1970s Prints and Multiples

Reuven Rubin, Israeli (1893 - 1974) - VII from Visions of the Bible, Year: 1972, Medium: Lithograph, signed and numbered in pencil, Edition: 83/150, Image Size: 25 x 18 inches, S...

"Starstruck" by Norman Rockwell Media: Lithograph on Paper Image Dimensions: 30" x 24" Year Produced: 1976 Edition Size: 200 Numbered (1-200), 60 Artist proof Edition Number: 140/200 Signed and Numbered in pencil by the artist Condition: In excellent Norman Rockwell was an American painter and illustrator known for his iconic depictions of American culture created for The Saturday Evening Post. With a range of favorite subjects that included nuclear families, mischievous children, and small-town life, his work has achieved an iconic status: the 1943 painting of a Thanksgiving dinner, Freedom from Want, has been reproduced and parodied countless times in contemporary culture. As an artist, Rockwell has had a lasting effect on US society beyond any singular work, with his paintings seen as indelible images that went on to inspire American directors such as George Lucas, Steven Spielberg, and particularly Robert Zemeckis, whose 1994 film Forrest Gump recreates several of Rockwell’s paintings as scenes throughout the film. Though he enjoyed success throughout his career, Rockwell’s idyllic and sentimental outlook on American society was not necessarily embraced by art critics, though his later politically activist work garnered praise for its tackling of controversial subjects. Born on February 3, 1894 in New York, NY, he went on to study at the National Academy of Design and the Art Students League. Rockwell notably had a longstanding relationship with the Boy Scouts of America...

Offset lithograph in colors on wove paper. Hand signed, dated and numbered by Roy Lichtenstein. Inscribed "HC." (there is also an edition of 300 signed and numbered copies plus an ...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XLe Année, N°51, Décemb...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 246. Published by Aimé Maeght, Éditeur...

LEONOR FINI Cat Arabesque 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Joan Miró "Le Permissionnaire", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 3/50. Image measures: 45 x 29 inches Sheet measure...

Very good impressions of these 4 color screenprints on white wove paper. Each signed, dated and numbered 15/25, 18/36, 15/39 or 6/40 in pencil.

Julio Le Parc Untitled (Rainbow III) from La Longue Marche, 1974 Screenprint Ed 81 of 200 29 x 29 in

Andy Warhol U.N. Stamp, II.185, 1979 Offset lithograph on Rives paper 8 1/2 x 11 inches From the edition of 1000, written in the bottom edge Signed by the artist in both the lower ri...

Le Lézard aux Plumes d'Or, Plate X is a beautiful color lithograph on Japanese paper, realized in 1971 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 1983)...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche VII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Original Porsche factory poster. Porsche 25 Years Driving in its Purest Form. Rare, Archival linen-backed original vintage Porsche poster. ...

Yaacov Agam, Israeli (1928 - ) - Union II, Year: 1976, Medium: Screenprint, signed in pen lower right, Image Size: 27 x 22.75 inches, Size: 33 x 28.75 in. (83.82 x 73.03 cm), Fra...

FEATHER DANCER is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (193...

Salvador Dali Triomphe de L'Amour (Triumph of Love), 1977 Suite of 2 cooperative lithographs Each hand signed Edition EA 45 / 75 These are on Japon paper and come with the original...

Medium: original lithograph. Published by Maeght in 1973 for the "Sculptures de Miro ceramiques de Miro et Artigas" catalogue. Sheet size: 8 x 7 3/4 in...

Noel Daggett, American (1925 - 2005) - Approach of a Rider, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 23 inches, ...

Conrad Marca Relli - Composition V Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

Artist: Romare Bearden (1911-1988) Title: Bopping at the Birdland (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: ...

Artist: Romare Bearden (1911-1988) Title: Louisiana Serenade (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 39/175, plus proofs Size: Paper ...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Salvador Dali­ Rose + Drawers from Surrealist Flowers, Florals 1972 Hand-signed in pencil Edition 259/350 Image size: 55 x 42 cm Sheet size: 75 x 55 cm Published by Editions Graphi...

Reproduction of Alexander Calder's lithograph "La Grenouille et la Scie" ("The Frog and the Saw"), showcases his signature abstract style, employing bold colors and geometric shapes...

Original “Student Winter in Poland with Almatur” horizontal Polish poster. Travel and tourism office of the Socialist Union of Polish Students”. Th...

Explore the artistry of graphic design with the advertisement page from "The David Lance Goines Poster Book," published in 1978. This page vividly demons...

LEONOR FINI The Outfit 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Jean Cocteau and Raymond Moretti Célébration Original lithograph Printed signature in the plate, handsigned by Raymond Moretti Number...

Paper Size: 25.5 x 27.25 inches ( 64.77 x 69.215 cm ) Image Size: 21.75 x 26 inches ( 55.245 x 66.04 cm ) Framed: No Condition: A: Mint Additional Details: From an exhibition h...

Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...

