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PETE PETERSON (American, 1931-2002). Poster-American Designed ltd, Washington, D.C. May 3-8, 1978. Measures 24.75 x 28 in. Unframed. Plate-signed. Fair Condition-shows signs of age a...

Artist: George Rodrigue Title: Love Among the Ruins Medium: Silkscreen Year: 1994 Edition: 6/15 Sheet Size: 22" x 34" Frame Size: 29 3/4" x 41 3/4" Signed: Hand signed and numbered i...

A very good impression of this color lithograph on Hodgkinson handmade Oatmeal paper. Signed, titled, dated and numbered 12/75 in pencil by Rosenquist. Printed and published by Peter...

Raoul Dufy Silkscreen on fabric/ wood frame Edited by Bianchini ferier Dated 1991 Numbered with a pen 139x191,5 cms 2400 euros

Color lithograph with plastic eyes, Edition 30. Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultu...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm As published in Chagall Lithographe 1957-1962. VOLUME II. Unsigned, as issued, from the edition of several thousand Condition : Excellent Reference: Mourlot/Gauss 401 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion...

Title: Original "Diane" 1956 Half-Sheet Vintage Movie Poster Linen backed and ready to frame. NSS: 56/13 Features:- - This is an original movie poster for the 1956 film "Diane"...

LITHOGRAPHS Greenwich Village NYC by the American photorealist artist John Baeder is a limited edition mezzotint printed using hand printmaking techniques on archival, cream colored ...

'Convent of the Terra Santa, Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in...

This is an original 19th century hand-colored lithograph entitled "Convent of St. Catherine Mount Sinai Looking Towards the Plain of the Encampment" by David Roberts, from his Egypt ...

Pablo Picasso (1881-1973) - La Danse des Faunes Lithograph from 1957. An unnumbered copy from a limited edition of 1000. Dimensions of work: 48.5 x 63.5 cm Reference: Bloch 830; ...

News Stand, photograph from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project at the Affordable Art Fair Milan 2019 and the series i...

Gussie and Connor 6 13" x 12" (HxW) Original Signed Monoprint Artist Casey Blanchard utilizes natural elements and reserved color palettes to produce ...

Artist: Andy Warhol Title: Untitled (Plate 1) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Sheet Size: 8 1/2" x 11" Signatu...

Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...

Artist: John Hultberg Title: Sketch Medium: Serigraph Signed: Hand Signed Edition: From the edition of 200 Measurements: 32.5" x 24" Note: This piece is sold UNFRAMED Condition...

Heidler & Heeps Vinyl Collection Eight Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautiful...

Signed by artist, Artist's Proof Silkscreen print on paper Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas,...

Shadows cast across a vintage petrol pump at the Shady Dell Trailer Park in Bisbee, Arizona. Photograph from Richard Heeps' 'Dream in Colour' series...

Hans Frank (1884 Vienna - 1948 Salzburg), Death and Life, 1911. Lithograph, 18 cm x 31 cm (depiction), 25.5 cm x 38.7 cm (sheet size), signed “H.[ans] Frank” in pencil lower right an...

CS25 - is #25 in the series. This artwork is a result of a spontaneous trip to Santa Barbara, California, following a rough day. Walking the streets of Santa Barbara, the artist ha...

15 x 38 ins (38.1 x 96.5 cms) Edition of 98 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; work...

The Four Seasons - Summer by Lélia Pissarro (B. 1963) Serigraph 50.5 x 59.5 cm (19 ¾ x 23 ¼ inches) 60.5 x 70 cm (23 ¾ x 27 ½ inches) Signed and numbered Printed in an edition of 300...

Marc Chagall Original Lithograph Double-page spread from the 1974 book "Chagall" by André Pieyre de Mandiargues. Unsigned, edition of approximately 10,000 Published by Maeght 1974 D...

