Post-Impressionist Art

Signed figurative oil on canvas circa 1910 by French post impressionist painter Henri Lebasque. The work depicts a mother seated on a yellow change feeding her young baby. Signature...

Artist: Augustus Edwin John (Welsh, 1878-1961) Title: "Portrait of a Lady" *Signed by John lower right Circa: 1910 Medium: Original red and black Chalk Drawi...

Signed post impressionist landscape oil on panel circa 1910 by French painter Henri le Sidaner. The work depicts a view of Lake Maggiore, a large lake located on the south side of th...

Henry Ottmann (1877-1927) "Etal de Marché", A Market stall signed lower leftt pastel on paper 18 x 24.5 cm (view) In good condition Framed : 37 x 42 cm Published under n°580 of t...

A painting of Versailles by important Post-Impressionist painter Henri Le Sidaner, titled "Les Tortues du Bassin Latone, Versailles". Painting includes certificate signed by Yann Fa...

A painting of Versailles by important Post-Impressionist painter Henri Le Sidaner, titled "Statue, Sans Tête, Versailles". Painting includes certificate signed by Yann Farinaux-LeSi...

A painting of Versailles by important Post-Impressionist painter Henri Le Sidaner, titled "Le Pavillion de Musique sous la neige (a Versailles Trianon)". Painting accompanied with a...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping for this ob...

Antique early 1900's still life on stretched canvas, signed in the bottom right corner, Morel. A very attractive interior scene oil painting of cherries...

Alexandre Altmann (1878-1932) Snowy Landscape, 1915 Oil on canvas, 50 x 65 cm Provenance: Private collection, France Captured in the winter tones of 1915 by Alexandre Altmann, 'Sn...

Signed oil on canvas nude in interior circa 1910 by French post impressionist painter Henri Lebasque. The work depicts the woman posing in the artist's studio. There are clothes drap...

This expressive landscape painting by Danish artist Stefan Viggo Pedersen (1891-1965) was produced during the early part of his career and has an intere...

Axel Erdmann's painting "View Over Gamla Stan, Stockholm, 1910" is a luminous celebration of Stockholm's historic heart, Gamla Stan, as seen from Södermalm. Erdmann, a Swedish paint...

Antique French riverscape/landscape in a beautiful ornate frame by French artist, Pierre Louis Cazaubon, signed in the lower right corner. This attractive post-impressionist oil on ...

Stormy Weather, Colchester by Lucien Pissarro (1863-1944) Oil on canvas 54.3 x 65.3 cm (21 ³/₈ x 25 ³/₄ inches) Signed with monogram and dated lower left, 1911 Provenance: The Brook...

Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...

Le marché aux bestiaux by Paulémile Pissarro (1884-1972) Watercolour and ink on paper 23.7 x 31.2 cm (9 ³/₈ x 12 ¹/₄ inches) Signed lower right, Paul-Émile Pissarro This work is acc...

Signed oil on canvas circa 1910 by French post impressionist painter Michel Korochansky. This autumnal landscape depicts a view of women washing linen on the bank of a river. The las...

George Oberteuffer was an American Impressionist but he spent much of his career painting in France which is where this may have been done. He embraced the Post - Impressionist styl...

After Tea by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 12 x 13.2 cm (4 ³/₄ x 5 ¹/₄ inches) Initialled and titled in the plate Executed circa 1917 Artist biography Ludovic-Rod...

"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a brilliant orange sky reflecti...

Signed seascape oil on panel circa 1910 by French painter post impressionist painter Adolphe Louis Gaussen. The work depicts a view of the bright blue sea from a rocky shoreline on t...

Paysage Normand, Port en Bessin by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 23.5 x 30 cm (9 ¹/₄ x 11 ³/₄ inches) Signed and dated lower right, Ludovic Rodo 1914...

Born in New York City, Reynolds Beal's year of birth is reported as being 1866 as well as 1867. If one follows the most extensively researched source produced in consultation with t...

We are delighted to present a beautiful landscape by Carl Johansson (1863-1944), a piece that showcasing the breathtaking landscape of Nordingrå, part of the High Coast in Sweden. Th...

This early 20th-century post-impressionist oil painting by Swedish artist Nils Kjellberg (1871-1938) depicts a field worker sowing the land. It’s inspired by Jean-François Millet’s w...

