Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Reclining Nude — Mid-Century Modernism, Renowned African American Artist
Located in Myrtle Beach, SC
Robert Blackburn, Untitled (Reclining Nude), brush and ink, c. 1948, unsigned. A fine, spontaneous work, on cream wove paper. Slight toning to the sheet edges; otherwise in excellent condition. Matted to museum standards, unframed.
Image size 18 3/4 x 23 1/2 inches (476 x 597 mm).
Provenance: Adrienne E. Wheeler Collection, acquired from the artist.
ABOUT THE ARTIST
Robert Blackburn (1920 - 2003) participated in the rich mix of art programs and creative groups available in Harlem as he grew up, including Charles Alston's Harlem Arts Workshop, the Harlem YMCA, and later the Harlem Artist's Guild. In 1937 he joined the WPA at the Harlem Community Art Center, the largest New York center for instruction in the arts. There he was exposed to Harlem's most prominent artists, Aaron Douglas, William Henry Johnson...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Ink
Woman on a Patio
By Karl Albert Buehr
Located in Fairlawn, OH
Woman on a Patio
Pastel on paper, c. 1915
Unsigned
Provenance: Gift of the artist to his wife, Mary Hess Buehr
By decent to the artist's niece, daughter of Will...
Category
1910s Abstract Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Pastel
The Dark Aspect of the Great Goddess Devi
Located in Fairlawn, OH
The Dark Aspect of the Great Goddess Devi
Pigment on paper (unfinished), 19th century
Unsigned as is usual
Condition: Good color
Voids at edges of the sheet
Image s...
Category
19th Century Rajput Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Pigment
The Weight Lifter (L'Homme aux halteres)
By Marcel Gromaire
Located in Chicago, IL
The work is signed on the lower right by Gromaire. One of Gromaire's favorite subjects were men "of the people,” whether they worked in the fields or at sea, were construction worke...
Category
1920s Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Ink, Pen
Self Portrait with Arms Over Head, vignette on Paul Cadmus on left
Located in Fairlawn, OH
Self Portrait with Arms Over Head, vignette on Paul Cadmus on left
Graphite drawing on thin wove paper, c. 1940's
Unsigned
Provenance: Paull Cadmus
Jon F. Anderson (1937-2018)
Condition:
Sheet size: 15 x 10 1/4 inches
Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her
photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where
she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared
French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio
formed a tight bond, with Cadmus and French continuing their relationship.
Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her
photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where
she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared
French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio
formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends,
and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket
over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s
sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art,
among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus,
particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed.
In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed
with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again
in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome,
with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
Unknown Abstraction
By Will Henry
Located in Houston, TX
Will Henry
Unknown Abstraction, 2021
Gouache on paper
9 x 12 inches
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Paper, Gouache
Study of Lucie (Ralph) Belin seated in an interior
By Edouard Vuillard
Located in Fairlawn, OH
Study of Lucie (Ralph) Belin seated in an interior
Graphite on paper, 1915
Signed with the estate stamp, Lugt 909b, the stamp faded from blue to brown (see photo)
Provenance:
Neffe-D...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism
By Albert Groll
Located in Myrtle Beach, SC
Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso.
Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed.
Provenance: Ex. collection Kennedy Galleries, New York.
ABOUT THE ARTIST
Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking.
In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye."
Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies.
In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...
Category
1910s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Pencil
Composition No. 12
Located in Fairlawn, OH
Composition No. 12
Gouache on paper, c. 1926
Signed lower right: “Urban Weis” (see photo)
Condition: Excellent
Image: 16 5/8 x 10 5/8"
Frame: 21 1/2 x 15 5/8"
Provenance: Dudensing G...
Category
1920s Cubist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Gouache
ELLSBERG - PENTAGON PAPERS TRIAL - Original Drawing - Leonard Weinglass Attorney
Located in Santa Monica, CA
DAVID ROSE (1910 – 2006)
LEONARD WEINGLASS - ELLSBERG TRIAL, 1973
Color marking pen on tracing paper. Image 12 ½ x 11 inches, sheet 15 x 18 ½ inches. Very fresh, in good condition with bright colors save for horizontal creases at the lower sheet edge slightly into the image and a few other soft creases.
