Oversized Sculptures

The Art of Currency: The Sculptural Mastery of Kim Seungwoo In the vibrant art scene of South Korea, one artist stands out for his innovative approach to sculpture: Kim Seungwoo. With a profound appreciation for both traditional craftsmanship and contemporary themes, Kim has carved a unique niche for himself by transforming real Korean coins...

Fandango, by Rodger Jacobsen, figurative, bronze, sculpture, steel, pedestal Rodger Jacobsen’s sculpture is at once inspiring, amusing, and quite frankly, amazing. Inspiring, in the...

Splendor Fiberglass / Composites Filled Resin Base Gold Metallic Shiny Finish 50" x 15" x 11" "I am an artist, a sculptor not by choice but by destiny as each step in the path I fol...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Madame X (original lego art with frame). Made completely of legos. About the Artist: Joseph Kraham is an "engineering artist". He combines thousand...

Wood, fabric, cotton batting, and acrylic. Artist statement: "Represents my Haplogroup based on a collection of common inherited genes that trace ancestral lines back to an original parent through matrilineal mitochondria. U5b2 ties me – and millions of others – directly to an ancestral Mitochondrial Eve originating in the East African region of modern Kenya. U5b2’s wall-mounted boat...

This contemporary sculptural, meandering wall-mounted installation is intended for a corner and consists of acorn caps on brass pins filled with acrylic paint, natural crystals and m...

The modern Sculpture " El Menguante ” is a unique Sculpture made from a burnout mold and recycled wood by David Marshall in 2014, sand cast in aluminium in our foundry, handcrafted ...

Viga 1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, wood, dimensions are 233 × 45 × 45 cm (91.7 × 17.7 × 17.7 in). The indicated dime...

"Rhapsody" by Kevin Barrett Bronze indoor/outdoor sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze Met...

Forged and stainless steel Frédérick Mazoir est un sculpteur français né en 1968 qui vit et travaille à Plélan Le Grand en Bretagne, France. Diplômé des Beaux-Arts à Quimper, Reims ...

The Landscapes of Thought project is inspired by the impermanent nature of all things. Observing the continuous transformation of the environment, of time, of thought, is one of the ...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...

Formidable and eye-catching, this outdoor sculpture is by Viktor Mitic known for his provocative contemporary artwork. This is one of a series of abstract ‘tower-like’ sculptures—eac...

"Summer Coolness" is a large free-standing bronze sculpture, suitable both for the inside and outside. Edition 8, signed, numbered and dated on the bottom. Comes with Certificate and...

Abstract wood wall sculpture, hand-stitched and pained green with orange accents "Unequilibrium", made by Susan Stover in 2024 wood, oil paint, varnish, waxed linen thread 64 x 42 in...

This extraordinary garden torch "Flame" on oxidised oak pedestal is a real eye-catcher for your house or garden. The included burner already contains individual lava stones, so this...

"Flare" by Kevin Barrett Unique bronze, abstract tabletop sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze M...

A life size, powder coated mild steel sculpture, edition 1/7. Available in different colours on request.

A charming allegory for Dawn Date: 19th Century  Origin: Italian Material: Carrara Marble  Signed F. Vichi , Firenze. Dimensions: 41" H x 10" Diameter  A spellbinding female figural...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Standing Together by Jane DeDecker Figurative Bronze. 42x24x24" Sandstone base is included. Two Girls stand back to back holding hands Sisters, or Best Friends. A union for life. A...

Barricada #14 aip M105 is a polished stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 105.7 × 106.1 × 61.4 cm (41.6 × 41.8 × 24.2 in). The scu...

Viga 3 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, wood, dimensions are 171 × 45 × 45 cm (67.3 × 17.7 × 17.7 in). The indicated dime...

This is an original one of a kind surrealist figurative mosaic on a surfboard by San Diego artist, Cheryl Tall. It is wired and ready to hang on a wall if desired. Its dimensions are 24x70x1. A certificate of authenticity signed by the artist will follow delivery of this piece. This is a very detailed elegant work of art where the artist has used tiles...

Artist/Designer; Manufacturer: Jane Manus (American, b. 1951) Marking(s); notes: no marking(s) apparent Materials: painted welded aluminum Dimensions (H, W, D): 120"h, 84"w, 35"d Add...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Cercle Haut Year: 1968/69 Medium: Unique Chrome and Steel Kinetic Sculpture Size: 85 x 35 x 2 in. (215.9 x 88.9 x 5.08 cm) Base: 9 ...

"Sing" Abstract Sculpture 45" x 28" x 20" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our s...

acrylic on linen 45.5 x 45.5 x 5 inches b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are...

"Dahlia" by Richard Pitts Powder-coated aluminum on a brushed aluminum base (height includes base) Richard Pitts works in many media, from steel to wood to bronze to aluminum, not t...

