Abstract Sculptures

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Hand-coiled and pinched tall ceramic sculpture vessel by Jessamyn Go. Jessamyn Go's work is deeply rooted in the visceral, meditative experience of working with clay. Drawn to the t...

Abstract wall sculpture featuring three dimensional geometric shapes painted with bright blue paint. The uniqueness of this blue does not derive from the ultra...

This intense abstract bronze sculpture was created by the Italian artist Eli Riva in the Late 20th Century. The artwork is a multiple numbered and signed of 5...

slate, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. ...

This airy sculpture is entirely hand-knitted from a brass golden wire and a galvanized iron grey wire by its creator Delphine Grandvaux. This artwor...

Contemporary Minimal Gold Brass sculpture, gilded and then lacquered to keep its shiny surface. Limited edition of 10 Kuno Vollet is a sculptor wo...

The Skateroom w/ ©Keith Haring Foundation 7-ply Grade A Canadian Maple wood Each deck measure approx. 31x8in (80x20cm) 1 Easyfix wall mount included. The heart portrayed in this edi...

This is an intense bronze abstract sculpture created by the well known Italian artist Carmelo Cappello. This is a multiple of 250 specimens. It is made in bronze with a wooden black...

This intriguing abstract mixed media composition is by Lucy Maki. Two panels in white, black, pale yellow and a deep blue sit one above the other—each panel features a globe-like for...

Seeker Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Graphite filled acrylic laquor on filled polyester resin base 35 x 10 x 12  "I am an artist, a sculptor n...

Carlos Aguilar y Linares, Mexican Sculptor (1945-2010) Sculpture chose him. In his hands and his soul he always had the necessary impulse to create wi...

Jesús Curiá Perez Construction II bronze and iron 68.50h x 15.75w x 12d in 173.99h x 40.01w x 30.48d cm JCP037 Jesús Curiá's sculptures arouse something more than purely aesthetic p...

Anisa, made up of mosaic-like structures, demonstrates how the repetition of the same element can cause it to be perceived very differently, depending on the angle from which it is v...

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the ...

Colourful. Engaging. Minimalist. Theatrical. That describes the work of Robert Clarke-Ellis. The Toronto sculptor creates accessible pieces that although playful in form often speak ...

Life is often perceived as linear, a flat process with no return. Leben contradicts this belief and exposes the countless deviations that the path could take. This piece represents l...

Nando Kallweit. Figurative Bronze Skulptur, FAMILY II, Limited Edition 34 of 50. Nando Kallweit is a sculptor living in Germany. He specializes in figurative sculptures made of wood ...

"WavyBlue" is a minimalist and modernist maple wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for simple bold colors and...

Original stainless steel sculpture. Incised "Leon Ferrari 1978" on a metal plaque affixed to the lower area of the sculpture. Certificate of Authenticity is included. Please do n...

This is an interesting multiple artwork signed by the author Annie Lambert, a talented young artist of years 80' in Italy. This is a multiple of a numbered edition of 1.000 pieces; ...

Chloe Hedden’s Dark Plum Excess from her Excess series exemplifies Excessivism through its sculptural use of thick, unrestrained paint. The deep plum hue, associated with luxury and ...

Synthesis LC is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic, LED, dimensions are 20 × 150 × 16 cm (7.9 × 59.1 × 6.3 in). This ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Impossibly balanced, these three white cubes form one monolithic outdoor structure. At night the sides of the cubes appear as free-floating diamonds....

E Tu (Stand Tall), contemporary Maori sculpture, green patina, warrior figure Wi Te Tau Pirika Taepa (born 1946, in Wellington) is a New Zealand ceram...

Dale Chihuly Scarlet Leaf Ikebana, 2012 Handblown Glass 10 x 10 x 7 in

F.230901 (Beginning of the World) is a flat glass and mirror sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 18 × 30 × 15 cm (7.1 × 11.8 × 5.9 in). The sculp...

This sculpture weighs approximately 80 pounds it sits vertically without a base. This item can be purchased on commission basis, please allow 8 - 12 weeks before shipping. Smooth s...

