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Period: Early 18th Century
Robert van Audenaerde after Carlo Maratti - Engraving, Rebecca at the Well
Located in Corsham, GB
A charming 18th-century engraving depicting the religious scene of Rebecca at The Well. Inscribed in plate. Presented in a gilt frame. On paper.
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Early 18th Century Prints and Multiples

Materials

Engraving

Venice: 18th Century View of the Basilica of S. Pietro di Castello by Lovisa
Located in Alamo, CA
This is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...
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Early 18th Century Prints and Multiples

Materials

Etching

Peterhouse College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Peterhouse College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Peterhouse College, Cambridge, eng...
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Realist Early 18th Century Prints and Multiples

Materials

Engraving

Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
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Academic Early 18th Century Prints and Multiples

Materials

Engraving

Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa. The Netherlands: 1705....
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Naturalistic Early 18th Century Prints and Multiples

Materials

Watercolor, Engraving

Flowering Hyacinth & Calla Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyacinthus Comosus Spurius" (Hyacinth), "Hyacinthus Anglicus" (Blue Hyacinth), "Palma ...
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Academic Early 18th Century Prints and Multiples

Materials

Engraving

Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...
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Academic Early 18th Century Prints and Multiples

Materials

Engraving

Sir. John Powell, Knight: Early 18th C. Engraved Portrait After William Sherwin
Located in Alamo, CA
This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below. This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum. Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs. Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today. William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke...
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Old Masters Early 18th Century Prints and Multiples

Materials

Engraving

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
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Old Masters Early 18th Century Prints and Multiples

Materials

Etching, Engraving, Drypoint

Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
Located in Alamo, CA
This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
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Academic Early 18th Century Prints and Multiples

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Engraving

Lemons "La parte interiore": An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "La parte interiore del Cedro di fio e Sugo doppio" ...
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Naturalistic Early 18th Century Prints and Multiples

Materials

Engraving

Cocoa plant, caterpillar, ..., Plate 26, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...
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Naturalistic Early 18th Century Prints and Multiples

Materials

Watercolor, Engraving

New College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) New College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Le College Neuf (New College), engraved by Piete...
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Realist Early 18th Century Prints and Multiples

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Engraving

Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
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Academic Early 18th Century Prints and Multiples

Materials

Engraving

Chamomile & Safflower: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Chamemelum Romanum flore simplici (Chamomile), Cincus Sativus (False saffron, Safflower), Chamaemelum Romanum Flore (Roman Chamomile)", depicting flowering Chamomile, Safflower and Roman Chamomile plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There are a few small spots and some irregularity of the lower edge. There is some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.25" high and 17.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
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Academic Early 18th Century Prints and Multiples

Materials

Engraving

Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
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Academic Early 18th Century Prints and Multiples

Materials

Engraving

Pompelmus (Grapefruit): An Early 18th C. Hand-colored Engraving by Volckamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of grapefruit by Johann Christoph Volkhamer, entitled "Pompelmus (Grapefruit), Der Herra Sitz und Burg...
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Naturalistic Early 18th Century Prints and Multiples

Materials

Engraving

North and South America: An 18th Century Hand-colored Map by Johann Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
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Old Masters Early 18th Century Prints and Multiples

Materials

Engraving

Citrus and Apricots
Located in London, GB
WEINMANN, Johann Wilhelm. Citrus and Apricots Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plate, being one of the earliest examples of colour printing. Johann ...
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Naturalistic Early 18th Century Prints and Multiples

Materials

Laid Paper, Mezzotint

Robert Béenard (1734-1794) - 18th Century Engraving, Le Cirier & Le Vanille
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount On wove.
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Early 18th Century Prints and Multiples

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Engraving

Le Saki - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Saki is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...
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Modern Early 18th Century Prints and Multiples

Materials

Etching

Le Paon - Etching by Catherine Haussard - 1771
Located in Roma, IT
Le Paon is an etching realized by Haussard in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la d...
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Modern Early 18th Century Prints and Multiples

Materials

Etching

Robert Béenard (1734-1794) - 18th Century Engraving, Le Pivre & Le Betel
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount. On wove.
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Early 18th Century Prints and Multiples

Materials

Engraving

Robert Béenard (1734-1794) - 18th Century Engraving, Le Quinquina & La Casse
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount. On wove.
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Early 18th Century Prints and Multiples

