Post-Modern Art

Wonderful Bay Area Figurative nude of woman with baskets and hat reclining on bed. By an anonymous bay area artist signed initial "M 91" lower right corner. On verso, location "Palo ...

The Stone still life Sicily landscape, painted by the outstanding Italian figurative painter Marzio Tamer, is mounted into a contemporary gold leaves ...

Here for your consideration is a well executed mixed media painting composed of India ink and watercolor wash of a beautiful showgirl Signed lower left and dated 1980. Condition is excellent. Recently professionally re matted and housed in it original brass thin gallery frame. Overall framed measurements are 23 by 20 inches. Provenance: A Sarasota, Florida collector. As a child, growing up in the '30s and '40s, Earl Linderman was fascinated by the comic strips and Saturday matinees. He would spend countless hours drawing these characters, forming the foundation of his future as an artist of extraordinary imagination and execution. By the time he was in high school, Linderman was creating his own art, featuring heroes involved in adventurous dramas. Things have not changed much for the man who, since the early '70s, has been exciting art aficionados with his series, The True and Incredible Adventures of Doktor Thrill...

"Self Portrait" is an oil on canvas painting depicting the artist Kelly Carmody. Carmody confidently embraces color in “Self Portrait”. Loose brushstrokes and thick black outlines re...

This work demonstrates the artists postmodern versatility in transcending representational and abstract forms. Oil, acrylic polymers, grout, gold leaf, on shaped canvas.

Vintage Stark Cityscape W/ Lone Figure Oil Painting by R. Roberts C.1960 Original oil on canvas Canvas dimensions 40" wide x 20" high The period frame measures 43.5" wide x 23.5" ...

Original pen and black ink drawing with watercolor wash in specific areas. Study of figures and animals intertwined. Signed vertically right side along with the artist’s initials lower right. The artwork is tabbed on top two corners to a heavy card backing. Circa 1965. Condition is good to very good. Under UV plexiglass. Framed in a contemporary silver gallery frame. Overall framed measurements are 16.5 by 19 inches. Provenance: A Sarasota, Florida estate. Craig Rubadoux...

A turn towards figurative work by artist Jack Reilly from his Eros, Love and Myth series, depicting love in a time of hate. The work is stretched canvas ov...

Edgard Pillet (French, 1912-1996). Modern Abstract oil painting on canvas. Titled "Olifant". A vibrant work featuring colors of purple, pinks and blues...

Ink and acrylic paint on paper by the well known Russian/American artist, Nahum Tschacbasov. Titled top left. Signed and dated lower right, 1979. Condition is very good. Framed in one inch wide black matte frame with white mat. Overall 17.5 by 21.5 inches. Provenance: Estate of the artist. Nahum Tschacbasov’s paintings are in the permanent collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Jewish Museum, the Philadelphia Museum, the Pennsylvania Museum of Fine Art, as well as numerous college and private collections. His work was shown at ACA Gallery in New York, as well as Perl’s Gallery and John Heller...

This fascinating work is a contemporary sculpture depicting a human face, created from carefully assembled pieces of wood. Each element, meticulously carved, varies in size to shape ...

In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.

Nick Veasey - The Bird in Colour No 2 TM Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Original oil pastel with underlying graphite drawing lines by the well known Russian/American artist Nahum Tschacbasov. Signed and dated by the artist lower right, 1971. Condition is excellent. Provenance: Estate of the artist, Nahum Tschacbasov. Overall matted and in a contemporary narrow blond maple frame 17.5 by 15 inches. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur Kalaher...

Andalucian Horses - mythology or reality? Andalucia is a region located in the south of Spain that is known for its rich history and cultural traditions. Its history can be trace...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Tango. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

"Retablo Exvotos (Replica Family with Cow's Vision)" is an original oil painting on tin by Monica Flores Martinez. The artist signed the piece. This artwork features a family kneelin...

Original oil on canvas painting of Abisko, Sweden by the well known artist, Kjell Leander-Engstrom of Sweden. Signed lower left. Signed, titled and dated verso 1965. Notice of artist...