Blossom III is a wood sculpture (cherry) by Wouter van der Vlugt, dimensions are 36 × 42 × 36 cm (14.2 × 16.5 × 14.2 in). It is a unique signed piece and it comes with a certificate...

Cheeky references to pop culture and the societal context. Donald Duck is cast in resin with banknotes inside. Grounded in a postmodern vernacular, Alben’s paintings and sculptures ...

Bloom No. 3 from the Bloom Series by Norman Mooney Edition of 10 + 2AP Corten steel Inspired by the work of the 19th century biologist Ernst Haeckel and his study of microbes, the B...

Column 7-16, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On ...

Modern surrealist abstract wooden sculpture by Texas artist Roy Fridge. The work features a prominent spade shape with two open recesses. The top opening exposes a teardrop shape and the bottom shows more machine-like forms. Currently mounted onto a stable, black base. Artist Biography: A native of Beeville, Fridge was an only child who made his own toys. After serving in the U.S. Navy, he graduated from Baylor University in Waco with a degree in filmmaking. In the 1960s, he and his best friends, sculptors Jim Love and Dave McManaway, became known as the "unholy trio" of Texas contemporary art. In 1963, Fridge left a career in television advertising and "ran away to the beach." He settled in the sleepy town of Port Aransas...

Painted aluminum sculpture. Measures 18 x 18 x 9 inches. Stamped 'R. Indiana' with edition and date. Edition VII/IX. Artwork is in excellent condition. All reasonable offers w...

Frida Espectacular - Amazing Frida Made with natural clay and polychrome painting. Hand-modeled technique and cooked in an oven. LISTING =================================== 1 Ceramic Frida =================================== DETAILS =================================== Time of Preparation: 2.5 months Made: Izuca de Matamoros, Puebla, México. Dimensions: 12" x 16" x 6" in or 30x 40" x 15 cm Artisan: Taller Alfonso Castillo Orta...

Van Nazareth is somewhat of a reclusive personality and his bronze sculptures focus on primordial, illusive shapes. His figures are remote and uncommunicative, suggesting timelessnes...

Light purple hyperreal glass water balloon sculpture with glass droplets by Dylan Martinez. Dylan Martinez’s hyperrealistic water balloons are made of solid sculpted glass sandbla...

Dan Tanenbaum lives and works in Toronto. His work with watch parts began in 2010, when he stopped by to see his regular watch supplier. He noticed a buc...

Henry Moore (1898-1986) is one of the most revered and influential British artists of the 20th century. While he worked in a number of different media and styles, Moore is best known...

"Blue Morpho" is a contemporary and parametric wall sculpture with gorgeous blue tones. Made from oil lacquer paint and carved Baltic birch wood, this ...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin. That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...

Beginn der Weisheit Bronze Sculpture Head Figurative Abstract - In Stock Wisdom - Size is including pedestal Stone Each Edition of Casting is different, Each Sculpture is Unique Be...

Takuro Kuwata 桑田卓郎 Shino Bowl with golden and kairagi glaze Takuro Kuwata's Shino bowls are a modern, avant-garde reinterpretation of traditional Japane...

This abstract indoor sculpture was designed by W. W. Hung and made from resin. The graceful organic white shape is designed to be reminiscent of fractal patterns found in nature. The...

"Lenor Larson Egg" is an original piece by PJ Linden made from acrylic, dimensional paint on wood. This piece measures measures 8"h x 4.5"w x 4.5"d and is hand-signed by the artist. ...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

Roy Carter (1938-2012) was a self-taught artist and sculptor who worked primarily in marble, terracotta, plaster, and stone sculpture. His practice utilized...

limestone

Lesley Hilling is a self-taught English artist known for her intricate constructions made entirely from salvaged wood and found objects. Her work reflects a deep connection to the pa...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

Dome of the Rock was included in my recent show with a Jerusalem theme. It was reviewed in the Boston Globe. "Dewart sculpts gatelike forms and mandalas that read like sacred geometr...

Bronze sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the classic organic forms and human figures. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...

This intense and engaging abstract sculpture was create in 1980 by the Italian artist Lino Tinè. This is a multiple of 300 specimens, numbered and signed by the artist. The title is ...