Materials

Engraving

Celestial Music - Etching by C.N. Cochin the Elder - Early 18th Century
Located in Roma, IT
Celestial Music is an original black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754), the well-known ...
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Old Masters Early 18th Century Prints and Multiples

Materials

Etching

New Map of the Terraqueous Globe - WORLD MAP - CALIFORNIA AS AN ISLAND
By Edward Wells
Located in Santa Monica, CA
EDWARD WELLS (British 1667- 1727) A NEW MAP of the TERRAQUEOUS GLOBE - according to the latest Discoveries and most general Divisions of it into CONTINENTS and OCEANS, 1700-01 (Shirley 609) Engraved by Michael Burghers, Oxford. Hand-colored, Platemark 14 1/4 x 20 1/8 inches. Central cartouche flanked by figures representing the continents with dedication to William, Duke of Gloucester...
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Old Masters Early 18th Century Prints and Multiples

Materials

Engraving

German folk dancing, set of six engravings, circa 1720
Located in Melbourne, Victoria
A series of six German engravings of couples dancing. Published by Josef Friderick Leopold in Bavaria. 260mm by 165mm (platemark)
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Romantic Early 18th Century Prints and Multiples

Materials

Etching

Flowering Henbane : A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyosciamus albus and Hyosciamus vulgaris" (Henbane) plants from Basilius Besler's landmark work, Hortus Eystettensi...
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Academic Early 18th Century Prints and Multiples

Materials

Engraving

View Of Kinnungam - Hand Watercolored Etching by A. Leide
Located in Roma, IT
View Of Kinnungam is an original print realized in the beginning of the XVIII century by Pieter van der Aa. Hand-watercolored etching. Includes frame 42 x 52.5 cm. Original title,...
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Early 18th Century Prints and Multiples

Materials

Etching

“Haughton in the County of Nottingham” (Near Newark Upon Trent)
Located in Southampton, NY
An original hand colored engraving by Johannes 'Jan' Kip (1653-1722) of Haughton in the County of Nottinghamshire, one of the seats of Prince John Duke of ...
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Academic Early 18th Century Prints and Multiples

Materials

Engraving

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
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Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
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Modern Early 18th Century Prints and Multiples

Materials

Etching

World Map - Etching by Hubert Nicholas-Jaillot - 1719
Located in Roma, IT
World map is an original modern artwork realized by Hubert Nicholas - Jaillot, printed by Louis Cordier in  Paris 1719. Etching on copper The artwork depicts two hemispheres, conti...
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Old Masters Early 18th Century Prints and Multiples

Materials

Etching

Skeleton - Etching by Louis Legrand - 1711
Located in Roma, IT
Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...
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Modern Early 18th Century Prints and Multiples

Materials

Etching

Java Apples
Located in London, GB
WEINMANN, Johann Wilhelm. Java Apples Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plates, being one of the earliest examples of colour printing. Johann Weinmann...
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Naturalistic Early 18th Century Prints and Multiples

Materials

Laid Paper, Mezzotint

Le Roy Mene au Trone from Series Le Sacre de Louis XV 1722-1731
Located in Paonia, CO
Le Roy Mene au Trone from the Series Le Sacre de Louis XV  (1722-1731 )  is an etching by French artist Charles Nicolas Cochin the Elder ( 1688-1754...
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French School Early 18th Century Prints and Multiples

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Etching

Library View, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) The Auditoriums & Public Library, Cambridge Engraving 12 x 16 cm An eighteenth-century view of the auditoriums and ...
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Realist Early 18th Century Prints and Multiples

Materials

Engraving

Joan of Austria / - The luminosity of the print -
Located in Berlin, DE
Gérard Edelinck (1640 Antwerp - 1707 Paris), Joan of Austria, 1707. Copperplate engraving, 51.2 cm x 29.8 cm, inscribed below the image: "Jeanne d'Autriche Grande Duchesse de Toscane...
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Realist Early 18th Century Prints and Multiples

Materials

Paper

The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
Located in Saint Augustine, FL
Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Intaglio

John Harris After Thomas Badeslade - 18th Century Engraving, Deane House
Located in Corsham, GB
A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...
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Early 18th Century Prints and Multiples

Materials

Engraving

View of Rialto Bridge in Venice
Located in New York, NY
Engraving of Veduta della Piazza, verso la Chiesa di S Marco by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 13.5"L x 10.5"H. Has the original center crease an...
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Early 18th Century Prints and Multiples