Holopainting by French contemporary artist Dominique Mulhem. Dominique Mulhem is a contemporary artist who creates Holopaintings, works where painting meets technology. Using hologr...

Heavy impasto oil on canvas original painting by the well known Russian/American artist, Nahum Tschacbasov. Signed and dated top right, 1969. Signed and dated verso as well. Artist ...

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publicatio...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

ethereal woman female figure struck by an external entity that transforms into an explosion of emotions :: Painting :: Post Modern :: This piece comes with an official certificate of...

canvas, collage, pastel, acrylic, photo transfers, 2016 Bifurcated sheets of canvas with torn edges suggest the beautiful open vistas now inaccessible to the residents of the Mott Haven and Port Morris areas of the South Bronx, abandoned and dominated by de-teriorating remains, rotting remnants of piers, New York State-owned power stations and City Waste transfer stations. The unusual materials and torn canvas edges convey with tactile sensibility the contradiction documented with photo-transferred images, layered with acrylic and pastel. Materials and image fuse revealing a broken South Bronx history, an urban renewal tragedy, an area once the retreat of choice for fresh air, heath and greenery. The shards of information and vistas evoke the former Port Morris harbor named after Governor Morris a signatory of the constitution. There barges once docked and youth once swam off a pier in the East River. Cunningham’s work centers upon time, transience and contradictions shown through images of the shifting urban present. Compelling environmental concerns juxtaposed against industry, ur-ban blight and the loss of the natural environment as well as her concern for her Bronx home area faced with gentrification drive her work. Linda Cunningham is a Bronx based artist with a long New York and international exhibition career. ODETTA, Bushwick, Brooklyn featured her work in a November two person exhibition and in the Harlem FLUX Art Fair, in 2015 and 2016. Her 2013 installation in No Longer Empty’s “This Side of Paradise,”at the Andrew Freedman House was installed at the Bronx Museum, 2014 in an exhibition sponsored by the Bronx Arts Alliance. The Bronx Museum displayed her sculptural installation ”Urban Regeneration” on its terrace, 2009/10. Exhibitions in Germany began with a Fulbright Senior Research Fellowship in Berlin and her monumental public sculptural installations & alternative memorials are permanently sited in Cologne, Kassel, Bad Hersfeld and Cornberg, Germany, Grounds for Sculpture, Hamilton, New Jersey and City of Sculpture, Hamilton, Ohio. Alternative memorials were sited at the CUNY Graduate Center across from Bryant Park, 1989-1995, in Tribeca and at UN Plaza, New York 1997-1998. Recent temporary public sculpture installations were at Westchester Sq., Bronx. NY, 2014 and Marcus Garvey...

Dimensions w/Frame: 18.5 X 14.5 Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography...

Artist: Dganit Blechner, Israeli (1957 - ) Title: Marilyn Monroe Medium: Screenprint on Canvas, signed and numbered in marker verso Edition: 2/8 Size: 27.5 x 47 in. (69.85 x 119.38 ...

Signed Tschacbasov l.r. dated 1982 Framed in a beautiful gold original frame

Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...

'Ravello, Italy' . Part of a portfolio of Gradwell's time and experiences in paint. In live studies around the Amalfi Coat.' I found an attempt to marry the beauty of the day witho...

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, "TEV – Fellowship of Experimental Exhibitions." TEV's exhibitions proved tremendously successful. In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as "Twelve from the Soviet Underground." Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including "friendly conversations," surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia. In Italy, Rapoport exhibited at the Venice Biennale, "La Nuova Arte Sovietica-Una prospettiva non-ufficiale" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset. In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death. Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992). In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as "A St. Petersburg artist returns to his town," was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots. He Exhibited in "Soviet Artists, Jewish Themes...

Original oil on canvas painting by Irene Zevon. Traces of spray paint in several areas as part of the painting done by the artist. Signed and dated lower right, 1962. Condition: Ver...

Oil on canvas original painting by the Soviet born artist, Oleg Vukolov. Done in 1982. Signed and dated bottom left. In good unrestored condition. Vukolov’s paintings are in the Lu...

