Furniture Sculptures

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Viewpoint is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. Joan’s lates...

Paulova II is a bronze sculpture with white patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. This sculptur...

Cuba Mambo is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. This sculptur...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

American, b. 1945 Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide. Sewel...

SALE ONE WEEK ONLY "Kryptonite Wares" is a clever and humorous collection of both superfluous and everyday objects purchased from the Dollar Store. It is a wry comment by the artist...

Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réa...

Vinyl and Aluminum Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, h...

Edition of 9 + APs

In recent years, Eric Lamontagne has been interested in questions like perception, illusion and our relation to the invisible, through the development of works that blur the boundari...

Edition 20/99 Arman (born Armand Pierre Fernandez) was an early proponent of accumulation and scatter art. In 1959, he began displaying collections of objects in Plexiglas cases and creating installations of strewn garbage, which he called “Poubelles,” or “trash bins.” He also welded identical objects together to create larger sculptural pieces. In 1961, along with Yves Klein, Jean Tinguely, Jacques Villeglé, art critic Pierre Restany, and others, Arman founded Nouveau Réalisme, a group interested in new approaches to the concept of “reality.” Spending time in New York in the 1960s, Arman adopted destruction as a strategy for creating something new—slicing, burning, and smashing objects such as bronze statues and musical instruments to mount on canvas. Andy Warhol owned two of Arman’s Poubelles, and Arman appears in the Warhol’s 1964...

'Angel' is original black serpentine sculpture signed by the Zimbabwean artist Felix Mlungisi. In this work, the angel is stylized in the manner of the Shona s...

Slumber, Rodger Jacobsen bronze sculpture skinny man sleeping bed with a big head Slumber, small bronze sculpture skinny man sleeping bed with a big head...

Bronze and cast lead glass birds

TUSCAN YIN/YANG PRISON is a stoneware clay sculpture with Butterscotch glaze by Brooklyn, New York artist Rene Murray. It measures 20"H x 25"W x 13"D. The ...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often an allegorical subject in sculpture. Wein has done a contemporary feeling interpretation of this classic theme. Piece itself measure 12 1/2 inches and sits on a 3 1/4 inch base and is attached to its base at two points and it is a revolving or rather turning base. The two points on which the toes touch and are secured are striking for how little of the bronze touches the base. It is Fourth in an edition of 13. Albert Wein...

"Horse Carriage" is hand covered Jaguar Jade created in China during the 20th Century. Intricately carved horse carriage with four horse and a driver. Made to look like the Terracotta Army...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

This painted wood chair by Paul von Ringelheim is a playful synthesis of form and content. The chair, an everyday item, has been transformed by von Ringelheim's imagination.

"I am influenced and gain insights through the exploration of artists and authors who consider the land and our place within it. This information along with my own investigations, re...

Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs....

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Painted cast stainless steel, patinated bronze, granite base “It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven...

FRANZ BERGMANN Austrian, (1861-1936) A Lounging Concubine depicting a reclining woman being fanned by her servant. Inscribed ‘Nam Greb’ with foundry mark. 17 inches high

Stainless Steel, Edition of 9. Bjorn Sjoling has worked in many mediums, including oil painting, stained glass, wrought iron design and traditional scul...

Bjorn Sjoling has worked in many mediums, including oil painting, stained glass, wrought iron design and traditional sculpture. With a degree in Electrical and Electronic Engineering, Sjoling is fascinated by mechanics and possesses an uncanny aptitude for understanding and manipulating the mechanical world. He is drawn to the hidden workings of the human body, and of this, the Remains to be Seen collaborative series was born. Remains to be Seen is created in close conjunction with his wife and artistic partner, Amanda Sjoling. The series peels away the external layers of our corporal bodies to showcase the beauty of the mechanical framework of skeletons. These expressive and humorous figures, cast in the traditional lost wax process, are life-size and completely anatomically correct limited edition works. The Sjoling team aims to create such quality bronze works that they present just as well from a distance as they do upon close examination. The works are both nobody and everybody at the same time through their lack of external characteristics. The Sjoling team aims to facilitate the viewer’s thoughts through such expansive and intricate topics as love, vanishing consumerism and greed, and life and death by offering the observer a universal portrait and a profound dichotomy that is so simple that it is obvious. Sjoling currently works out of the United Kingdom and ÆRENA Galleries...

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...

