Miniature Figurative Sculptures

Pair of large late 19th Century Japanese bronze vases with elephant heads handles, and details in dark brown and green patina as shown on the photos.

Picador, Pablo Picasso, Ashtray, Design, Sculpture, Ceramic, White, Edition Picador Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel D. 15.2 cm St...

Belli is a bronze sculpture by French contemporary artist Yann Guillon, dimensions are 30 × 20 × 20 cm (11.8 × 7.9 × 7.9 in). This sculpture is signed and numbered, it is part of a...

Jean Cocteau ( 1889 -1963 ) " Trois faces aux triangles " signed Jean Cocteau . plat en terracotta et engobe partiellement émaillé . diamètre : 36cm . exécuté en 1959 dans une sér...

Artist: Claus Oldenburg (1929) Title: Fire Plug Souvenir - "Chicago August 1968" (P. 10) Year: 1968 Medium: Cast plaster multiple with acrylic paint Ed...

This figurative sculpture titled "Siamese Horse Cat" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The sculpture measure...

Dancer With Long Tutu is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 25 × 15 × 8 cm (9.8 × 5.9 × 3.1 in). Height of the sculpture with the metal base: 45 c...

Modernist nude bronze sculpture by Houston, TX artist David Adickes. The sculpture depicts an abstract armless female nude torse that stands on a wooden base. The piece is signed by the artist at the back of the sculpture's left leg. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures, from the Virtuoso in downtown Houston...

Positive street signs and mindful messages characterize the work of multidisciplinary artist Scott Froschauer. Froschauer utilizes a practice called "cultural jamming," which appropr...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

Artist: Jeff Koons Title: Balloon Monkey (Blue) Year: 2017 Medium: Porcelain with blue chromatic coating Dimensions: 9 7/8 × 15 7/8 × 8 1/4 inches (24.9 × 39.2 × 21 cm) Edition: 999;...

Named "Luciole" and created by Isabelle Jeandot who found her inspiration from the plants in her garden, this airy sculpture edited in 30 numbers is produced by Laser cutting a stain...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Vase with Koi" Year: 2021 Porcelain, Gla...

Their work is coded within art history and ideologies from archetypes of mysticism. They explore found truths from modernity and a personal historical perspective. A process-driven s...

Top Dog 孩子王 （Limited Edition) Childhood is not just a transitional time before adulthood. It is a meaningful lifetime for children to create their wonderlands exclusively. It is also...

Volodymyr Mykytenko - Safari (2008) Safari is a cheerful and lucky image of a hunter. A funny bird sits on snails that look like a jeep. The gun i...

(MADE TO ORDER) (Sabbath, Kiddush, Ceremonial Vessel) *Lead Time may vary between 1-3 week Melanie Sherman "Tu Me Connais" - Yunomi Year: 2021 Porcelain, Glaze, ChinaPaint, 24k Germ...

"Equos" A small study inspired by Classical equestrian examples, the artist in this piece balances the potential energy within the form of the horse with an emotional calm. Noun...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

Herbert Haseltine Sudbourne Premier: Suffolk Punch Stallion, 1927 Signed left side: © HASELTINE / MCMXXVII Bronze, dark brown patina, parcel gilding ...

Special summer collection - 2 Glossy ceramic popsicles sculptures on a natural wood base. Handmade by artists Osnat Zimerman and Reli Smith for wall installation. Available at Vari...

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

Large metal letters, welded together into the form of an abstracted head are skillfully cast in bronze by sculptor Dale Dunning. The title of this ...

Ayako Rokkaku Untitled - Royal Delft ceramic sculpture, 2021 Hand-painted Ceramic 11 3/10 × 15 2/5 × 5 2/5 in 28.7 × 39 × 13.8 cm Edition of 200 Publish...

All the time in the world is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 40 × 17 × 12 cm (15.7 × 6.7 × 4.7 in). The sculpture is signed and numbe...

