Woodcut Prints and Multiples

Boy Mounted on a Frog is a woodcut print on paper realized by an unknown artist in the 1830s Good conditions. The artwork is created through smooth delicate strokes by mastery.

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Five color woodcut by the Massachusetts artist Walter Feldman. Feldman had a distinguished career as a graduate of the Yale art program and professor of art at Brown University. See...

Medium: original woodcut. This impression on thin wove paper was printed in 1902 and published by Gazette des Beaux Arts. Image size: 8 1/8 x 5 1/2 inches (207 x 140 mm). Signed in t...

Five color woodcut by the Massachusetts artist Walter Feldman. Feldman had a distinguished career as a graduate of the Yale art program and professor of art at Brown University. See...

Five color woodcut by the Massachusetts artist Walter Feldman. Feldman had a distinguished career as a graduate of the Yale art program and professor of art at Brown University. See...

Clifton Karhu (1927-2007) Pagoda at Yasaka, c. 1960s/1970s Woodblock Print Sight: 11 x 14 1/2 in. Framed: 18 1/2 x 22 3/4 x 1 in. Signed lower right in the plate: C Karhu Karhu was ...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Salvador Dali (1904-1989) Hell 33 - The Betrayers of their Hosts woodcut Printed signature in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") R...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Medium: original woodcut. Catalogue reference Roethel 105. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 8 1/2 x 8 3/4 inches (217 x 220 mm). Sh...

Woodcut on BFK Rives paper, produced in 2020. Edition of 100. Mint condition, unframed. Signed and numbered in pencil by Nicolas Party.

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: harlequin clown Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Medium: original woodcut. Reference: Dupin 1295. Published for the Jacques Dupin catalogue raisonne "Miro Graveur IV" in 2001. Sheet size: 12 1/2 x 9 3/4 inches (320 x 248 mm). A ric...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

Gwenda Morgan (1908-1991)- limited edition wood engraving. Signed and titled in pencil to the lower margin. Editioned 42/50. Smartly mounted in a reeded ...

Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...

Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...

Finding a pussy cat in the deep jungle was truly a rare sighting for this naturalist. Black ink on buff rice paper. Rare Sighting - Figurative Print - Woodcut Print By Marc Zimmerma...

Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...

Some of his prints were published by the WPA some were done in Soviet moscow in Russia.. it is a wood engraving signed in pencil. From a small edition. Albert Abramovitz (1879-1963...

Three surfers carving up the Hawaiian waves, having a blast in the tropical surf. 3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman Limited Edition 01/05 ...

Some of his prints were published by the WPA some were done in Soviet Moscow in Russia.. it is a wood engraving signed in pencil. From a small edition. Albert Abramovitz (1879-1963...

Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...

Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...

Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...

ARTIST: Salvador Dali TITLE: Divine Comedy Purgatory Canto 24 MEDIUM: Woodblock SIGNED: Hand Signed EDITION NUMBER: 139/150 MEASUREMENTS: 9" x 13.5" FRAME: No CONDITION: Exce...

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...

Ohne Titel (Blatt 2 der Folge Genesis), 2006 Woodcut in colors, on wove paper 29 3/4 x 17 3/4 in. (75.5 x 45 cm) Edition of 35 Signed and numbered in pencil, lower margin

Alles fließt, 2013 Woodcut in colors, on wove paper 22 x 14 1/5 in. (56 x 36 cm) Unique Signed in pencil, lower margin

Namib Dune II, 2003 Woodcut in colors, on wove paper 23 4/5 x 31 3/4 in. (60.5 x 80.5 cm) Edition: 18/35 Signed and numbered in pencil, lower margin

Wassermusik, 2015 Woodcut in colors, on wove paper 21 1/4 x 29 7/8 in. (54 x 76 cm) Edition of 8, EA Signed and numbered in pencil, lower margin

Tinzenhorn I, 2015 Woodcut in colors, on wove paper 22 2/5 x 30 1/3 in. (57 x 77 cm) Edition of 50, EA Signed and numbered in pencil, lower margin

Ex-Libris - Music., Alfons Van Quelle i is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Sylvio Moreaux i is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Dr. Stefan Csanyi is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Sireho Schmidta is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

Heres a rooster with attitude! He's checkin you out! Be carefull. Printed on off white rice paper. Make My Day - Animal Painting - Woodcut Print By Marc Zimmerman Limited Edition 0...