Leonard Weinglass along with Leonard Boudin were attorneys for Anthony Russo and Daniel Ellsberg at the Pentagon Papers Trial in 1973. Upon his death in 2011 the NY Times called Weinglass, “perhaps the nation’s pre-eminent progressive defense lawyer, who represented political renegades
Provenance: Directly from the artist David Rose to this dealer in the late 1980’s. I knew David as an artist and friend as we both lived in Los Angeles. It has been in temperature and humidity storage since its acquisition.
The Ellsberg Trial was the beginning of a long career for Rose as a court reporter
Rose’s papers are in Special Collections of USC, The University of Southern California.
The Online Archives of California Rose Biography states:
Rose's courtroom career began in 1973 with the trial of Daniel Ellsberg, the former defense analyst who released the Pentagon Papers regarding the Viet Nam War to the New York Times. (Rose received an Emmy Award nomination for his coverage of the Pentagon Papers trial.) Rose's sketches of this trial-- along with all those that would follow through the next twenty-five years-- appeared in television news broadcasts and newspapers all over the world. He saw himself as a reporter-- but with colored pencils and sketchpads as his tools. He tried to capture the emotions in the courtroom-- the tension, anger, and the body language that conveyed them. Over the years, Rose's art depicted the trials of some of the most famous-- and infamous-- personalities to make the news: Klaus Barbie (the Butcher of Lyon), Patty Hearst, Sirhan Sirhan, John Z. DeLorean, Rodney King, Imelda Marcos, Huey Newton...
Category
1970s Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Ink
Blizzard in Woods
By Charles E. Burchfield
Located in Fairlawn, OH
Blizzard in Woods
Graphite on paper, c. 1945-1963
Unsigned
Provenance: Sid Deutsch Gallery, New York
Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
Nude with Headdress and Drape
Located in Fairlawn, OH
Nude with Headdress and Drape
Charcoal and colored pencil on paper, c. 1940
Signed by the artist in pencil lower left (see photo)
Painter, lithographer and woodblock printer, born at...
Category
1940s English School Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Charcoal
Spring Landscape with house and figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring Landscape with house and figure
A preliminary watercolor for a color aquatint, illustrated on line, title unknown
Signed lower left in block letters (see photo)
Watercolor and...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Nude Woman in Chair
By William Sommer
Located in Fairlawn, OH
Nude Woman in Chair
Watercolor, gouache, ink, and pencil on heavy paper, c. 1930-35
Signed with the artist's Estate stamp lower right (see photo)
Note: "Matchstick" ink drawing of fe...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Standing Male Nude (recto) Study of the Head of the Standing Male Nude (verso)
By William Merritt Chase
Located in Fairlawn, OH
Standing Male Nude (recto)
Study of the Head of the Standing Male Nude (verso)
Unsigned
Provenance:
Estate of the artist
Helen Chase Storm (the arti...
Category
1870s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
Nu assis, penché à droite (Nude sitting, leaning to the right)
By Marcel Gromaire
Located in Chicago, IL
Signed and dated, lower right
Provenance:
Atelier of the artist
Category
1960s Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Paper, Ink
UNTITLED (FAMILY ON SAILBOAT)
Located in Portland, ME
Mora, F. Luis (Americn, born Uruguay, 1874-1940). UNTITLED (FAMILY ON SAILBOAT). Drawing, pencil on paper. Not dated, but circa 1890-1910. Signed, and with the artist's address in p...
Category
Late 19th Century Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Pencil
Tea at the Ritz, New York
By Paul César Helleu
Located in Fairlawn, OH
Tea at the Ritz, New York
Colored chalk, 1912
Signed with the estate stamp verso. (see photo)
Authenticated by the artist's daughter, Mme Paulette Johnston.
Image size: 10 5/8 x 10 1...
Category
1920s Art Nouveau Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Chalk
Dancing Motion.
By Werner Drewes
Located in New York, NY
Drawing, 1938. Signed and dated with the artist cypher. Paper size 7 9/16 x 6 1/4" (19.3 x 15.8 cm).
Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, wa...
Category
1930s Abstract Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Pencil
Recruits on a March
By Thomas Rowlandson
Located in Fairlawn, OH
Recruits on a March
Ink and watercolor on paper, mounted on support
Unsigned
Condition: watercolor sheet laid down on paper, moderately faded
Original Ackermann frame and matting
Ima...
Category
Early 1800s Romantic Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Untitled Abstraction
By Medard P. Klein
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper, c. 1946
Signed with the estate stamp verso
Provenance: estate of the Artist
Inherited by his neighbor/caregiver
Conditio...
Category
1940s Abstract Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
Woman Pulling on a Slip
By Everett Shinn
Located in Fairlawn, OH
Woman Pulling on a Slip
Conte on paper, c. 1910
Signed lower right: "E. Shinn" (see photo of legs, signature on right)
Provenance:
Estate of the Artist (see label)
Graham Gallery, N...
Category
1910s Ashcan School Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Conté
Études de Personnages (Figure Studies)
By Marcel Gromaire
Located in Chicago, IL
Provenance:
Atelier of the artist
Notes:
Studio stamp on the verso of this important, early work by Gromaire.
Over the years there has been an ever-widening interest in the work o...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Paper, Ink
Family Group
By George Morland
Located in Fairlawn, OH
Family Group
Drawing in Chinese white, sepia and bistre ink, c. 1790
Signed lower left: G. Morland (see photo)
The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet.
Provenance: Colnaghi, London (Stock # D25924, see photo)
Maynard Walker Gallery, New York ( see photo of label)
Davis Galleries, New York, their Eagle stamp and stock number (see photo)
Ms. Gloria Kaplan (1930-2011) New York City
Regarding Maynard Walker:
Maynard Walker New York Times obit:
"Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa.
In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry.
After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war."
Condition: Aging to paper
Slight fading to ink
Tiny spotting in image
All consistent with the age of the drawing
Image size: 6 3/8 x 9 1/2 inches
Frame size: 14 1/4 x 17 1/4 inches
George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780.
His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes.
He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving.
It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel.
Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions.
Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...
Category
1790s English School Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Ink
Isadora Duncan
By Abraham Walkowitz
Located in Fairlawn, OH
Isadora Duncan
Graphite with grey wash on paper mounted to cardstock
Signed and dated in pencil lower right (see photo)
Provenance: Charlotte Bergman, f...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
GIRL WADING
By Edward Henry Potthast
Located in Portland, ME
Potthast, Edward H. GIRL WADING. Colored pencil drawing on paper, not dated. Signed recto, lower right "E. Potthast," lower right, and inscribed "Holiday Greetings" and signed "Edw. ...
Category
Late 19th Century American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Color Pencil
Schooner St. Croix
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created the watercolor entitled “Schooner St. Croix” in 1952. This piece is signed in pen at the lower right and titled on the verso. The paper size is 16.88 x 22.25 inches. Stamped on verso "Estate of Emilio Sanchez." Good to very good condition.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1950s American Realist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor, Graphite
Colonial Dames
By Clark Hobart
Located in Santa Monica, CA
CLARK HOBART (1868 – 1948)
COLONIAL DAMES Monotype signed and titled in pencil
Hobart was an early 20 c. California painter. He was on the forefront ...
Category
1910s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Monotype
$760 Sale Price
20% Off
Side View Seated Female Nude
By Frank Duveneck
Located in Fairlawn, OH
Side View Seated Female Nude
Graphite on paper, c. 1890's
Unsigned
Provenance:
Rookwood Pottery Factory Collection, Cincinnati
Spanierman Gallery, New York (label)
Drawings from the...
Category
1890s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
Girl with the Golden Curls
By Everett Shinn
Located in Fairlawn, OH
Girl with the Golden Curls
Watercolor, c. 1895
Unsigned
Provenance: Davis Galleries, New York (see photo of label on reverse)
Condition: Mounted to support by the artist
...
