Impressionist Prints and Multiples

Camille Pissarro (1830-1903), Paysanne Donnant a Manger a un Enfant, etching on zinc, 1874, signed in pencil lower right and inscribed lower left “No 1 – 1er etat”, also titled in p...

LEVON WEST (1900 – 1968) CHANGING FLIES c. 1930 Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Raoul Dufy, French (1877 - 1953) - Destinee, Year: c. 1920, Medium: Woodblock on laid paper, Image Size: 4 x 5.5 inches, Size: 12.75 x 9.75 in. (32.39 x 24.77 cm), Description: Fro...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Rue des Marmousets is a black and White etching realized by Jules Herau in the Late 19th Century.  Titled in the lower. Image Size: 20x26. Very good impression. Realized by Cadar...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a palette of muted orange and earth tones contrasted ...

Laburnums and Battersea. 1889-90. Etching and drypoint. Hausberg 34.iii/v. 13 1/2 x 8 5/8 (image and sheet). Only one other known impression in this state (total of about 62 known im...

This artwork titled "La Plage Normande" c.1950 is an original color lithograph on Arches paper by noted French artist Maurice Brianchon, 1899-1979. It is hand signed and numbered XV/XX in pencil by the artist. The image size is 18.5 x 15.5 inches, framed size is 30.5 x 26 inches. Custom framed in a wooden black and gold frame, with gold color spacer and fabric matting. It is in excellent condition. About the artist: Maurice Brianchon was born in 1899, in the town of Fresnay-sur-Sarthe. Very early on, he showed many plastic predispositions. As a result, he was accepted in 1917 at the École Nationale Supérieure des Beaux-Arts de Paris and joined the studio of Fernand Cormon, renowned for his history painting. A year later, he moved to the École Nationale Supérieure des Arts Décoratifs. There he followed the education of Paul Renouard - a painter and engraver renowned for his portraits and figures of dancers - and that of Eugène Edouard Morand, a teacher since 1908. In this context, he frequented artists such as Joseph Inguimberty...

Wonderful woodblock print titled "Weaving" by Aptos, California artist Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004), circa 1990. Signed "Virginia" bottom rig...

The Beach Aldeburgh, limited edition giclee print. These stunning prints are created using fine art archival quality inks and canvas with three layers of UV varnish to protect the a...

Original vintage Badajoz Fiesta de San Juan linen backed poster. Very good condition, ready to frame. Printed: Lit. Ortega, Valencia. Archival linen backed. No tears, no stain...

Environs is a black and White etching realized by Balthasar Jean Baron in the 1860s.  Titled in the lower. Image size: 32x15. Very good impression with w...

Knaresborough (after a watercolor by Peter De Wint, 1784-1849). c. 1904. Mezzotint. Hardie catalog 80 state ii. 7 7/16 x 11 3/8 (sheet 13 3/8 x 18). A very rich impression, printed o...

Original vintage poster: Very rare original 1923 vintage archival linen backed poster: This Way Out! Pick your Exit - Now. Which way out will you take should a fire occur here today? Don't wait for the emergency and then start to run. Decide how and where to get out now. The poster is in B condition and has had restoration on the lower left border. Wear consistant with its age in the lower left as well. See images for more detail.. Original work motivaton or incentive poster. Mather Work...

Vanneux et Sarcelles is a black and White etching realized by Félix Bracquemond in the Late 19th Century.  Titled in the lower Image Size: 35x24 Very good impression. Realized ...

Les Taupes is a black and White etching realized by Félix Bracquemond in the 1860s.  Titled in the lower. Image size: 27x19. Very good impression with wide margins and a very fres...

"Eternal Problem" - 1924 Etching on Paper Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...

Pour les Pauvres is a black and White etching realized in the Late 19th Century.  Titled in the lower Image Size: 35x26 Very good impression. Realized by Cadart for the "Société ...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a silver floater frame ...

This abstract landscape limited edition print by Ken Elliott features a bright palette and an impressionistic style. The forest scene is rendered with a vibrant green connecting the ...

Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.  Titled in the lower Image Size: 32x26 Very good impression. Realized by Cadart ...

This artwork titled "Paysage de Normandie" c.1910 Is an original color aquatint by noted French artist Maurice Levis, 1860-1940. It is hand signed and numbered 245/350 in pencil by the artist. The plate mark (image) size is 17.5 x 24.85 inches, sheet size is 19.75 x 26.75 inches. It is in excellent condition, especially considering the age of the piece. About the artist: Born in Paris on 11 November1860, Maurice Levis was an accomplished landscape and genre painter for nearly sixty years. His career spanned not only the early years of modernism, but also the twentieth century developments of cubism and surrealism. Levis' artistic education began in the late 1870s at the Académie Julian where he studied with Jules Lefebvre. He also studied with Henri Harpignies and with Pierre Billet...

Un Jour de Recompense is a black and White etching realized by François Chifflart in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression with wide margins and...