Volodymyr Mykytenko - The Bird of Happiness (2005) The Bird of Happiness-my bird fulfills all desires and brings happiness to this world. A gilded ...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely with our artists to take this positive and proactive step, helping collectors across the pond continue building their collections with confidence. This antique Japanese Tobacco Box...

This glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. handmade in the...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Kim Seungwoo is a contemporary Korean sculptor, lives in Seoul, South Korea. Seungwoo is famous for his sculptures made from coins and buttons. He create...

KAWS GONE Grey & KAWS Pink BFF Companions (set of 2 works 2017-2019): Medium: Vinyl paint & Cast Resin (applies to each work). Published 2017 & 2019, respectively. GONE: 14.25 x 7 i...

Volodymyr Mykytenko - food of the gods (2007) My boar is a joke. a winged pig and a golden nut as a small holiday and fun Additional information: Medium: Bronze, Stone Dimensions: ...

Pichet Têtes, by Picasso, Pitcher, 1950's, Edition, Black and white, Design Pichet Têtes Ed. 500 pcs 1956 White earthenware, decoration with oxidized par...

Sculpture of male head, silvered plated brass. Inscribed on the bottom, "Werkstätte Hagenauer Wien" Austria, c. 1930s 16"h x 10.5"w x 3.5"d

"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA In the late 1920s, Joseph Freedlander was asked by the City of New York ...

Artist: Pablo Picasso, Spanish (1881 - 1973) Title: Colombe sur lit de paille, (Dove on a Straw Bed) [Ramie 79 variant] Year: 1949 Medium: White earthenware clay, white enamel brushe...

