Sculptures

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ingenious way. ...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in ...

Sculpture of a businessman in the "corner office" Edition of 7

Mahogany root The Ingravidesa Sculpture Alliance is formed by an international group of sculptors and designers who collaborate to create abstract sculp...

This interactive work can fit in any format the collector desires and can contain as many elements, both big and small, that the space requires. From the artist's Levitation series...

Cast Glass and Granite Sculpture (Pictured ON RIGHT)

Red Girl with Pearls, 2021 Black Parian, Porcelain and Freshwater Pearls 30 x 16 x 13 cm 11 3/4 x 6 1/4 x 5 1/8 in. Girl in red dress with pearls made...

Abstract Sculpture. About the Artist: Ed Haugevik has established a career as professional sculptor placing his work at numerous private and public sites throughout the country. ...

Center in picture.

Bronze sculpture by Jim Rennert Edition of 9

Christian Mizon Contemporary The Scholar Red Clay Height: 6 ¼ inches (16 cm) Stamped by artist Christian Mizon is a graduate of Camberwell College of A...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an ...

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore. In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it. A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...

Cast Glass and Granite Sculpture (Pictured ON LEFT)

Artist

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Sculpture, ballerina by Folkert de Jong

Set of Joshua Bernbaum's hand-crafted goblets.

Abstract Sculpture. Painted White. About the Artist: Ed Haugevik has established a career as professional sculptor placing his work at numerous private and public sites througho...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Jeon Kang Ok currently lives and works in South Korea. Her work resides in permanent collections of Seoul Museum of Art, Seoul, Korea
 / Pohang Museum of ...

"Truth and Beauty" by Frederick Hart is a figurative female figure bronze sculpture with the edition number 39/40. Frederick Hart was an American sculptor. His is best known for his Three Soldiers statue at the Vietnam Veterans Memorial and Ex Nihiio (1983) depicting Creation scenes above the doors of the Washington National Cathedral...

These colorful meditating Buddha silhouette statues are laser cut Plexiglas and acrylic hand painted. They can stand alone, or come in couples, trios or more... This is a unique statue that will start off a conversation and will bring a stylish decoration into your home/ office/ studio or business. It's the perfect gift to someone you love, or when you want to leave an impression. The meditating Buddha statue...

Painted stainless steel flower wall sculpture by artist Gloria Kisch.

Jane Manus has been continuously developing her oeuvre of forceful geometric sculptures since the 1970s, when as a young, female artist at the Art Institute of Boston she learned to ...

Abstract design. Blown glass. Circle, cube shape. Clear. No color. About the Artists: Bengt Hokanson and Trefny Dix, are known for their distinctive blown glass forms and their mixed media sculptures. Contemporary Italian and Swedish glasswork, urban graffiti, world textiles, as well as forms and color patterns from nature have influenced their blown glasswork. Bengt Hokanson graduated from Tulane University with a degree in Anthropology and a minor in Glass. After graduating, Bengt worked for glass artist, Gene Koss...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

A sculpture by Tom Wesselmann. "Bedroom Brunette with Irises" is a contemporary wall sculpture, oil on cut-out aluminum by Blue Chip, Pop artist Tom Wesselmann. The work is unsigned. This piece was conceived in 1988 and frabricated by Lippincott Sculpture studio in 2004. Tom Wesselmann was born in Cincinnati Ohio on February 23 1931. He attended college from 1945-1951, first at the Hiram College in Ohio and then the University of Cincinnati, where he majored in psychology. He was drafted during the Korean War in 1952, and it was during this time that Wesselmann did his first cartoons. After he was discharged and had finished in degree in psychology, Wesselmann began to study drawing at the Art Academy of Cincinnati. He sold his first cartoon strips to two magazines, 1000 Jokes and True. In 1956, he was accepted to Cooper Union in New York and he continued his studies there. It was while he was studying in New York, specifically on a trip to the MoMA that Wesselmann became inspired by Robert Motherwell and Willem de Kooning. In 1958, a landscape painting trip to Cooper Union’s Green Camp in New Jersey brought him to the realization that he could make his career in painting, rather than cartooning. After graduation, Wesselmann became one of the founding members of the Judson Gallery, along with Marc Ratliff and Jim Dine. Wesselmann also began to teach art at a public school in Brooklyn and later at the High School of Art and Design. In 1961, Wesselmann began the series that would bring him to the attention of the art world, Great American Nude. After a dream concerning the phrase “red, white and blue”, Wesselmann decided to limit himself to a palette of only those colors (including colors like gold and khaki that are associated with patriotic motifs). This series incorporated representational images along the same patriotic theme, including American landscape photographs and portraits of the founding fathers. Wesselmann often collaged these images from magazines and discarded posters which required him to work in a much larger format than he was used to. As his works became larger and larger he approached advertisers directly to acquire billboards. Wesselmann’s first solo show was held in 1961 at Tanager Gallery. In 1962, Richard Bellamy gave him a one man exhibition at the Green Gallery. In 1962, Wesselmann participated in the group exhibition “New Realists” at the Sidney Janis Gallery and kicked off his international career. In that same year his first pieces with the title of Still Life, came about. In these works, Wesselmann concentrated on the juxtaposition of different elements, i.e. a cigarette ad...