Double Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters and took part in the struggle by working in a munitions factory. The violence of the struggle inspired his painting La Guerra Civil. In 1938, Lam left Spain for Paris. Shortly before leaving, he met Helena Holzer, who would become his wife in 1944. His meeting Picasso in his studio on the Rue des Grands Augustins proved decisive. Picasso introduced his new “cousin” to his painter, poet and art critic friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Kahnweiler, Zervos. Lam also met Pierre Loeb, the owner of the Galerie Pierre in Paris, which hosted Lam’s first solo exhibition in 1939. Shortly before the Germans arrived, Lam left Paris for Bordeaux and then Marseille, where many of his friends, for the most part surrealists, had gathered around André Breton in the Villa Air Bel: Pierre Mabille, René Char, Max Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret. In the Villa Air Bel, a meeting place for creativity and experimentation, Lam worked and produced, most notably, a series of ink drawings that set the tone for what would become his signature style of hybrid figures, a vocabulary he would develop more fully during his years in Cuba from 1941 to 1947. In January and February 1941, Lam illustrated Breton’s poem Fata Morgana which was censored by the Vichy government. On March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Martinique, in the company of some 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss among them. Upon arrival, the passengers were interred at Trois Îles. It was during this forced passage in Martinique and before leaving for Cuba that Lam and Aimé Césaire met for the first time to become life-long friends. Newly settled in his native land after almost twenty years, Lam delved deeper into his artistic investigations, finding nourishment for his ideas in the surroundings of his childhood and youth. His sister Eloisa, whom he was closest to, explained to him in much detail the workings of Afro-Cuban rituals and he began attending ritual ceremonies with some of his friends. This contact with Afro-Cuban culture brought new impetus to his art. He painted over one hundred canvases, most notably La Jungla, making the year 1942 his most productive of this period. Over the next few years, a number of exhibitions followed in the United States, at the Institute of Modern Art of Boston, at the MoMA of New York, at the Galerie Pierre Matisse, where La Jungla was presented and created a scandal. In 1946, Lam and Helena travel to Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton. Talking about his experience in Haiti, Lam said, “It is often assumed that my work took its final form in Haiti, but my stay there, like the trips I made to Venezuela, Colombia or to the Brazilian Mato Grosso only broadened its scope. I could have been a good painter from the School of Paris, but I felt like a snail out of its shell. What really broadened my painting is the presence of African poetry.” Picasso_Lam_Vallauris_1954_vignette Wifredo Lam et Pablo Picasso, Vallauris, 1954 Lam then went on to New York where he renewed contact with Marcel Duchamp and made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Gorky, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo, Jesse Fernández, John Cage, Sonia Sekula and Yves Tanguy. By the end of the 1940s, Lam divided his time between Europe, Havana and New York, where they stayed with Pierre and Teeny Matisse...

Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper. Paper size: 11.02 x 8.66 inches; image size: 7 x 5.7 inches. Inscription: Unsigned and unnumbered, as is...

Letter Z from Alphabet series is an original lithograph realized by Rafael Alberti in 1972. Hand-signed and dated on the lower margin. Numbered on the lower margin. Edition 10/99...

Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper. Paper size: 11.02 x 8.66 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio,...

Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper. Paper size: 11.02 x 8.66 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio,...

Poster of 4 festival Music Mtodziezowej is original lithography print realized in 1973. Signed on the plate along the right margin: Khuczykouski 73. Good conditions with aged lower...

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 197) and published in Paris by the Maeght atelier. Sheet size: 15 x 22 inches (378 x 5...

LEONOR FINI Cat with Staff 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Joan Miró Litografia Original II Color Lithograph Year: 1975 Size: 12.5 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.35 Publisher: Maeght Editeur, Pari...

Corita Kent Yes to You, 1979 Color silkscreen Hand signed, numbered and uniquely inscribed with a heart doodle by the artist on the front. Artists Proof (aside from the regular editi...

Rosenquist Exhibition Poster is an original contemporary artwork realized in 1970. Offset poster realized in occasion of the James Rosenquist ex...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Color lithograph with photolithography. Hand signed lower right by Rafael Canogar. Hand numbered 62/75 lower left corner. Artwork size 22 x 29 inches. Frame size 30 x 37 inches. ...

Artist: Joan Miro Title: Joan Miro Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in the pla...

ARTIST: Salvador Dali TITLE: Portrait of Picasso MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: a/b 66/200 MEASUREMENTS: 19" x 31" YEAR: 1970 FRAMED: No CONDITION: Exc...

LEONOR FINI Cat with Hat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Salvador Dali A plate, from Les Songes drolatiques de Pantagruel, 1973 Lithograph on Japanese paper Hand signed lower right Numbered 204/250 Sheet size 76 x 56cm Printed by Graphol...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Segno Zodiacale Acquario is an original screen print on grey paper realized by Sergio Barletta. Signed on the lower left margin. In good conditions e...

Coloured lithograph on paper, edited in 1970.
 Limited edition of 90 copies, numbered as 27/90 in lower left corner. 
Hand-signed by artist in pencil in the lower right corner. Pape...

Robert Indiana (American, 1928-2018) 'Love, Louisiana', 1972 An original screen printed exhibition poster presented at the Louisiana Museum near Cope...

Medium: lithograph (after the collage). Printed in 1976 and published in Lugano by Editore-Stampatore Giulio Topi in an edition of 500 for the "Pensieri Poesie Disegni Collages" port...

Conrad Marca Relli - Composition VI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: John Hoyland – British (1934-2011) Title: Red Block on Pink Series: New York Suite Year: 1971 Medium: serigraph Image size: 36 x 26 inches Shee...

Paper Size: 23.75 x 31.5 inches ( 60.325 x 80.01 cm ) Image Size: 18.5 x 27.5 inches ( 46.99 x 69.85 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. Fo...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Salvador Dali (1904-1989) - Le cheval de labeur Lithograph from 1972. The edition of 187/250. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 32/100 Publisher : Poligrafa, Barcelone Catalog : Maeght 935 34.90 cm. x 51.90 cm. 13.74 in. x 20.43 in. (paper) 20.00 cm. x 39.70 cm. 7.87 in. x 15.63 in. (image) A horizontal lithograph...