Eugène Laurent (1832 Gray - 1898 Paris), Joan of Arc, around 1880. Brown patinated bronze on a cast rectangular plinth with tree trunk and distaff. 40 cm (height) x 15.5 cm (length) x 15.5 cm (depth), weight 6.1 kg. Signed “E.[ugène] Laurent.” on the plinth and inscribed “HZ” on the reverse. - somewhat stained due to patina, traces of oxidation behind the distaff, slightly rubbed in places, overall still in very good condition for its age - The Liberating Power of Faith - At the age of 13, Jeanne, a peasant girl born in Lorraine around 1412, heard the voices of Saints Catherine and Margaret and the Archangel Michael telling her that she had been chosen to liberate France from English occupation. By 1428, Henry VI's troops had advanced to the Loire and besieged Orléans, a strategic city for the further conquest of France. Joan of Arc went to the exile of Charles VII and, with the king's consent, led the French army into battle against the besiegers. After four days of fighting, the English were defeated and Orléans was liberated. Other victorious battles followed, until in 1430 she fell into the hands of the enemy, who had her executed as a witch by the Inquisition. In May 1431, Joan of Arc was burned at Rouen. After the final expulsion of the English, the "Maid of Orleans" was rehabilitated by the Church in 1456. She was finally canonized in 1920. By then, Joan of Arc had become a national heroine and the patron saint of France. After the French Revolution, the strengthening of the nation-state and the Franco-Prussian War of 1870-71, Joan of Arc was again venerated and depicted in numerous bronze statues. Eugène Laurent depicts the young girl listening to the voices of the saints who reveal her destiny. With her eyes wide open, she gazes at the sky as if she were looking at the revealed future. Her hands are clasped in prayer, indicating her willingness to face her destiny. Leaning against a tree trunk, she treads with one foot on a raised stone, which, together with her upward gaze, gives her an upward movement that announces her higher mission. At the same time, however, she steps down from the stone to the earth, emphasizing her earthly mission, for which she has already taken the first step. In doing so, she steps over the discarded distaff, which refers to her "lower" origins and belongs to the life she has now left behind. Laurent manages to capture the fateful emotion that makes us look at Joan of Arc in awe, even though she is a simple peasant girl. Even if the design is aimed at the overall impression, the artist has nevertheless worked out certain details, such as the tied waistcoat, very realistically and, in addition to the skin, has particularly depicted the material quality of the textiles. About the artist Eugène Laurent studied at the École des Beaux-Arts in Paris, where he won a prize in 1860. He then joined the studio of Jacques Antoine Theodore Coinchon. As a freelance artist, he supplied the Paris Salon with statues, portrait busts, and medallions from 1861 to 1893. He also created large sculptures such as the monument to Jacques Callot in Nancy (1877) and the statue of François Boucher at the Paris City Hall. GERMAN VERSION Eugène Laurent (1832 Gray - 1898 Paris), Jeanne d’Arc, um 1880. Braun patinierte Bronze auf mitgegossener rechteckiger Plinthe mit Baumstamm und Spinnrocken. 40 cm (Höhe) x 15,5 cm (Länge) x 15,5, cm (Tiefe), Gewicht 6,1 kg. Auf der Plinthe mit „E.[ugène] Laurent.“ signiert und rückseitig mit „HZ“ bezeichnet. - patinabedingt etwas fleckig, Oxidationsspuren hinter dem Spinnrocken, stellenweise leicht berieben, insgesamt in einem altersgemäß noch sehr guten Zustand - Die befreiende Kraft des Glaubens - Als 13jähige vernahm das um 1412 in Lothringen geborene Bauernmädchen Jeanne Stimmen der Heiligen Katharina und Margarete und des Erzengels Michael, die ihr verkündeten, auserwählt zu sein, Frankreich von der englischen Besatzung zu befreien. 1428 waren die Truppen von Heinrich VI. bis zur Loire vorgerückt und belagerten die für eine Weitereroberung Frankreichs strategisch wichtige Stadt Orléans. Jeanne d’Arc begab sich ins Exil Karls VII. und führte mit der Einwilligung des Königs das französische Heer gegen die Belagerer ins Feld. Nach viertätiger Schlacht unterlagen die Engländer und Orléans war befreit. Es folgten weitere siegreiche Kämpfen bis sie 1430 in die Hände des Feindes fiel, der bei der Inquisition ihre Hinrichtung als Hexe erwirkte. Im Mai 1431 wurde Jeanne d’Arc in Rouen verbrannt. Im Anschluss an die endgültige Vertreibung der Engländer wurde die „Jungfrau von Orléans“ 1456 von der Kirche rehabilitiert. 1920 erfolgte schließlich ihre Heiligsprechung. Inzwischen galt Jeanne d’Arc als Nationalheldin und Schutzpatronin Frankreichs. In der Nachfolge der Französischen Revolution, dem Erstarken der Nationalstaatlichkeit und dem Deutsch-Französischen Krieg von 1870/71 erfuhr Jeanne d‘Art eine neue Verehrung und wurde in zahlreichen Bronzestatuen dargestellt. Eugène Laurent zeigt das junge Mädchen wie sie die Stimmen der Heiligen vernimmt, die ihr das von der Vorsehung bestimmte Schicksal offenbaren. Mit weit geöffneten Augen blickt sie gen Himmel als ob sie die offenbarte Zukunft schauen würde. Dabei hat sie die Hände in Gebetshaltung geschlossen, was zugleich vom Willen kündet, sich ihrem Schicksal zu stellen. An einen Baumstamm gelehnt, tritt sie mit dem einen Fuß auf einen erhöhten Stein, was ihr – zusammen mit dem aufwärts gerichteten Blick – eine von ihrer höheren Mission kündende Aufwärtsbewegung verleiht. Zugleich tritt sie aber auch von dem Stein auf die Erde herab, wodurch ihre irdische Mission hervorgehoben wird, zu der sie bereits den ersten Schritt getan hat. Dabei steigt sie über den abgelegten Spinnrocken hinweg, der auf ihre ‚niedere‘ Herkunft verweist und zum nun abgelegten Leben gehört. Laurent gelingt es, die schicksalhafte Ergriffenheit zur Darstellung zu bringen, die uns Jeanne d‘Arc, obwohl sie ein einfaches Bauernmädchen ist, ehrfürchtig betrachten lässt. Auch wenn die Gestaltung auf den Gesamteindruck zielt, hat der Künstler doch einzelne Details, wie die zugebundene Weste, äußerst realitätsnah herausgearbeitet und neben der Haut insbesondere die stoffliche Qualität der Textilien zur Darstellung gebracht. zum Künstler Eugène Laurent studierte an der Pariser École des Beaux-Arts und wurde 1860 von der Akademie mit einem Preis ausgezeichnet. Anschließend trat er in das Atelier Jacques Antoine Theodore Coinchon ein. Als freischaffender Künstler beschickte er von 1861 bis 1893 den Pariser Salon mit Statuen, Porträtbüsten und Medaillons. Zudem schuf er Großplastiken wie das Denkmal Jacques Callots in Nancy (1877) und die Statue...

