Sculptures

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Black Cloud is hand cut polystyrene with acrylic by Clifford Singer.

Assemblage, violin, paper collage on board, plexiglass case. Chiari freely uses painting, objects, drawing and collage of photocopies and photographs to create intriguing works. Exhibitions: Back to Future, Glenda Cinquegrana: lo Studio, 17.07-24.09.2013, Milan, Italy Giuseppe Chiari...

Zigi Ben-Haim, Metal sculpture Hand signed and dated Zigi Ben-Haim, 1998 Untitled, patinated aluminum or steel, Dimensions: 6"h x 2"w x 2"d This listing is for 1. I have 2 similar ones available. Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel. Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha. Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum. Education 1972-74 M.F.A., San Francisco State University, San Francisco, California, USA. 1972-73 M.A., J.F.K. University, Orinda, California, USA. 1971 California College of Arts & Crafts, Oakland, California, USA. 1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel. Selected public collections Splendid Step (2003) next to the Tel Aviv Museum of Art Museum of Contemporary Art, Athens, Greece Columbia Museum of Art, Columbia, SC Israel Air Force Center Foundation, Tel Aviv, Israel NASA, Houston, Texas Bank Leumi USA, Fifth Avenue, New York, NY Pfizer Company Collection, New York, NY Reading Public Museum, Reading, PA Guggenheim Museum, New York, NY Haifa Museum, Haifa, Israel Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY New School, New York, NY University of Maryland, College Park, Maryland. Israel Museum, Jerusalem, Israel. Brooklyn Museum, Brooklyn, NY Malmö Museum, Malmö, Sweden. Jewish Museum, New York, NY Tel Aviv Museum of Art, Tel Aviv, Israel. Museum of Fine Arts, Ghent, Ghent, Belgium. National Gallery of Art, Washington D.C. Fine Arts Museum of Long Island, Hempstead, NY Buscaglia-Castellano, University Museum, Lewiston, NY Dan Eilat Hotel, Israel. International Paper Company, New York, NY World Bank, Washington D.C. Westminster Bank, New York, NY Israel Embassy, Washington D.C. Frederick R. Weisman, Los Angeles, CA. Rikers Hill Sculpture Park, Livingston, NJ Heckscher Museum of Art, Huntington, NY Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Group Exhibitions Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...

Ceramic Bowl, signed by artist. 16.5" x 18"

Clifford Singer's Geometrical Clouds Series has evolved since 1974.

Stunning handcrafted French brutalist metal wall art sculpture panel by Jacques Potage (1931 -). Mounted on a wood plank covered with textured pewter, the metal panel features a styl...

Rimma Gerlovina and Valeriy Gerlovin Clock, 1987-94 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 13 h × 13 w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

Genre: Modern Subject: Abstract Medium: Other Surface: Paper Country: United States Dimensions w/Frame: 21" x 21" Bas relief on hand-made paper; Visual statement of society’s role in conformity of the individual and acquiescence to nationalism. William G. Haendel is originally from Wisconsin, born in West Bend in 1926. He has had exhibitions in Canada, Sweden, Italy, and England as well as many in the United States. He graduated from the University of Wisconsin at Madison with a M.S. degree in 1954 followed by advanced study in both Seattle, Washington and London, England. In 1960 he was the recipient of a Fulbright Award to study silversmithing and sculpture in England. He is Professor Emeritus in Sculpture from Northern Illinois University and currently resides in DeKalb, Illinois. His most notable work is with cast paper. Images are created by transferring a wet sheet of hand-made paper to plaster molds. Images are created by transferring a wet sheet of hand-mad paper to plaster molds. These molds are created with found objects or are the direct product of the artist’s imagination. Many of the found objects are parts of Haendel’s vast collections of old toys...

I have ordered a Sensuous Woman. It will be ready to paint mid- May. I can leave it all polished or paint it with a BMW white dress or a Ferrari red dress using the car paint Galsurit. Sensuous Woman as pictured is a polished bronze. It is sealed with automotive finish, so it never needs to be polished. The base is black marble, 2"h x 6"d. Sculpture is 20"h. The dynamic sculpture...

