Metal Sculptures

Organic, abstract bronze sculpture by Yulla Lipchitz of a reclined woman. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Germany. While g...

Jesus Rafael Soto "Hannover" 1970 Color silkscreen on transparent plexiglass panel, metal rods on nylon threads. It has the original box. 7 x 21 x 5 in Ed. 170 of 200 Provenance: Va...

Teuvo Kotilainen was born in 1925 in Rääkylä and died 2010 in Tampere. He was a finnish sculptor inspired by Jussi Mäntynen and his lynxs and he performed several himself but also or...

Optical objects in a handy format produced by Plura Editions, dating back to the late 1970s. This object is part of a series of optical objects in a handy format produced by Plura Ed...

Gold-plated Brass H 6 x W 10 1/2 x D 3 1/2 in. (box) Artist proof 3 of 9 Edition of 47 with 9 Artist's proofs Incised signature and number on base This item is in our New York City ...

A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stell or aluminium. they are cast...

ITZAK BENSHALOM "FIRST LOVE" SIGNED, NUMBERED 12/50 ISRAEL, DATED 1979 28 X 10 INCHES ARTIST TITLED Itzak Benshalom 1945-2018 Sometimes spelled "Itzak Ben Shalom" which is...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity from the Indivision Antoniucci Volti Invoice from the gallery Sculpture: bronze, ...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity from the Indivision Antoniucci Volti Invoice from the gallery Sculpture: bronze, ...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity from the Indivision Antoniucci Volti Invoice from the gallery Sculpture: bronze, ...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity from the Indivision Antoniucci Volti Invoice from the gallery Sculpture: bronze, ...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity from the Indivision Antoniucci Volti Invoice from the gallery Sculpture: bronze, m...

This piece in golden bronze signed and numbered 4/10 Foundry Stamp Herman Bergman was casted in the 70ths as a tribute to woman as strong, intelligent an reflecting human beings unl...

Cast iron sculpture with rust patina and 14 copper nails, 1921/74, annotated with the artist's name and titled in white paint on the handle, numbered from the edition of 5000, also s...

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumentsal version of this in Rabin Square in th...

Isaac Cordal Cement Eclipse Unique Resine Sculpture. Signed Dimensions: 23 X 51 x 30 cm With the simple act of miniaturization and thoughtful placement, Isaac Cordal magically expan...

Artist: After Salvador Dali, Spanish (1904 - 1989) Title: Lincoln in Dalivision Year: 1979 Medium: Silver-plated bronze bas relief, backed by fel...

The Sails is a contemporary artwork realized by the artist Tatiana Pomus in 1974. Wood and iron sculpture. Signature of the artist engraved on the base. 

Modern Abstract Bronze Sculpture #79 Dynamic bronze sculpture by Doris Ann Warner (American, 1925-2010), circa 1970. This piece is twisted and folded in on itself, implying movement...

Organic, abstract bronze sculpture by Yulla Lipchitz of a woman lying down with a tree. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Ge...

ARNALDO POMODORO Medaglia 25 Anni Tecno (Two Sided Bronze Medallion), 1979 Bronze (incised signature) 2 1/2 × 2 × 7/10 inches Edition 196/1600 Unframed This beautiful two sided limit...

Abstract bronze ribbon sculpture created by William Robert Stevenson. The sculpture includes a beautiful wooden base that includes a plaque with the artist's name. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

Joseph Minoretti Chrome-plated brass frame Era: 1972 Size: 16x7 cm - height 35 cm Details: signed and dated "G.M.72" Giuseppe Minoretti was born i...

Fabbri was born in Quarrata (Tuscany). At the age of 12, he attended the Scuola d'Arte in Pistoia and then, under the instruction of the painter Fabio Casanova, he decided to embark on an artistic career and created his first sculptures, mainly using the wax and plaster. In 1932 Fabbri, in order to continue his education at the Accademia di Belle Arti, moved to Florence where he frequented the artists' Caffè Giubbe Rosse, meeting point for the intellectuals known as the Ermetici Group (Eugenio Montale, Carlo Bo, etc.) and also came into contact with the painter Ottone Rosai and the poet Mario Luzi. At the end of the year he moved to Albisola (Savona), where he worked in the La Fiamma...

Referenced in Uricariu & Bulat “Antonovici” on page 133, this bronze sculpture by Constantin Antonovici plays on a common shape composition of the artist’s practice. At their core, t...

Referenced in Uricariu & Bulat "Antonovici" on page 134, this bronze sculpture by Constantin Antonovici plays on a common shape composition of the artist's practice. At their core, t...

This Bronze portrait by Constantin Antonovici is laid directly into the surface of a cut slab of white marble. Intense and hollow eyes stare out from a smiling visage, creating an un...

