
Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708.
Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery...
Category
1670s Realist Landscape Prints
Materials
Engraving
David Loggan Old Divinity School Oxford Scholae Theologicae Print 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Landscape Prints
Materials
Engraving
David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Landscape Prints
Materials
Engraving
Dad's Estuary View, Mark A Pearce, Limited Edition Print, Rural Art, Happy Art
Located in Deddington, GB
Mark A Pearce
Dad’s Estuary View
Limited Edition Reduction Linocut
Edition of 58
Size: H 66cm x W 66cm x D 0.1cm
Sold Unframed
Please note that in situ images are purely an indicatio...
Category
21st Century and Contemporary Realist Landscape Prints
Materials
Paper, Linocut
L'eglise de Villeneuve sur Bellot, Seine-et-Marn
Located in San Francisco, CA
Artist: August Lepere – French (1849-1918)
Title: L'eglise de Villeneuve sur Bellot, Seine-et-Marn
Year: 1915
Publisher: Edmond Sagot (blindstamp, lower ...
Category
1910s Realist Landscape Prints
Materials
Etching
John Boydell 1751 engraving A South Prospect of the City of Oxford
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Mid-18th Century Realist Landscape Prints
Materials
Engraving
Thames Bridges, Prints of London, Monochrome Etchings, Affordable Cityscape Art
By John Duffin
Located in Deddington, GB
John Duffin
Thames Bridges
Limited Edition Etching
Edition of
Sheet Size: H 76cm x W 56cm x D 0.1cm
Sold Unframed
Please note that in situ images are pur...
Category
21st Century and Contemporary Realist Landscape Prints
Materials
Paper, Etching
Advantage of Exile tropical ocean mountain landscape blue water unique monotype
Located in New York, NY
This large-scale, colorful ocean landscape monotype gives the viewer a hidden vantage point: through the dark silhouette of tangled vines can be seen a placid, turquoise sea lapping ...
Category
1990s Realist Landscape Prints
Materials
Monotype
David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade.
This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition.
There are four additional listings of David Roberts hand colored engravings of Egypt...
Category
1840s Realist Landscape Prints
Materials
Lithograph
David Loggan Hertford College Oxford Hart Hall engraving 1675 Aula Cervina
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Hart Hall - now Hertford College - Oxford - Aula Cervina
Engraving
28x39cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 163...
Category
1670s Realist Landscape Prints
Materials
Engraving
Colen Campbell: Althorp Hall - Althrop - Diana Princess of Wales engraving 1725
Located in London, GB
Colen Campbell (1676-1729)
Althrop Hall in Northamptonshire the Seat of the Rt Honourable The Earl of Sunderland & co.
35x50cm
Engraving (1715-1725) from 'Vitruvius Britannicus, or the British Architect...'
Althorp Hall - as it is now written, but still pronounced 'Althrop' - is the seat of the Earl Spencer and the location of the grave of Diana, Princess of Wales...
Category
Early 18th Century Realist Landscape Prints
Materials
Engraving
Thebes, Egypt: A Framed 19th Century Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Medinet Abou, Thebes" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon ...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Adrian Collaert early engraving Martin de Vos Pastores venerunt festinantes
Located in London, GB
We have the full series of 52 prints from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all fro...
Category
17th Century Realist Landscape Prints
Materials
Engraving
Panorama of London Samuel & Nathaniel Buck 1749 engraving
Located in London, GB
To see our other views of London, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Samuel Buck (1696-1779) & Nathaniel Buck (active 1724-59)
Panorama of the River Thames from Westminster Bridge to London Bridge
Published September 1749
30x404cm
Engraving
Samuel & Nathaniel were brothers, best known for their depictions of ancient castles and monasteries entitled 'Buck's Antiquities' and those of townscapes of England and Wales, 'Sea-Ports and Capital Towns'. LIttle is known about the brothers' lives. Samuel was born in Yorkshire and died in penury in London in 1779, he was buried in the churchyard of St Clement Danes. Nathaniel pre-deceased him, dying between 1759 and 1774.
This panorama is a fascinating insight into a long-lost, but strangely familiar, London. To the left is Westminster Bridge, framing the picture and to the right London Bridge completes the frame. A detailed key identifies 140 buildings and other features. Amongst the more recognisable items are Westminster Abbey, Horse Ferry (which is, indeed, a ferry for taking horses across the river with their carts and carriages), but presuamably somewhat redundant with the new (1750) bridge that coincides with the publishing of this print, the huge stack of used straw...
Category
Mid-18th Century Realist Landscape Prints
Materials
Engraving
Red Breasted Merganser from Illustrations of British Ornithology Pl.58 by Selby
Located in Paonia, CO
Red Breasted Merganser PL 58 from a rare black and white edition of Prideaux John Selby’s two volume set of 222 engravings “Illustrations of British Ornithology”. These original...
Category
Mid-19th Century Realist Landscape Prints
Materials
Engraving
David Loggan King's College Cambridge Chapel engraving 1690 Colegii Regalis
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Landscape Prints
Materials
Engraving
Two Heads by Henry Moore abstract black and white figure portrait Auden
By Henry Moore
Located in New York, NY
One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...
Category
Late 20th Century Realist Landscape Prints
Materials
Lithograph
Italian Summer, Framed Etching by Michael Chapman
By Michael James Chaplin
Located in Brecon, Powys
Etching from the studio of this acclaimed British Watercolorist.
Good condition. Image 15.5" x 11.5"
English artist Michael Chaplin is a Member of the Royal Watercolor Society, pa...
