Photography Prints and Multiples

Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.5 x 9.5 inches; image size: 11.4...

Ken Moody by Robert Mapplethorpe is a striking photographic portrait originally published in a 1994 collector’s set by teNeues Publishing Company and printed in Germany. Captured fro...

This striking image by Robert Mapplethorpe, titled Apollo, is drawn from his 1994 collection published by teNeues Publishing Company and printed in Germany. In this work, Mapplethorp...

ABOUT THIS PIECE: Untitled (Super) is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting c...

Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.5 x 9.5 inches; image size: 11.0...

The last tango of the day en la Boca, Buenos Aires, Argentina. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the...

This piece titled "Voyage" is an inkjet print by Andrew Pinkham. This piece is shipped with the pictured black frame and measures 27"h x 23"w framed. “Voyage” is about taking chance...

Photography Stamped, verso In great condition

An extremely rare and lovely hand signed etching by American Maurice Sterne, dating from the turn of the century when the artist was working in Paris. Maurice Sterne, born in 1877 ...

Silkscreen in colors. Hand signed and numbered by artist. Edition of 200. Additional images available upon request. Certificate of authenticity included. Artwork in excellent conditi...

This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...

Hommage des artistes à Picquart is a Lithograph realized by Hermann Paul. Hand signed on the lower left corner. Passpartout included cm 49x32.5 Good condition. René Georges Herman...

Original 1967 "MUSHROOM LADY". ast Totem West was one of the most significant poster companies from the late 60's. Based in San Francisco, their posters are sublime slices of psychedelia and very rare now. It is in very good condition with no tears and no pin holes. Step into the cosmic embrace of nature’s wisdom with this mesmerizing Psychedelic Mushroom Lady poster...

Serigraph in colors on paper. Hand signed lower right by LeRoy Neiman. Hand numbered 21/500 lower left. Sheet size: 35.25 x 28.125 inches. Image size: 28 x 22 inches. Frame siz...

Reuven Rubin, Israeli (1893 - 1974) - David said the Philistine, Portfolio: Story of David Portfolio, Year: 1971, Medium: Lithograph, signed and numbered in pencil, Edition: 166/...

Lon Megargee 1883-1960 "The War Bonnet" Wood block print Signed: original pencil signature, lower right Image size: 11 x 11 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew...

Agent X Beauté du XVIIIe Siècle 1 Archival Pigment Inks on Canvas Year: 2022 Size: 74x58in Unique Signed, dated by hand COA provided Ref.: 924802-1160 ------------------------------...

Andre Masson, French (1896 - 1987) - Cathedral, Medium: Lithograph and Chine Colle, signed, numbered and dedicated in pencil, Edition: 7/25 HC, Image Size: 13 x 4 inches, Size: 1...

36 x 30 inches - Edition AP2 of 3 with 2 APs Framing is an additional $525 Shot in 2012 in Amsterdam Inspired by Vermeer’s The Girl with a Pearl Earring...

Pursued Centaur (Verfolgter Centaur) belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed in the...

Portrait of William I King of Prussia and Emperor of Germany is an artwork realized by William Holl (1807-1871). Lithograph, printed in 1872 by Milliam Mackenzie, London. Good cond...

Samuel Cousins Mezzotint, by Edwin Long after Samuel Cousins (1801-1887). 1884. 530mm by 405mm (platemark) 620mm by 495mm (sheet). India-laid proof before lettering, signed in p...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. "...

Amazing artwork by Pejac that shows the perspective of what actually makes a boss. Limited mini print released in 2021 exclusively at his show Apnea in Berlin. Stamp numbered on reve...

Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered Beautiful vintage serigraph by listed Argentinian / American artist Aldo Luongo (b. 1941) The scene is windy beach in the dunes, with reeds blowing in the wind. This is a large serigraph...

"SCREAM" DOT DOT DOT 6 layer screen print 350gsm Arches 88 Edition of 150 65 x 65 cm Signed and numbered by the artist DOT DOT DOT is a visual artist f...

John Phillips, Scottish (1817 - 1867) - Adolph Menzel, Year: 1903, Medium: Etching on thin wove paper, signed in pencil, Image Size: 14 x 11.25 inches, Size: 20 x 15 in. (50.8 x ...

A Tuareg man 80 kilometres north of Timbuktu in the desert camp of Essakane. He was wearing a beautiful red metallic turban characteristic of the Tuareg from this part of Northern Ma...

Nivette is an artwork realized by Charles Theodosius Heath (1785–1848) in the middle of the 19th century. Etching, painted by Henry Howard RA (1769-1847), engraved by Charles Heath....

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Billie Coyne "Farmers Market" Signed / Numbered Lithograph c.1993 32" wide x 22" high The lightly distressed frame measures 44.5" wide x 34.5" high Sig...