Head of apostle or Christ in carved limestone. Elongated face with a large forehead and long hair with thick wavy locks on the sides. The almond-shaped eyes are underlined by the hem...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

Anakio is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 27 × 25.5 × 18.5 cm (10.6 × 10 × 7.3 in). The sculpture is signed and numbered, it is part of a ...

The Early Morning is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 24 × 17 × 11.5 cm (9.4 × 6.7 × 4.5 in). The sculpture is signed and numbered, it...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

This Horse Bust - Sculpture is an original artwork realized by the Italian artist Domenico Mazzone (Rutigliano, Bari, 1927-1999) during the 20th century. Lost wax bronze sculpture m...

Artist: (Garo) Karapet Balakeseryan Medium: Natural Onyx Stone, All one piece of work, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Tiger, Size: 15" x 11'' x...

Reclining Doe by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark brown patina signed "Barye" on the base old edition cast – probably from the Barye's workshop (...

Melanie Sherman Vintage Moth II (Wall Piece/Dish (hand-painted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2023 (and following years) Size: 4.5x6.5x0.5in Signed by hand COA provided Ref.: 924802-1327 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

19th Century Miniature Bronze Sculpture of a Young Girl Holding a Doll Charming bronze atop a marble base The overall dimensions are 2" wide x 2" deep x 5.75" high Signed at the b...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin...

Aerosol, oil and wood stain on reclaimed oak wood by street artist and muralist RH Doaz. Earth tones, metallic, folk art style, inspired by Hungarian textiles...

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

Melanie Sherman Tea Bowl "Tu Me Connais VII" (Yunomi, Blue Vintage Flowers, Gold Luster Lip, Blue Bottom) Year: 2021 Edition: Unique Porcelain, Chi...

Two vintage bronze busts of girls by Vietnamese artist Nguyen Thanh Le. The bronze busts have a shiny black patina and are mounted on a wood plinth painted wi...

Here for your consideration is a beautiful highly detailed bronze done in the forth quarter of the nineteen century after the work of Jean Boulogne, known as Giambologna. Boulogne’s sculpture was done in marble and was completed between 1579 and 1583. The sculptor of this bronze is Antonin Mercie, a well known French sculptor born in 1845. The bronze represents the Rape of the Sabine Women (Latin: Sabinae raptae), also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in Roman mythology in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of artists and sculptors, particularly during the Renaissance and post-Renaissance eras. Signed on base “Mercie” for Antonin Mercie.. In very good condition wirh original brown patina. The base which depicts rocks is bronze and has been painted a matt black. Provenance:: A Sarasota estate. Mercié, (Marius Jean Antonin Mercie...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

A whimsical contemporary wall sculpture by American female artist Robin Whiteman. This work is currently in an exhibition at Raft of Sanity gallery in Buffalo.

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Peacock II (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 6x4.25x0.5in Signed by hand COA provided Ref.: 924802-1331 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...