Salmon Studios and Simon Abrahms Circle Table (without marbles), 2014 Stainless steel and glass 20h x 32w x 32d in 50.80h x 81.28w x 81.28d cm SSSA002 $5,600

David Colton Untitled (Fire), 2012 Borosilicate glass 4 1/2h x 11w x 4 1/4d in 11.43h x 27.94w x 10.79d cm DC020 $6500

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Stella Alesi, Three Small Cut Outs from the With Grace Series, Acrylic on birch plywood, 20 H x 9 W x 4.5 D", Edition of 3 (#1/3), 2022

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Cold cast bronze relief sculpture. This is an abstract rendering of a large bird landing on a lava rock. Its inspiration was a picture I took at Kilauea Volcano on the Big Island of ...

This large monumental white sculpture is actually painted in three colors of white. The outdoor/indoor work is suited for any environment as it is fabricated from aluminum and poly...

Michael Cozza is a glass artist living and working in Seattle, Washington. Cozza’s work focuses on using traditional Venetian techniques combined with a ...

Cloud sculpture. It is made up of a sculpture made of plaster and painted with acrylic and spray paint. The sculpture is assembled to a piece of painted wood, which in turn is assembled to a larger one, composing a single piece with several layers. The artwork is backlit with an LED light box...

Amarist Studio Exodus, 2018 Pink Concrete and Bronze plated in 24 Karat Gold 24h x 8w x 24d in

Antique test tube, branch, moss, bronze, aluminum

"Nein, oder? Ja?" (2022) is part of the exhibition "Connect and Disconnect", running from 20 May - 15 July 2022 at HELDENREIZER Contemporary. Visit the exhibition page on our websit...

Béatrice Bissara was born in 1972; the visit of museums and the atmosphere of the auction houses marked her childhood. After her studies in history of...

**1stDibs Shipping quotes are not accurate for this work. Please be in touch directly with the seller about shipping options for this piece** Beverly Penn Radices Systemata, 2021 c...

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a plac...

Stainless steel sculpture Liechennay was exposed to the creative process from a very young age through his mother’s artistic pursuits as a designer of gold jewelry in Indonesia, his...

Kim Seungwoo is a contemporary Korean sculptor, based in Seoul, South Korea, famous for his sculptures made of coins or buttons.

Eight-3 by Perrin & Perrin, Galerie Negropontes in Paris, France. One of a Kind Sculpture, "Build-in-Glass" Glass Martine and Jacki Perrin sculpt together as one, forming a duo enri...

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the arch...

Above by Perrin & Perrin, Galerie Negropontes in Paris, France. One of a Kind Glass Sculpture Martine and Jacki Perrin have formed an inseparable artistic duo since 1967. They start...

Jordi Díez Fernández graduated from the Universidad Complutense de Madrid with a degree in Fine Art and honours in sculpture. He started his profe...

Guido Oakley is a modern imaginative artist that directs design concepts, computerised innovation and uses exotic materials such as precious metals, gemstones and crystal clear resin...

Cold casted resin and hand finished. 30 x 55 x 70 cm. Signed Pierre Koukjian 2018 Switzerland Pierre KOUKJIAN (Italian) - Born in Beirut 1962, conceptual artist & designer working...

Angela Ellsworth Pantaloncini: Work No. 012 (Emma), 2017 47,160 pearl corsage pins, colored dress pins, fabric, steel 25”h x 18"w x 12”d Angela Ellsworth is an interdisciplinary artist who works in sculpture, drawing, installation, and performance. Her solo and collaborative work draws on a broad range of topics: illness (particularly her personal battle with cancer in her twenties), physical fitness, endurance, religious traditions (influenced by her family’s history and especially her great, great, grandfather, Lorenzo Snow, who was the fifth prophet and president of the Church of Jesus Christ of Latter Day Saints), and social issues (such as queerness and non-heteronormative relationships in contemporary society as well as the tradition of polygamy with the early history of Mormonism.) Addressing the secret languages pulsing beneath officially-sanctioned accounts of history and religion, Ellsworth’s mysterious, entrancing objects and performances draw lines of communication between her Mormon ancestry and the work of 19th and 20th century female mystics, delving into an unspoken realm of gestural language, psychic connection, and sensuous geometry. In 2014, she founded the Museum of Walking, which is committed to conversations about land, action and site within the context of art. Ellsworth holds a MFA in painting and performance from Rutgers University and a BA in photography and painting from Hampshire College. Her work has been shown internationally including at The Getty Center (CA), Museum of Contemporary Art (Sydney, Australia), Zacheta National Gallery of Art (Warsaw, Poland), National Review of Live Art...

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a plac...

Born and raised in Atlanta, Kristofer Laméy has brought much to the southeastern art and design table. From debuting his unique design perspective in the 2007 ICFF in New York City and showcasing his Art at Aqua during the 2008 Art Basel in Miami, to his solo Museum of Design Atlanta (MODA) exhibit titled “Serving Form” in 2010, Kristofer is best known for his one-off commissioned sculptural art forms. His work has found a place in homes and collections across the globe. One of his most ambitious design challenges was solving a decades-long problem in the aviation industry: How to more efficiently design and install jet aircraft interiors. This was the birth of AIMS. Kristofer’s work straddles a fine line that resides between art and design. Many, lost within the engineering of his creations, like to push his work out of the category of art and into the realm of design. This line is the fulcrum that leverages his work into a playing field of his own, and he is proud of that. Those looking for solutions in the marketplace that are in need of an outside perspective to differentiate a product benefit from his fresh and creative approach to modern manufacturing. In April 2020 Kristofer moved his family to the North Georgia mountain...

LUMINOUS BLACK WAVES . A sculpture made by plaster and painted with acrylic and spray paint is assemble to the wood piece creating a unique peace illuminated from behind with a LED light box...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...