Skip to main content

19th Century Prints and Multiples

to
756
8,245
1,448
361
103
102
Overall Width
to
Overall Height
to
5,516
571
194
69
35
31
22
18
12
2
311
132
123
115
112
4,723
57,114
24,363
734
1,000
2,238
2,348
2,492
5,043
7,965
13,420
7,600
3,944
3,907
6,009
4,199
49
6,430
3,198
2,451
2,071
1,829
1,345
1,206
728
700
690
640
624
588
384
317
312
288
285
284
274
5,529
3,045
1,013
904
758
674
6,370
4,660
2,245
Period: 19th Century
Antique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875)
Located in SANTA FE, NM
Le Lion Qui Marche Antoine-Louis Barye (French, 1796-1875) Circa 1880 Etching on laid paper after the original bronze by master etcher Abel Lurat (F...
Category

French School 19th Century Prints and Multiples

Materials

Paper, Ink, Etching

The Lower Ridding - Etching by Joseph Banks - 1837
Located in Roma, IT
The Lower Ridding is an artwork, realized by the artist Joseph Banks in 1837. Colore etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Editi...
Category

Modern 19th Century Prints and Multiples

Materials

Etching

“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category

Impressionist 19th Century Prints and Multiples

Materials

Lithograph, Watercolor, Gouache

The Bathers
Located in Fairlawn, OH
The Bathers Woodengraving, 1873 As published in Harper's Weekly, August 2, 1873 (p. 668) Provenance: Wunderlich & Co., Inc., New York, NY (Their stock no. 84.003.8 in pencil recto a...
Category

American Realist 19th Century Prints and Multiples

Materials

Woodcut

Courtesans at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper
Located in Soquel, CA
Courtesan at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper Full color woodcut print of two women in elaborate gowns by Utagawa Yoshiiku (Ochiai Yoshiiku) (Japanese, 1833-1904). Two women are dressed in colorful robes with crossed arms. They are underneath a plum blossom tree in bloom, at night. In the background there is a building with many rooms. Valuable polychrome woodblock print of vertical large oban (大判) format made by Utagawa Yoshiiku (歌川芳幾), the famous artist also known as Ochiai Yoshiiku (落合芳幾), and depicting the courtesan Shizuka (しづか), of the house of pleasure Matsumotoro (松本楼), together with her young kamuro (禿) assistant. The couple is escorted by a kanabohiki (金棒引き) watchman holding a lantern and a metal rod with rings to make noise and alert the crowd. The work, produced in August 1869 by the publisher Tsunajima Kamekichi (綱島亀吉), is taken from the “Twelve Months of Yoshiwara” (よし原十二ヶ月のうち), an elegant series of prints dedicated to the famous red light district of Edo (江戸), and is paired with the “month of leaves” Hazuki (葉月), that is August. Ochiai Yoshiiku (Japanese, 1833-1904) was an ukiyo-e artist from the end of the Edo Period to the Meiji Period. He has created works which are essential to the history of ukiyo-e, such as“Twenty-eight Famous Murders with Verse”, a series of chimidoro-e (bloody paintings) which Yoshiiku and Tsukioka Yoshitoshi collaborated together, and “Shimbun (newspaper) Nishiki-e” that illustrated Meiji news articles with ukiyo-e. Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master. Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the Tokyo Nichi Nichi...
Category

Impressionist 19th Century Prints and Multiples

Materials

Paper, Ink, Woodcut

Michael Bass, Vanity Fair beer brewing portrait chromolithograph, 1871
Located in Melbourne, Victoria
'Beer' Chromolithograph, 1871, after Ape (Carlo Pellegrini 1839-1889) Vanity Fair portrait of Michael Thomas Bass (1799 -1884) was a British brewer and MP. Under his leadership, Ba...
Category