Materials

Paper

Flowering Cactus Engraving
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745. This plate: Cereus Minimus Serpens Americanus. [Cactus]. Mezzotint engraving print...
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Early 18th Century Prints and Multiples

Materials

Laid Paper

Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91) Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Intaglio

Christ's College, Cambridge, engraving after David Loggan
Located in London, GB
After David Loggan (1634 - 1692) Christ's College, Cambridge Engraving 40 x 46 cm An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engrave...
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Realist Early 18th Century Prints and Multiples

Materials

Engraving

Kameya - Tea House
Located in Chesterfield, MI
Kameya - Tea House Lithography by Utagawa Hiroshige (Ando Hiroshige) Print in Good Condition Measures 12.5 in x 19 in
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Early 18th Century Prints and Multiples

Materials

Lithograph

Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Intaglio

St Peters Church at Rome /// "Vitruvius Britannicus" Architecture Engraving Art
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Intaglio

Clare College, Cambridge (aerial view) by David Loggan
Located in London, GB
David Loggan (1634 - 1692) Clare College, Cambridge Engraving 36 x 42 cm An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engraver, draugh...
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Realist Early 18th Century Prints and Multiples

Materials

Engraving

Dominus Nicolaus Vander Borcht /// Anthony van Dyck Full Length Portrait Flemish
Located in Saint Augustine, FL
Artist: (after) Anthony van Dyck (Dutch, 1599-1641) Title: "Dominus Nicolaus Vander Borcht" Year: 1703 (first or second state of three) Medium: Original Engraving on laid paper Limi...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving

Portrait of Jacob Cats, poet – engraved by Michiel Nöel Natalis
Located in Middletown, NY
Amsterdam: Francois Halma, circa 1700. Engraving on laid paper, 13 x 7 3/4 inches (350 x 197 mm); sheet 15 3/4 x 9 3/4 inches (400 x 248 mm), full margins. In very good condition wi...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio, Etching

The Bodleian Library, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The Bodleian Library, Oxford Engraving 12 x 16 cm An eighteenth-century view of the bea...
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Realist Early 18th Century Prints and Multiples

Materials

Engraving

"Cockersand Abbey" from "Buck's Antiquities" /// British Old Master Engraving
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Cockersand Abbey" (Plate 148) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Laurie and Whittle - 1794 Engraving, A General View of the City of Lisbon
Located in Corsham, GB
A vibrant and captivating print depicting an expansive view of Lisbon, with ships sailing in the foreground. Inscribed within the plate below the image. On paper.
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Early 18th Century Prints and Multiples

Materials

Engraving

A Drunken Night Cap
By Jan van der Bruggen
Located in New York, NY
(After) JAN VAN DER BRUGGEN (Brussels c1649 1690 Paris), A Drunken Night Cap, Wine is a Mocker, mezzotint, c. 1720, with artist's name Mieris lower left in t...
Category

Old Masters Early 18th Century Prints and Multiples

Materials

Mezzotint

Robert Sayer (1725-1794) - 18th Century Engraving, A View of the Royal Palace
Located in Corsham, GB
This finely detailed etching captures an expansive view of the Royal Palace in Madrid, Spain. Colourfully dressed spectators observe soldiers on horseback parading around the grand s...
Category

Early 18th Century Prints and Multiples

Materials

Engraving

San Benedetto Con Altri Nanti, religious engraving after Veronese, circa 1700
Located in Melbourne, Victoria
Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures. Paolo Vero...
Category

Old Masters Early 18th Century Prints and Multiples

Materials

Engraving

David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Realist Early 18th Century Prints and Multiples

Materials

Engraving

John Gould - Ciconia Nigra from 'Birds of Great Britain' C. 1862
Located in BRUCE, ACT
Ciconia Nigra - John Gould lithograph with hand-coloured size 54 cm X 36 cm This remarkable ornithology lithograph with hand-finished colour is ...
Category

Early 18th Century Prints and Multiples

Materials

Lithograph

John Gould - Trogon Personatus from 'Birds of Great Britain' C. 1862
Located in BRUCE, ACT
Trogon Personatus - John Gould lithograph with hand-colored size 54 cm X 36 cm This remarkable ornithology lithograph with hand-finished color i...
Category

Early 18th Century Prints and Multiples

Materials

Lithograph

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