Animal Prints and Multiples

Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...

Artist: Georges Braque Title: Le Coq Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Date: 1952 Edition: 6000 Frame Size: 22" x 18 1/4" Sheet Size: 14" x 10" Signature: Unsigned

Bizarre Horses is an original contemporary artwork realized by Aldo Pagliacci in 1973. Mixed colored oil on canvas. Hand signed and dated on the lower right margin. Titled and sig...

Floating point is a beautiful print on canvas of a digital collage realized in 2017 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. The work represen...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le Chimere d'Horace from Dalinean Horses Year: 1972 Medium: Lithograph, Signed in Pencil Edition: 2...

Francis JOURDAIN Night Dream : the Swanns, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithogra...

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de ...

The Cats and Kitty is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was ...

This is an original John James Audubon hand-colored lithograph entitled "Trumpeter Swan, Adult", No. 77, Plate 382 from Audubon's "Birds of America, lit...

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original...

This is an original John James Audubon hand-colored lithograph entitled "Mango Humming bird, 1. 2. Males. 3. Female. Bignonia grandifolia", No. 51, Plate 251 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowen and published in Philadelphia between 1870-1871. The lithograph depicts an adult male hummingbird, labelled 1, in flight above a beautiful flowering plant, a Chinese Trumpet-vine. Another male, labeled 2, is perched on a flower on the left and a female, labelled 3, is perched on a flower on the right. This hand-colored Audubon bird octavo-size lithograph sheet measures 10.25" high by 6.75" wide. It is in excellent condition. The original text pages, 185-186, from Audubon's 19th century publication are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon...

A hand crafted five layer screen print of a painted illustration by the artist of a crab on heritage white paper. With a final layer hand glittered. ADDITIONAL INFORMATION: Handmade...

Egyptian slit-faced Bat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and...

Artist: Warhol, Andy Title: Sam Date: circa 1954 Medium: Offset Lithograph Unframed Dimensions: 14" x 10" Framed Dimensions: 25" x 19" Signature: stamped by the Estate of Andy...

Algerian painter Hocine Ziani was born in Algeria, lives and works in France. He is an autodidactartist. Professional painter since 1978-1993 in Algeria, 1994-2009 in France. Foundin...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

A fine impression with good margins published by Associated American Artists.

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Lotus" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued unsigned Year: 1982 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Imprimerie Moderne du Lion, Paris, France Publisher: Maeght Editeur, Paris, France Reference: "The Prints of Ellsworth Kelly - A Catalogue Raisonné: 1949-1985" - Axsom No. Ic, page 179 Sheet size: 15" x 11" Condition: In excellent condition Rare Notes: Produced for Kelly's collaboration with the August, 1982 No. 250 "Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght" portfolio. Text on verso as issued. Kelly produced the drawing for "Lotus" in Spencertown, New York, and sent the transfer-paper study to Paris for proofing. It was included in the final memorial issue of 'Derriere Le Miroir' with prints by Eduardo Chillida, Takis, Pierre Alechinsky, Joan Miro, Marc Chagall, Shusaku, Arakawa, and Saul Steinberg, to name only a few of the 24 artists who provided original graphic work for this issue. "Lotus" was based on the ink drawing "Lotus" (EK No. P74.65). In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel...

Artist: John James Audubon (American, 1785-1851) Title: "American Anhinga - Snake Bird" (Plate 420, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10" x 6.69" Image size: 6.63" x 4.63" Condition: Minor toning to sheet and some faint discoloration in margins. Old glue staining along right binding edge as normal. It is otherwise in very good condition with strong colors Notes: Provenance: private collection - Cleveland, OH. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. The preceding 1836 Havell edition of this work has a different title: "Black-bellied Darter", (Plate: CCCXVI - 396, No. 64). Based on a drawing inscribed "New Orleans 1822 - redrawn ... 1836". This conspicuous bird had various names including "water turkey" and "Bec à Lancette". The Anhinga, sometimes called snakebird, darter, American darter, or water turkey, is a water bird of the warmer parts of the Americas. The word anhinga comes from a'ñinga in the Brazilian Tupi language and means "devil bird" or "snake bird". To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Domestic Cats is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publi...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

Walasse Ting Grasshoppers - 1981 Print - Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked 170/200 Walasse Ting (DING XIONGQUAN) (October 13, 19...

Artist: John James Audubon (American, 1785-1851) Title: "American Flamingo" (Plate 375, No. 75) Portfolio: The Birds of America, First Royal Octavo E...

William Wind McKim, 'Bighorn', lithograph, 1940, edition c. 25. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (2 to 4...

Paper Size: 26.25 x 27.25 inches ( 66.675 x 69.215 cm ) Image Size: 17.775 x 22 inches ( 45.1485 x 55.88 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling ...

Flamenco Flamingo [2014] limited_edition and hand signed by the artist Etching/aquatint Edition number 100 Image size: H:46cm cm x W:31cm cm Complete Size of Unframed Work: H:56cm c...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Listing includes framing with UV Plexi, free shipping to the continental US, and a 14-day return policy. This is also available for local pick up at our New York City location. Kr...

Toucans is a lithograph on paper, initialed lower right 'BD', 9 x 9" image size. From the edition of 395, numbered LI/C (there were also 275 Arabic and 20 AP), framed in a contempora...

David Shrigley Untitled (Hiss), 2023 Off-set lithography Printed on 200g Munken Lynx 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 350 Not signed nor numbered Published by Shrig Shop, C...