Raoul Dufy, French (1877 - 1953) - Les Baigneuses, Year: circa 1920, Medium: Lithograph on Japon, signed in the plate, Size: 10.75 x 14.25 in. (27.31 ...

Vintage Northern California Coast Etching of Mendocino. Beautiful Northern California coastal town Mendocino is the scene of town near headlands with split wood rail fence in foregr...

Arthur B. Davies (1862-1928), By the Sea (aka Idyll), soft ground etching and aquatint, 1919, signed in pencil lower right. Reference: Czestochowski 72, fourth state (of 5; see disc...

Le General Grant is a black and White etching realized by Louis-Sébastien Mercier in the 1860s.  Titled in the lower. Image size: 32x24. Very good impression with wide margins and...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Original, WHAT WILL YOUR ANSWER BE when your boy asks you -- "Father, - what did you do to help when Britain fought for freedom in 1916?" horizontal, linen-backed, excellent condition ENLIST NOW. Poster showing, in silhouette, a boy in scout uniform addressing his father. This poster was also printed with the same text but using "Ireland" in the text. Iconic British World War 1...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a blue and green palette with vibrant yellow accents, and captures an abstracted land...

La Priere is a black and White etching realized by Théodule Ribot in the 1860s.  Titled in the lower Image Size: 23x31 Very good impression. Realized by Cadart for the "Société d...

Un Chevalier Louis XIII is a black and White etching realized in the Late 19th Century.  Titled in the lower Image Size: 29x19 Very good impression. Realized by Cadart for the "S...

This contemporary abstract landscape limited edition print by Ken Elliott features tall, lush trees, the leaves of which are cool blue and violet tones. Small portions of the bottoms...

This abstract landscape limited edition print by Ken Elliott features a warm, vibrant palette and captures a landscape with the sun just along the horizon. The painting has an impres...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

Auguste Rodin, French (1840 - 1917) - Antonin Proust (State Six), Year: 1884-1888, Medium: Etching, Image Size: 4.5 x 3 inches, Size: 14.25 x 10.75 in. (36.2 x 27.31 cm), Reference:...

J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...

Adoration de la Croix le Vendredi Saint en Italie is a black and White etching realized by Henri Guérard in the 1860s.  Titled in the lower. Image size: 32x24. Very good impressio...

Place Le Soir (The Square at Evening) Color lithograph on wove paper, 1899 Unsigned (as issued) From: Quelques aspects de la vie de Paris (Some Aspects of Parisian Life), 1899, Plate...

Raoul Dufy, French (1877 - 1953) - Women Mingling, Year: c 1920, Medium: Etching, signed and titled in pen, Image Size: 10 x 8.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Descri...

Une Barque a Maree Basse is a black and White etching realized by Adolphe Hervier in the Late 19th Century.  Titled in the lower Image Size: 24x32 Very good impression. Realized ...

"Marche a la Volaille, a Gisors" is an original etching by Camille Pissarro. It depicts a dense crowd in black and white. This is edition 34/43 from Loys Delteil 98, 2nd State. 14" ...

Arthur B. Davies (1862-1928), Sea Maidens (or, Sunshine; Girls on the Beach), soft ground etching and aquatint, 1919, signed in pencil lower right. Reference: Czestochoski 79, second...

Souvenirs de Voyage is a black and White etching realized by Jules-Fernand Jacquemart in 1862.  Titled in the lower Image Size: 24x34 Very good impression. Realized by Cadart for...

Le Forgeron is a black and White etching realized by Georges  Gassies in the Late 19th Century.  Titled in the lower Image Size: 32x24 Very good impress...

Une Bergerie is a black and White etching realized by Albert Brendel in 1862.  Titled in the lower Image Size: 23x32 Very good impression. Realized by Cadart for the "Société des...

Fantaisies is a black and White etching realized by A. Constantin in the Late 19th Century.  Titled in the lower Image Size: 24x31 Very good impression. Realized by Cadart for th...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a palette of muted orange and earth tones contrasted by vibrant yellow. Printed on ca...

Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...

A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...

This artwork "Landscape #I' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The im...

Edouard MANET (after) The Harbour, Sailboats, 1873 Original Etching Engraved by Gaucherel under the supervision of MANET Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

FRANCE World Cup Lithograph by Aldo Luongo c.1998 Limited edition France 98' World Cup - Official License From a very limited edition of 300. Pencil signed lower right. Edition 24/300 lower left. This is a rare, very small edition lithograph for the 1998 Soccer World Cup...

Still life etching with jars by Doris Ann Warner (American, 1925-2010). Four jars sit on a countertop. Overlapping fabric patterns like cheesecloth are used to create shadows and tex...

This abstract landscape limited edition print by Ken Elliott depicts a cool, deep violet forest and light yellow-green forest floor, which is contrasted by warm orange accents. This...

Abraham Rattner (after) Title: Unknown Year: Unknown Lithograph Size: 26.25x20 inches Esther Gentle, Reproduction, 1952 Signed in the stone Annotated verso COA provided Ref.: 924802-...