Blondie Orange - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of Debbie Harry, from Blondie. BATÍK is a London based contemporary pop art i...

This artwork titled "Union Street, San Francisco" is an original etching on creme wove paper by American artist Edith (Mark) Milsk, 1899-1982. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 5.5 x 3.65 inches, framed size is 16.5 x 13.40 inches. Custom framed in a red Oak frame, with beige matting. It is in excellent condition. About the artist: Edith Milsk...

This is a self portrait of a young woman who is the wife of the artist. Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

This artwork titled "Nude woman combing Her Hair" is an original etching on wove paper by German/American artist Carl Joseph Bauer, 1895-1964. It is signed in pencil at the lower right corner by the artist. The image (plate mark) size is 5.5 x 5.5 inches, framed size is 19.85 x 19 inches. It is framed in a custom wooden gold frame, with gold color bevel and fabric matting. It is in excellent condition. About the artist. Born in 1895, German painter, etcher and illustrator Carl Joseph Bauer studied at the Academy of Fine Arts in Munich under Wilhelm von Diez and Angelo Jank. Among many others, Bauer exhibited his work at the famous "Glaspalast" (Glass Palace) in Munich and was President of the Allotria Art Association for ten years. From 1914-1928, Bauer created Art Deco style etchings of women and nudes, including Hollywood luminaries Greta Garbo and Norma Shearer...

Simplicius at the Hermit's Grave- Simplicius am Grabe des Einsiedlers (plate VIII) belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Str...

Star Wars: The Empire Strikes Back 1980 Vintage Lobby Card #13 Original Star Wars lobby card of storm troopers on Hoth Framing options available: Black, brown, white and perspex ...

Artist: Dali, Salvador Title: Nude Couple, Large Serpent Series: Dali Illustre Casanova (seven tales by Jacques Casanova) Date: 1967 Medium: drypoint with added watercolor Unfra...

Maurice Pasternak has created a portrait of his signature figure with outstretched arms. He moves images around on the paper to create a sense of mystery and drama. This impression ...

Lithograph after photo Number 1404 publishid by Pome granate PO BOX 748 Corte Madera CA from the original photograph by Milton H Greene 1982 from 1956 Milton H. Greene, famous for...

Medium: lithograph (after the 1878 Adolphe Monticelli painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy d...

Paper Size: 19 x 25 inches ( 48.26 x 63.5 cm ) Image Size: 14.5 x 22 inches ( 36.83 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: From a series of paintings ti...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Artist: Dali, Salvador Title: Untitled XII (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Unframed Dimensions: 12.6" x 8.8" Framed...

Limited edition of 150. Three American icons: the stars and stripes, Elvis Presley and Coca Cola are combined to create American Trilogy, a classic pop art image by Sir Peter Blake.A...

Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810). Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced. In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way. Signed on plate on lower right margin “De Boissieu”. This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image. Jean-Jacques de Boissieu (Lyon,1736 –1810) Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught. His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...

Mimmo Rotella "Marilyn's smile" 2.002 Serigraphy Author's proof, numbered 4/7 69x100

Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Rembrandt's Mother, Year: Of Original 1639 (printed 1906), Medium: Photogravure, Size: 14 x 10 in. (35.56 x 25.4 cm), ...

Anaïs No. 2. 1930. Etching. Fletcher 67. 8 7/8 x 6 3/4 (Sheet 15 x 11). Edition 111. An extremely rich proof printed on cream wove paper, on the full sheet with deckle edges. Anaïs F...

Joseph Floch (1894-1977). Young Girl, c.1930s. Lithograph on paper, plate measures 9 1/8 x 13 3/4 inches. Measures 17 x 21 inches framed. Excellent condition with no damage or conser...

This is a Charles Fazzino 3D print with personalized sketch and autograph on the back. Trial proof 4 and signed to the lower margins. Picture is is great shape. Measures 34x26 Other...

Artist: Dali, Salvador Title: The Rider and the Deer Series: Le Bestiaire de la Fontaine Date: 1974 Medium: drypoint with color added by stencil Unframed Dimensions: 22.83" x 29....

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...

Aquatint on wove paper. Hand signed and numbered by Pablo Picasso. Plate 106, from the serie "347 gravures" (B. 1586; BA. 1602 II B b 1). Published by Galerie Louise Leiris, Paris. ...

Michelle Mildenhall Mr. Kinski (Klaus Kinski) UV print with a gloss varnish Year: 2020 Size: 16.75 x 11.75 inches (42.54 x 29.84 cm) Edition: 20 Signed and numbered by hand (AP) COA ...

A set of four screen prints produced by Bob Whitaker around 2005. Just 25 sets of Artists Proofs of these bold and dramatic screen prints were produced. ...

As part of Herrmann's collection of Abbey Road photos of the Beatles this image was never printed by the photographer, deemed to have been underexposed and lay dormant in his collect...