Signed lower right and dated 1975

An iconic photograph of John Lennon and Yoko Ono outsitde the Dakota Hotel in Manhattan. The photo was taken November 21st, 1980. The print is signed, titled and numbered 5/15 in ma...

Richard Avedon was an American fashion and portrait photographer who's work often showed the vulnerability and humanity in celebrities. This poster is signed in marker. Published by ...

Signed Tschacbasov l.r. dated 1982 Professionally matted and framed

aricature etching by American artist Charles Bragg. An elderly couple is all smiles as they golf together, representing “The Perfect Couple”. The Perfect Couple Charles Bragg, Ameri...

Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered Beautiful vintage serigraph by listed Argentinian / American artist Aldo Luongo (b. 1941) The scene is windy beach in the dunes, with reeds blowing in the wind. This is a large serigraph...

Oil on canvas Signed and dated 1988, 39 1/2 x 31 Provenance: Newton, MA estate

"Two Horses from Homage to Marino Marini" is an original color lithograph signed in stone by Marino Marini. It depicts a horse and rider in abstracted contour lines and black shapes ...

Caricature etching by American artist Charles Bragg. The Oath Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image Size: 6 x 9 inches Size: 11.5 in. x 14.5 in. (29.21 cm ...

Graphite, ink and crayon mixed media artwork of a surgical team at work by the Russian/American, Nahum Tschacbasov. Titled top right. Signed and dated lower left, 1979. Condition: Very good. Provenance: Estate of the artist. Overall framed in one inch wide black matte frame with off white mat 17.5 by 21.5 Inches. Nahum Tschacbasov’s paintings are in the permanent collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Jewish Museum, the Philadelphia Museum, the Pennsylvania Museum of Fine Art, as well as numerous college and private collections. His work was shown at ACA Gallery in New York, as well as Perl’s Gallery and John Heller...

Oil on canvas original painting by the Soviet born artist, Oleg Vukolov. Done in 1960. Signed and dated top left. In good unrestored condition. Vukolov’s paintings are in the Ludwig...

Bernard Berthois-Rigal (French, b. 1927) La Nef de Lysimaque, c. 1970s/80s Aquatint Sight: 22 1/4 x 32 in. Framed: 32 x 41 1/4 x 1 3/8 in. Edition 36 of 95 Numbered lower left, signe...

Ernst Iosifovich Neizvestny (Russian: Эрнст Ио́сифович Неизве́стный) (born 1925) is a Russian sculptor. He lives and works in New York City. Non Conformist Post Soviet Avant Garde Neizvestny was born 9 April 1925 in Sverdlovsk (now Yekaterinburg). In 1942, at the age of 17, he joined the Red Army as a volunteer. At the close of World War II, he was heavily wounded and sustained a clinical death. Although he was awarded the Order of the Red Star and his mother received an official notification that her son had died, Neizvestny managed to survive. In 1947, Neizvestny was enrolled at the Art Academy of Latvia in Riga. He continued his education at the Surikov Moscow Art Institute and the Philosophy Department of the Moscow State University. His sculptures, often based on the forms of the human body, are noted for their expressionism and powerful plasticity. Although his preferred material is bronze, his larger, monumental installations are often executed in concrete. Most of his works are arranged in extensive cycles, the best known of which is The Tree of Life, a theme he has developed since 1956. Art career Although Nikita Khrushchev...

Pierre Casenove (French) Silver patina bronze table lamp having a column form and various stamped patterns to the body, stamped signed mark to back of bas...

Modern abstract sculpture of a woman's torso, signed and dated Warner in stone and marker pen, "Warner '80" and "Warner #106". Dimensions: 16"L x 11"W x 9"H. Listed artist Doris Ann...

Artist: Curtis Knapp, American Title: Andy Warhol Year: 1983 (printed 1991) Medium: Silver Print on Fiber Paper, signed and numbered in ink Edition: 25 Size: 17 in. x 14 in. (43.18 ...

