Nature Prints and Multiples

"Spontaneous Creation (part 1)" Photography 40"x30" inch Ed. 1/24 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox is a fine a...

Jennie Ing Primrose Hill: The View Limited Edition Print Edition of 40 Image Size: H 23cm x W 33cm Signed Sold Unframed Please note that in situ i...

Sterkur by Sarah Duncan [2021] limited_edition Etching on Paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.1cm Sold Unfr...

By the Seaside [2019] limited_edition linocut Edition number 1-6 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed ...

Carbonous by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Carbonous is a limited edition signed etching print on paper by Sarah Duncan of a black and white forest...

Artist: Peter Milton, American (1930 - ) Title: Light Sweet Crude Year: 1996 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18 x 15 inches Size: 26 ...

Valley of Gold By Chris Keegan [2021] limited edition Screen print Edition of 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:54 cm x W:54 cm x D:0.1cm Sold U...

Flight Over Barley [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm Sold Unfram...

A Fine Day for Lapwings [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm Sold U...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Valley of Gold By Chris Keegan [2021] limited_edition Screen print Edition number 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:5...

Clifford Singer is an authority on reality. In February of 1977, Singer attended the Whitney Museum Biennial where he met Salvador Dali while viewing a Richard Estes painting. Bot...

Katie Edwards Exploring The Alpines Limited Edition Silkscreen Print Edition of 50 Size: H 40.5cm x W 30.5cm Free Shipping Please note that in situ images are purely an indication of...

Softish Sea, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. A gradient sky...

GERHARD RICHTER b. 1932 Born in Dresden 1932 (German) Title: Canary Landscapes I b Kanarische Landschaften I b, 1971 Technique: Original Hand Signed and Numbered Heliogravure in C...

Carefree Highway Anne Coe Serigraph 96/100 1981 Hand signed, date, and numbered by Coe in pencil. 29.5 inches H. x 39.5 inches W. Carefree Highway is a classic and wonderful example of Anne Coe's early work. Coe’s early paintings were humorous and comic-book styled. Over the years, her paintings evolved from lighthearted whimsy (such as radioactive, mutant Gila monsters...

Framed dimensions: 22.5 x 29.75 inches We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the Grenning Gallery fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Joseph Constantine Stadler (1755 - 1828) after Joseph Farington (1747 - 1821) View of Greenwich and Down the River (1795) Hand-coloured engraving 23 x 3...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Cambridge from the East (1727) Engraving 12 x 16 cm An eighteenth-century view of Cambridge from the East, engraved by ...

Archival giclée print Edition of 70, Set of 8 Paper size: 57.2 x 56 cms (22 1/2 x 22 ins) Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins) Starting from a belief that all forms, and li...

As black remnants of flora float on top of green patches of murky water, a sense of frenzied movement overtakes this small composition. Stark black lines crisscross as if done in cha...

Robert Longo, Fairmount Forest Contemporary, 21st Century, Pigment, Limited Edition Pigment print Edition of 25 90,6 x 152,2 cm (35.6 x 59.9 in.) Signed, accompanied by Certificate o...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

ED (Edward) RUSCHA (born 1937) 1937 Omaha, Nebraska (American) Title: Red Ants, from Insects, 1972 Technique: Original Hand Signed, Dated, and Numbered Scre...

AS FAR AS A VIEW, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight us, and bring us into our own world, we seek something that stirs within us a memory or a dream. Traditionally, tapestries are a storytelling media as well as décor. This particular work is constructed from commercially printed tapestries acquired from a Chinese supplier during the pandemic. These tell a story of arrested, yet ample, desire. On one side of the piece we see a sunrise from a beach with palm trees. Gently folded over to the right is a second tapestry. In this the artist has chose to expose the desaturated backside which obscures slightly the third tapestry landscape of beach scene around midday. It brings to mind the passage of time much like time lapse photography...

Lands and Waters 16, Westcombe, United Kingdom, 2016 32x40 inches Edition of 9 Archival Pigment Print UNFRAMED Also available in: 48x60 inches Edition of 5 Archival Pigment Print U...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awful Scenes." This still depicts a ...

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awful Scenes." This still depicts a ...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75) Paper ...

14" x 40" Unframed Limited Edition Silkscreen of 195 Hand Signed by Bruce Herchenrader 1999 “This tranquil setting of water lilies belies the challenges we faced that day that I saw...

L'albero abbattuto, 1981, rif. 412 Etching inches 15.6 x 19.2 (mm 397 x 490). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Federica Galli was born ...

Italian Landscape, Grande Lanca, rif. 384 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved...

Palm Springs Mid Century Modern Architecture, Vintage Classic Mercedes Benz SL, Palm Desert, Limited Series. Archival Inkjet Print on ...

Image Size: 16" x 20" Limited Edition of 10 Giclée on Canvas Hand Signed by Andre Philibert

Hand signed, titled and numbered by the artist. Image size approx 20 x 24 inches. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers ...

Time passes. In summer, my garden is full of flowers and colors... I am so inspired to observe it daily! When the summer is over, I paint it in my art studio to prolong the good weat...

Leroy Neiman Bjorn Borg 1977 23 3/4 x 17 1/4 in. From the rare limited edition of 300 Original serigraph in colors on paper Hand signed and numbered in pencil

Lithograph on paper. Hand signed, numbered and dated by the artist. Image size 12 x 16 inches. Sheet size 16 x 20 inches. From the edition of 100. Artwork is in excellent conditi...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 325. Str...

edition of 10

"Winter Evening Quartet" Framed size, 19"x25" Image size 10" High x 16.5" Wide, 2023 Archival Print on Paper from Photo of Hand-Built Paper Construction, signed and editioned by the ...

Lithograph on Rives BFK paper. Hand signed and dated on front by Robert Andrew Parker. Hand numbered 147/200. Artwork size 30 x 22.25 inches. From America: The Third Century por...

Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Infinity Field, Lefkada Series: Untitled, screenprint in colors, on T.H. Saunders paper, 1977, signed in pencil. Published by Marlborough Graphics, New York. Very good condition....

Unique monotype

Barns are very suitable for decorating in almost every room. An option for this small limited edition lithograph: it can be matted to fit a larger space. We offer many different fra...

Araquém is a strong supporter of Brazil's natural heritage, particularly the Amazon Rainforest and the Atlantic Forest. It is also pointed out by critics as one of the precursors of ...

This piece can be framed for an additional $1,500. 4" white border

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

20"x24" paper size, with print image size: 16"x20" signed by the artist- edition 1 of 5 From the series: "The Hundred Acre Wood" This photographic print depicts a woodland scene cre...

The artwork is a digital decoupage and an artistic experiment with this medium. Technically, it is Giclée quality print on the fine art paper 265 gram Hahnemühle. The edition i...

Eleven Years out of a Death Row Sentence (River) 20 x 30 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 20 x 3...

Three Years out of a Death Row Sentence (River) 20 x 24 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 20 x 24...

Three Years out of a Death Row Sentence (River) 30 x 45 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 30 x 45...