Genre: Modern Subject: Abstract Medium: Other Surface: Paper Country: United States Dimensions w/Frame: 21" x 21" Bas relief on hand-made paper; Visual statement of society’s role in conformity of the individual and acquiescence to nationalism. William G. Haendel is originally from Wisconsin, born in West Bend in 1926. He has had exhibitions in Canada, Sweden, Italy, and England as well as many in the United States. He graduated from the University of Wisconsin at Madison with a M.S. degree in 1954 followed by advanced study in both Seattle, Washington and London, England. In 1960 he was the recipient of a Fulbright Award to study silversmithing and sculpture in England. He is Professor Emeritus in Sculpture from Northern Illinois University and currently resides in DeKalb, Illinois. His most notable work is with cast paper. Images are created by transferring a wet sheet of hand-made paper to plaster molds. Images are created by transferring a wet sheet of hand-mad paper to plaster molds. These molds are created with found objects or are the direct product of the artist’s imagination. Many of the found objects are parts of Haendel’s vast collections of old toys...

Clifford Singer's Geometrical Clouds Series has evolved since 1974.

1970 Compression of different metals, fixed on panel Signed, dated and situated in black felt marker at the bottom left side “César 1970 Nice” Referenced in the Durand-Ruel Archives under No. 985 Unique artwork accompanied by the certificate from the Durand-Ruel Archives H. 36 cm W. 20,5 cm D. 9 cm Dimensions with panel: H. 60 cm W. 45,2 cm D. 4,8 cm His parents, Omer and Leila Baldaccini, Italian of Tuscan origin, had a bar in Marseilles, where César was born in 1921 in the popular district of la Belle-de-Mai, at No. 71 rue Loubon, in the center. “I am basically an absolute autodidact,” he says. He first worked at his father’s, before attending in 1935 the courses of the School of Fine Arts in his hometown with his classmate Raymond Normand and, in 1943, the National School of Fine Arts in Paris with Michel Guino, Albert Féraud, Daniel David and Philippe Hiquily, like him in the studio of Marcel Gimond...

Girl Omaggio a Picasso (Tribute to Picasso) Murano glass sculpture 15.5" H x 12" W x 5" D This work is accompanied by a certificate of authenticity signed by the artist. Signed, tit...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working i...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working i...

Abstract steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working in large scale with steel in the ...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working i...

Retaining a fine patina and in overall good condition. Signed with initials SB. I believe the edition size was 7 But I cannot find a mark. Stanley Bleifeld (1924 – 2011) was an American sculptor. Stanley Bleifeld was born and raised in Brooklyn, New York, Bleifeld earned bachelor of fine arts, bachelor of science in education and in 1949 a master of fine arts degree in painting at Tyler School of Art of Temple University. After a trip to Rome in 1959 or 1960 he gave up painting for sculpture. He began his fine-art career as a painter. However, a visit to Italy and exposure to the bronzes of Donatello, Michelangelo, and Ghiberti changed his direction He worked with the Art Foundry of Massimo del Chiaro and alongside artists such as Lucchesi, Harry Marinsky, Fernando Botero, Igor Mitoraj and Ivan Theimer. Many of his early pieces were religious subjects, and reflected both painting and sculptural techniques in bas reliefs* that had "liquid landscapes in undulating reliefs and free-flowing portraits reminiscent of classical fragments" (166-167). He later turned from these abstract pieces to more realistic figures in bronze. Bleifeld was a National Academician in Sculpture, and a member of the National Academy of Design, and helped set policy for that organization. He was also President of the National Sculpture Society. Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, Leo Friedlander, Neil Estern, and Cecil de Blaquiere Howard. The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1893. She was followed a few years later by Enid Yandell and Bessie Potter Vonnoh in 1898; Janet Scudder in 1904; Anna Hyatt Huntington in 1905 and Evelyn Longman and Abastenia St. Leger Eberle in 1906. In 1946, Richmond Barthé was likely the first African-American to be admitted. In 1994, the NSS held their first exhibition outside the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi, Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke, Bruno Lucchesi, Barbara Lekberg...

Victor VASARELY (1906-1997) "HEXAGONE, 1988" Plexiglas sculpture containing four books under covers by the artist Multiple signed and numbered Edition 1092 of 1500 copies A certifica...

JOAN STRAUSS CAROL "MODERN FAMILY" FRUIT WOOD, SIGNED CALIFORNIA, C.1980 20 INCHES OVERALL Joan Strauss Carl 1926-2021 Joan Strauss Carl was a...