*This price excludes 5% import duty applicable if the work remains in the UK. Paysage de neige by Gustave Loiseau (1865-1935) Oil on canvas 54.5 x 65.5 cm (21 ¹/₂ x 25 ³/₄ inches) Signed and dated lower left, G. Loiseau 1911 Provenance: Galerie Rämi, Zurich Private collection, Switzerland This work is accompanied by a photo-certificate of authenticity issued by Didier Imbert...

Quincaillerie by Ludovic-Rodo Pissarro (1878 - 1952) Wood engraving 10.4 x 12.6 cm (4 ¹/₈ x 5 inches) Initialled in the plate, signed lower right, Ludovic Rodo and numbered, 1 Exhib...

York Road by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 13.2 x 9 cm (5 ¹/₄ x 3 ¹/₂ inches) Initialed and titled in the plate, signed lower right, Ludovic Rodo and numbered lowe...

This wonderful Post Impressionist exhibited horses portrait oil painting is by noted British artist Edgar Downs. Painted in 1912 it was exhibited the same year at the Royal Academy L...

Oval Portrait by Ludovic-Rodo Pissarro (1878 - 1952) Woodcut 15.1 x 11.3 cm (6 x 4¹/₂ inches) Initialled, inscribed and dated 1918 in the plate Signed lower right, Ludovic Rodo and n...

This lovely British Post Impressionist oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1910 the painting depicts Queen Mary greeting a large group of school child...

Group of two drawings. "Femme assise sur une Chaise," circa 1910. Brush and ink on wove paper, 8 1/2x8 inches. With the artist's initials ink stamp, lower right recto. "Femme avec ...

Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas
 55 x 47 cm (21 ⅝ x 18 ½ inches) 
Signed lower left, Ludovic Rodo
 Executed circa 1910 This work is accompanied by a cer...

This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress. With eyes closed and hands held upo...

This charming early twentieth century Post Impressionist portrait oil painting is by British Jewish female artist Amy Julia Drucker. Of German descent, Drucker was born in England i...

Signed lower right, 'M. Bomund' for Marius Madsen Bomund (Danish, 1882-1963). Additionally inscribed, verso, 'Madsen Bomund', titled indistinctly, 'Studie fra ...' and dated 1915. M...

Curves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Femme au bord de la rivière by Georges Manzana Pissarro (1871-1961) Gouache, pastel and silver paint on paper 29...

A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers. Signature: Signed lower right Dimensions: Framed: 28"x20" Unframed: 21"x13" Provenance: Doyle New York - May 2003 From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...

Henry Ottmann (1877-1927) "Orée du bois par brume", A forest in the mist signed lower right pastel on paper 24 x 32 cm In good condition In a vintage frame : 43.5 x 53 cm The gilding on the frame is missing in many places Henry Ottmann particularly excelled in the pastel technique, as can be seen here. This is due to the fact that this delicate material obviously lends itself very well to the artist's characteristic vaporous style and manner. We should also note the great modernity of this landscape and its fades, which go almost as far as abstraction. Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries. In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand-Ruel together with Armand Guillaumin, Henri Lebasque and others. In 1912, he exhibited at the gallery Eugène Druet. In 1920, Ottmann exhibited at the gallery Marcel...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Femme à la mandoline by Georges Manzana Pissarro (1871-1961) Mixed media on paper 48 x 31 cm (18 ⁷/₈ x 12 ¹/₄ inc...

This early 20th-century oil painting by Danish artist Carla Colsmann Mohr (1887-1974) depicts a view from Amager towards the centre of Copenhagen, Denmark. It was exhibited at the pr...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

An outstanding example of the new-impressionist work of Rodolphe Wytsman . This large canvas depicts a tranquil summer day on the Meuse river near the town of Dave. Wytsman painted a number of landscapes in this area between 1910 and 1911 at the height of his artistic career. The use of colour and neo-impressionist execution are testament to his position as one of the finest Belgian painters of this period alongside Van Rysselberghe, Claus, Montigny and Georges Morren...

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...

