1960s Prints and Multiples

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Derrière le miroir, N° 121-122, 1960. Publ...

Bold and minimal, this vintage Lufthansa travel poster from the 1960s powerfully evokes the spirit of adventure and exploration on the African continent. Featuring a striking geometr...

Medium: pochoir (after the oil on paper). Printed in 1965 at the atelier Daniel Jacomet in an edition of 1200 for the rare exhibition catalogue "Miro Cartones 1959-1965" and publishe...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

The Absolute Real is a lithograph realized by Man Ray in 1964. Hand-singed in pencil by the Artist. Lithograph in Red Ink, 1964. Published by Schwarz, the lithograph is part of th...

This Eduardo Paolozzi screenprint is composed with primary colors and black and white photographic imagery “collaged” in. Stripes and curvilinear forms merge in a vibrant exemplar of...

Artist: Marc Chagall (Russian/French) (1887-1985) Title: Lovers with Bouquet, Front Cover of Chagall Lithographe vol 1 Date: 1960 Medium: Color Lithograph Sheet size: 12 7/8 x 10 ¾ i...

Etching and aquatint on zinc, 3 plates, 5 colors, 1961 Handsigned by the artist in pencil and numbered 27/50 Printer : Jean Signovert (Paris) Catalog : [Schneider VII, page 206] Publ...

Artist: Ben Nicholson, British (1894 - 1982) Title: Olympia Fragment (LaFranca 9) Year: 1965 Medium: Etching, signed and numbered in pencil Image: 8 x 9.5 inches Paper Size: 12.5 x ...

This exquisite linocut after Pablo Picasso (1881–1973) titled Picador et Taureau (Picador and Bull), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings). Published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, this important album presents a collection of Picasso’s masterful linocuts, executed during the artist’s mature period. These works demonstrate his inventive approach to form, texture, and contrast, showcasing his technical brilliance and playful spirit in this demanding printmaking medium. Executed on velin paper, this linocut measures Paper Size 12.5 x 14.5 inches; image size 10.5 x 13 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This edition preserves the clarity, depth, and tonal richness of Picasso’s original linocuts, reaffirming his mastery of line and composition. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Picador et Taureau (Picador and Bull), from Pablo Picasso, Grabados al linoleo (Linoleum Engravings), 1962 Medium: Linocut on velin paper Dimensions: Paper Size 12.5 x 14.5 inches; image size 10.5 x 13 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne Reference: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso linocut, Picasso Picador et Taureau...

This original 1967 Soviet propaganda poster captures the unwavering spirit of Soviet resilience and unity. Featuring a soldier wrapped in a winter uniform, holding a rifle, and a young woman in a red headscarf, the artwork symbolizes the strength and sacrifice of both the Soviet military and its dedicated civilian workforce. Their expressions are solemn yet determined, reflecting a shared commitment to the ideals of the Soviet state. Rendered in a striking, graphic style, the poster employs a limited yet powerful palette of red, black, and beige. The bold red accents emphasize Soviet patriotism, drawing attention to key elements such as the soldier’s star-adorned cap and the young woman’s scarf, which represents the Komsomol youth movement. The rough, expressive linework adds intensity to the composition, reinforcing the themes of struggle and perseverance. The text, wrapping around the image in bold red letters, translates to: "We will never be forgotten because, shaping the future of the entire planet, we embody the word ‘Human.’" This message aligns with the Soviet ideology of collective progress, where individuals contribute to the greater good of humanity through their labor and dedication. The poster not only honors past sacrifices but also looks ahead, reinforcing the idea that Soviet citizens were shaping history. During the late 1960s, Soviet propaganda art...

Vintage Exhibition Poster is an offset print realized for the exhibition of Nino Giuffrida . Good condition on a yellowed paper. The Exhibition was in Paris to the Atelier Galery 2...

Fernand Leger, French (1881 - 1955) - Exhibtion Staatliche Kunsthalle Baden-Baden, Year: 1967, Medium: Poster, Size: 32 x 23.25 in. (81.28 x 59.06 cm), Publisher: Musee national ...

