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Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Resting Man (Man relaxes draped only in a small towel)
Located in New Orleans, LA
A rare pencil drawing by John Lear created in 1937, signed and dated in pencil. John Brock Lear, Jr. Born: 1910 - Chestnut Hill, Pennsylvania Died: ...
Category

1930s Academic Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Pencil, Graphite

Flowers 3 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

SELF PORTRAIT IN A GERMAN MANNER - Large Monotype
By Karl Schrag
Located in Santa Monica, CA
KARL SCHRAG (German - American 1912 - 1995) SELF PORTRAIT IN THE GERMAN MANNER, 1991 Monotype, Signed titled, dated and annotated "Monotype with touches of Oil color, I /I" Plate an...
Category

1990s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Monotype

Atlas Cornice Drawings 1 — Vienna Secessionist
By Heinrich Brad Schmidt
Located in Myrtle Beach, SC
Heinrich Brad Schmidt, two early 20th-century German Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot ...
Category

1920s Vienna Secession Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Pencil

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch)
By Fletcher Martin
Located in Fairlawn, OH
Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

UNTITLED (DRAWING OF A BOAT #3; LIKELY IN ITALY)
By William Thon
Located in Portland, ME
Thon, William (American, 1906-2000).; UNTITLED (DRAWING OF A BOAT #3; LIKELY IN ITALY). Ink and wash on paper. Not dated. Unsigned. 14 x 17 inches. In excellent condition. From a ske...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

UNTITLED (DRAWING OF A BOAT #1; LIKELY IN ITALY)
By William Thon
Located in Portland, ME
Thon, William (American, 1906-2000).; UNTITLED (DRAWING OF A BOAT #1; LIKELY IN ITALY). Ink and wash on paper. Not dated. Unsigned. 14 x 17 inches. In excellent condition. From a ske...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Thunderstorm Over Boston
By James McBey
Located in Storrs, CT
Thunderstorm over Boston. July 14, 1930. Ink and watercolor on paper. 10 5/8 x 17 5/8 (sheet 12 x 19 1/4). Signed and dated and titled in ink, lower right; titled verso and annotated...
Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

India Ink, Watercolor

Family Group
By George Morland
Located in Fairlawn, OH
Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...
Category

1790s English School Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Joe "I try to get something accomplished everyday. I ask the Good Lord...
By Sedrick Huckaby
Located in Fairlawn, OH
Joe "I try to get something accomplished everyday. I ask the Good Lord for Patience and Stregnth" Verso: "I was in for a technical violation. I spent 65 days, but I thank the Lor...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Untitled (#2 Pri-Rain) (SF64-592)
By Sam Francis
Located in London, GB
Sam Francis Untitled (#2 Pri-Rain) (SF64-592) 1964 Gouache on paper 57.2 x 75.6 cms (22 1/2 x 29 3/4 ins) Frame size: 82.9 x 103.2 cms (32 5/8 x 40 5/8 ins) SF14652 $300,000 Exhibit...
Category

1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Gouache

Divertimento I (Picasso)
By Conger A. Metcalf
Located in Fairlawn, OH
Divertimento I (Picasso) Graphite, color wash and oil paint on coated glossy paper, c. 1940 Signed C. Metcalf lower left (see photo) Inscribed Matisse, Picasso, C. Metcalf lower left...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Oil

UNTITLED (DRAWING OF A BOAT #2; LIKELY IN ITALY)
By William Thon
Located in Portland, ME
Thon, William (American, 1906-2000).; UNTITLED (DRAWING OF A BOAT #2; LIKELY IN ITALY). Ink and watercolor on paper. Not dated. Unsigned. 14 x 17 inches. In excellent condition. From...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Untitled, Still Life of Shell
Located in Fairlawn, OH
Untitled, Still Life of Shell Graphite on paper, 1945-1951 Signed lower right in pencil "Bisttram" (see photo) Condition: Excellent Sheet size: 9.63 x 7 .5 inches EMIL BISTTRAM (189...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Graphite

