Nature Prints and Multiples

'Lobsterman's Wharf, Maine' is an original lithograph signed by Malvin Marr "Zsissly" Albright. While Malvin Marr – along with his better-known identical twin Ivan Albright – was known for his meticulous and unsettling magic realist compositions, he and his brother were also prolific in capturing landscapes of the coast of Maine where the two spent several consecutive summers away from Chicago over their lives. Sometimes these Maine landscapes and views would be painterly and seemingly antithetical to the careful realism of his other work; but in this example, however, the wharf is treated with the same macabre decay as his human subjects. In the composition, the shack...

Lady and the Tramp: Winter Disney Animation Film Lady and the Tramp is a 1955 American animated musical romance film produced by Walt Disney and released by Buena Vista Film Distribution. The 15th Disney animated feature film, it was directed by Clyde Geronimi, Wilfred Jackson, and Hamilton Luske, and features the voices of Barbara Luddy, Larry Roberts, Bill Thompson, Bill Baucom, Verna Felton, and Peggy Lee. Based on the 1945 Cosmopolitan magazine story "Happy Dan, The Cynical Dog" by Ward Greene, Lady and the Tramp tells the story of a female American Cocker Spaniel named Lady who lives with a refined, upper-middle-class family and a male stray mutt called Tramp. When the two dogs meet, they embark on many romantic adventures and fall in love. Artists: Ben Harman...

Landscape of Sonoma, CA vineyards in their full autumn colors. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Fran...

Grand Hôtel Regoledo is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Aldo Mazza. This modern artwork ...

Landscape print by Suzanne Pirotte

Sigle unique variant, hand colored by the Artist, of the edition of 50 prints by Giacomo Porzano. Hand signed and dated by artist with pencil.

Western Hemlock Roslyn Rose, American (1929) Date: 1981 Lithograph, signed and numbered in pencil Edition of 160 Size: 35 x 23 in. (88.9 x 58.42 cm)

Beach Scene with Parasailor 1998 Lithograph on Rives BFK Mould-Made Paper (Edition of 60) 39.5 x 49.75 inches $6,500 This work is offered by ClampArt in New York City.

LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W...

Home with the catch By Gordon Hunt [2019] limited_edition Original painted in acrylic Edition number 120 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Gordon Hunt Home with the catch Limited Edition print Giclee Print Limited edition of 120 Images Size: H 30cm x W 30cm Sheet Size: H400cm x W 40cm x D 0.1cm Other sizes available from the same limited edition of prints Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Home with the catch is a limited edition sailing print...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Télépheriques de l'Aiguille du Midi et de la Vallée Blanche...

Original poster commissioned in the 60's by the Commissariat Général au Tourisme, to promote the French mountains. We can see a boat sailing peacefully on Lake Geneva, one of the la...

Nebraska Project Dennis Oppenheim, American (1938–2011) Date: 1979 Lithograph on Johannot Paper, signed and numbered in pencil Edition of 150, AP 30 Size: 41 x 30 in. (104.14 x 76.2 cm)

Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 5.71 x 8.86 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Waterside Town II. Year: circa 1985, Medium: Silkscreen on Arches, signed and numbered in pencil, Edition: 175, Image Size: 20.5 x 25 ...

Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Jennifer Nehrbass paintings speak to forbidden thoughts and desires and suggest that somethings that is denied to the viewer. What the paintings yield is an intimacy of time and plac...

Beautiful poster for the French Alps by the photographer Karl Machatchek. La Meije is a mountain of the Écrins massif, located at the limit of the departments of Hautes-Alpes and Isère. Mountain - Tourism - Haute Savoie...

Manuel Rodriguez Jr., Filipino (1942 - ) - Landscape, Medium: Monoprint and Mixed Media on BFK Rives, signed, numbered and titled in pencil, Editio...

