1960s Prints and Multiples

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Nellie Buel 1908-2002 Comfort Texas Image Size: 9 x 6.5 Frame Size: 14 x 11 Medium: Lithograph Dated 1961 "Flight" Biography Nellie Buel 1908-2002 Nellie V. Buel (nee Upton), was born in 1908. Nellie attended Oregon State in Corvallis and graduated from the University of California, Berkeley, with a BA in Anthropology and Art. After many years as a faculty and Air Force wife and mother, Nellie resumed her full time interest in art. She studied under many notable artist-teachers, including Harding Black, Harold Roney, Dennis Olson and Kent Rush. Nellie Buel's work has been accepted in local and national juried shows. She has won numerous awards and prizes from art groups such as the San Antonio Art League and the San Antonio Watercolor Group, among others. Nellie's work is also included in permanent collections at St. Mary's University, the Healy-Murphy Learning Center, McAllen International Museum, the Hal Prince Collection (NY), Tamarind Institute Archives (Albuquerque, NM), and the McNay Art Museum Study Collection. Nellie V. Buel died in the United States in 2002. Nellie V. (Upton) Buel, born January 15, 1908, Portland, OR, died November 15, 2002. She attended Oregon State in Corvallis and graduated from University of California-Berkeley with a BA in Anthropology and Art. After many years as a faculty wife, Air Force wife and mother, Nellie resumed her full time interest in art. She studied under many notable artist-teachers, including Harding Black, Harold Roney, Dennis Olson, and Kent Rush. Although she was equally talented and proficient in all media, her interests soon specialized in graphics, in particular hand-pulled, limited editions of etchings, calligraphy, monotype, and woodblocks on handmade papers. Her work has been accepted in local and national juried shows, with awards and prizes from art groups such as San Antonio Art League, San Antonio Watercolor Group, Hill Country Arts Foundations, Texas Watercolor Society, and International Society of Experimental Artists. Nellie's work is also included in permanent collections at St. Mary's University, Healy-Murphy Learning Center, McAllen International Museum, Hal Prince Collection (NY), Tamarind Institute Archives (Albuquerque, NM) and McNay Art Museum Study Collection. After she and her husband retired to Boerne, they founded the Cibolo Studio in Comfort, Nellie's art studio and gallery, which she shared with Debbie Little-Wilson. Working in her studio, participating in shows, and sharing knowledge, techniques, and ideas with other artists, she continued to expand her artistic endeavors and creativity until very recently. She also gave of her time and talent through her teaching and critiquing other artists' works. Sadly, the contents of Cibolo Studio were heavily damaged during July, 2002 floods, causing closure of the studio after 30 years at the same location. She is predeceased by her husband of 58 years, Col. (USAF) Jack Buel. She is survived by her daughter, Ellen Todd Hanks (George); son, John Thomas Buel; three grandaughters, Kathryn Buel, Elizabeth Buel, and Natalie Mund (Randy) and three great-grandchildren. She is also survived by a host of artist friends and colleagues, but most especially by Debbie Little-Wilson, Dripping Springs...

Alexander Calder Derriere le Miroir #141 (Plate 6) Artist: Alexander Calder Medium: Original lithograph Title: Derriere le Miroir #141 (Plate 6) Portfolio: Derriere le Miroir #141 Ye...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Salvador Dali, Spanish (1904 -1989) - Purgatory Canto 22 - Prodigality, Portfolio: The Divine Comedy, Year: 1964, Medium: Woodcut, signed and numbered in red pencil, Edition: 126...

Artist: Robert Indiana, American (1928 - 2018) Title: Black Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Screenprint (unsigned) Edition: 395 Image Size: 14 x 1...

This depicts a wedding scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: The Reef Year: 1969 Medium: Color Etching, signed and numbered in pencil Edition: HC 10 Image Size: 17.5 x 24 inches Size: 23.5 ...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 158-159, 1966. Published by...

Salvador Dali (1904-1989) - The Purgatory, Canto 21 - The Source Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heu...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Original American Lobby Card of the Movie „BUTTERFIELD 8“ USA 1960 Director: Daniel Mann, Actors/Stars:Elizabeth Taylor, Eddie Fisher Elizabeth Taylor ca...

This charming 1962 original travel poster by André Dignimont was commissioned by the SNCF (Société Nationale des Chemins de Fer Français) to celebrate Parisian elegance, highlighting...

Rare vintage original poster published by the famous Paris Gallery Claude Bernard pour an historic exhibition of Jean Dubuffet in the sixties (1964) a...

This original poster from May 1968, Travailleurs Unis – Français Immigrés, is a compelling artefact from the revolutionary student and worker protests that swept France. Created by t...

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 85 Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: AP Image Size: 25 x 20 inches Size: 25 in. x 19 in. (6...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIV Année N°20, Noël 1...

ARTIST: Salvador Dali TITLE: Faust Chevalier a Genou MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 9/95 MEASUREMENTS: 15.3" x 11.4" YEAR: 1969 FRAMED: No CONDITION: Ex...

PABLO PICASSO (1881-1973) Profil de Jacqueline (A. R. 457) Terre de faïence plate, painted colors and partially glazed, 1962, numbered 83/100 and inscribed Edition Picasso, with t...

