Woodcut Prints and Multiples

Repentance is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.30 (as report...

Brunetto Latini from the Series "The Divine Comedy" - Song 16 - Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante...

The Quilter Color woodcut printed on cream color wove paper c. 1990 Signed in pencil lower right (see photo) Signed with the artist's stamp lower right in the pencil signature (see p...

The Hard Margins - from the Series "The Divine Comedy" - Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighier...

Ex-Libris - Ruzena Cecháková is an Artwork realized in 1930 s., by the Artist Jaroslav Votruba (1889-1971). Woodcut print on paper.  The work is glued on colored cardboard. Total d...

German whim is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 1/89 specimens and titled on th...

La Gloire is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. B./W. Woodcut on paper. Hand-signed on the lower, numbered 1/89 specimens and titled on the le...

Genjie is an original artwork realized in 1852 by Utagawa Kunisada (1786-1865). Oban yokoe. From the series "Sono Sugata yukari no utsushi-e" (Faithful images of the Radiant Princ...

Provincial Predictor (Profeta di Provincia) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered...

The Minotaur - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. ...

"Piccarda Donati" from the Series "The Divine Comedy" - Song 3 - Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by ...

Cacciaguida sees Dante’s exile in God -  "The Divine Comedy" - Song 17 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Come...

Plate from Faithful Images of the Radiant Prince Genji is an original modern artwork realized by Utagawa Kunisada in 1850s. Woodcut print Oban yokoe format. From the series "Sono ...

Albert Abramovitz was working in New York in the 1930s when he made wood engravings of the construction of the Moscow subway. This image, The Wagonette, is a wrenching testament to t...

Portrait of Cardinal Albrecht of Brandenburgr is a Woodcut print on cream-colored paper. realized after Albrecht Durer, a reproduction of the early 20th...

Ex-Libris Rui A. Santos is an Artwork realized in Mid-20th Century. Woodcut B./W. print on paper. The work is glued on ivory cardboard. Total dimensions: 21 x 15 cm. Excellent c...

Beauty of Beatrice - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as is...

The Last Fight is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 2/89 specimens and titled on...

Beatrice Solves Dante’s Doubts -  "The Divine Comedy" - Song 4 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by D...

Leader is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 1/89 specimens and titled on the lef...

Signed and numbered woodcut from the edition of 15. Political and social satire is a frequent topic in Hazelwood's work. But equally, he enjoys depicting the social scene in specific...

The Rebellious Souls - from the Series "The Divine Comedy" - Song 2- Hell is a woodcut print realized by Dalì in 1963 for a series illustrating the Medieval poem of the "Divine Com...

Ex Libris Dolfa Bartosik is a Contemporary Artwork realized in the mid-20th Century. One Color woodcut print on ivory-colored paper. Hand-signed in pencil on the lower margin. Th...

Platt, John Edgar (English, 1886-1967). PORT OF ST. TROPEZ. Woodcut in color, 1924. Edition of 100, signed and titled in pencil and numbered 43/100. 15 1/4 x 11 1/2 inches (sheet). P...

Zodiac Signs - Lion is original Black and white woodcut print, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut by Pie...

The Mistress is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. B./W. Woodcut on paper. Hand-signed on the lower, numbered 1/89 specimens and titled on the...

Ex Libris Marta Cinner  is a Contemporary Artwork realized in the mid-20th Century.  B/W Lithograph Artwork on ivory-colored paper.   The work is glued on cardboard.  Total dimens...

Ex Libris - Dr. Nicolàs Leòn is a Modern Artwork realized in Mid 20th Century B/W woodcut on paper. The work is glued on ivory cardboard. Total dimensions: 21x 14.5 cm. Exce...

This portrait of a man in Blue Coat carrying goods in the work of the japanese artist Utagawa Kunisada (1786-1865), otherwise known as Toyokuni III. Whether through the use of color...

Dante in Doubt from the Series "The Divine Comedy" - Canto 7 - Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by ...

Ibis is a modern artwork realized in 1870. Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name of the bird printed in plate. This work is part of a print sui...

Ex Libris Cinner  is a Contemporary Artwork realized in the mid-20th Century.  Lithograph Artwork on ivory-colored paper. The title is inscripted on the right corner in red.   The ...