Star Wars: The Empire Strikes Back 1980 Vintage Lobby Card #11 Original Star Wars lobby card of Leia and Han Solo Framing options available: Black, brown, white and perspex Cond...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Ted Jeremenko, Yugoslavian/American (1938 - ) - Hamlet. Year: circa 1985, Medium: Silkscreen, signed and numbered in pencil, Edition: 175, Image Size: 20 x 25 inches, Size: 27 x 31 i...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

This stunning vintage travel poster, produced by Intourist in the 1970s, showcases the breathtaking beauty of Lake Baikal, often referred to as the "Blue Pearl of Siberia." The tranq...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering apprenticeship after a year and studied at Goldsmiths' College School of Art, where he specialized in engraving and etching. Sutherland's formative influences on his early work were Blake, Samuel Palmer, the late Turner, Paul Nash and Henry Moore. He held his first and second exhibitions of drawings and engravings at the XXI Gallery, London, in 1925 and 1928. and was a member of the Royal Society of Painter-Etchers and Engravers from 1926-33. Sutherland taught engraving at the Chelsea School of Art from December 1926 and composition and book illustration 1935 to July 1940. He exhibited at the N.E.A.C. 1929-33 and with the London Group from 1932 (member 1936-7), experimenting with painting in oils from 1930 until, in 1935, the year after his first visit to Pembrokeshire, he decided to become a painter. He participated in the International Surrealist Exhibition in London 1936 and had his first one-man exhibition of oil paintings, mainly Welsh landscapes, at the Paul Rosenberg and Helft Gallery 1938. As an Official War Artist 1941-4 he painted scenes of bomb devastation and of work in mines and foundries. Sutherland's first New York exhibition was at the Buchholz Gallery 1946, and in the same year he completed the 'Crucifixion' for St Matthew's Church, Northampton. He taught painting at Goldsmiths' College as a visiting instructor and since 1947 worked for several months each year on the French Riviera. He was a trustee of the Tate Gallery 1948-54. Painted the portrait of Somerset Maugham 1949, the first of a series which includes Lord Beaverbrook, Sir Winston Churchill and others. He completed the designs for the Coventry Cathedral tapestry, 'Christ in Glory in the Tetramorph', between 1954 and 1957 (installed 1962). Has also designed posters, ceramics, book illustrations, and ballet costumes and décor for The Wanderer 1940. Important retrospective exhibitions have been held at the I.C.A. 1951, the Venice Biennale and the Musée National d'Art Moderne, Paris, 1952, the Tate Gallery 1953, and at the São Paulo Bienal, Brazil, 1955. Awarded the O.M. 1960. Collections include the Courtauld, London, and that of David Bow

By Joaquim Torrents Llado 32.5" x 33" — Serigraph on Paper Image Size: 28" x 28" This serigraph by Joaquim Torrents Llado, titled "Amanecer en Canet II," depicts a vibrant, reflecti...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

To see our other original vintage travel posters, many of which feature ski resorts, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Pierre Tairraz (1933 - 2000) Chamonix - Mont Blanc - France Original vintage poster 100 x 60 cm A view of the Téléphérique de la vallée Blanche...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Image size: 4 1/2 x 7 1/2 i...

Zephyr At Night - Oversize Limited Edition Signed Edition size 100 only 40x30" inches / 101 x 76 cm paper size by Irie Wata Surrealist artist surr...

This beautiful poster by Arthur Fages 🇫🇷 (1920-1984) features the village of Nonza, a small Corsican village of less than 100 inhabitants, which is located in the Haute-Corse...

Sarah du Feu Kentmere Horseshoe Original monoprint Image size 40 x 50cm Mounted size 53 x 65cm Unframed Printed on acid free Somerset Velvet 280gsm paper This monoprint was inspired...

C-print on Endura metallic paper (Edition of 3 + 1 AP) Signed and numbered on label, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series ...

G. Harvey’s "Evening Along the Avenue" is a quintessential example of the artist’s gift for capturing the golden elegance of a bygone era. With his hallmark touch of romantic realism...

N.C. Winters - Fading Away / Variant - Bleached - Contemporary Art Posters Artists: Winters, N.C. Manufacturer: VGKids Edition Details: Year: 2020 Class: Art Print Status: Offici...