Trompe-l'Oeil Study
By Eugene Berman
Located in Fairlawn, OH
Trompe-l'Oeil Study Watercolor on heavy wove paper, 1943 Signed with the artists initials, lower center of image; Dated 1943, lower center of image Provenance: Swann Galleries, 2007, realized $2,640 Condition: Excellent. Fresh colors. Framed with conservation glass. Sheet: 14 3/4 x 11 1/4" Frame size: 20 3/4 x 17 Berman brothers (painters) From Wikipedia, the free encyclopedia Eugene Berman in Italy in the 1960s Eugène Berman (Russian: Евгений Густавович Берман; 4 November 1899, Saint Petersburg, Russia – 14 December 1972, Rome) and his brother Leonid Berman...
Category

1930s Surrealist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

'Fenway Park, Boston' — New England Post-Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'Fenway Park, Boston', watercolor, c. 1920. Signed and titled in pencil, lower left. A fine, spontaneous work, with fresh, undiminished colors...
Category

1920s Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Alongside
By William Thon
Located in Myrtle Beach, SC
William Thon, 'Alongside', watercolor, c. 1990. Signed, lower right; titled verso. A fine, expressionist work, on off-white watercolor paper; the image extending to the sheet edges, ...
Category

1950s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Snowy Peaks (Mont Blanc)
By Robert Hallowell
Located in Fairlawn, OH
Snowy Peaks (Mont Blanc) Watercolor on paper, c. 1930 Signed "R. Hallowell" lower right (see photo) The image depicts is of Mont Blanc in France. Mont Blanc is the highest mountain i...
Category

1930s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Rotterdam
By Albert Lebourg
Located in Chicago, IL
Albert Lebourg participated in the fourth and fifth Impressionist Exhibitions of 1879 and 1880. The first of these exhibitions included: Caillebotte, Cassatt, Degas, Lebourg, Monet ...
Category

19th Century Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

UNTITLED SKETCHBOOK DRAWING #16
By William Thon
Located in Portland, ME
Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #16. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Chicken Ride
By Reginald Marsh
Located in Fairlawn, OH
Chicken Ride Pen and ink on paper, c. 1940 Unsigned Annotated by the artist with his color intentions Preliminary study for "Chicken Ride," watercolor, 1940, in the collection of Mr...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Nude Man and Woman (Desire and sexual tension)
By Tom Leveritt
Located in New Orleans, LA
Is it lust? Is it love? A pencil drawing shows a nude man and a nude woman on the same page. Sexual tension and desire are paramount in this composition. Tom Leveritt...
Category

2010s Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Charcoal

Birds & Flowers 2 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Birds & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 4 7/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Flowers 1 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

'St. Astruell, England' — British Post-Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever, 'St. Astruell, England', watercolor, 1910. Signed in pencil, lower right. Titled and dated on the original inside mat. A fine spontaneous work, with fresh colors, on cr...
Category

1930s Post-Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

'Self-Portrait with Black Hat' — Mid-Century American Impressionism
By Robert Philipp
Located in Myrtle Beach, SC
Robert Philipp, 'Self-Portrait with Black Hat', ink and color pastel, c. 1945. Signed in ink, lower right. A fine, spontaneous drawing, on heavy, buff wove paper; the artist's tack holes in the top and bottom left sheet corners, minor rippling in the bottom sheet edge; otherwise in good condition. Image size 16 1/4 x 11 1/4 inches; sheet size 19 1/4 x 12 3/4 inches. Matted to museum standards, unframed. Provenance: Art Students League, from the artist’s personal portfolio. ABOUT THE ARTIST Robert Philipp (1895–1981) was a celebrated American Post-Impressionist painter known for his nudes, still lifes, and portraits. Noted art critic Henry McBride named Philipp one of America's top six painters of his generation. Philipp was an instructor of painting at the Art Students League, New York, for 33 years. Philipp was Secretary of the National Academy of Design, a National Academician, and a Benjamin Franklin Fellow at the Royal Society of Arts in London. His composition and painting style has been compared to the art of Edgar Degas and Pierre Auguste Renoir. In 1940, Philipp was invited to Los Angeles by Hollywood producer Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of ‘The Long Voyage Home’, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Pastel, Ink

Butterfly & Flowers 2 — Hopei Folk Art, Mid-Century Chinese Cut Paper Watercolor
Located in Myrtle Beach, SC
'Butterfly & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 5 1/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

"East Gloucester, Massachusetts' — Cape Ann Regionalism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever, 'East Gloucester, Massachusetts', watercolor, c. 1930. Signed 'HL' in pencil, lower left. A fine, spontaneous watercolor with fresh colors on off-white watercolor paper...
Category