Victorian 19th Century Prints and Multiples

Materials

Lithograph

"Candy Seller" Japanese Woodblock on Rice Paper
Located in Soquel, CA
"Candy Seller" (飴売りうずまつ 市村羽左衛門) Japanese Woodblock on Rice Paper This piece depicts Ichimura Uzaemon as the Candy Peddler Uzumatsu. He is playing a stringed instrument (the shamisen) to attract people to come buy canbdy. The spiral on his clothing is the symbol of the candy seller, along with his crest of the mandarin orange. This Utagawa Yoshiiku print, titled "Umegoyomi mitate hachi shojin" (梅暦見立八笑人), depicts a scene from the Edo period. The print features a prominent male figure playing a shamisen, a traditional Japanese stringed instrument. The text on the print is in Japanese, and the overall style is characteristic of Ukiyo-e, a genre of Japanese woodblock prints. Utagawa Yoshiiku was a significant artist of the Meiji era, known for his contributions to woodblock printmaking. He was a student of Utagawa Kuniyoshi and worked alongside Tsukioka Yoshitoshi. His works often portray historical events, scenes from Kabuki plays, and contemporary life. This print, in particular, showcases the artist's skill in capturing the details of clothing, facial expressions, and the musical instrument. Presented in a new blue mat with foam core backing. Mat size: 18"H x 14"W Paper size: 16"H x 12"W Born the son of teahouse proprietor Asakusa Tamichi in 1833, Utagawa Yoshiiku (also known as Ochiai Yoshiiku) became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master. Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the Tokyo Nichi Nichi...
Category

Edo 19th Century Prints and Multiples

Materials

Ink, Rice Paper, Woodcut

Tortoise-shell Butterfly, Hawk Moth: Antique Hand-colored Engraving by M. Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Tortoise-shell Butterfly and Privet Hawk Moth, which is plate 2 from Moses Harris' publication "The Aure...
Category

Realist 19th Century Prints and Multiples

Materials

Engraving

"The Drawing Lesson" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 7 3/4 x 5 1/2 inches (197 x 1...
Category

19th Century Prints and Multiples

Materials

Etching

Lidia - Lithograph (Les Maîtres de l'Affiche), 1895
Located in Paris, IDF
Jules Chéret Lidia (Alcazar d'été), 1895 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 25 of "Les Maîtres de...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph

Campagne boisée (Wooded countryside)
Located in Middletown, NY
1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...
Category

Barbizon School 19th Century Prints and Multiples

Materials

Etching

Pheasant Pigeon Birds: 19th C. Folio-sized Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Middle Ages, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...
Category

French School 19th Century Prints and Multiples

Materials

Lithograph

The Widow'd Mother Hastens Forth to Meet - Etching by Thomas Rowlandson - 1817
Located in Roma, IT
Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...
Category

Modern 19th Century Prints and Multiples

Materials

Etching

Pillar of Absalom near Jerusalem: David Roberts' 19th C. Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Absaloms Pillar, Valley of Schoshaphat" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...
Category

Realist 19th Century Prints and Multiples

Materials

Lithograph

April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido
Located in Fairlawn, OH
April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido Color woodcut, 1880 From the series: "Pride of Tokyo's Twelve Months" (Tokyo jiman juni kagetsu) Signed and sealed lower rig...
Category

Other Art Style 19th Century Prints and Multiples

Materials

Woodcut

Le Roi de la Création... - Lithograph by Honoré Daumier - 1858
Located in Roma, IT
Plate n. 3 from the suites of caricatures on political themes topic “Croquis d’Été ”.  Realized by Honoré Daumier  (France, 1808-1879), printed by Destouches, and published by the M...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Belle Époque original 1890 poster Jules Chéret Musée Grévin colonial exhibition
Located in PARIS, FR
An emblem of the Belle Époque's fascination with the exotic, this original 1890 poster by Jules Chéret—often called the father of the modern poster—captures the spirit of late 19th-c...
Category

19th Century Prints and Multiples

Materials

Linen, Paper, Lithograph

Dendrobium Albo-Sanguineum, antique orchid botanical lithograph print, 1859
Located in Melbourne, Victoria
'Dendrobium Albo-Sanguineum – White and Sanguine Dendrobium' Orchid lithograph with original hand-colouring , 1859, by Walter Hood Fitch (1817-1892). 25c...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Alphonse Mucha's 1898 chromolithograph for the Lefèvre Utile (LU)
Located in PARIS, FR
Alphonse Mucha's 1898 chromolithograph for the Lefèvre Utile (LU) brand's "Vanilla Wafers" is an iconic work that embodies the Art Nouveau aesthetic and testifies to the artist's cre...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph, Paper

Sandwich Tern (with Florida Cray Fish) (Florida Keys) /// Ornithology Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Sandwich Tern (with Florida Cray Fish) (Florida Keys)" (Plate CCLXXIX - 279; part No. 56) Portfo...
Category