Artist: Hunt Slonem, American (1951 - ) Title: Double Decoy II Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP Image Size: 19.5 x 23 inches Size: ...

Seguy, E.A. Insectes. Paris, Du Chartre et van Buggenhoudt [1924] Each print is produced entirely by hand using a unique printing process called pochoir, which was popular in Fran...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

This vibrant and eye-catching 1921 advertising poster by Gautolai promotes Cognac aux Oeufs "Aurore", a rich and indulgent egg-based liqueur. The artwork is a stunning example of ear...

Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...

David Hunt Tiger 1 Limited Edition Giclee Print Edition 10 Framed Size: H 84cm x W 84cm x D 3.5cm Sold Framed Please note that in situ images are purely an indication of how a piece ...

David Shrigley I'm So Excited, 2022 17 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edition of 125 Numbered and signe...

David Shrigley Monkey Isn't Thinking About You, 2021 Digital print 70 x 50 cm Framed 90 x 70 cm unsigned Edition of 250 Published by Shrig Shop. ...

Paper Size: 45.75 x 61.75 inches ( 116.205 x 156.845 cm ) Image Size: 45.75 x 61.75 inches ( 116.205 x 156.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Islands *Monogram signed by Catesby in the plate (printed signature) lower right Year: 1771-1810 (third edition) Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Recently framed in a black and gold moulding with 100% cotton linen fabric matting Framed size: 21.63" x 25.19" Sheet size: 13.75" x 21.13" Platemark size: 10.25" x 13.75" Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition Very rare Notes: Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent. Biography: Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

TwoTurle Doves by Kate Heiss [2017] Limited edition Linocut Hand signed by the artist Edition of 30 Oil based inks on 300gsm Somerset Velvet soft white paper Image Size: H:30cm x W:30cm Complete size of unframed work (sold in mount) H:40cm x W:40cm x D:0.1cm Two visiting Turtle doves perched in a hawthorn bush who have survived their migratory journey to spend the summer in the English countryside. The Turtle Dove is now the UK’s fastest declining breed of bird. Between 1995 and 2004 the number of breeding turtle doves in the UK fell by 93%. This print is featured in a new book called “When Turtle Doves Fly” produced in conjunction with Operation Turtle dove (a branch of the RSPB dedicated to saving Turtle Doves from extinction) Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

Artist: Walasse Ting Title: Black Cat - Midnight Cat Year: 1981 Medium: Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked AP Walasse Ting (DING...

This powerful and symbolic poster, *Paix Désarmement* by Pablo Picasso, was created in 1960 to promote the *Conference for Peace and Disarmament* held in Paris. The image embodies Pi...

This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...

Damien Hirst, Forgotten Promises (Inachis), 2011 Lithograph print on paper 70.7 x 100 cm (27 7/8 x 39 3/8 in) Rare original exhibition poster in excellent with very light signs ...

This is a beautiful and vibrant hand-colored folio-sized lithograph entitled "Parus Major (Great Tit birds) by John Gould from his monograph "The Birds of Great Britain ", published ...

SIBERIAN TIGERS by the British wildlife artist Sydney Taylor, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% acid free. SIBERIAN TIGERS is a contemporary wildlife landscape scene depicting a pair of Siberian tigers taking a cool drink from a snow covered riverbank. Printed in shades of blue, gray, light orange, brown, and touches of black with white accents emphasizing the icy landscape. This lithograph is a handmade original print, not a commercially mass produced poster or digital reproduction, quality craftsmanship. Year published - 1983 Edition size - 200 Print size - 21.5" x 29.5", unframed, excellent condition, hand signed in pencil by Sydney Taylor The Siberian tiger (Panthera tigris...

This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted. This original hand-colored Audubon egret...

This piece titled "Rooster Totem" is an original artwork made from Letterpress, coque feather, mixed media by Katie VanVliet. This piece is shipped in the pictured white frame and me...

Crab gold is a beautiful 2 layer silk screen print by Gavin Dobson. Based on an original gouache painting, this luxurious piece of art is individually hand ...

Winnie the Pooh And Tiger Too - Original 1974 Lobby Card Vintage 1974 Lobby Card: Rabbit is tired of Tigger always bouncing him, so he gets Pooh and Piglet together to come up wit...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock. This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle": "The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...

This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background. This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Publisher GKM. Unframed. Edition of 250 ex. Paper: 300gr. Goya. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed aw...

Ohara Koson (1877-1945), 'Carp and Water Chestnut', color woodblock print, 1926. A fine impression, with fresh colors, on cream Japan paper; the full sheet, in excellent condition. Signed 'Koson' with the artist’s red seal 'Koson'. Published by Watanabe Shozaburo. With the Watanabe 'C' seal in the lower right margin, indicating a lifetime impression printed between 1929-1942. Image size 13 1/2 x 7 1/4 inches (343 x 184 mm); sheet size 14 1/2 x 7 1/2 inches (368 x 191 mm). Archivally sleeved, unmatted. Literature: 'Crows, Cranes, and Camellias: The Natural World of Ohara Koson', Newland, Amy R.: Jan Perree & Robert Schaap, Leiden: Hotei Publishing, 2001. S39.1, pl 169. Collections: National Museum of Asian Art (Smithsonian), Smart Museum of Chicago (University of Chicago). In Japanese art, the carp represents good luck and good fortune. ABOUT THE ARTIST Koson Ohara...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...