Miniature Nude Prints

The Fisherwoman is an original etching realized by Giacomo Manzù in 1960s. Numbered on the lower left. Ed. 10/12. The state of preservation is very good. Giacomo Manzù (Bergamo, ...

Nude Women is an original etching on paper, realized by Arthur Edouard Guillez (1865-1916) in 1913. Hand-signed and dated. The state of preservation of the artwork is very good. Sh...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

Female nude etching, from a series of 6 male and 6 female images. Reyes attended The School of the Art Institute of Chicago, where he received a Bachelor of Fine Arts degree in 19...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

Each piece is a unique and original Linocut print. Von Wiegand uses organic and traditional Japanese and Chinese papers in her work. Each piece is sold Unframed. A solitary female n...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

Artist: After Pablo Picasso (1881-1973) Title: Marie-Thérèse considérant son Effigie surréaliste sculptée (after Bloch 187) Year: 1992 Medium: Reproduced from the original edition us...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

Artist: After Pablo Picasso (1881-1973) Title: Le Viol VII (after Bloch 202) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone screen process by Druck- und Verlag GmbH, 4200 Oberhausen, Germany; lithographically printed by Druck- und Verlag GmbH on japon handmade 200 g/sqm paper by created by Richard de Bas in Ambert, France and imported by Japico Drissler Feinpapiere, Frankfurt, Germany. Paper Size: 18 x 12.75 inches; a size slightly reduced from the original Vollard edition for differentiation Condition: Excellent Inscription: Artist’s signature posthumously lithographically reproduced from the original Vollard edition, and numbered in pencil by the curators of the Municipal Museum Mülheim an der Ruhr, Germany. 168/300. Notes: Published by Municipal Museum Mülheim an der Ruhr, Germany in cooperation with the Society for the Promotion of the museum in 1992 and the Fundación Picasso; printed by Plitt Druck- und Verlag GmbH, 4200 Oberhausen, Germany. The following is a German to English translation of the original text issued by the Municipal Museum Mülheim an der Ruhr, Germany in the following from which this graphic is a part, “In order to give a broad public access to this unique print work by Pablo Picasso in its entirety and at the highest quality level, the support group for the city. Museum Mülheim an der Ruhr initiated and significantly supported the new edition of the “Suite Vollard.” The reprint of the "Suite Vollard" includes a limited edition of 300 copies of 100 loose sheets each in a linen cassette. The copies were numbered from 1 to 300 on the leader sheet. The reproductions were produced in grain screen mode, a process in which which eliminates the traditional line grid and achieves maximum originality. The paper was hand-made specifically for this work by Richard de Bas in Ambert, France, one of the most traditional paper mills in Europe. The paper for the original edition also comes from this factory. The quality Blane narcisse, belin, 200 g/sqm was selected and imported from Japico Drissler Feinpapiere, Frankfurt. Reproduction and paper format has been slightly reduced compared to the original edition. The technical development and overall production was carried out by Plitt Druck- und Verlag GmbH, 4200 Oberhausen.” PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism...

Untitled Plate 6 from Paroles Peintes Suite is an etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lower left in pencil. Edition of 85 ...

Hand signed. Edition of 156 prints.

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

PAWEL ZABLOCKI (born in 1960) Pawel Zablocki is a graduate of the Academy of Fine Arts in Cracow. He received his diploma in 1987. Between 1991 and 1998, Zablocki studied semiotics a...

This is a unique working proof for one of six images that comprise the group of prints called The Gathering. Signed and titled in pencil, Working Proof III, aside from the edition. ...

Morning Paper Mezzotint, 1941 Signed in pencil lower right Publisher: 32nd Presentation Print of the Chicago Society of Etchers Edition: 350 Illustrated in GREAT AMERICAN PRINTS 1900...

L'heure de Berger (Hour of the Shepherd) Color lithograph, 1898 Signed in the stone lower right As published in L'Estampe Moderne, Paris, March, 1898 Edition: 2000 (there was also a ...

Full Length Mirror Lithograph 16/20 14 x 10 inches Framed: 22 x 18 inches

Henri Matisse, French (1869 - 1954) - Stephane Mallarme Poesis Pg 143, Year: 1939, Medium: Etching, Size: 13 x 9.75 in. (33.02 x 24.77 cm), Printer: Roger Lacouriere, Paris, Publis...

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices, Year: 1920, Medium: Lithograph, Image Size: 10 x 7 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Description...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Archival digital print on Hänemuhle etching paper. This piece is part of a limited edition of 250 prints.