Victor Mirabelli (b. 1949) Untitled, c. 1970s Oil on canvas 63 7/8 x 53 3/4 x 1 in. Mirabelli attributes his style to his art education and execution of his early abstract oil paint...

Shaoul Smira (Israeli, b. 1939) City Light Publisher, San Francisco. (Lawrence Ferlinghetti) signed "SMIRA" in pencil l.r. and numbered "86/100" in pencil l.l., Color lithograph on ...

A popular restaurant scene :: Painting :: Post Modern :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Si...

Shaoul Smira (Israeli, b. 1939) City Light Publisher, San Francisco. (Lawrence Ferlinghetti) signed "SMIRA" in pencil l.r. and numbered "86/100" in pencil l.l., Color lithograph on ...

"Dark Self" is a post modern, oil on linen painting. It depicts a man in a very dark room, barely visible. The viewer continues to search for Yektai’s image in “Dark Self” which is...

Johanan Vitta, painter, born 1941, Jerusalem. Lives in Italy. Education Firenze, Florence, Italy He designed the famous La Sinagoga di Firenze poster. The poster features a painterly synagogue it was done for the “Comunita Israelitica" He has also designed Judaic ritual objects including a menorah that is in a famous museum collection. Arman, Elio Carmi, Eugenio Carmi, Lucio Del Pezzo, Guy De Rougemont, Maurizio Galimberti, David Gerstein, Claude Lalanne, Marino Marinelli, Mimmo Paladino, Arnaldo Pomodoro, Tobia Rava...

By Paul Jauregui Individual: 39.5" x 23.5" Triptych: 39.5" x 70.5"

Signed and dated lower right Provenance David Stuart Galleries, Los Angeles Willard Gallery, New York Daisy Viertel Shapiro, New York Exhibition Corcoran Gallery of Art, Washington...

Artist: Willie Miller, American (1940 - ) Title: Shssh! Year: 1985 Medium: Color Photograph Size: 12 in. x 18 in. (30.48 cm x 45.72 cm) Frame: 19.5 x 25.5 inches

"Long Distance" is a post modern oil on canvas painting. It depicts two people talking on a computer. A "self-portrait of a long distance relationship". Frame Dimensions 33 x 25in...

Mixed media on panel. Sprawling cat. Hand signed lower right. Dimensions: (Frame) H 8.25" x W 10.25" (Board) H 5" x W 7" Piero Aversa was born in Asmara, Eritrea, East Africa, educated at the Belle Arte in Rome, and lived and exhibited worldwide. He moved to the US in 1953. Piero Aversa was passionate about many facets of artistic expression. A larger than life Gay Artist, he enjoyed the company of many jet setters in New York City during his Fashion and Interior Design days. Originally from Italy he finally settled in Key West, Florida where the largest collection of his art is displayed. His talents span design in fabrics, wall covering, jewelry and films as well as the fine arts. The exhibition in Rome in 1959, of “The Most Beautiful Women of Rome”, catapulted him to international recognition. In New York, he designed celebrity mannequins for the windows of Saks Fifth Avenue. The depicted “New York's high-born, wealthy jet-setters” included Louise Savitt, Baby Jane Holzer and Wendy Vanderbilt. He is acknowledged for his sensitivity to the different lands he had been inspired by, from the primitive backdrops of Greek Mythology to the botanical lushness of Mexico, Italy, Greece and the Southern United States. He established his own line of wallpapers and fabrics, receiving praise for his interior design of suites at the historic Colony Hotel in Palm Beach, Florida. Aversa was collected by actresses Katherine Hepburn and Agnes Moorehead; diplomat and prominent New York socialite, Francis Kellogg; gallery owner, Julius Fleischmann; society songstress and millionaire industrialist, Mr. & Mrs. David Muss; and American songwriter, Jule Styne. He was also collected by various Italian nobility, Count and Countess Scribani Rossi from Rome, Principessa Niky Boncompagni, and Countess Alicia Paolozzi from Rome. The arrival of Piero in Mykonos, Greece and opening of his bar in the early 70's began a somewhat historical era for the gay community of the time. His work has a Surrealist quality that reminds me of Van Eno another Key West art...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...