Victorian 19th Century Prints and Multiples

Materials

Gold Leaf

Eagle or Horned Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right. This striking framed Gould...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Art Nouveau : Golden Age, Peaceful Life in the Forrest - Original lithograph
Located in Paris, IDF
Henri RIVERE (1884-1951) Art Nouveau : Golden Age, Peaceful Life in the Forrest, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On paper 90 x 120 cm ...
Category

19th Century Prints and Multiples

Materials

Lithograph

1897 After Emile Berchmans 'L'Art Independant'
Located in Brooklyn, NY
Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 7.75 x 6 inches ( 19.685 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithogr...
Category

Art Deco 19th Century Prints and Multiples

Materials

Lithograph

Sous Bois
Located in Middletown, NY
Paris: Cadart & Luquet, c1870. Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins. In good condition with some marginal w...
Category

French School 19th Century Prints and Multiples

Materials

Handmade Paper, Engraving, Etching

Ancient Ships - Lithograph - 1862
Located in Roma, IT
Ancient Ships is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the la...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

"Un Importun" etching
Located in Henderson, NV
Medium: etching (etched by Marie Louveau-Rouveyre after the Philippe Rousseau painting). This impression on laid paper was printed in 1880 and published in Paris by L'Art. Plate size...
Category

19th Century Prints and Multiples

Materials

Etching

George Romodo - An Eccentric Mimic
Located in Bournemouth, Dorset
George Romondo, was a diminutive 18th-century performer known as the “eccentric mimic.” Born in about the year 1765 in Lisbon, Portugal, Romondo’s unusual talent was matched by an...
Category

19th Century Prints and Multiples

Materials

Engraving

Hélyett Marjolaine by Georges de Feure, Art Nouveau theater lithograph, 1896
Located in Chicago, IL
Lithograph of George de Feure’s 1896 theatrical Art Nouveau poster promoting Mistinguett’s role as Hélyett in Marjolaine. Hélyett is shown in a delicate pastel palette, enveloped b...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph

St Sepulchre, The Round Church, Cambridge exterior after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category

19th Century Prints and Multiples

Materials

Aquatint

Hardy Phloxes, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Hardy Phloxes' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Peter the Wild Boy - Found in the woods of Haemlin
Located in Bournemouth, Dorset
Peter The Wild Boy Peter the Wild Boy, Found in the woods of Haemlin', 1821. Portrait of Peter the Wild Boy (c1713-1785) who was found in 1725 living an entirely feral existence in ...
Category

19th Century Prints and Multiples

Materials

Engraving

Cicas Revoluta - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Goldfinch etc, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Goldfinch etc Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category

Victorian 19th Century Prints and Multiples

Materials

Engraving

"Entrance to the Citadel Cairo": David Roberts' 19th C. Hand Colored Lithograph
Located in Alamo, CA
"Entrance to the Citadel of Cairo" is a 19th century full folio sized duotone lithograph from the Egypt and Nubia volumes of David Roberts’ large folio edi...
Category

Realist 19th Century Prints and Multiples

Materials

Lithograph

Faust, Méphistophélès et le Barbet / Faust, Méphistophélès and the Water Spaniel
Located in Middletown, NY
Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...
Category

Barbizon School 19th Century Prints and Multiples

Materials

Lithograph, Handmade Paper

Fallen Rider - Etching by Max Klinger - 1881
Located in Roma, IT
Fallen Rider  is a modern artwork realized by Max Klinger in 1881. The artwork belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroef...
Category

Symbolist 19th Century Prints and Multiples

Materials

Etching

1896 original lithography by Armand Rassenfosse Salon des cent
Located in PARIS, FR
In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph, Paper

1896 original lithographic poster by Georges Meunier - Normandie & Bretagne
Located in PARIS, FR
This original lithographic poster, created in 1896 by French artist Georges Meunier, was published as Plate 31 in the prestigious Les Maîtres de l’Affiche series. Commissioned by the...
Category

19th Century Prints and Multiples

Materials

Paper, Lithograph

Cléo de Merode - Lithograph after H. de Toulouse-Lautrec - 1970s
Located in Roma, IT
Lithograph realized in 1970s, after the original work by Toulouse-Lautrec of 1896. Limited edition of 1000. Excellent condition.
Category

Post-Impressionist 19th Century Prints and Multiples

Materials

Paper, Lithograph

Enigma (Apparition in a Blue Dream) - Original lithograph - 1897
Located in Paris, IDF
Henri Bellery-Desfontaines Enigma (Apparition in a Blue Dream), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph

Winter Wren
Located in Columbia, MO
John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...
Category

