Animal Prints and Multiples

Le Serval is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...

Artist: John James Audubon (American, 1785-1851) Title: "Roseate Spoonbill" (Plate 362, No. 73) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.75" x 10.44" Image size: 5" x 7.63" Condition: In excellent condition Very rare The "Roseate Spoonbill" is one of the very top, absolute most desirable birds from Audubon's famous "Birds of America" series Notes: Provenance: private collection - Fleming Island, FL. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted in Florida in 1831 or 1832. "This beautiful and singular bird" was prized for its wings and tail feathers which were made into fans in St. Augustine. The roseate spoonbill is a gregarious wading bird of the ibis and spoonbill family, Threskiornithidae. It is a resident breeder in both South and North America. The roseate spoonbill's pink color is diet-derived, consisting of the carotenoid pigment canthaxanthin, like the American flamingo. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Bizarre Horses is an original contemporary artwork realized by Aldo Pagliacci in 1973. Mixed colored oil on canvas. Hand signed and dated on the lower right margin. Titled and sig...

This original stone lithograph poster was created for an exhibition at the American Cultural Center in Paris in 1960 and printed by the renowned Mourlot studio in Paris. The American...

Picasso's *Colombe volant (à l'Arc-en-ciel)* is a captivating example of his mastery in the realm of printmaking. This color lithograph, signed and dated in the lower right corner, f...

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original...

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Sai a gorge blanche. Variete A. Buff. Simia capucina. v.a.", which was drawn and engraved by Jean Baptiste Audebert...

An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate ...

PLAY by the American painter and printmaker Will Barnet (born May 25, 1911 - died Nov. 13, 2012) is an original hand drawn lithograph printed using hand lithography techniques on arc...

Artist: John James Audubon (American, 1785-1851) Title: "American Flamingo" (Plate 375, No. 75) Portfolio: The Birds of America, First Royal Octavo E...

Boris Lovet-Lorski, Untitled (Rendez-Vous), lithograph, edition 250, 1929. Signed in pencil. Signed in the stone, lower right. From a suite of 10 lithographs published by the artist ...

It's What I'd Like to Be, from 10 Supastore Supastars 1998 Lithograph, on heavy, wove paper, the full sheet. S. 41.7 x 59.7 cm (16 3/8 x 23 1/2 in.) Signed, titled, dated and numbere...

Color screenprint on wallpaper, 1976. With the printed text in the left margin "Andy Warhol Whitney Musemm". Printed by Bill Miller's Wallpaper Studio, Inc., New York. Published b...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le Chimere d'Horace from Dalinean Horses Year: 1972 Medium: Lithograph, Signed in Pencil Edition: 2...

Original poster by Otto Nielsen for SAS (Scandinavian Airlines System) Otto Nielsen (1916-2000) was an accomplished painter who devoted much of his career to studying the people and ...

Artist: Alexander Calder (1898-1976) Title: Beastie (from the Braniff International Airways Flying Colors Collection) Year: 1974 Medium: Lithographs on Arches paper Size: 20 x 26 inc...

ABOUT THIS PIECE: The cat is a photographic series shot in Milan for Vogue Bambini in January 2016. ABOUT THIS ARTIST: Carolina Mizrahi creates fantasy ...

This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

Artist: Dan May (American, 1955-) Title: "Chickens" *Signed and numbered by May in pencil lower left Year: 2003 Medium: Original Screenprint on unbranded soft-cream wove paper Limite...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With ...

David Shrigley I'm So Excited, 2022 17 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edition of 125 Numbered and signe...

A nice poster made by Paolo Garretto 🇮🇹 (1903-1989), a famous Italian painter to promote Natura magazine. Paolo Garretto began his career in London as a caricaturist. Thanks to his work of a remarkable quality he is invited to collaborate for prestigious magazines like The New Yorker, Vanity Fair etc... But the 2nd World War broke out and he was forced to return to Italy. He was deported and imprisoned in Hungary in 1942 for refusing to draw caricatures of Roosevelt and other allied political leaders for the Nazi propaganda...

Artist: Georges Braque Title: Le Coq Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Date: 1952 Edition: 6000 Frame Size: 22" x 18 1/4" Sheet Size: 14" x 10" Signature: Unsigned

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a child, I was the flower girl in the wedding of a family friend. After much coaxing, I only agreed to walk down the aisle once I was promised gummy bears...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...

Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Islands *Monogram signed by Catesby in the plate (printed signature) lower right Year: 1771-1810 (third edition) Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Recently framed in a black and gold moulding with 100% cotton linen fabric matting Framed size: 21.63" x 25.19" Sheet size: 13.75" x 21.13" Platemark size: 10.25" x 13.75" Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition Very rare Notes: Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent. Biography: Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...

'Kloakentiere' (Monotremes - echidna and platypus)) German wood-engraving, circa 1895. 240mm by 155mm (sheet)

This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...

Boy Reading with Elephant" is a reproduction of an iconic photograph by Gregory Colbert, serving as the title image for his renowned "Ashes and Snow" exhibition. This evocative piece...