A vibrant Japanese woodblock print depicting a Japanese gentleman in traditional dress. Signed in characters. Presented in a wooden frame. On paper.

Ex-Libris - Music, Kislinger is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Don Chisciotte is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

Five color woodcut by the Massachusetts artist Walter Feldman. Feldman had a distinguished career as a graduate of the Yale art program and professor of art at Brown University. See...

ARTIST: Salvador Dali TITLE: Divine Comedy Heaven Canto 7 MEDIUM: Woodblock SIGNED: Hand Signed EDITION NUMBER: 52/150 MEASUREMENTS: 9" x 13.5" FRAME: Yes CONDITION: Excellen...

These lively, colorful works are full of movement and Mira's characteristic mysterious, mythical figures and shapes. Victor Mira Set of three woodcuts on buff, textured paper, 1983...

Surimono is a beautiful color woodcut with white and silver gold embossing, made between 1820 and 1846 by the Japanese artist Yashima Gakutei. A young woman is squatting on the floor, holding a musical instrument, the favorite subject of the Japanese master. With a layer of dust, a small hole in the upper margin to the right and some fading, the original print is still in good condition and retains its incredible charm. Really the surimonos are a genre of Japanese woodblock prints, privately commissioned for special occasions. Being produced in a small edition for a mostly educated audience, surimono were often more experimental in subject matter and treatment, and extravagant in printing technique, than commercial prints. Good conditions except a minor fading on top and some brushing of paper. Yashima Gakutei (c. Osaka, 1786 - 1868) The Japanese artist and poet was a pupil of both Totoya Hokkei...

ARTIST: Salvador Dali TITLE: Divine Comedy Purgatory Canto 6 MEDIUM: Woodblock SIGNED: Hand Signed EDITION NUMBER: 50/150 MEASUREMENTS: 9" x 13.5" FRAME: No CONDITION: Excell...

ARTIST: Salvador Dali TITLE: Divine Comedy Hell Canto 31 MEDIUM: Woodblock SIGNED: Hand Signed EDITION NUMBER: 18/150 MEASUREMENTS: 9" x 13.5" CONDITION: Excellent. REFERE...

ARTIST: Salvador Dali TITLE: Divine Comedy Heaven Canto 8 MEDIUM: Woodblock SIGNED: Hand Signed EDITION NUMBER: 70/150 MEASUREMENTS: 9" x 13.5" FRAME: Yes CONDITION: Excellen...

Black ink on buff Japanese rice paper. This image came from watching the sea birds on Kauai, Hawaii soaring along the bluffs on the north shore and diving for fish in the sea. Fishi...

Purgatory Canto 29 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame. Cataloging: Micheler, R., & Löpsinger, L. (Eds.). (1995). Salvador Dalí Catalogue Raisonné of Prints II Lithographs and Wood Engravings 1956 – 1980. Prestel. pgs 102 -114. Field, A. (1996). The Official Catalog of the Graphic Works of Salvador Dalí. The Salvdor Dalí Archives. pgs. 189 – 200. Dante Alighieri’s The Divine Comedy...

An Eagle Ceremony at Tesuque Pueblo Woodcut printed in two colors, 1932 Unsigned as usual; initialed in the plate lower left (see photo) As published by Elmer Adler in "The Colophon:...

Shoko Uemura, 'Inside the Flowers (Java Sparrow and Peach Blossoms)', color woodcut, c. 1950s, edition 300. Signed in ink with the artist’s red seal beneath. A fine impression, with ...

Ex-Libris - Dionysius Dutkay is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

Ex-Libris-Hannsheeren is an Artwork realized in The 20th Century. Woodcut on paper. Hand-signed in pencil. Good conditions. The artwork represents a minimalistic, clean design, t...

Color woodcut/lithograph with chine collé and collage Woodman returned to Shark's in 2015 to make her most recent print "The White & Black Set". The artist poses a set of white a...

Woodcut print of my surfing logo. One of my first images in woodcut from 1989 titled; " Dr Zongo shoots the tube." Stlyish surf stance,dont you think? Dhude( Surfer) - Figurative ...