Accessories Sculptures

Bronze sculpture Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlands, and Iran....

The electro-love collection was inspired by the artist time spent in South America and South Africa and seeing these super natural creatures. Technique: Clay mold...

A unique clay mask by Hawaii based artist Ira Ono. Artist: Ira Ono Year: 1982 Medium: Ceramic Size: 10.5 x 5.5 x 3 in. (26.67 x 13.97 x 7.62 cm)

Fascinating limestone gargouille (or gargoyle) from the region of Avignon, France, dating from the 14th century. A rare and striking hand-carved piece that perfectly embodies the med...

This is a limited edition conceptual bronze sculpture made by San Diego artist, Maidy Morhous. Its dimensions are 12" x 8" x 14". A certificate of authenticity will follow its delive...

Contemporary Modernist Fusion Glass Torso Sculpture Signed by Karen Ehart Half Moon With an organic, painterly style, Karen Ehart draws her inspiration fro...

Volodymyr Mykytenko - Traveler (2010) Traveler - my tiger travels the world in a boat, the holds of his boat are full, he is cheerful and all his ...

Louis Guy Bronze Sleeping Basset Signed and dated 1876 L14 x d8,5 x h4 cms

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Poseidon, Glazed Earthenware by Jeffry Mitchell, 2014 Additional information: Medium: Glazed earthenware Dimensions: 17 x 15 x 12 in About artist: Jeffry Mitchell’s primary medium ...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

Squirrel II is a limited edition bronze sculpture. Created with the lost wax casting process.

Monarch Memento Mori UV print on aluminum, chain, jewelry, keychain, boondoggle, stickers, Croc Jibbitz, rabbits’ foot 12x36” 2019 $975 Eternal Flame is a...

Head sculpture is 18.5"h. Base is 2.5"h x 10.5"d. David was inspired to carve a burl after receiving a turned burlwood bowl. He captured the shape and re...

Contemporary animal terracotta Unique Signed by the artist

InstaGRAM Sculpture by Zoe Moss Plaster & Resin Limited Edition out of 25

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Ornament Red, Turquoise & Gold Pattern (Medi...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

Comes with original COA from Karma NY Dan Colen's art combines the intensity of real life with reflection on the subjects of immanence and belief, taking up with the extant objects...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

I construct sculptures based on the architecture of bird, animal, and insect homes. Viscerally attracted by their nostalgia, ware, and uselessness, I mimic their design, form and str...

Original sculpture signed/etched by the Artist on the base. 15/20

Dramatic mid century wall sculpture crafted in metal with three life size stylized banana leaves cut in a brutalist technique and finished with a faux brass patina lacquer. Please ...

Nicole DORAY SOULARD. Animal ceramic sculptures, works centered on the forward. Nature and the study of bodies are sources of inspiration for her. She produces animals from all over...

Contemporary terracotta sculpture Unique Signed by the artist

Limited Edition 30 ex. Free shipment worldwide. Acquired directly from the artist. Arman explores reality. He strives to transform and sublimate artefacts into works of art. Ev...

Ron Nagle "Mr. E" Plate pink porcelain .5 x 13 x 12.75" 1988 signed by artist Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

This is a gorgeous hand-carved white marble object. The marble is polished and has an amazing tactile feeling. This piece is celebrates our conne...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Unique signed/numbered 1/1 ex. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism...

Crocodile The crocodile was the first piece Richard Orlinski made. The artist is fascinated by its ability to survive having withstood natural disasters and glaciations. Man and cro...

Seven Black and White Butterflies 12.0 x 13.0 x 1.5, 1.0 lbs Mixed Media Hand signed by artist Artist's Commentary: "Everyone loves seeing Butterflies. They are so colorful and g...

Ross Bonfanti Chihuahua with pink chain, 2015 Concrete, mixed media

Grande Baroquial (Acropolis) by Armand FERNANDEZ known as ARMAN (1928-2005) Accumulation of cuts of miniature cellos, welded bronze, patinated gold, signed "Arman" numbered "71/100"...

Dan Friday Woven Bear (X), 2021 Blown glass 5.25h x 8w x 2d in 13.34h x 20.32w x 5.08d cm

Adriana Marmorek RENDEZVOUS BLOWN, 2020 blown glass, bronze 1.97 x 9.45 x 6.5 in. 5 x 24 x 16.5 cm.

About I+ Series: “No matter who you are, no matter how you look, what your racial, religious, or national background might be, we are all born equal. We should strive to achieve unity and acceptance. It is a daily reminder to me when I create ceramic sculpture that everyone deserves a fair and accepting existence and that everyone can make choices that will lead to a better life. A ceramic feature's naivety is a reminder that each of us must thrive, both within ourselves and within our communities, to make the universe a more POSITIVE place.” This piece is part of an edition of 15 and it comes signed and numbered. Yael Yanay...

Bronze sculpture, Edition 207 of 500 Giuseppe Palumbo's bronze sculptures are textural, warm, spirited works that capture the essence of each being he portrays. His anthropomorphic ...

Mitchell Gaudet is a glass artist who uses the hot cast process to create multiples often assembled in conjunction with vintage found objects and relics. In his new series entitled I...

Forged steel

Eight Butterflies #2 Varying sizes (smallest: 5"x6," largest: 7x12.45" Mixed Media Hand signed by artist Artist's Commentary: "Everyone loves seeing Butterflies. They are so color...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

ADRIANA MARMOREK LUSH, 2020 porcelain, blown glass 9.84 x 16.93 x 10.24 in. 25 x 43 x 26 cm. flower

Their work is coded within art history and ideologies from archetypes of mysticism. They explore found truths from modernity and a personal historical perspective. A process-driven s...

'Notorious Leader' is an original opal serpentine sculpture by Zimbabwean artist Nigel James. The sculpture, a mask-like face of a man, takes joy and pride in the texture of the ston...

22x23 Terra Sigillata Signed to underside B.S. in Art Education: University of Wisconsin-Stout in 1971 "This work is low-fired and unglazed. The obje...

"Clay is a fantastic material that allows me to create whatever surface I want to help enhance my narratives. It is so versatile and both the additive and subtractive qualities make ...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

CESAR CERIBELLI (French, 1841-1918) Signed: ‘C. Cirribelli’ 19th Century 22 1/2 in. x 13 3/4 in.

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Born in 1949 in Mézières, Bernard Métranve was convinced from early childhood that he would become a visual artist and that he would follow the path of artists like Brancusi, and Moo...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

"Mask, Baga Guinea" is a carved wooden mask created c. 1920. Where a face would go in the mask is actually the body of a woman figure. There are two breasts above a hole for the mask wearer...

EDITION Signed and monogrammed. Edition Arthus Bertrand, Paris

"The Baker" Stanley Bleifeld Bronze Sculpture 7/7 of a Man Using a Brick Oven Stanley Bleifeld came to prominence as an artist in the 1950s. In 1967, the Bridgeport Sunday Post art ...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...