27 colour screenprint with a varnish overlay Edition of 125 + 4 AP's Signed and numbered on the reverse Very good. Minor soft crease on bottom left corner of print visible under raki...

This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted. This original hand-colored Audubon egret...

The Swallows Arrival [2022] limited_edition and hand signed by the artist Screenprint Edition number 20 Image size: H:58 cm cm x W:58 cm cm Complete Size of Unframed Work: H:62....

'Bassets D'Artois a Jambes Torses'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fre...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Giorgio de CHIRICO Horses in a Mythological Landscape, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 48 x 38 cm (c. 19 x 15 in) V...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

Texas Longhorn Wall Art ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns stand as living symbols of endurance, her...

ARTIST: Salvador Dali TITLE: Vegetation Inedit (Pineapple) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Les Bibliophiles de L'Union Francaise EDITION NUMBER: EA MEASUREMENTS:...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Lotus" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued unsigned Year: 1982 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Imprimerie Moderne du Lion, Paris, France Publisher: Maeght Editeur, Paris, France Reference: "The Prints of Ellsworth Kelly - A Catalogue Raisonné: 1949-1985" - Axsom No. Ic, page 179 Sheet size: 15" x 11" Condition: In excellent condition Rare Notes: Produced for Kelly's collaboration with the August, 1982 No. 250 "Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght" portfolio. Text on verso as issued. Kelly produced the drawing for "Lotus" in Spencertown, New York, and sent the transfer-paper study to Paris for proofing. It was included in the final memorial issue of 'Derriere Le Miroir' with prints by Eduardo Chillida, Takis, Pierre Alechinsky, Joan Miro, Marc Chagall, Shusaku, Arakawa, and Saul Steinberg, to name only a few of the 24 artists who provided original graphic work for this issue. "Lotus" was based on the ink drawing "Lotus" (EK No. P74.65). In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel...

Mid-Century coloured woodblock print of 'ploughing the fields' by 20th century Japanese artist Ini Kumo. The print is hand-signed in pencil, dated 1966 and numbered 130/700 to the bottom right and presented under glass in a black wooden frame. A beautiful woodblock printed image of a Japanese farmer in traditional attire ploughing the land with his ox. It is early evening and as the sun goes down it casts long shadows in front of the two figures. Perhaps the farmer is on his way back to the houses grouped in the distance already in shadow. The artist has carefully picked out areas of vibrant green and blue to give energy and colour to the image which contrast against the black of the ox. A thoroughly enchanting image. Ini Kumo is a recognised Sõsaku-hanga artist. His work is included in the Metropolitan Museum of Art in New York. Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizuri). As opposed to the parallel shin-hanga ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher engaged in division of labor. The birth of the sōsaku-hanga movement was signaled by Kanae Yamamoto...

Original WW1 US propaganda poster designed by Charles Livingston Bull (1874-1932) and entitled “Keep Him Free Buy War Savings Stamps”. This poster was issued to promote the US Treasu...

Vultures Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

"Schnitzel Please!" This timeless, charming photo of a town favorite Dresden Dog, was captured by New York based photographer Fernando Natalici in Germany...

Wild Texas Longhorns Colored Photography Longhorn Fine Art Prints ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns...

This is an original John James Audubon hand-colored lithograph entitled "Mango Humming bird, 1. 2. Males. 3. Female. Bignonia grandifolia", No. 51, Plate 251 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowen and published in Philadelphia between 1870-1871. The lithograph depicts an adult male hummingbird, labelled 1, in flight above a beautiful flowering plant, a Chinese Trumpet-vine. Another male, labeled 2, is perched on a flower on the left and a female, labelled 3, is perched on a flower on the right. This hand-colored Audubon bird octavo-size lithograph sheet measures 10.25" high by 6.75" wide. It is in excellent condition. The original text pages, 185-186, from Audubon's 19th century publication are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Salvador Dalí­ Scorpio from Signs of the Zodiac, 1967 Lithograph Hand signed lower right Numbered 144/250 lower left Image size: 64 x 48 cm Sheet size: 73 x 52 cm Printed by Mourlo...

The single letter "Q", from the alphabet, illustrated by a quail. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...

After Salvador DALI (1904-1969) Butterfly suite : Roussillon, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

David Shrigley, Artist eaten by a wolf, 2009 Coloured silkscreen on paper 44.9 × 32.7 cm (17 7/10 × 12 9/10 in ) Edition of 350 David Shrigley British artist David Shrigley is be...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

David Shrigley, I am Elegant, 2021 Screenprint in colours on wove paper 76 x 56 cm (30 x 22 in) Edition of 125 Hand-signed and numbered on the reverse David Shrigley British ar...

Animals is an original artwork realized by Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) . Lithograph print, mid-20th Century. Perfect conditions. Jean Lurçat (1892-1966) ...

22 Colour Screenprint with Varnish Overlay on Somerset Tub Sized 410gsm Paper Edition 47 of 125 76 x 56 cm (29.5 x 22 in) Signed, numbered and dated on the back Mint. Minor imper...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Screen print on Ries Textured Rag paper, Signed and numbered, Edition of 108 Working across all media, Richard Artschwager (1923-2013) has long specialized in the relationship betwe...