Antequam Exires De Vulva ... is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and ...

This exquisite lithograph after Georges Braque (1882–1963), titled Cafe-Bar, originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute ...

Artist: Pablo Picasso Title: Exposition Vallauris 1964 Medium: Original linocut Year: 1964 Edition: 136/168 Signed: Hand signed in blue crayo...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Pablo Picasso (1881-1973) - The Madman Pochoir from 1961. The edition: 442/500 written in pencil. Dimensions of work: 53.8 x 41.5 cm Publisher: Au Vent d'Arles, Paris. Image siz...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau et son nid (The Bird and Its Nest), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L...

Medium: original lithograph. Printed in 1963 for the art revue Derriere le Miroir (issue number 139-140 devoted to Miro and Artigas) and published in Paris by the Maeght atelier. Siz...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Maurice Estève, Peintres d'aujourd'h...

This exquisite linocut after Pablo Picasso (1881–1973) titled Avant la Pique (Before the Lance), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engr...

Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Du...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Lac des Cygnes (Swan Lake), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Par...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...

"Pravda la Survireuse" emerges as an experimental comic strip created in Paris by the Belgian artist Guy Peellaert. Serialized from January to December 1967 in the monthly magazine H...

This compelling 1961 original exhibition poster was created by Olson Lennart for Jean Tinguely’s show at the Centre National d’Art Contemporain in Paris. Far from a conventional desi...

Marc Chagall, Russian (1887 - 1985) - Le Peintre from Derriere Le Miroir No 147, Portfolio:, Year: 1964, Medium: Lithograph, Image Size: 5 x 5.5 inches, Size: 13.75 x 10.75 in. (...

Derrière Le Miroir is a lithograph realized after George Braque in 1963, cover for Derrière Le Miroir no.138, 'Papiers collés 1912-1914' The description is on the lower in French and on the rear. Good conditions. Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...

"Henry S. Miller" Lithograph in Ink on Paper, #3 of 8 Surrealist lithograph by Stephen Tracy White (American, 1947-2005). A figure in the lower right corner is partially enclosed by a red rectangle. Biomorphic shapes are flowing out of the rectangle, stretching across the composition. The shapes are rendered with intricate linework and soft green shading. Numbered, titled, signed, and dated along the bottom: 3/8 Henry S. Miller S. Tracy White 1969/April Tag on verso from Lee Nordness Galleries, New York Presented in a silver aluminum frame. Shipped without glass. Frame size: 26.5"H x 36.25"W Image size: 23.5"H x 34.25"W Stephen Tracy White (American, 1947-2005) was born in Bronwood, Georgia. They studied at the University of New Mexico, earning a Bachelor of Fine Arts in Art in 1969. They worked at the Tamarind Lithography Workshop, printing pieces by William Crutchfield...

This exquisite lithograph by Raoul Ubac (1910–1985), titled Charrue (Plow), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute t...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

Francois DESNOYER Brittain : Sailboats in a Small Harbour, 1965 Original lithograph Handsigned in pencil On Van Gelder vellum 45 x 33 cm (c. 18 x 13") Excellent condition

Raoul DUFY (1877-1953) Self-portrait Lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Lithograph created in tribu...

Max ERNST (1891-1976) Shoe artist and Statue of Liberty, c. 1974 Original lithograph Unsigned Numbered / 120 copies On Arches vellum 52 x 37.5 cm INFORMATION: Lithograph created fo...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui...

This exquisite lithograph after Francis Bacon (1909–1992), titled Study for Portrait of Lucian Freud, originates from the historic 1966 folio Derriere le Miroir, No. 162. Published b...

Picturesque etching of window by French artist Francois Soulas, 1969. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standar...

The Angel of the First Heaven - from the Series "The Divine Comedy" is a woodcut print realized in 1963. Good conditions. Not signed, as iss...