California Golden Granite Welton Rotz sculpts in stone to create beauty and form. With his eye for both nature and design, he interacts with the color and texture of natural stones including granite, marble, limestone and sandstone to create water sculptures...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL SITTING ON A HIGH CHAIR signed "Juan Clara" (on the back of the chair ) bronze figure 8-3/4 x 7-1/8 x 4-3/4 inches (22 X 18 X 12 cm.) PROVENANCE Private Spanish Collector A young girl sitting on a high chair, with a naughty attitude that wants to escape from the high chair. She is making a great effort to get rid of the bars of the high chair, just as her whole body accompanies her to this effort. The candid and innocent attitude of the girl, but at the same time fun and mocking we love and conquer. Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...

Jordi Díez Fernández graduated from the Universidad Complutense de Madrid with a degree in Fine Art and honours in sculpture. He started his profe...

Giuseppe Palumbo’s whimsical, anthropomorphic sculptures delve into the human psyche through irony, wit, and humor. By applying classical techniques to his contemporary subjects, Pal...

FRANZ BERGMANN Austrian, (1838-1894) Bath Tent Two nude women in a bathing tent, reverse impressed with "B" within a vasiform mark for Franz Bergman. 17 1/2 inches high

Edition 28/50. Stainless Steel outline of cocktail glass on a black acrylic base with painted wood olive and toothpick.

California born and educated sculptor Matt Gil graduated from San Jose State University, and his work has been widely exhibited throughout California since 1977. His sophisticated, s...

Leslie Zelamsky's "Point of Departure 5" is a 63.5 x 23 x 22 inch sculpture primarily constructed cedar shingles and shims that are nailed and glued. T...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Paul Joseph Gayrard French, (1807-1855) Six Tours Bronze, signed, also signed with foundry signature & mark for Boyer Height: 9 inches Width: 9 inches Depth: 6.5 inches Paul Josep...

Ideal for decoration objects upon, tables, counters, books, bookshelves and side tables. These are two ant sculptures hand made with solid bronze. In tot...

This stool, made by an unknown artist of the Bamoum tribe in Cameroon, was made from wood, cloth, & beads and was used by a cattle owner. 16 1/2" x 17 3/4" diameter

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL CLIMBED ON A STOOL HOLDING A DOLL signed "Juan Clara" (on the stool seat) bronze figure 12-1/4 x 3-1/2 X 3-3/8 inches (31 X 9 X 8.5 cm.) PROVENANCE Private Collector, France Art Nouveau bronze sculpture depicting a young girl standing on a stool with a doll in her right hand, and a shovel on the left hand, the bucket dropped on the stool seat. José Clará...

Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...

Karine Payette builds vast dreamlike settings from hyperrealistic, banal objects in order to produce something narrative that evokes the precariousness of the world. The artist plays...

"POINTER (K Back)" by John Van Alstine Slate, Bronze, Pigmented Steel Stone, Metal, Sculpture, Abstract, Contemporary, Outdoor, Industrial, Industry, Nature, Orange, Red The sculpt...

"Nigerian Yoruba Medicine Staff" is a hand-forged iron implement created for medical practice in Nigeria. It depicts a central stick with a bird ...

Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs. As she continued her educat...

An original hand built porcelain and paper sculpture by contemporary conceptual American artist Bethany Krull. Cattree, 2019 Paper, paint, wire, soil, found table This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at Hotel Henry...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Beautiful elephant water color painting on unique book canvass. The two artists and industrial designers made the canvass with extinct and unused encyclopedia books in order to give ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 14”h x 11.5”w x 4.25”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

Place des Arts in Montreal is pleased to present Arnait by Karine Giboulo in its exhibition hall, a space for citizen reflection open to all. Central to her process is a friendship d...

I first realized my love for visual storytelling when I began producing and directing television shows. Starting with the writer’s script, my palette was everything seen through the ...

Artist: Unknown Title: Acrobats Year: 1968 Medium: Bronze Sculpture, signed 'PR' Size: 18 in. x 14 in. x 10 in. (45.72 cm x 35.56 cm x 25.4 cm)

How an object relates to its function greatly determines a society’s view and/or perception of that object. Most objects directly mirror their utilitarian role in their qualities and...

Stanley Bleifeld came to prominence as an artist in the 1950s. In 1967, the Bridgeport Sunday Post art critic wrote, “The name Stanley Bleifeld and sculpture are synonymous.” His fam...