Otomi Watches the Thief Yosaburo is an original modern artwork realized by Utagawa Kunisada in 1860. Woodcut print oban diptych format from a tryptich. Signature Toyokuni ga. Publisher: Maruya Jimpachi. Censored by Aratame. Otomi watches as the thief Yosaburo, who holds a kitchen knife...

Really a wood engraving rather than a woodcut, Henry R. Diamond's Whaler is majestic. It is signed and titled in pencil.

Purple Martin is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Han...

Ex Libris  - I Romanzi della Palma is an Artwork realized by Mario Marioni for Giorgio Balbi in Mid 20th Century. Woodcut. Good conditions.

Raid On A Sand-Swallow Colony " How Many Eggs?" is an original wood engraving from Harper’s Weekly June 13, 1874 in very good condition. One of Am...

Ex-Libris - F.Serra-Mont is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

The Envious of Purgatory - from the Series "The Divine Comedy" is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighie...

Original Perfection - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as is...

Portrait of André Breton is an original black and white xylograph realized by Anonymous artist at the second half of the 20th Century. The artwork depict...

Edward Gordon Craig (British, 1872 – 1966) Army of Fortinbras Woodcut Signed with monogram (lower right) 4.3/4 x 8.1/4 in. (12 x 20.8cm.) A beauti...

Woodcut Print Cat is a woodcut print realized by Simon Haret in the Mid-20th Century. Good condition with minor foxing. Monogrammed on a plate.

Ex Libris  - Giorgio Balbi  - Per il Mondo con il Nostro Amore is an Artwork in Mid 20th Century. Woodcut. Good conditions.

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Elderly Woman is an original xilograph on brownish paper, realized by the Italian Artist Lorenzo Viani in 1930ca. Monogram of the artist on the lower ri...

Ex-Libris - Solskiej is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .

Myril Adler "Antique" portrait c.1960s Woodcut on tissue affixed to orange paper 3.5"x5.5" site unframed Signed and titled in ink Myril Adler, was born on...

Ex Libris  - Giorgio Balbi  is an Artwork in Mid 20th Century. Woodcut. Good conditions.

Brugnot et Tamisier is an original woodcut print realized after Tony Johannot (1803–1852) in the 19th century. The original work is contained in a white passepartout (35x51 cm). Good condition. Hand-signed. Antoine Johannot, known commonly as Tony Johannot (1803–1852), was a French engraver, illustrator and painter. Tony learned engraving from his brothers and helped Alfred produce illustrations of books by James Fenimore Cooper...

Ex Libris - Sigismundi is an Artwork realized in 1957. Etching print on ivory paper. Hand Signed on the right margin. Good conditions. The artist wants to define a well-balanced c...

Ex Libris Helder Duarte is an Artwork realized in 1955 by Herberto Helder (1930-2015) Woodcut B./W. print on paper. The work is glued on ivory cardboa...

Ugolino is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, realiz...

Ex Libris - Karla Pihla is an Artwork realized in Mid 20th Century. Etching. Good conditions. The artist wants to define a well-balanced composition, through preciseness.

The Suicides - from the Series "The Divine Comedy" - Song 13 Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n. 13 (as reported on the back of the artwork) that depicts a scene from Hell. Good conditions. Limited edition of 2900, realized by Unione Editoriale, Italy. Ref. Michler-Lopsinger no. 1039/1138, pp.102/114. Prov. Private Collection Rome, Italy. Between 1951 and 1960, Dali was invited by the Italian government to commemorate the birth of Dante Alighieri, Italy’s most famous poet, by producing a series of illustrations for a full-text Deluxe edition of Dante’s masterpiece, the "Divine Comedy". However, in 1958 a new government was elected in Italy, which objected the idea of entrusting the illustration of the "Divine Comedy" to a foreign artist. As a result, Dali decided to offer the project to the French publisher, Joseph Forêt and the publication was completed on November 23rd, 1963. Dalí painted...

Ex Libris  - Rethy Istvan Konyve is an Artwork realized in Mid 20th Century. Etching. Good conditions. The artist wants to define a well-balanced composition, through preciseness.

The Traitor of Montaperti from the Series "The Divine Comedy" - Hell tav. 32 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" ...

The Siren of the Dream - Purgatory plate 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed as...