20th Century Portrait Prints

A woman in slip-on heels leans languidly on a cloud-like phallus defined with loose, sketched lines. Gazing dreamily past the viewer, the topless woman dons a diaphanous tutu, and at...

Screen print in colors on Essex Offset Kid Finish paper. Hand signed and numbered by Andy Warhol. Published by Dr. Frank Braun, Düsseldorf. Hand numbered AP 21/35. From the Artist Proof edition (outside the main edition of 250). Frame size approx 31 x 23 inches. The artwork is in excellent condition. Gallery Art issued COA included. All reasonable offers will be considered. Andy Warhol’s Saint Apollonia...

Poster. Measures 30.25 x 25.25 inches and is Unframed. Good Condition.

Sketched Portrait is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collotypes after drawings by Gustav Klimt. Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...

Pablo PICASSO (after) Portrait of a Young Girl, 1974 Lithograph Signed in the plate On Japan paper 38.5 x 28.5 cm (c. 15.2 x 11.2 inches) INFORMATION : Lithograph based on drawings...

Color silkscreen and collage. Framed. Hand signed, dated and numbered by the artist. Certificate of authenticity included. Edition PP 2/6. All reasonable offers will be considered.

Jan Matulka (1890-1972), Spanish Woman with Guitar, lithograph, 1925, an unsigned proof impression. Reference: Flint 13, only a few impressions known...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original lith...

Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist’s proofs in roman numerals), published by Mazzota Editore, Milan, 95.2 x 64.8 cm. (37½ x 25½ in.) The ‘Ladies and Gentlemen...

Medium: original color lithograph. Catalogue reference: M 646. Printed in Paris in 1972 at the Mourlot atelier. Size: 12 1/2 x 9 3/8 inches (320 x 238 mm). Not signed.

Medium: original soft ground etching. This is a lifetime impression printed in 1914 on laid paper and published in Berlin by Bruno Cassirer for Theodore Duret's "Die Impressionisten"...

Poster. Measures 26.75 x 18.5 inches and is Unframed. Title information (second image) is printed on the back. Good Condition.

Lithograph on Arches Velin paper, Edition of 25 Paper size: 45 x 32 cms (17 5/8 x 12 5/8 ins) Image size: 30 x 22.8 cms (11 3/4 x 9 ins)

André Planson - French Province Original Lithograph Handsigned Dimensions: 38 x 28 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

This poster, an advertisement calendar for Excel Cigarettes from the 1930s, melds the meticulous detail of traditional Chinese painting with the craft of color lithography. This advertisement depicts a fashionable woman in traditional Chinese dress...

Medium: original lithograph. Catalogue reference M 141. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special editi...

Original Doctor Zhivago vintage US 1-sheet, Style C, movie poster. Archival linen-backed in very fine condition, ready to frame. There was no restoration other than touch-up of the original theater release fold marks. Add a cinematic masterpiece to your collection with this original movie poster for David Lean’s epic film, Doctor Zhivago. This stunning poster, professionally linen-backed for long-lasting preservation and presentation, showcases vibrant colors, striking character portraits, and unique vintage artwork actual to its 1960s release. Crafted for the film’s original theatrical run, the poster features the acclaimed tagline, "From the Most Acclaimed Novel Of Our Time Come These Brilliant Character Portrayals," and charismatic illustrations of the cast that capture the emotional and dramatic essence of Boris Pasternak’s timeless story. This gorgeous collectible is ideal for classic film aficionados, vintage poster collectors, or anyone seeking a touch of golden age Hollywood style. Own a piece of movie history with this authentic Doctor Zhivago poster...

Jean-Emile Laboureur, Lassitude, 1912, woodcut, signed and numbered (24/35) in pencil. Reference: Sylvain Laboureur 682, third state (of 3). From the edition of about 35, published b...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Hand signed & numbered by the artist. Sheet size: 26 x 25 inches. Image size: 22.5 x 22.5 inches. Edition of 150. Artwork is in excellent condition. Certificate of authenticity in...

Etching on paper. Hand signed lower right margin. Image size: 20 x 13 inches. Frame size approx 36 x 27 inches. Reference: Figure 331 page 156 in "Louis Icart: The complete etchin...

This vibrant serigraph by Andy Ledesma, created for the 1996 Día de los Muertos celebration at Self Help Graphics, encapsulates the spirit of the Day of the Dead through its dynamic ...

Hand signed and numbered by the artist. From Les Diners De Gala. Photo lithograph with a separate original engraving titled Spoon on Crutches. Image size...

"Untitled" serigraph of Native Americans and horse with attached color photo by artist Jean Le Gac from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise m...

LADY LEICESTER SQUARE is a limited edition lithograph printed using traditional lithography techniques on archival printmaking paper, 100% acid free, by the British woman artist Sand...

From Kinderstern Portfolio. Screenprint in colors on paper. Hand signed, dated and numbered by the artist. Published by Michael Domberger (Domberger KG, Filderstadt, Germany) and pri...

“Fish Bowl” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff). Image size (including signature): 21 x 16 in. Framed Size: 52 x 26 in. Edition 149/300. The artwork is framed. Signed by the artist on the bottom right corner. It is in excellent condition. Known as the “Father of Art Deco,” he created elegant decorative images that are timeless in their beauty and sophistication. Clean lines of his glamorous and evocative works resemble the geometry of Classical Greek pottery and Japanese art of woodblock prints. Erté’s artworks...