American Realist 19th Century Prints and Multiples

Materials

Lithograph

The Kiss
Located in Chicago, IL
Artist edition of 38 on Imperial Japon paper. Genossenschaft Pan GmbH, Berlin, publisher; Dr. C Wolf & Sohn, Munich.
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Woodcut

The Dance of Life Begins - Etching by Thomas Rowlandson - 1817
Located in Roma, IT
Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...
Category

Modern 19th Century Prints and Multiples

Materials

Etching

Les Offres d'Amour, Heliogravure by Albrecht Dürer
Located in Long Island City, NY
Albrecht Durer, After by Amand Durand, German (1471 - 1528) - Les Offres d'Amour, Year: 1873, Medium: Heliogravure, Image Size: 6 x 5.25 inches, Size: 6.5 x 5.75 in. (16.51 x 14....
Category

Old Masters 19th Century Prints and Multiples

Materials

Etching

By Piety's Due Rites tis Given - Etching by Thomas Rowlandson - 1817
Located in Roma, IT
Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...
Category

Modern 19th Century Prints and Multiples

Materials

Etching

The Guildmasters, Photogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - The Guildmasters, Year: of Original: 1661 (printed 1906), Medium: Photogravure, Size: 10 x 14 in. (25.4 x 35.56 cm), P...
Category

Old Masters 19th Century Prints and Multiples

Materials

Etching

Forced Shrubs, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Forced Shrubs' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Robert Abel, Vanity Fair cricket portrait chromolithograph, 1902
Located in Melbourne, Victoria
'Bobby' Vanity Fair cricket portrait of Robert Abel. Abel was a right hand batsman and bowler for Surrey and England. 390mm by 265mm (image)
Category

Victorian 19th Century Prints and Multiples

Materials

Lithograph

Tis hop'd, Miss Foreign Scenes - Etching by Thomas Rowlandson - 1817
Located in Roma, IT
Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...
Category

Modern 19th Century Prints and Multiples

Materials

Etching

1892 illustrated program for Mirages, Henri-Gabriel Ibels for the Théâtre Libre
Located in PARIS, FR
In this 1892 illustrated program for Mirages, Henri-Gabriel Ibels, a key figure of the Nabis movement, extends the reach of modern art deep into the realm of performance. Created for...
Category

19th Century Prints and Multiples

Materials

Paper, Lithograph

Ladies in The Paris Street - Belle Epoque Period - Original Pair
Located in Saint-Ouen, FR
LEBAS Léonie (19th-20th) - Paris Belle Epoque Genre Scene - Oil on wood in pair - Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...
Category

Post-Impressionist 19th Century Prints and Multiples

Materials

Oil

"A Cottage" original etching
Located in Henderson, NV
Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers. This impression on laid paper was printed from Weirotter's original plate. Plate size:...
Category

19th Century Prints and Multiples

Materials

Etching

Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Salome and the Head of John the Baptist - Etching from Louvre Museum
By Gustave Moreau
Located in Paris, IDF
Gustave MOREAU Salome and the Head of John the Baptist Etching Signed in the plate On BFK Rives vellum 64.5 x 50 cm (c. 25.4 x 19.69 inch) INFORMATION : Published by the Chalcograp...
Category

Realist 19th Century Prints and Multiples

Materials

Etching

Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Engraving

Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL
Located in Santa Monica, CA
GUSTAVE DORE (French 1832-1883) CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL (Tyrolian Hunters at the end of the Hunt) c. 1856-7 (Beraldi?) Lithograph,...
Category

Romantic 19th Century Prints and Multiples

Materials

Lithograph

Tropic Bird /// Ornithology John James Audubon Shorebird Ocean Beach Seascape
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Not framed, but matted in a handmade custom French matting Matted size: 30" x 38.75" Sheet size: 25.5" x 36" Platemark size: 20.75" x 30.25" Image size: 18.5" x 27.75" Condition: A few tiny foxmarks. In excellent condition with clean paper and strong colors Rare Notes: Provenance: private collection - New York, NY. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". "J. Whatman 1835" watermark upper right. Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...
Category

Victorian 19th Century Prints and Multiples

Materials

Watercolor, Engraving, Aquatint, Intaglio

The July Century - Original Lithograph (Les Maîtres de l'Affiche), 1895
Located in Paris, IDF
Charles Herbert WOODBURY The July Century, 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 32 of "Les Maîtres de l'A...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph

Recently Viewed

View All