Helen Weber Large wall hanging wood and metal sculptural relief in a tropical Hawaiian or Polynesian motif with tropical flowers. "Art belongs everywhere from cruise ships to church...

Salvador Dali Fecundity - Bas Relief Silver Sculpture, 1977 Dimensions: 24 x 18 cm Framed: 38 x 33 cm Signed on the bas relief and printed signature on the certificate on the back. ...

Richard Anuszkiewicz Op Art Bowl for Hirshhorn Museum, 1976 Glazed Enamel on Metal Bowl. Artists Signature Fired in Plate Anuszkiewicz' signature fired ont...

For sale: A captivating terracotta sculpture from the esteemed Swedish artist Evert Lindfors (1927-2016), crafted in the 1970s. A connoisseur of fine arts, Lindfors honed his craft a...

Oiseau bleu Ed. 21/250 pcs 1979 Bronze H. 19 cm Signed and numbered underside : FXL, 21/250 Certificate of authenticity issued by Edition Artcurial.

Artist: Constantin Antonovici, Romanian (1911 - 2002) Title: Hippie - Woman Medium: Bronze Sculpture, signature, date inscribed Size: 21 x 11 x 1.25 in. (53.34 x 27.94 x 3.18 cm) Mar...

An original bronze sculpture by Constantin Antonovici from his portrait series. Referenced in "Antonovici" by Uricariu & Bulat, pg 334. Antonovici was born in Neamt, Romania on Feb...

Artist: Constantin Antonovici, Romanian (1911 - 2002) Title: Hippie - Man Medium: Bronze Sculpture, signature, date inscribed Size: 23.5 x 11.5 x 1 in. (59.69 x 29.21 x 2.54 cm) Marb...

Jacques Lerebourg hand made abstract metal sculpture in welded and polished metal with inclusion of a natural quartz or crystal mineral specimen. part of a distinguished group of Fre...

Linda Stein, Eagle 002 - Mixed Media Collage Contemporary Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on her Below ...

La Escalera Azul, de la serie Sintesis 1979 Plexiglas and metal Ed 37 of 110 20 x 14 x 5 in Literature: Museo Guggenheim Bilbao. “Soto. The Fourth dimension”. Catalogue published on...

Jesus Rafael Soto (1923-2005) Quadrato 1974 Editions Denise Rene 46 of 75 Acrylic/aluminum with painted metal rods 17,5 x 15,7 x 12,5 in Signed and dated Provenance: Editions Galeri...

This superb modern brutalist bronze sculpture from the 1970s represents an allegory of man and machine (or worker) with a beautiful original dark green patina. The design is striking...

"The Test," 1970 Aluminum sculpture in 5 parts. Artist's cipher and AP stamped into male figure, front, 20 5/16" x 12 1/2" x 6 5/7" (approx.) American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. William Dickey King was born in Jacksonville, Florida. As a boy, William made model airplanes and helped his father and older brother build furniture and boats. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacomettis conceived by John Cheever.”

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

This polished bronze bust is sealed with Glasurit- a car finish that is baked on. It prevents the sculpture from tarnishing or yellowing. All you need to do is dust with a soft cloth. This bust is from a full figure wood sculpture...

Original stainless steel sculpture. Incised "Leon Ferrari 1978" on a metal plaque affixed to the lower area of the sculpture. Certificate of Authenticity is included. Please do n...

Contemporary Aluminum Eagle Bird Sculpture Large Unique Metal Americana Folk Art Similar in design to the US Post Office logo from the 1950's. Signed "...

Bronze sculpture by Betty Jacob depicts a smooth and curvaceous gilt bronze figure posing on her knees. Signed high on the left thigh and mounted on a blac...