Etching and aquatint, 1961 Handsigned by the artist in pencil and numbered 30/75 Publisher : Maeght (Paris) Printer : Maeght (Paris) Catalog : [Vallier 166, p.235] 75.00 cm. x 56.50 ...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

Artist: David Simpson (American, b. 1928) Title: Ovograph Year: c. 1969 Medium: Serigraph, signed and numbered in pencil Edition: 50 Image Size: 29.5 x 22 inches Size: 40 x 2...

Etching in colors on vélin pur chiffon de Rives paper. Paper Size: 14.875 x 11.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Dalí­ ill...

KIYOSHI SAITO (Japanese 1907 - 1997) KYOTO (B) 1966 Color woodcut, signed, titled, dated and no. 5/100 in pencil. Edition 100. Image 14 3/4 x 20 5/8 inches. Full margins with deckle...

A very good impression of this color photolithograph with strong colors on Magnani Pescia paper. Signed and numbered 101/150 in pencil by Fontana. Printed by Le Arte Grafiche Pardini...

Artist: Salvador Dali Title: Inferno: Canto 29 Portfolio: The Divine Comedy: Inferno Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Size: 1...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Red Mandala Year: 1969 Medium: Screenprint on Japon, Signed and numbered in pencil Edition: 75 Paper Size: 30 in. x 22...

This original travel poster from circa 1960, published by Intourist, the official Soviet state travel agency, invites foreign visitors to discover the rich cultural and geographic di...

Marc Chagall (1887-1985) - Vision de Paris Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

Salvador Dali - Cleopatra Original Etching Dimensions: 28x 18.7cm 1969 Edition: /165 Plate signed References : Field 68-7-I page 48

Artist: Marc Chagall Title: The Angel Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2" x 9 1/2" S...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 141...

Reve de Cirque (Circus Dream) Color lithograph, 1966 Unsigned (as issued) Pubished in XXe Siecle, Paris, Volume XXVI Publisher: Gualtieri di San Lazzaro (1904-1974). Printer: Mourlo...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Giacometti, Alberto, et al. Giacometti: The Com...

Artist: Ben Shahn, Lithuanian/American (1898 - 1969) Title: Skowhegan Year: 1965 Medium: Wood Engraving, signed in pencil Edition: 200 (unnumbered) Image Size: 9 x 8 inches Size: 16 ...

Artist: Charles Hinman, American (1932 - ) Title: Untitled from the On the Bowery portfolio Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: AP V/XX Size: 25.75...

Artist: Salvador Dali Title: Inferno: Canto 4 Portfolio: The Divine Comedy: Inferno Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Size: 13...

Etching and aquatint, 1967 Handsigned by the artist in pencil and numbered 46/75 Publisher : XXe siècle, Paris Printer : S. Esmeraldo, Paris Catalog : [Schneider XXXI] 75.00 cm. x 56...

This vibrant Tom Wesselmann poster is original serigraph from 1968. Although in good condition, please note that there is foxing present. Pleas...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 37.7 x 27.6 cm Published by Maeght Editeur, Paris Reference: 924802-1976 FREE SHIPPING

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

Artist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #201 Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed ...

The 1964 original travel poster by Bingler Manfred for Swissair, promoting travel to the Middle East, exemplifies the era's fascination with exoti...

Myril Adler "Sunscape III" c.1960s Intaglio etching collage, ink on paper 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, R...

Myril Adler "Greenscape" c.1960s Intaglio etching collage, ink on paper 6"x3" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (...

Ryohei, Tanaka (Japanese, 1933- 2019). RED RADISHES, Etching and aquatint, 2000. Edition of 100. Signed and numbered 22/100 in pencil, image 3 ¼ x 4 ¾ inches, with full margins. fram...

City 14. 1964, monotype, 47x62 cm Soikans Nikolay, pseudonym Niklo de Martell (till 1953.) 1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist. He was born at ...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXIe Année, N°32, Juin...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Nature Prays Without Words X Year: 1967 Medium: Lithograph on Arches, signed and numbered in pencil Edition: CL Size: 30 x 22 in. (7...

A blazing visual sermon from the golden age of psychedelia, this original 1967 poster by Rick Griffin, Mine Eyes Have Seen the Glory, is an electrifying fusion of counterculture iconography, spiritual overtones, and Griffin’s unmistakable lettering. Originally created as part of a limited series of psychedelic art prints, this piece reflects Griffin’s deepening interest in both biblical symbolism and the American underground movement. The title—Mine Eyes Have Seen the Glory—resonates like a psychedelic hymn, borrowing its solemn weight from the famous Civil War-era song, but recasting it in the language of 1960s revolution, mysticism, and transcendence. Griffin, a titan of West Coast psychedelic design, co-founder of Zap Comix, and Fillmore West poster...

Salvador Dali (1904-1989) - The Inferno, Canto 22 - The Liars Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heures...

"Adam and Eve" Whimsical Original Lithograph Limited Edition 55 of 1,000 hand-numbered and plate-signed by Jan Balet. Jan Balet (20 July 1913, in Bremen - 3...