Category
1990s Realist Landscape Prints
Materials
Etching
1782 View of Windsor Castle by James Fittler RA George Robertson John Boydell
By James Fittler
Located in London, GB
To see our other Architectural Prints and Drawings including other views of Windsor, scroll down to "More from this Seller" and below it click on "See all from this Seller."
James Fittler (1758-1835) after George Robertson...
Category
Mid-18th Century Realist Landscape Prints
Materials
Engraving
David Loggan St Catharine's College Cambridge engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Landscape Prints
Materials
Engraving
What I discovered in Greenwich Park
Located in New York, NY
This large scale landscape monotype in black and brown features a scene from London’s Greenwich Park, a former hunting park established in the 15...
Category
1990s Realist Landscape Prints
Materials
Monoprint, Monotype
David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Landscape Prints
Materials
Engraving
"Cantonment Stevens, Looking Westward, " Hand-colored Lithograph by G. Sohon
Located in Milwaukee, WI
"Cantonment Stevens, Looking Westward," is a hand-colored lithograph by Gustavus Sohon. His signature is printed under the lower right of the oval, and the publisher is printed under...
Category
1850s Realist Landscape Prints
Materials
Lithograph
{La raccolta delle mele: The Apple Harvest}
Located in Storrs, CT
Color print of 2 ladies in traditional dress, picking apples. The plate size is 12 x 8 1/2 (sheet size is 15 1/8 x 10 5/8). The mat dimensions are 18 x 14; frame dimensions are 24 1/...
Category
20th Century Realist Landscape Prints
Materials
Color
David Loggan Winchester College 1675 engraving Wykehamist
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Winchester College
Engraving
1675
40x46cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studyin...
Category
1670s Realist Landscape Prints
Materials
Engraving
A Pair of 19th C. Engravings Depicting the Costumes and Weapons of Afghani Men
Located in Alamo, CA
These hand-colored lithographs are from "Character and Costumes of Afghanistan", written by Lockyer Willis Hart (of the 22nd Bombay Native Infantry). The lithographs were created by ...
Category
1840s Realist Landscape Prints
Materials
Lithograph
David Loggan St John's College Oxford Canterbury Quad engraving 1675
By David Loggan
Located in London, GB
David Loggan (1634-1692)
St John's College Oxford - Canterbury Quad
Engraving 1675
31x50cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University.
Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College).
Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708.
Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...
Category
1670s Realist Landscape Prints
Materials
Engraving
"de poort" - Landscape with Trees & Art Nouveau Gate, Limited Edition Lithograph
By David Corbett
Located in Soquel, CA
Limited edition lithograph featuring an ornate, Art Nouveau style gate in a wintry landscape with bare trees on the horizon by David Corbett (American, 20th Century). Numbered, title...
Category
Late 20th Century Realist Landscape Prints
Materials
Paper, Ink, Lithograph
New York, Columbia University Color Etching by Luigi Kasimir
Located in Paonia, CO
The famous Austrian artist, Luigi Kasimir ( 1881- 1962 ) studied at the Vienna Academy of Art. He went on to develop the technique of color etching using multiple plates to creat a finished etching in color. Previously a colored etching had to have the color applied by hand. Kasimir was a very prolific artist famous for his scenes of Vienna...
Category
1940s Realist Landscape Prints
Materials
Etching
Raleigh Tavern, Williamsburg, VA
Located in San Francisco, CA
This artwork titled "Raleigh Tavern, Williamsburg, VA" c. 1970 Is an original etching on paper by noted American artist Leonard H. Mersky, 1917-1994. It is signed, titled and numbered 13/300 in pencil by the artist. The size of the plate mark (image) is 7 x 8 inches, framed size is 15.15 x 16.15 inches. The artwork is in excellent condition, the frame is in good condition, it has minor dents.
About the artist.
Born in Boston in 1917, Leonard Mersky...
Category
Late 20th Century Realist Landscape Prints
Materials
Etching
William Williams engraving of Christ Church - College at Oxford c.1732
Located in London, GB
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William Williams...
Category
Early 18th Century Realist Landscape Prints
Materials
Engraving
William Williams engraving of Jesus College Oxford c.1732 Collegium Jesu
Located in London, GB
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William Williams...
Category
Early 18th Century Realist Landscape Prints
Materials
Engraving
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Wadham College...
Category
1670s Realist Landscape Prints
Materials
Engraving
David Loggan King's College Cambridge engraving 1690
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
King's College Cambridge
Engraving
1690
40x51cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University.
Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College).
Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and it is thought largely no second edition was produced.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708.
Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...
Category
1690s Realist Landscape Prints
Materials
Engraving
David Loggan King's College Cambridge Chapel South Front engraving 1690
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
David Loggan Cambridge portrait Charles Duke of Somerset 1690
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Charles Duke of Somerset...
Category
1690s Realist Landscape Prints
Materials
Mezzotint
Christ Church Oxford College, William Nicholson lithograph 1905 Stafford Gallery
Located in London, GB
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William Nicholson
Canterbury Gate, Christ Church, Oxford College
Published by Stafford Gallery...
Category
Early 1900s Realist Landscape Prints
Materials
Lithograph
Realist landscape prints for sale on 1stDibs.
Find a wide variety of authentic Realist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Daniel Pollera, John Harris (painter), David Loggan, and Adriaen Collaert. Frequently made by artists working with Digital Print, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Realist landscape prints, so small editions measuring 3.25 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $80 and tops out at $48,000, while the average work sells for $929.
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