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Beth Ganz, 'Adam's Peak, Sri Lanka', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. Archivally sleeved, unmatted. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Adam's Peak is a 2,243 m (7,359 ft) tall conical mountain located in the southern reaches of the Central Highlands of Sri Lanka. Revered as a holy site by Buddhists, Hindus, Muslims, and Christians, it is well known for the Sri Pada, "sacred footprint," a 1.8 m (5 ft 11 in) rock formation near the summit, which in the Buddhist tradition is held to be the footprint of the Buddha, in Hindu tradition that of Hanuman or Shiva, i.e., "Mountain of Shiva's Light." Some Muslims and Christians in Sri Lanka ascribe it to where Adam, the first ancestor, set foot as he was exiled from the Garden of Eden. The legends of Adam are connected to the idea that Sri Lanka was the original Eden, and in the Muslim tradition, Adam was 60 cubits tall. A shrine to Saman, a Buddhist "deity" (seekers who have devoted their lives to spiritual values are deified by Sri Lankan Buddhists) charged with protecting the mountaintop, can be found near the footprint. A bell lies on top of the temple, and tradition holds that pilgrims ring it as many times as they have achieved the pilgrimage to the top of the peak. Sri Pada is first mentioned (as Samanthakuta) in the Deepawamsa, the earliest Pali chronicle, (4th century), and also in the 5th-century register Mahawamsa, where it is stated that the Buddha visited the mountain peak. The log Rajavaliya records that King Valagamba (1st century BCE) had taken refuge in the forests of Adam's Peak against invaders from India, and later returned to Anuradhapura. The Mahawamsa again mentions the visit of King Vijayabahu I (1058–1114) to the mountain. The famous Chinese pilgrim and Buddhist traveler Fa Hien stayed in Sri Lanka in 411–12 CE and mentions Sri Pada. The Italian merchant Marco Polo in his Travels of 1298 CE, noted that Adam's Peak was an important place of pilgrimage. The Arab traveler Ibn Battuta climbed to the summit, which he called Sarandīb, in 1344 CE. In his description, he mentions a stairway and iron stanchions with chains to aid pilgrims in the climb. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Paco Pomet, Internacional, 2014, limited edition of 60. Original edition. Made famous from Banksy's Dismaland. Framed and ready to display. Screenprint with dimensions of 49 cm x 6...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Lamorna: Cornish Coastal Path Series by Anna Harley Hand signed by the artist Limited Edition Screen Print Edition of 12 Sheet size H 76 x W 56 x D 0.1cm Sold Unframed Please note that the insitu images are purely an indication of how a piece may look. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 9 3/8 x 13 3/4 inches (238 x 3...

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 8 1/4 x 13 3/4 inches (210 x 3...

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 8 1/4 x 13 3/4 inches (210 x 3...

DAILY CHORES is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniques on archival Arches paper 100% acid free. DAILY CHORES by Ms. Caldwell-Fisher presents a nostalgic look back at New England life - a refreshing seaside summer landscape featuring a brick red colored house and quintessential white light house set atop a lush green seaside overlook. A lone woman stands shading her eyes, looking toward the sea dressed in Victorian clothes...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The...

Linda Plotkin, American (1938 - ) - Clouds II, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/50, Image Size: 6.75 x 8.75 inches, Size: ...

Linda Plotkin, American (1938 - ) - Route 45, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.5 x 9 inches, Size: 9.5 x...

Original ski poster in Savoie by Madelon. Savoie is a department of the Auvergne-Rhône-Alpes region, in the south-east of France located in the Al...

Nice original poster of NWA for its trips to Japan. Northwest Airlines Corp (NWA) was a major U.S. airline founded in 1926 and absorbed by Delta Air Lines, Inc. through a merger. The merger, approved on October 29, 2008, made Delta the largest airline in the world until the American Airlines-US Airways merger on December 9, 2013. Northwest continued to operate under its own name and brand until the integration of the carriers was completed on January 31, 2010. Airline - Japan - Tourism Northwest Airlines - Mont Fuji

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: original etching. Printed on chine-colle paper in Paris by Delatre and published by the Gazette des Beaux-Arts in 1863. Image size: 4 x 7 1/2 inches (100 x 190 mm). Not signed.

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth centur...

Medium: original lithograph. Printed in 1982 for Derriere le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 558 mm). There is a cen...

Original poster on the theme of winter sports. Made by Machatchek in 1952, this poster was intended to promote different ski sites in France. Indeed we can appreciate a view of the ...

Ted Jeremenko, Yugoslavian/American (1938 - ) - The River. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, AP 10, Image Size: 20 x 25 inches, Size...