Artist/Designer; Manufacturer: Philip Guston (1913-1980) Marking(s); notes: signed, blind stamp; ed. 39/50; 1980 Country of origin; materials: Canadian-American; lithograph Dimension...

Modern grey and blue geometric abstract serigraph by Grecian artist Chryssa Vardea-Mavromichali, better known as Chryssa. Influenced by the power of lettering and typography, the wor...

Bitter Campari Sign, Italian Typography street photography from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a specia...

'Utopian Foyer III', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme through...

Pablo Picasso (1881-1973) - Jeune faune, femme et enfant Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, seco...

'Utopia', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the ser...

Framed colour map of the West Indies published 1936 w/ border design motif adapted from native West Indian handicraft and indigenous tropical fruits Colorte...

b. 1941, New York, NY Pat Lipsky is known for her large scale paintings of repeating stripes of bold, rich colors. The geometric forms of color shift and bounce against each other i...

_ _ ADA, Italian street photography from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project at the Affor...

Untitled is a Lithograph on paper realized in second half of the 20th Century by Alexander Calder. Very good condition including a white cardboard passpartout (32 x 50 cm). Alexand...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

Lithograph on white Rives BFK paper Proofs: 10AP, 1BAT, 2CTP, 2PP, 4 publisher's proofs, 1 shop proof, 5TP Inscriptions: Signed and dated in pencil lower right, "Ed Ruscha 91", numbe...

Nelson Mandela, The Lighthouse, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. He spent time with an art tutor and learnt to draw. In 2002, when creating the The Lighthouse print...

Boiling Crabs by Richard Swaby Platt, 1954 Additional information: Medium: lithograph in colours on wove 30 x 43 cm 11 3/4 x 16 7/8 in Richard Swaby Platt, ARCA was a painter, lith...

Abbey Gilbert is a photographer based in New York City. As she navigates through her personal exploration of lesbian sexual chemistry, Abbey Gilbert examines the ambiguous space betw...

'Orden I (Orden der Deutschen Staaten)' (Orders I (German States) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Thomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...

Untitled is a print realized by Giuseppe Capogrossi (Rome, 1900 - 1972). Lithograph on paper Hand-signed lower right, numbered, edition lower left, 56/80 prints. Embossing stamp of...

A very good impresson of this color screenprint with embossing on Arches Cover paper. Artist's proof, aside from the numbered edition of 250. Printed by Studio Heinrici, Ltd., New Yo...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Pablo Picasso (1881-1973) - Deux femmes nues Lithograph from 1967. The edition of 89/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the pu...

A very good impression of this color lithograph with strong colors. Signed and numbered 119/140 in pencil by Severini. Printed by Michael Cassé, Paris. Published by L'Œuvre Gravée, P...

Nelson Mandela, The Ward, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family...

'The Acropolis, Lower End of the Valley, Petra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Hol...

Nelson Mandela, The Courtyard, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his f...

This large hand-colored map entitled "Le Duché et Gouvernement de Normandie divisée en Haute et Basse Normandie en divers Pays; et par evêchez, avec le Gouvernement General du Havre ...

Edition of 60 71 x 79 cms (28 x 31 ins)

Sam Francis Untitled (from Fresh Air School), 1972 Lithograph on wove paper, for the Carnegie Museum of Art 15 × 22 inches Limited Edition of 6,000 (unsigned edition; there is a sepa...

Elektronik, artwork from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and...

An early copper-engraved county map of Merioneth, based on the work of Christopher Saxton (1540-1610), and engraved by William Kip (fl.1598-1610) for William Camden's 'Britannia'. Wi...

Kiss in Venice.

A very good impression of this digital pigment print on white wove paper. The "Right to Print" proof, aside from the edition of 100. Signed, dated "7/30/01" and inscribed "RTP" in pe...

'Meerwasser - Aquarium' German tinted wood-engraving, circa 1895. 245mm by 305mm (sheet). Central vertical fold as issued.