1930s Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

WINDMILL AND WORKERS (Large Pastel)
By Bror Julius Olsson Nordfeldt
Located in Santa Monica, CA
B.J.O. NORDFELDT (Swedish/American 1878 – 1955) (WINDMILL AND WORKERS). c.1900. Color pastel on colored paper, unsigned. 22 ¼ x 15”. Sheet: 24 ½ x 18 ¼”. In 1900 Nordfeldt studied ...
Category

Early 1900s Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Pastel

Woman with Bicycle: Two Views
By Frank Duveneck
Located in Fairlawn, OH
Woman with Bicycle: Two Views Graphite on paper, c. 1890 Unsigned Graphite study of standing female nude verso Provenance: Rookwood Pottery Factory Collection, Cincinnati Spanierman ...
Category

1890s American Realist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Graphite

UNTITLED SKETCHBOOK DRAWING #2
By William Thon
Located in Portland, ME
Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #2. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Fish & Underwater Flowers 2 — Hopei Folk Art, 1950s Chinese Cut Paper Watercolor
Located in Myrtle Beach, SC
'Fish & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 3 3/4 x 2 1/2 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 13 x 10 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Bird & Flowers 1 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Bird & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 5 1/4 x 3 1/4 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Modele au Chapeau or Child with a Large Hat
Located in Fairlawn, OH
Signed with the estate stamp initials lower right, Lugt 388a (see photo) Provenance: Richard Norton Gallery, Chicago (label verso) Fairweather-Hardin Gallery, Chicago (label verso) ...
Category

1880s Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Graphite

War Machine — Spanish Civil War, Anti-fascism
By Leon Bibel
Located in Myrtle Beach, SC
Leon Bibel, 'Untitled (War Machine)', brush and ink, c. 1936. Estate stamped, verso. A fine expressionist rendering, on cream wove drawing board, with marg...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Butterfly & Flowers 1 — Hopei Folk Art, Mid-Century Chinese Cut Paper Watercolor
Located in Myrtle Beach, SC
'Butterfly & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 4 5/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Composition in Red
By Sam Francis
Located in London, GB
Sam Francis Composition in Red c. 1960 Gouache on paper 52.5 x 24.5 cms (20 11/16 x 9 11/16 ins) SF14434 $125,000 Exhibited: Bernard Jacobson Gall...
Category

1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Gouache

Untitled (Woman Removing Her Stockings)
By Everett Shinn
Located in Fairlawn, OH
Untitled (Woman Removing Her Stockings) Conte crayon on paper. c. 1905 Signed lower right: E Shinn Provenance: James Graham & Sons, New York (labels) Ronald C. Sloter, Columbus Colum...
Category

Early 1900s Ashcan School Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Conté

Untitled (seated female nude)
By Henry Keller
Located in Fairlawn, OH
Seated Femake Nude Graphite and chalk on tan paper, c. 1920 Signed "Keller" and signed again with the artist's initials in a cypher A finished life drawing most probably exhibited at...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Graphite

Standing Nude with Japanese Lanterns
By William Sommer
Located in Fairlawn, OH
Standing Nude with Japanese Lanterns Ink drawing on wove paper, mounted on wove paper support, c. 1916 Signed with the estate stamp B Provenance: Estate of the Artist ...
Category

1910s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink

Chorus Line
By Sam Spanier
Located in Fairlawn, OH
Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein...
Category

1960s Abstract Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Oil Crayon

Loading the Catch [Katwyck Aan Zee]
By Charles Paul Gruppe
Located in Storrs, CT
Charles Paul Gruppé. Loading the Catch [Katwyck Aan Zee] c. 1892. Watercolor. 14 1/2 x 17 1/2 (framed 19 1/2 x 23 1/2). Signed, lower left. Housed in an archival French mat and champ...
Category

Late 19th Century Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Fish & Underwater Flowers 1 — Hopei Folk Art, 1950s Chinese Cut Paper Watercolor
Located in Myrtle Beach, SC
'Fish & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 3 3/8 x 2 3/4 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 13 x 10 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

The Ruby R
By William Thon
Located in Myrtle Beach, SC
William Thon, 'The Ruby R', watercolor, c. 1990. Signed, lower right; titled verso. A fine, expressionist work, on off-white watercolor paper; the image extending to the sheet edges....
Category