Cats hatching from egg. Ceramic sculpture, artist signed. Sergio Bustamante is a Mexican Artist and sculptor. Bustamante was born in Culiacan, Sinaloa in 1949 and studied architecture at the University of Guadalajara. Bustamante's first art exhibition showcased...

"The Sun" is a Modern Art and contemporary sculpture. "The Sun" is a unique and one of a kind, since there are no other copies available besides this original....

This is an engaging multiple artwork by the Italian artist Robert Nanut, a talented artist of 1980’. This is a multiple of numbered edition of 1.000 pieces. This artwork was made in 1980 but it can be considered new cause remained since now stored and packed in the Editor warehouse. The bronze sculpture is completed by the certificate of authenticity, there is the number assigned to the piece and the original signature of the author. Roberto Nanut...

Angelo Basso (Italy, 1943 – 2011) Gabriella  Dimensions 17.0" W x 18.0" H x 7.0" D This sculpture was cast in the Dyansen Studios Foundry in 1991 under...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working i...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Retaining a fine patina and in overall good condition. Signed with initials SB. I believe the edition size was 7 But I cannot find a mark. Stanley Bleifeld (1924 – 2011) was an American sculptor. Stanley Bleifeld was born and raised in Brooklyn, New York, Bleifeld earned bachelor of fine arts, bachelor of science in education and in 1949 a master of fine arts degree in painting at Tyler School of Art of Temple University. After a trip to Rome in 1959 or 1960 he gave up painting for sculpture. He began his fine-art career as a painter. However, a visit to Italy and exposure to the bronzes of Donatello, Michelangelo, and Ghiberti changed his direction He worked with the Art Foundry of Massimo del Chiaro and alongside artists such as Lucchesi, Harry Marinsky, Fernando Botero, Igor Mitoraj and Ivan Theimer. Many of his early pieces were religious subjects, and reflected both painting and sculptural techniques in bas reliefs* that had "liquid landscapes in undulating reliefs and free-flowing portraits reminiscent of classical fragments" (166-167). He later turned from these abstract pieces to more realistic figures in bronze. Bleifeld was a National Academician in Sculpture, and a member of the National Academy of Design, and helped set policy for that organization. He was also President of the National Sculpture Society. Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, Leo Friedlander, Neil Estern, and Cecil de Blaquiere Howard. The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1893. She was followed a few years later by Enid Yandell and Bessie Potter Vonnoh in 1898; Janet Scudder in 1904; Anna Hyatt Huntington in 1905 and Evelyn Longman and Abastenia St. Leger Eberle in 1906. In 1946, Richmond Barthé was likely the first African-American to be admitted. In 1994, the NSS held their first exhibition outside the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi, Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke, Bruno Lucchesi, Barbara Lekberg...

Aubrey Penny Original Collage "Mind-Line" Sussex Series 10-5557, Signed and dated 1980 Size: 19" x 24" Aubrey Penny (American 1917-2000) was an innovative California abstract artis...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working i...

This painted wood assemblage sculpture by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome head portrait bust. This was signed on a brass or bronze plaque but that has gone missing. It is unsigned. I believe there might be a studio stamp on the bottom. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

Angelo Basso Bronze 1989 Paolo And Francesca- Size: Size: 42 x 12 x 12 in Signed and marked 92/95 "ITALIAN MASTER OF THE MODERN BAROQUE" The story o...

Paire Bougeoirs Elephant, Candle Stick, Animal, Ceramic, Lalanne, Design Paire Bougeoirs Elephant Ed. 80 pcs 1985 Glazed ceramic and copper with original boxes 15 x 15.3 x 6 cm / 5....

Tehuana Semi Nude Bronze sculpture, signed and dated 1986, edition 2/7, wood base. Sculptor Armando Amaya was born in Mexico City in 1935, He studied at the National School of Painting and Sculpture under Jose Ruiz...

Kitty, sculpture, by Allan Houser, bronze, cat, gold, Nambe, Santa Fe, edition lifetime casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of...

Victor Vasarely (1908-1997) Axo This piece is hand signed and numbered circa 1972-1977 I have seen it described as enamel on steel and enamel on aluminium. it is a serigraph on meta...

Jim Leedy “Torso Vessel” (Fish Head Woman) Stoneware Sculpture, Glaze Year: 1979 Size: 34.75 x 16 x 11 Signed COA provided Ref.: 924802-1364 Jim Leedy was a...

