Abstract More Prints

Colour screenprint on J.B. Green paper 104.1 x 71.7 cms (41 x 28 1/4 ins) Edition of 150

Orignal poster for Max Bill's exhibition "Grafiken aus 30 Jahren" at Galerie Design 1 in Hamburg in 1970.

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Rupprecht Geiger (German, 1908-2009) Black on Different Reds, 1981 Medium: Screen print on cardboard Sheet dimensions: 39.5 x 40 cm Edition of 100 + XX: Hand-signed in pencil, verso ...

P o th A a Vfb (Portrait of the Artist as Vogelfutterbüste) 1970 Plate 12.4 x 8.6 in. / 31.5 x 22 cm / Paper 30.7 x 21 in. / 78 x 53.5 cm Intaglio printing (halftone block) in black ...

Original “Foire Internationale de Lyon” vintage poster. Archival linen backed. In excellent condition A+, ready to frame. NO damage, no restoration, no fold marks. Full lithogr...

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...

Thomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...

This series of abstract black and white Roth prints is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. The artist worked ...

Color etching with carborundum by Antoni Clavé "No Title", 1975 75,5 x 55,5 cm Copy 32/60 Edition of 60 (approx.). Antoni Clavé (Barcelona 1913 - 2005 ...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Louisa Chase’s paintings are romantic in tone, alluding to the power of nature while serving as pictorial metaphors for her own state of mind. Drawing on her distinctive brand of Neo...

André Butzer (German, b. 1973) Untitled, 2019/2022 Medium: Etching in colors on wove paper Dimensions: 33 x 43 cm Edition of 15: Hand-signed, numbered and dated in pencil Condition: ...

54.9 x 56.5 cms (21.6 x 22.25 ins) Edition of 50 Paper: Somerset paper Signature:Signed "RM" in pencil lower right Inscriptions:Numbered in pencil lower right Proofs:20 AP, number...

Set of 6 drawings, 2022 by Rodrigo Spinel From the series Terms and conditions Gliceé printed on Hahnemule Fiber matte paper, intervened by the art...

Abstract 2 is an original hand drawn lithograph by the German artist Jan Voss, printed using hand lithography techniques on archival Arches paper 100% acid free. Abstract 2 presents ...

b. 1941, New York, NY Pat Lipsky is known for her large scale paintings of repeating stripes of bold, rich colors. The geometric forms of color shift and bounce against each other i...

64.8 x 46.3 cms (25 1/2 x 19 ins) Edition of 3 Paper: Rives BFK Proofs: 1 UP (Hand colored) Signed lower left, numbered lower left. Publisher: Joseph Press...

(after) Sonia Delaunay - Composition - Pochoir 1956 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Unsigned and unumbered ...

Color monotype on Arches paper. Signed in pencil and with the artist's signature black ink stamp in lower right. Titled in pencil in lower margin. Published by Novak Graphics, Tor...

Color lithograph by Giuseppe Santomaso Untitled from "Vingt-deux-poèmes" (Portfolio with artworks by several artists and 22 poems by Jean Cassou. The work...

1970 12 1/2" x 9 3/4" Articles on Chagall, Vasarely, Gilioli, Soulages, Magnelli, Manessier, Crippa, Rothko and more. With both original lithographs by Chagall...

Original, for the 1972 Munich, Germany Olympics. Linen-backed Art Series poster done For the Olympische Spiele Munchen 1972. The contemporary abstrac...

Orange Deadpan - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C), heavily textured in hu...

Lithograph and chine colle 73.9 x 56.9 cms (29.1 x 22.4 ins) Edition of 19

Rainbow shades shine in this abstract, color field print. Vibrant red, yellow, orange, purple, and green lines take on the organic quality of handmade paper, resulting in this subtle...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

Ivel Weihmiller (Argentine b. 1954) , "Homage To Gauguin" Artist Proof, Abstract Lithograph Print signed and numbered in Pencil, 21.50 x 27, Late 20th Century Colors: Orange, Blue, ...

