1960s Prints and Multiples

Héliogravure on brown-toned paper, no signature. Héliogravure on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the Ar...

Ruth Kerkovius (Latvian/American 1921-1970) "Village in Southern Italy" Edition 10/30, Landscape Etching/Drypoint/Aquatint signed and numbered in Pencil, 16.25 x 24.75, Late 20th Century, 1967 Colors: Black, Brown, Blue, White, Red She was born in Latvia in 1921. She received her early training in Munich, Germany, working in theatre Costume History and Design, and in painting before she came to America. Once in New York she studied at the Art Students League, the School of Visual Arts, the Pratt Graphic Art Center under Frasconi, and then continued at Pratt on a fellowship to work under Michael Ponce de Leon...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 18: Personnage et Oiseau Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 8.75 in. x 12 in. (22.2...

"Nu Assis" (Seated Nude) is a limited edition lithograph by French artist Paul Rebeyrolle (1926–2005). Known for his expressive and often provocative works, Rebeyrolle's art frequent...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Untitled - Trees. Medium: Lithograph with Intaglio Etching, Signed in pencil, Edition: EA, Size: 22 x 30 in. (55.88 x 76.2 cm)

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 129, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

Pencil signed and numbered 32/200 in pencil on lower edge. Published by Original Editions, New York. From 11 Pop Artists, Volume II. A spectacular, colorful image, and a Pop Art ma...

Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

The 1962 original Soviet poster with the inscription "За коммунистический труд" (For Communist Labor) reflects the ideological and aesthetic trends of the time in the USSR. Created d...

Beautiful poster made in 1963 by Jean Gueillet to promote the 43rd exhibition of artists and decorators held at the Grand Palais in Paris. Exhibition - Abstract - Grand Palais S.A....

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Joan Miró One plate from Derrière le Miroir no. 128: Peintures Murales de Miró Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an editi...

ARTIST: Salvador Dali TITLE: Fantoms Le Soupirant MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 51/100 MEASUREMENTS: 14.9" x 11" YEA...

An original Mid Century woodblock print titled "Long Hot Summer" by American artist Toma Yovanovich. Hand signed in pencil and numbered 2 ...

Derriere le Miroir-Double Page (Behind the Looking Glass Double Page) Original color llithogragp created by the artist for this ublication, 1964 Unsigned as issued From: Derriere le ...

Pol Bury (Belgian, 1922-2005) Screen print of raised bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Robert MOTHERWELL Abstract Composition Original etching and aquatint Unsigned On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) Published by Lazar Vernet in 1967 and limited to 200 ...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue number 160) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). Published ...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

The Avaricious - from the Series "The Divine Comedy" - Song 7- Hell - is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.7 (as reported on the back of the artwork) that depicts a scene from Hell. Good conditions. Limited edition of 2900, realized by Unione Editoriale, Italy.Ref. Michler-Lopsinger no. 1039/1138, pp.102/114. Prov. Private Collection Rome, Italy. Between 1951 and 1960, Dali was invited by the Italian government to commemorate the birth of Dante Alighieri, Italy’s most famous poet, by producing a series of illustrations for a full-text Deluxe edition of Dante’s masterpiece, the "Divine Comedy". However, in 1958 a new government was elected in Italy, which objected the idea of entrusting the illustration of the "Divine Comedy" to a foreign artist. As a result, Dali decided to offer the project to the French publisher, Joseph Forêt and the publication was completed on November 23rd, 1963. Dalí painted...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Book page 117 in Chagall Lithographe II (1957-1962). Reproduction of image from 1961. ‘Chagall Lithographe II' Andre Sauret, Paris, 1963. Text in French by Fernand Mourlot. The seco...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Le 7 is a contemporary artwork realized in 1970s by Erté (Romain de Tirtoff). Mixed colored lithograph on paper. The artwork is from the Series "Les Chiffres". ...

Ahasuerus sends Vasthi away  is a an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsi...

Objects in the Study is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1961. Phototype print..  Good condition. Italian title on th...

He Uttered A Loud Cry and He Breathed His Last is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite publish...

Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Andre MASSON Water Nymph, 1964 Original lithograph (Mourlot workshop) Printed monogram of the artist in the plate On vellum 32 x 24 cm (c. 13 x 10 in) RE...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 61 x 80 cm Numbered 37/75 lower left, titled below, marked as artist's proof, and signed lower right, all in pencil. A blue- and grey-hued linocut of King's. A version of this print, owned by the Government Art Collection, hangs in the British Embassy in Tunis. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from...

Asger Jorn (1914-1973) - Stabisme Pastoral Lithograph from 1968. Dimensions of work: 45 x 32 cm Printed by Clot, Bramsen and Georges, Paris The work is in Excellent condition. F...

Le Champ Rouge is an original lithograph realized realized by Raoul Ubac for the art magazine Derriere Le Miroir no. 142, in 1964. Printed by Ateliers de Maeght, Paris, 1964. Good ...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

The title of this piece by Mexican Surrealist artist Rufino Tamayo translates to "Woman with Pink Tights", The signed and numbered lithograph is from the Mujeres suite, a portfolio o...

Colour lithograph depicting a classic still life by Guttuso, one of his most representative subjects limited edition Current copy numbered: IX/LXXV Size with frame: 84 x 71 cm Paper ...

ARTIST: Salvador Dali TITLE: Les Metamorphoses Erotiques MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Edita: a L'Erotitiade/Editions des trois Continents ME...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 121-122, 1960. Published by Aimé Maeght, Éditeu...

Figure with Flowers is original lithography realized by Sami Burhan in 1969. Hand-signed, dated and numbered, edition of 72/100 prints, on the lower left in pencil. This print represents a figure with flowers inside an orangish window frame, with vivid colors, joyfully creating a dream-like atmosphere through yellowish fantasy. Sami Burhan (Aleppo, 1929) was a Sirian artist, painter and engraver specialized in Arab calligraphy...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Artist: Brian Rice (1936) Title: Colossal Year: 1967 Edition: 25/75, plus proofs Medium: Lithograph on Arches paper Size: 25.25 x 22.75 inches Condition: Good Inscription: Signed and...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

Artist: Salvador Dali Title: Paradise: Canto 10 Portfolio: The Divine Comedy: Paradise Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Size:...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Joan Miro Lithographie Originale Original Lithograph in Colors on Paper Mint Condition 1967

Artist: Salvador Dali Medium: Woodblock engraving Title: Paradise: Canto 18 Portfolio: The Divine Comedy: Paradise Year: 1963 Edition: 4765 Framed Si...

Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art...

Paper Size: 38.5 x 24 inches ( 97.79 x 60.96 cm ) Image Size: 29.75 x 24 inches ( 75.565 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

"Head of Batista", a mid-century modern miniature abstract etching by California artist Richard W. Downs (American,b-1934). This delicate, small-scale etching, dated 1965, was submitted to the Seattle Art Museum for the Northwest Printmakers 36th International Exhibition. Numbered "Proof III", titled "Head of Batista", signed "RW Downs" and dated "1/65" lower edge. Submission label attached to verso for the Northwest Printmakers 36th International Exhibition 1965, with information about the artist and piece. "RW Downs / San Jose California" written on verso. Displayed in a new beige mat, unframed. Image size: 3.25"H x 3.25"W. Paper size: 6"H x 5.5"W. Mat size: 13.75"H x 11.5"W RICHARD W. DOWNS was born in Los Angeles and received a Bachelor of Arts degree from the University of California and Master of Arts from San Jose State College where he taught one year as faculty assistant. He was a member of the Drake...

Virgil Comforts Dante - Hell, Plate-2- Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not ...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 231...

Original Jest National Miami Beach original travel poster. Archival linen backed in fine condition. National Airlines was a United States airline that operated from 1934 to 1980...

The original poster "Día del Campesino 17 de Mayo 1969, Año del Esfuerzo Decisivo" is a powerful visual representation of the celebration of farmworkers and their vital contributions...

Pulled from the "L'Atelier Mourlot" exhibition catalog, published by The Redfern Gallery, London, 1965 By Joan Miró Joan Miró was a pioneering Spanish artist celebrated for his whi...

This original poster by Vardea Chryssa, published by HKL in 1968, is a striking serigraph acquired from the collection of Pace Posters. The image is characteristic of Chryssa's work,...

Myril Adler "Magic Grotto" c.1960s Collagraph ink on paper 2.25"x2.25" unframed Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Be...