Eric Rhein “Clarrisa” 1989 Accompanied by a certificate of authenticity Wire, suede, brocade fabric, and found objects 16.5 x 17.5 x 8.5 inches (41.9 x 44.5 x 21.6 cm) This work...

Abstracted sculpture of a nude woman by Francis Xavier "Frank" Bracken (American, 20th Century). Signed, dated and numbered "Francis X. Bracken 1981 2/7...

Porcelain Edition : 397/900 Publisher : Artcurial Diameter: 29 cm Inside diameter (in the back): 18 cm LCD5312

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

Shoji Hamada Lidded Jar with Signed Box stoneware and glaze 4.5 x 5.75 x 5.75" date unknown signed

This is an wooden sculpture by Bruce Turnbull. The sculpture is in excellent condition. The podium is made of plexiglass and comes with the sculpture. I...

41x25x10" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

"Quimeres "original steel unic piece sculpture Sculpture by the Spanish artist FERRAN SORIANO Artist well known for his large format works on the street....

Jim Leedy Untitled Slab with Colored Tears (#891) Raku-Fired Stoneware 1989 Approx. 20 in in diameter COA provided Comes with original papers Ref.: #891 Ref...

"Upsurge" is a minimalist, abstract pedestal sculpture in fabricated bronze. It was conceived in 1989 and can be considered a Mid-Century Modern artwork. It is finished with Clement ...

Sculptor Jacques Lipchitz Terling Silver Anniversary Silver Sculpture Plate Israel This is a beautiful sterling silver commemorative plate. It was spec...

This bronze sculpture is made in the lost wax method of casting, and finished by hand. The polished bronze finish is often referred to as a "jeweler's finish." This sculpture rests o...

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...

9" dia. Ceramic, signed and dated The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. With over a dozen museum exhibitions under his belt, the artist is a regular exhibitor at SOFA in New York...

22x23 Terra Sigillata B.S. in Art Education: University of Wisconsin-Stout in 1971 "This work is low-fired and unglazed. The objects are burnished wi...

Very nice bronze with brown and black patina sculpture - Violins decoupes, 1981 by the important artist ARMAN. signed and inscribed 'AP' on the base. Accompanied by a certificate of...

Walter Valentini was born in Pergola Italy, in 1928. A painter and engraver, he lives and work in Milan. He is Holder of the chair for engraving at th...

Michael Frimkess Large Frimkess Jar from the Instant Migration Series (INV# NP3747) stoneware, underglaze, glaze, and decal 28.5 x 8 x 8" 1977 signed ...

FALL GARDEN BASKET AND VASE (INV# NP3739) Betty Woodman glazed earthenware 13 x 18.5 x 12” 1987 signed by artist

Yaacov Agam 2 +3 = 4, 1981 offers another excellent example of the artist’s ability to induce the illusion of movement through color and pattern. By combining a multicolor palette wi...

Contemporary Geometric Abstract Sculpture Bronze Unique Italian European 1983 Triangle, 1983, bronze. 6 x 12.25 x 2 inches. Signed and dated on both the sculpture and the base BIO Bruno Romeda is a complete artist because all his work always begins by a joining of twigs, rods and sticks, keeping tension and balance. Inspired by primitive geometric forms, as circle, square and triangle, Romeda is playing with projected shadows. As handed-tracks lines, his sculptures and his furniture are casted in bronze in his Italian workshop in Brescia. We find out same figures casted in bronze in bases, retaining structures on which seats, chairs, tables or pedestals are resting. Romeda’s furniture gets perfect shapes from a sort of fossilized nature. The technical perfection, the harmony of proportions and bronze work, summarize Bruno Romeda’s work. Romeda was born in 1933 in Italy and died in 2017. He lived in France, New York and Brescia. The work of Romeda has been exhibited in numerous cities; his first personal exhibition took place in Brussels in 1962, followed by solo shows in Paris, New York, Barcelona, San Francisco, Monte Carlo, Baltimore, berlin, Erbusco (Italy), Venice or Tokyo. A significant number of museums own pieces of the artist such as the Metropolitan Museum of New York, the Kasama Nichido Museum of Art in Japan, the Contemporary Art Museum of Nice, or the Robert College...