Untitled is a print realized by Giuseppe Capogrossi (Rome, 1900 - 1972). Lithograph on paper Hand-signed lower right, numbered, edition lower left, 56/80 prints. Embossing stamp of...

Edition of 50 60.3 x 61 cms (23 3/4 x 24 ins)

Claire Seidl Description Without Place (Hand Signed), 1986 Lithograph and silkscreen. Hand signed, dated and numbered from the edition of 65 by the artist. 28 × 38 1/2 inches Unfram...

104.1 x 71.8 cms (41 x 28.25 ins) Edition of 150 Paper: J.B. Green Paper Signed "RM" in pencil lower right; signed "Motherwell" in screen lower right Inscriptions: Numbered in ...

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Set of 6 drawings 2022 by Rodrigo Spinel (Framed) From the series Terms and conditions Gliceé printed on Hahnemule Fiber Matt paper, intervened by ...

Spectrum of Enchantment by Helen Covensky, Polish/American (1925–2007) Date: 1980 Lithograph, signed and numbered in pencil Edition of 225, HC Image Size: 17 x 26 inches Size: 22 in....

Peter Halley Musee d'Art Contemporain Pully/Lausanne (Hand Signed), 1992 Offset lithograph poster (hand signed by Peter Halley) 11 1/2 × 16 1/2 inches Unframed Hand signed in black ...

63 x 46 cms (25 x 18 ins) Edition of 40

In the center of a royal blue field of color, Ricard has scrawled “Jasper Johns over 34,000,000 sold”.  Ricard’s work brims with cultural references: with this statement he positions...

Original vintage poster: BASEL (Switzerland). In ancient Basel, they beat the drums at night to drive the evil demons from the city. Fastnacht. Museum linen backed. Basel; the city on the Rhein and much more! Printer and illustator: Schaffner. This image features the drum that you beat all night long to drive the bad spirits from the city. A drama mask...

Edition of 75 51 x 71 cms (20 x 28 ins)

Woman Standing is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1951. The print suite was realized in 1985 in a limited edition o...

A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...

Aquatint and drypoint 75.9 x 60.6 cms (29 7/8 x 23 7/8 ins) paper size 60.3 x 45.4 cms (23 3/4 x 17 7/8 ins) plate size Edition of 5

LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Art...

Screenprint by Antonio Saura "Aquella tarde al verse en el espejo.." from "Diversaurio", 1962 77,5 x 55,2 cm Copy 52 Edition of 85 Antonio Saura (Hue...

Edition of 40 77.5 x 58.5 cms (30.5 x 23 ins)

Joan Miro (1893-1983) - Playing Dog Lithograph from 1956. Dimensions of work: 23 x 37 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

Edition of 50 66 x 57 cms (26 x 22 1/2 ins)

Edition of 150 104.1 x 71.7 cms (41 x 28 1/4 ins)

A superb impression of this color engraving, soft-ground etching, scorper and screenprint on Japan paper. Fifth state (of 5). Signed, titled, dated and numbered 1/50 in pencil, lower...

Sam Francis Untitled (from Fresh Air School), 1972 Lithograph on wove paper, for the Carnegie Museum of Art 15 × 22 inches Limited Edition of 6,000 (unsigned edition; there is a sepa...

This shimmering, metallic vintage poster with rainbow text and layers of texture must be seen in person to appreciate Frank Stella's masterful design. Original exhibition poster for Frank Stella’s Metal Reliefs exhibition at the Addison Gallery...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white. Title of this artwork is 'Lines and a green triangle'. ...

33 x 71 cms (13 x 28 ins) Edition of 75, Set of 6

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Contemporary op art abstract linocut and embossed print by Polish artist Ryszard Gieryszewski. Print is mostly red and blue. Title of this artwork is 'Signs 1'. Artwork is signed by ...

Edition of 100 46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)