Pop Art Art

Medium: original lithograph. Printed on wove paper, this original Richard Lindner lithograph was issued in 1974 for XXe Siecle (issue No. 42...

Vintage 1960's Lithograph poster for Vancouver Canada art show. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner o...

A very good impression of this color lithograph. Signed and numbered 125/175 in pencil, lower margin.

Plate signed and dated, offset lithograph. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting co...

Richard Lindner Adults-Only, 1979 Offset lithograph poster Plate signature with date, right front Frame Included: held in vintage 1970s metal period frame This is a rare vintage post...

RICHARD LINDNER (American. 1901-1978) Hand Signed limited edition lithograph with blindstamp Publisher: Shorewood-Bank Street Atelier for the Skowhegan School of Painting and Sculpture 29.25 X 22 inches Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. He did work on Rowlux which was used by a number of pop artists (most notably Roy Lichtenstein)The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman. His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Andy Warhol, Tom Wesselmann and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record "Sgt. Pepper’s Lonely Hearts Club Band" (1967) as a patron of the pop culture. He also did a tapestry banner with the Betsy Ross Flag...

Original graphite, watercolor on paper. Hand signed top left front by Richard Lindner. Artwork size 14 x 12.25 inches. Frame size approx 22.75 x 20.75 inches. Artwork is in ov...

This artwork titled "Portrait #1" from the suite "After Noon" 1976, is an original color lithograph on Arches paper by artist Richard Lindner (German/American 1901-1978) It is hand s...

Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman.His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Tom Wesselman and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record...

Artist: Richard Lindner, German/American (1901 - 1978) Title: How it all Began from the "After Noon" Portfolio Year: 1969 Medium: Lithograph on Arches, signed and numbered in pencil ...

Richard LINDNER Lady of Heart (1974) Original lithograph (Mourlot workshop) Printed signature in the plate On vellum 31 x 24 cm (c. 12 x 10 in) Very good condition

Artist: Richard Lindner, German/American (1901 - 1978) Title: Shoot Year: 1969 Medium: Lithograph, signed and numbered in pencil Edition: 158/175 Size: 25 in. x 20 in. (63.5 cm x 50....

Artist: Richard Lindner Title: Hit Year: 1971 Medium: Lithograph and Collage on Blue Rowlux, signed and numbered in pencil Edition: 175 Paper Size: 25 x 20 inches Produced and publi...

Artist: Richard Lindner, German/American (1901 - 1978) Title: St. Marks Year: 1971 Medium: Lithograph and Collage on Gray Rowlux, Signed and Numbered in Pencil Edition: 88/175 Size: ...

Unframed Richard Lindner (German/American 1901-1978) original hand signed in pencil lithograph #16 of a series of 100 dated and stamped lower right 1971. Shoot (back) from a series o...

This artwork titled "Red Head" 1971 is an original color lithograph on Wove paper by artist Richard Lindner (German/American 1901-1978) It is hand signed and inscribed A.P (Artist Pr...

Signed in pen by Lindner

Artist: Richard Lindner Title: Alliance in Art Year: 1968 Medium: Silkscreen, Signed and Numbered in Pencil, on illustration board. Edition: 24/50 Paper Size: 27.5 x 19.5 inches (69....

Artist: Richard Lindner Title: Red Head Year: circa 1970 Medium: Lithograph in Colors on Arches Paper, signed and numbered in white pencil Edition: 120 Paper Size: 30 x 22 inches P...

Richard LINDNER Profile Elegant Man (1976) Original lithograph Handsigned in pencil Numbered / 250 copies On Arches vellum 28 x 22" (71 x 55 cm) ...

Artist: Richard Lindner, German/American (1901 - 1978) Title: Blondie Year: 1975 Medium: Lithograph, signed and numbered in pencil Edition: 125 Size: 20 in. x 16.5 in. (50.8 cm x 41....

Richard LINDNER Couple, Woman Smoking a Cigarette (1976) Original lithograph Handsigned in pencil Numbered / 250 copies On Arches vellum 28 x 22"...

Artist: Richard Lindner, German/American (1901 - 1978) Der Rosenkavalier from the Metropolitan Opera I, 1978 Lithograph, signed and numbered in pencil 29-3/4 x 21-3/4 inches (75.6 x ...