Francesco Messina (Linguaglossa 1900 – Milan 1995), Fisherman (1930) Bronze sculpture measuring 131 x 52 x 65 cm, signed and dated 1930 on the base. Francesco Messina’s Fisherman w...

Pair, sisal, wool, stilon, 125" x 77", 1989. This large figurative, abstract tapestry was done by textile artist, Lilla Kulka (b. 1946, Krakow, Poland). Artist Statement: "I creat...

Very large Contemporary powder coated aluminum sculpture for inside or garden outdoor spaces. Beautiful spiral dancing and intertwining. This is a large scale outdoor or indoor scul...

This standing kinetic sculpture by Tal Nehoray is from her latest body of works and is made of 2 hand made sculptures: a heart and a brain that are mounted on metal base. Both sculpt...

Title: Lantern Column II Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 46 inches Price: $6,500 Niho Kozuru is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

"Tree House" by Hans van de Bovenkamp Unique welded bronze Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been descri...

A bronze sculpture by Winni Bruggemann from 1983. A sonambient floor piece done in the style of Harry Bertoia. Interactive metal strands sway when touched creating an resounding, dee...

Hayward Oubre Hitch Hiked, 1960 Signed on Base: OUBRE 60 Painted wire sculpture 45 H. x 21 W. x 19 D. inches Provenance: Estate of the Artist Deeply at...

"All Over 2" by Elizabeth Gregory-Gruen Free hand cut 2-ply museum board framed in a white wood shadow box Cut Work - Elizabeth Gregory-Gruen's abstract, paper sculpture is tonal, m...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height with square form bases cm 220. Time...

"Bix" by Kevin Barrett Bronze metal sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Organic Bronze Metal Scu...

Extraordinary garden torch with one burner insert on an untreated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included bur...

This totem is full of surprises with an upside down duck a couple of fish an apple and a cala lily.Its wonderfully random which adds to the fun. Totems can make you laugh! Please no...

Outdoor or Indoor Sculpture " Longhorn ” is a striking piece of Art resembling a Longhorn skull made from a burnout mold by David Marshall in 2013, sand cast in aluminium in our fou...

This piece is entitled Lost in Reverie. It is a large scale outdoor sculpture. The running bear is a common theme in his work as he is remembers his childhood teddy bear. Patrick O’Reilly...

Unique life-size bronze statue of a woman standing. The hands were painted red, hence the name 'Red right hand'. Very impressive statue and a real eye catcher.

This outdoor fire pit "globe" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are already individual lava stones in the...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Mercurius Bronze Sculpture Contemporary Classic Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the o...

Jean-Louis Corby was born in 1951 and was predominantly influenced creatively by the 1970s. The 1970s were a period of consolidation and growth in the arts, most often characterised ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Phillip Shore's artwork is informed and influenced by his travels to and the study of the archeological artifacts from Ancient Greece and the relationship between humans and the env...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

"Circus" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in ...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. Customization possible and designed in 2010. Al...

One of a kind wooden board painting by wood artist Kevin Kegler.

This Lady Gaga marionette sculpture is made of found objects in Pablo Cano's signature style. Some of the elements include: plastic bowl, a metal candy dish, soda cans plastic credit cards, and a potato masher among other found objects. Born in Havana, Cuba in 1961, Pablo Cano was on the last flight out of the country before the Cuban Missile Crisis of 1962. He has since been a resident of Miami’s Little Havana, and is regarded by art patrons and critics alike as one of Florida’s premier contemporary fine artists. Since childhood, marionettes have fascinated Pablo. At the age of ten, he was mounting elaborate plays for his family featuring puppets constructed of household bric-a-brac. His primary work today continues to center around the marionettes that he fashions from found objects, and the performance pieces he composes to showcase these protagonists. Cano reveals, “I create a dream world where inanimate objects come to life – springing from my imagination in the Surrealist tradition. But my work is founded on Dada ideals. The Dadaists used chance, spontaneity, and childlike innocence in order to create their statement. Their intention, as is mine, was to break with tradition and painting technique and to return to the elemental basics of art; to start from scratch; to allow the process of imagination to unfold and begin anew each time I create.” Influences from the color palette of Russian Constructivist Alexandra Exter...

Standing Chief (Shield) by Yoram Wolberger, 2016 Additional information: Medium: Reinforced cast fiberglass composite and pigmented resin Dimensions: 84 × 65 × 29 in (213.4 × 165.1...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athletes figure , on a cylindrical base . Exaltation of the male strength and beauty, inspired by the trend i...

Portuguese rosa marble, rope and copper on Portland limestone, 105 cm × 38 cm × 40 cm. The above dimensions include the base, which is attached. Dimensions of the base: H 20 x L 38 ...