Apres Pablo Picasso (bears a pseudo signature recto) Hand signed David Stein, dated 1979 verso. Figural painted porcelain or ceramic serving dish, oval form. Dimensions: 18" X 14 David Stein (born Henri Haddad, 1935, Alexandria, Egypt – died 1999, Bordeaux, France) was an artist (notorious art forger) who, until 1966, had been frequently sentenced for theft by the French courts before becoming an art forger and art dealer with 15 aliases. Stein often copied paintings in the style of the masters. For example, he studied Marc Chagall, Matisse, Braque, Paul Klee, Joan Miró, Pablo Picasso, Jean Cocteau and Rouault, in order to copy their color scheme and inspirations. In 1967 Marc Chagall notified authorities of forgeries of his work hanging in a New York gallery, and Stein was arrested. Art dealers refused to cooperate with the prosecution because it would have incriminated them and made their expertise in the art field questionable. Some art collectors refused to give up their paintings as evidence. Stein was convicted of six counts of art forgery and grand larceny. During his prison term, Joseph Stone, the judge who arrested him, brought him to his office to paint. He remained a good friend of the Stein family long after Stein completed his jail sentence. In 1989 he discovered that Stein never stopped making forgeries. After Stein had served his prison term in the United States, he was deported to France where he served another term. Prison authorities allowed him to make further paintings, although now using his own name. In 1969 a London gallery sold some of these paintings. After Stein was released, he returned to painting, this time selling his paintings under his own name to put a mask on his real activities. The book Three Picasso's Before Breakfast (Mémoirs of an Art Forger's Wife) by Anne Marie Stein as told to Georges Carpozi Jr (Hawthorn Book Inc) was written by David's life partner Anne-Marie about their experiences in the art world. In the mid 1980s director Gil Cates gave his agent Arthur Axelman at William Morris a copy of the book which had been written without Stein's involvement. Axelman set out to find Stein and after several years he located him in Manhattan. Stein became an Axelman client and friend. While deals at HBO and ABC did not lead to production of a film, Axelman introduced Stein to Keith Carradine and Alan Rudolph, director of the movie "The Moderns" with ultimately starred John Lone, Géraldine Chaplin, Keith Carradine and Linda Fiorentino. The film was set in the Paris of the '20s although filmed in Montreal. Stein appeared in the film as an art critic and provided all of the art. A minor concern was a scene where a painting in the style of Matisse and Modigliani was to be burned on camera and a Modigliani destroyed by knife. No one cared to destroy any of Stein's copies, "Just good for the camera" say Stein. but a William Morris assistant for agent Axelman suggested making large format copies of the works to be destroyed. Stein refused and during the scene actor John Lone destroyed the Paintings. Stein was living in France after his troubles with the US immigration who had told him to leave US territory in 1988. He met the French photo...

In this Menorah Chaim Hendin takes a personal approach, and turns it into a more anatomical, almost pelvic, looking piece of artwork. The sculpture is rich in texture and the candle ...

BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...

The width dimensions are variable. the tallest height is 11.5 inches. Family group. A suite of three bronze sculptures. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Modigliani, Pascin, Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Antokolski, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; Zorach, Gross and Harkavy from the United States; and most of the outstanding sculptors of Israel : Ben-Zvi, Lishansky, Ziffer, Lehmann, Feigin, Sternschuss, Palombo ( who executed the iron gate...

This work is aluminum on a black slate base, measuring 28.5" x 9" x 6". Myford's interest in aluminum began in 1970 when he attended a workshop sponsored by Alcoa at the Art Center ...

Forrest Myers Untitled geometric abstraction, 1976 Painted aluminum Signed in the metal with the artist's incised initials (FM) and stamp numbered 52/75; bears Treitel-Gratz foundry mark 15 × 13 1/2 × 6 in Unframed This painted aluminum sculpture was made by the American artist Forrest Myers. Myers is known for creating artworks that hold their own space; they maintain their presence through his manipulation of each chosen material's inherent properties. Numbered 52/75 Foundry: Treitel-Gratz, NY Forrest Myers Biography: An artist who greatly expanded the functional vocabulary of sculpture, Myer’s work is foremost, the result of his empirical explorations in materiality. For 40 years, he has been experimenting with the inherent properties of metal. The show will not only present his early dynamic pipe sculpture, his more austere flattened pieces made of oxidized steel plates, and his early woven wire “chairs” but will show for the first time, his most recent body of work including Parker and Vesuvio. The contemporary works, sculpted and intricately worked, are his most brilliantly complex to date. Myers most popularly known work The Wall (1973) at the corner of Broadway and Houston is currently under reinstallation (it was disassembled in 1997 to utilize the wall for income-generating advertisements). Often called the “Gateway to Soho,” this long embattled sculpture—a vibrant relief commissioned to disguise steel joists jutting from the brick wall of a building at this intersection). It will now regain its place as the New York’s largest public sculpture. Born in Hawaii (b.1941) and raised in California, Myers moved east in 1961 and quickly became part of New York’s vibrant artistic community. He was a founding member of the Park Place Gallery, where he exhibited large-scale sculptures with colleagues Mark di Suvero and Robert Grosvenor...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Wifredo Lam (1902-1982) "L’oiseau de Feu – L’oiseau de Fer" (Bird of Fire – Bird of Iron) 1970 Brass (1 polished + 1 chrome) Edition: 434/500A and 439/500B. 26 x 14 x 10 cm (10.2 x ...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

A fine cast patinated bronze bust of a woman with her hair tied back by American artist Andrew Coppola (1941-1992). Coppola was an active artist in Connecticut, known for his figura...

This delicate sculpture from Nepal is intricately with decorated turquoise stones around the body, and two coral stones representing the eyes. The head, neck, and portions of the body of this animal also have small pieces of coiled bronze representative of fur. This creature appears to be a type of ram, with two elegant bronze horns...

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...