Jean Arp, French (1886 - 1966) - Qu'est-Ce Que C'est Que Ca, Portfolio: Vers Le Blanc Infini, Year: 1960, Medium: Etching on BFK Rives, Edition: 349/499, Image Size: 10.75 x 8.2...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, André Lanskoy, Peintres d'aujourd'hu...

Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva...

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon ...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Dan, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre...

Rufino Tamayo, Mexican (1899 - 1991) - Capitulo XXI, Portfolio: Apocalypse de Saint Jean, Year: 1959, Medium: Lithograph on BFK Rives, Edition: 93/255, Size: 13 x 10 in. (33.02 x 25....

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cercle d'Art, Paris, under the direction of Charles Feld, and printed by Bosson et Auclair, Paris, during the second quarter of 1961, this edition presents a series of striking visual meditations on the bullfight—a subject that profoundly resonated with Picasso throughout his life. Created in collaboration with noted bullfighter Luis Miguel Dominguin, Toros y Toreros (Bulls and Bullfighters) unites text, photography, and Picasso’s dynamic graphic language to capture the rhythm, power, and ritual of the corrida. Executed on velin paper, this heliogravure measures 14.75 x 10.5 inches (37.47 x 26.67 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1961 publication format. This edition, realized under Charles Feld’s direction, preserves the expressive linework, tonal nuance, and kinetic immediacy of Picasso’s original drawings, exemplifying his masterful translation of motion and emotion into print. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 3.4.59., from Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), 1961 Medium: Heliogravure on velin paper Dimensions: Paper size 14.75 x 10.5 inches (37.47 x 26.67 cm) Inscription: Unsigned and unnumbered, as issued Date: 1961 Publisher: Les Editions Cercle d'Art, Paris Printer: Bosson et Auclair, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), published by Les Editions Cercle d'Art, Paris Notes: Excerpted from the 1961 album (translated from French): "This album, edited by Charles Feld and realized under his direction, was completed printing during the second quarter, one thousand nine hundred sixty-one, with the collaboration for the illustrations, Imprimerie Moderne du Lion; for typographie, Imprimerie Union; for photogravure, Bosson et Auclair; for the binding, Barast et Adine; for the lithography, Fernand Mourlot. It was taken from this album CXXV examples numbered from I to CXXV and XXV out-of-commerce examples for the artist and his friends numbered from CXXV to CL. These examples are enriched with an original lithography, signed and a series of drawings drawn on Arches paper. In addition, the numbered examples of I to V have a lithography enhanced by the artist." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (Women of Algiers, Version O) (1955). Pablo Picasso heliogravure, Picasso Toros y Toreros (Bulls and Bullfighters), Picasso bullfight series, Picasso 1961 Cercle d'Art edition, Picasso Bosson et Auclair printer, Picasso Charles Feld editor, Picasso velin paper, Picasso corrida artwork, Picasso matador...

This exquisite lithograph by Joan Miro (1893–1983), titled La Femme Arborescente (The Tree-like Woman), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 16, originates fro...

Signed lower center, 'Gooch', for Gerald Gooch (American, born 1933) with number and limitation, '5/16' and dated 1965. Born in Mainington, West Virginia, Gerald Gooch first studied...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, jaune, bleu (Red, Yellow, Blue), originates from the historic 1964 folio Derriere le Miroir, No. 149. Publishe...

Morris Cox (1903-1998) A Feminity of Nudes, 1979-80 Screenprint 11.0 x 8.0 cm 25.0 x 21.0 cm Provenance: Morris Cox Archive Morris Cox (1903-1998) Was a writer, poet, printmaker, ...

Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva...

Pinchas Burstein, known as Maryan Lithograph (after the drawing). 1960 Dimensions: 12 3/8 x 9 3/8 inches (315 x 240mm). There is printed text on the back, as issued. Signed in the...

ARTIST: Salvador Dali TITLE: Les Amours de Cassandre The Fairy MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Argillet, Paris EDITION NUMBER:...

Joan Miro (1893-1983) Surrealist composition, 1964 Original color lithograph (Damià Caus printer) Printed signature in the plate On Guarro vellum 100 x 70 cm (c. 40 x 28 in) REFERE...