1950s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Male Lying Nude
By Jackson Lee Nesbitt
Located in New Orleans, LA
This is a drawing from the artist's sketchbooks. This pencil drawing shows a nude male in repose, The drawing is dated November 30 '36 (1936). Clearly the works are authentic and this sketch is signed "Jackson Lee Nesbitt...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Graphite

Characters from the Sketchbooks (from September Storm plus Self Portrait)
By Jackson Lee Nesbitt
Located in New Orleans, LA
This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio. From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Graphite

Blizzard in Woods
By Charles E. Burchfield
Located in Fairlawn, OH
Blizzard in Woods Graphite on paper, c. 1945-1963 Unsigned Provenance: Sid Deutsch Gallery, New York Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Graphite

Spring Landscape with house and figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring Landscape with house and figure A preliminary watercolor for a color aquatint, illustrated on line, title unknown Signed lower left in block letters (see photo) Watercolor and...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Untitled. Still Life.
By Werner Drewes
Located in New York, NY
This gouache painting by Werner Drewes was created in 1942. Signed with a pen in the lower right. Cypher and date are just under the signature. Painted to the papers edge - the pap...
Category

1940s Abstract Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Gouache

The Dead Tiger
By Dorothy Dehner
Located in Fairlawn, OH
The Dead Tiger Ink and watercolor on paper, 1955 Signed and dated in ink (see photo) Condition: Aging to the entire sheet (it's 78 years old) Image/Sheet size: 18 1/4 x 23 inches On...
Category

1950s Abstract Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

Gravesend
By James McBey
Located in Storrs, CT
Gravesend. August 1928. Ink and watercolor on paper. 13 1/2 x 21. Signed and dated in ink, lower left; and titled in ink, verso. Housed in a 24 1/2 x 31-inch Whistler-style gold frame. Gravesend is a town in northwest Kent, England, on the south bank of the Thames, opposite Tilbury in Essex, about 15 miles southeast of London. Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category

20th Century Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Ink, Watercolor

Nu, mains dans ses cheveux (Nude, Hands in Her Hair)
By Marcel Gromaire
Located in Chicago, IL
Signed and dated, upper right Provenance: Atelier of the artist
Category

1950s Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Paper, Ink

Colon [Panama]
By Reynolds Beal
Located in New York, NY
Reynolds Beal painted this watercolor entitled “Colon” [Panama] in the spring of 1923. The paper size of this painting is 7 x 10" (17.7 x 25.3 cm). It is signed, titled, and dated ...
Category

Early 20th Century American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

THREE WOMEN ON THE BEACH
By Charles Herbert Woodbury
Located in Portland, ME
Woodbury, Charles (American, 1864-1940) THREE WOMEN ON THE BEACH. Watercolor on paper. 14 3/8 x 9 7/8 inches, framed to 23 x 18 1/2 inches. Accompanied by a letter from a previous ow...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

red ballboy or Studies for "Tennis Tournament"
By George Wesley Bellows
Located in Fairlawn, OH
Red Ballboy or Studies for "Tennis Tournament" Crayon on paper, c. 1920 Unsigned Condition: three vertical folds created by the artist to transport the drawing from the tennis match ...
Category

1910s Ashcan School Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Graphite

[untitled] Street Scene with Fruit Vendor.
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created [untitled] “STREET SCENE WITH FRUIT VENDOR” in circa 1950. This unsigned watercolor and came to us directly from the Sanchez estate. It is stamped on the verso "Estate of Emilio Sanchez." This piece is in good to very good condition and painted to the paper's edge. The paper size is 14.88 x 15.25 inches (37.6 x 38.6 cm). “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category

1950s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor, Graphite

Strike Breakers — social realism, Great Depression
By Daniel Ralph Celentano
Located in Myrtle Beach, SC
Daniel Ralph Celentano, Untitled (Strike Breakers) pencil, c. 1934. Signed, lower right. A fine, social-realist drawing, on cream wove paper, with margins (1 1/2 to 2 1/2 inches), in...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Pencil

A Sandstorm on the Little Colorado River, Arizona
By George Elbert Burr
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Watercolor on watercolor board. Study for Seeber 189. 10 3/8 x 14 1/4. Signed lower left; titled verso. An exquisitely subtl...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings

Materials

Watercolor

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