"Citadine en Tenue de Ménagère" translated to "Townwoman Dressed For Housework" is plate number 9 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from...

'Balinese Boy', original signed lithograph, by Arie Smit (circa 1980s). Young Balinese men feature heavily in the oeuvre of the artist. In this case, it appe...

Etching and drypoint realied by Léger in 1952. Artist proof our of and edition of 100. Hand signed in pencil lower right.

Hand signed and numbered by the artist. Lithograph in colors on wove paper. Mourlot 838. Sheet size 30.25 x 20 inches. Image size 22.5 x 14.75 inches. Frame size approx 36.5 x 26.5 inches. Edition 34/50. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village...

Rendered in profile, Marie-Therese Walter is shown wearing a purple beret and a brown coat with fluffy trim. One of Pablo Picasso's famed muses, this representation of her is reminis...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1954. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. Accompanied by a Certificate of Authenticity. Tete Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph...

Serigraph in colors on paper. Hand signed and numbered on front by Erte. From the edition of 300. Artwork size 23.25 x 16.5 inches. Framed size approx 29 x 23 inches. Artwork is...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 25 x 18 inches. Sheet size 29.5 x 22 inches. Custom framed as pictured. Edition of 300. Artwork is...

"Farmer" is an original linoleum print by Schomer Lichtner, signed in the lower right hand corner. A side profile of a man in rendered in clear lines full of expression. Image: 6" x...

Jean-Emile Laboureur (1877-1943), Jeune Fille au Chapeau Blanc, 1921, etching and engraving. Reference: S. Laboureur 223, third state (of 3), edition of 30, about 47 impressions pull...

FEMME DÉNUDÉE is an original, hand drawn, stone lithograph by the French artist Michel Potier printed in Paris during the 1970's using hand lithography t...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Artist - David Azuz, Israeli/French (1942 - 2014) Medium - Lithograph Print size - 21 x 26.5 in., unframed, unsigned Printer's Proof, strong impression, good colors, registration mar...

Etching with extensive hand coloring in watercolor on white wove paper, 13 3/4 x 10 3/4 inches (347 x 271 mm); sheet 24 x 17 inches (608 x 430 mm), full margins. In good condition wi...

Jean Jansem (1920-2013) Solange de dos, 1990 Lithographie sur papier Japon Signée en bas à droite et justifiée en bas à gauche 45,5 x 65 cm / 54 x 76 cm Bibliographie: Imprimeur:...

Original Biere Fine Luxem vintage linen-backed beer poster. Artist: Vertil. Printed in Belgium. Excellent condition, ready to frame. Own a piece of history with this authentic...

Kalaidoscopic Lips #6 original 1967 vintage Peter Max poster. Grade A- condition. The bottom right corner was bent over, but there is no pa...

Kees Van Dongen - Brigitte Bardot - Vintage Exhibition Poster Vintage Brigitte Bardot, exhibition poster for "Les Peintres Témoins de leur Temps" at G...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Original WW1 poster: "Be Patriotic sign your country's pledge to save the food." U. S. Food Administration. Miss Liberty calls with outstretch...

Artist: Raul Anguiano, Mexican (1915 - 2006) Title: Muchacha de Cuetzalan Year: 1988 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 29 x 22 in. (73.66 x 55.88 cm)

Color lithograph realized by Buffet in 1960. Hand signed in pencil lower right. Edition of 59/125; numbered in pencil. Burnishing of the sheet on edges.

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 295. Not stretched. All reasona...

Wifredo Lam - Knight - Original Lithograph Published in the deluxe art review, XXe Siecle 1963 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Andy Warhol Mao, 1977 Offset lithograph exhibition poster on rag paper Published by the Hokin Gallery, Chicago, Illinois 37 × 24 inches Unframed This uncommon lithographic poster dep...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 10 x 6 1/2 inches (257 x 163 mm). Not signed. Con...

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio was printed in Munich in the studios of Guenther Dietz under the personal supe...

Kees van Dongen - Portrait - Original Lithograph 1950 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. From The Gods Are Athirst

Original KLM to the Caribbean midcentury modern vintage travel poster. Archival linen backed in excellent, Grade A condition, ready to frame. Note that the background color is a light blue-grey. Vibrant and clean. Printed by Kuhn & Zoon, Rotterdam. KLM Royal Dutch Airlines. Capture the allure of mid-century travel with this stunning original vintage KLM Royal Dutch Airlines poster titled "To the Caribbean." This poster features vibrant illustrations and bold imagery designed to inspire wanderlust among travelers. The centerpiece is a captivating portrait of a man in a straw hat, symbolizing the culture and warmth of the Caribbean. Surrounding him are colorful depictions of local architecture, lively festivities, tropical plants, and scenic elements—all rendered in an artistic, postwar illustrative style. The poster's overall design and artistic style evoke a sense of adventure, exoticism, and the allure of tropical vacation destinations. The bold text "to the Caribbean" and the prominent KLM logo at the bottom indicate that this was an advertisement for KLM's air travel services to the Caribbean region. This original vintage KLM poster...

Limited edition offset print of the original photorealistic painting, a portrait that portrays a historical reenactment of a civil war volunteer by James Bama...

Andy Warhol (1928-1987) Andy Warhol für die Grünen, 1980 Medium: Screenprint on paper (election poster) Dimensions: 101 x 77 cm Edition size unknown: Not signed, not numbered Publish...