PAWEL ZABLOCKI (born in 1960) Pawel Zablocki is a graduate of the Academy of Fine Arts in Cracow. He received his diploma in 1987. Between 1991 and 1998, Zablocki studied semiotics a...

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices III, Year: 1920, Medium: Lithograph, Image Size: 13 x 8 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Descrip...

Peek a Boo Mel Ramos, American (1935–2018) Date: 2015 Print Catalogue with Lithograph, signed and numbered in pencil Edition of 999 Image Size: 9.5 x 7 inches Size: 11.5 x 9 in. (29....

Arising Mezzotint, 1942 Signed in pencil lower right (see photo) Publisher : Issued by the Miniature Print Collectors Society. Edition: 200 Condition: Mint Archival framing wit...

Untitled, 2004 Tracey Emin Polymer gravure etching, on Japanese Misumi White paper Signed, dated recto and numbered from the edition 250 verso From One Thousand Drawings Sheet: 15.2...

Signed, titled and numbered by the artist. Edition of 50. Female nude etching, from a series of 6 male and 6 female images. Reyes attended The School of the Art Institute of Chica...

ARTIST: Salvador Dali TITLE: The Magicians Vanite MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 39/100 MEASUREMENTS: Paper: 11.2" x 1...

Stamped verso with certification of authenticity for Jane Voitle Mellin (American, born 1952). and created circa 1975. An atmospheric, sugar-lift aquatint showing a young woman, nude and reclining, appearing suspended within an astrologically-appointed room of ambiguous dimension. An elegant use of a difficult medium by this North Carolina and San Francisco Bay Area...

ARTIST: Salvador Dali TITLE: Les Amours Jaunes The Rebel Poet MEDIUM: Etching + Gold Flakes SIGNED: Hand Signed EDITION NUMBER: CLXII/CC MEASUREMENTS: 11" x 14.75" Framed: 19....

Salvador Dali - Six Eggs - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Standing Nude by Wim van Broekhoven. Drawing from models and observing urban, industrial and natural landscapes are recurring motifs. Drawing from a model is about representing expr...

Boris Akopian "Drawing"

The image is 8 x 8 inches, and the paper it is printed on is 15 x 13.5 inches. This is a quirky and tender image of a naked man sitting on the floor holding a giant iguana on his la...

Artist: (after) Raphael (Italian, 1483-1520) Title: "L'Amour Montrant Psyche Aux Graces" Portfolio: Gazette des Beaux-Arts Year: 1883 Medium: Original Etching on chine appliqué on wo...

Signed artist proof from ex libris edition of approx. 100. Based on the Biblical story of Noah's Ark Kalinovich (Born in Novokuznetsk, Russia, in 1959) is a Ukrainian printmaker bes...

Signed, titled and numbered from the edition of 130. Fanciful image of a person taking hitching a ride on a large fish. The title Hlubina means "deep". Karel Demel was born in Prag...

A very good impression of this color lithograph. Signed and numbered 51/180 in pencil. Printed by Mourlot, Paris. Published by Leon Amiel, New York, and XXe Siècle, Paris. From the s...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: harlequin clown Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Lithographe published by les peintres lithographes ( blue stamp ) ; signed with pencil in the right lower corner, numbered 17 with ink in the lower left corner. Provenance : collecti...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs. The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio. During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker...

The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbe...

Salvador Dali - Nude Couple - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lops...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

For sale is an exceptional fine art print titled "Midnight in the Tropics" by the talented Brazilian artist João Ruas. This beautiful giclée print is printed on 350 gsm 100% Cotton H...

Henry Moore Reclining Figure Original etching in sepia, hand signed 1979 Image size: 12 5/8 x 15 7/8 inches Framed Dimensions: 25 x 25 inches Numbered 32/50 from the edition of 50 on...

Salvador Dali - Girl and Pig - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum Signed in the plate References : Field 67-4 (p. 3...

Untitled (Reclining nude, face down) Lithograph, 1944 Signed and dated lower right in pencil Image size: 8 13/16 x 11 7/8 inches Sheet Size: 11 1/8 x 18 3/4 inches Condition: Aging ...

ARTIST: Salvador Dali TITLE: Petites Nus (From Appollinaire) D MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: 39/95 MEASUREMENTS: 15.2" x 11....

Artist: After Pablo Picasso (1881-1973) Title: Deux Modèles se regardant (after Bloch 209) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone s...

ARTIST: Salvador Dali TITLE: Petites Nus (From Appollinaire) G MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: 66/95 MEASUREMENTS: 15" x 11" ...

Salvador Dali - Nude with Snails Breats - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Silkscreen on paper, ed. 2/7 Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many so...

Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...