Bougival Woodcut, 1914 Signed and numbered in pencil Edition 30, this numberd 22 Printed on laid Van Gelder Zonen paper Published by Henri Kanweiler, Paris Printed by Paul Birault, Paris Bougival is located west of Paris, on the left bank of the River Seine. This woodcut was inspired by Vlaminck's 1905 Fauvist masterpiece of the same title in the collection of the Detroit Institute of Art. An impression of this image is in the Yale Univeristy Art Gallery, Condition: Very slight sun staining, otherrwise very good Image/block size: 13 1/4 x 16 1/4 inches Sheet size: 19 1/8 x 22 1/8 inches Reference: Walterskirchen 11b Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour.] Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905. Life Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano His father taught him to play the violin.[3] He began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Vlaminck, then 23 and already active in anarchist circles in Paris, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship.] When Vlaminck completed his army service in 1900, the two rented a studio together, the Maison Levanneur, which now houses the Cneai,[6] for a year before Derain left to do his own military service. In 1902 and 1903 he wrote several mildly pornographic novels illustrated by Derain. He painted during the day and earned his livelihood by giving violin lessons and performing with musical bands at night. Vlaminck participated in the controversial 1905 Salon d'Automne exhibition. After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism. In 1911, Vlaminck traveled to London and painted by the Thames. In 1913, he painted again with Derain in Marseille and Martigues. In World War I he was stationed in Paris, and began writing poetry. Eventually he settled in Rueil-la-Gadelière, a small village south-west of Paris. He married his second wife, Berthe Combes, with whom he had two daughters. From 1925 he traveled throughout France, but continued to paint primarily along the Seine, near Paris. Resentful that Fauvism had been overtaken by Cubism as an art movement Vlaminck blamed Picasso "for dragging French painting into a wretched dead end and state of confusion". During the Second World War, Vlaminck visited Germany and on his return published a tirade against Picasso and Cubism in the periodical Comoedia in June 1942. Vlaminck wrote many autobiographies. Vlaminck died in Rueil-la-Gadelière on 11 October 1958. Artistic career Two of Vlaminck's groundbreaking paintings, Sur le zinc (At the Bar) and L'homme a la pipe (Man Smoking a Pipe) were painted in 1900. For the next few years Vlaminck lived in or near Chatou (the inspiration for his painting houses at Chatou), painting and exhibiting alongside Derain, Matisse, and other Fauvist painters. At this time his exuberant paint application and vibrant use of colour displayed the influence of Vincent van Gogh. Sur le zinc called to mind the work of Toulouse-Lautrec and his portrayals of prostitutes and solitary drinkers, but does not attempt to probe the sitter's psychology—a break with the century-old European tradition of individualized portraiture. According to art critic Souren Melikian, it is "the impersonal cartoon of a type. In his landscape paintings, his approach was similar. He ignored the details, with the landscape becoming a vehicle through which he could express mood through violent colour and brushwork. An example is Sous bois, painted in 1904. The following year, he began to experiment with "deconstruction," turning the physical world into dabs and streaks of colour that convey a sense of motion. His paintings Le Pont de Chatou (The Chatou Bridge), Les Ramasseurs de pommes de terre (The Potato Pickers...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE A Study of Human Head and Tiger by Orovida Pissarro (1893-1968) Pencil on paper 25.5 x 20 cm (10 x 7⁷/₈ inches) E...

Signed lower left

"Maria Van Rysselberghe au coin du feu" is a portrait painting by Post-Impressionist Théo van Rysselberghe. The portrait is signed lower right, "Atelier Van Rysselberghe". The framed...

Post-impressionist work by early 20th-century French painter Gaston Balande

Signed figures in interior oil on panel circa 1915 by Russian-born post impressionist painter Elie Anatole Pavil. The piece depicts a couple in the famous "White Cross" cafe at the P...

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

Dick Beer (b. London 1893 - d. Stockholm 1938) The Church in Taormina, Sicily (Kyrkan i Taormina) oil on canvas canvas dimensions 54 x 47 cm signed and dated Dick Beer 1914 painted 1914 Exhibited: Varias Konstsalong, Stockholm, 1916; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Dick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Very well executed watercolor and gouache on heavy card stock of a spring bouquet composed of mainly roses and pansies. Unsigned. Circa 1915. Original gold painted wood frame. Under...