Category
1890s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Flowers 2 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category
Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Landscape with buildings and trees
By Leon Kelly
Located in Fairlawn, OH
Landscape with buildings and trees
Watercolor on paper, c. 1930's
Signed in pencil lower right (see photo)
Provenance: Estate of the artist
Condition: Excellent
Sheet size: 9 3/8 x 1...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Preliminary Study for Cretan Dancer Bronze
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary Study for Cretan Dancer Bronze
Graphite on tracing paper, 1930
Unsigned
Note: The bronze sculpture measures 24 1/2 x 33 5/8 inches and is signed and dated 1930 on the bas...
Category
1930s Art Deco Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
Snowy Peaks (Mont Blanc)
By Robert Hallowell
Located in Fairlawn, OH
Snowy Peaks (Mont Blanc)
Watercolor on paper, c. 1930
Signed "R. Hallowell" lower right (see photo)
The image depicts is of Mont Blanc in France.
Mont Blanc is the highest mountain i...
Category
1930s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Reclining Female Nude
By Henry George Keller
Located in Fairlawn, OH
Reclining Female Nude
Charcoal and colored chalks with white highlights on tan laid paper, c. 1948
Signed and monogrammed by the artist lower right
(see photo)
A masterpiece dr...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Chalk
Le Sentier
By Paul Cézanne
Located in London, GB
Paul Cézanne
Le Sentier
ca. 1890
Watercolour and pencil on paper
34.6 x 51.5 cms (13 5/8 x 20 1/4 ins)
PC16325
Category
1890s Modern Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor, Pencil
$273,940
Unknown title (castle with wall, stream and footbridge)
By David Cox
Located in Fairlawn, OH
Unknown title (castle with wall, stream and footbridge)
Watercolor on laid paper, mounted to support of old Albumin photograph mount
Signed and dated lower left (see photo)
The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's
Condition: Mounted to verso of albumin photograph mount (see photo)
Glue residue outside of image/sheet on recto
Colors fresh
No other issues to note
David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism.
He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour.
Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter.
His son, known as David Cox the Younger (1809-1885), was also a successful artist.
Early life in Birmingham, 1783–1804
Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines
Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...
Category
1840s Romantic Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Untitled. Form in Space.
By Werner Drewes
Located in New York, NY
Pencil drawing on paper from 1944. Signed and dated with cypher. Paper size 4 x 6" (10 x 15.1 cm).
Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, was...
Category
1940s Abstract Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Pencil
A pair of oval drawings for Ovid, Metamophoses
By Charles Joseph Natoire
Located in Fairlawn, OH
A pair of oval drawings for Ovid, Metamophoses
Left: The Triumph of Amphitrite (Book I)
Right: Diana and Actaeon (Book III)
From: Ovid, Metamophoses
These mythological studies are after paintings by Simon Vouet (1590-1649) that decorated the Chateau de Chilly. They were commissioned by the Marquis D'Effiat in 1630-31. The scholarly record documenting the commission are a series of engravings by Michel...
Category
1760s Baroque Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Ink, Pen
Surrealist landscape with organic shapes
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Surrealist landscape with organic shapes
Watercolor on paper, 1960-1970
Signed CE Harris lower right corner (see photo)
Stamped with the artist’s estate stamp verso (see photo)
Reference: Beni Kosh Collection Estate Stamp #705
Provenance: Estate of the artist
A wonderful example by one of the few African American Surrealist painters.
“An African-American born Charles E. Harris, the name under which he painted until the early 1960s when he took the name of Kosh. His paintings span the period 1949-71, and reflect abstract and surreal figurative subjects which include Cleveland street scenes, jazz clubs, and depictions of Christ.”
Courtesy of Rachel Davis Fine Art
“Beni E. Kosh was born as Charles Elmer Harris, in Cleveland Ohio. He changed his name in the 1960’s, which translates to “Son of Ethiopia”. He rarely exhibited or sold his work and was affiliated with the African-American artists’ “Sho-nuff Art Group” and the Karamu House and studied under Cleveland artist Paul Travis. His style is very diverse and he experimented with Cubism, portraiture and abstractions in series. His paintings span from 1949 – 1971, and reflect abstract and surreal figurative subjects, which include Cleveland street scenes, jazz clubs, and depictions of Christ. He received little recognition during his lifetime and was only “rediscovered” literally days after his death when hundreds of his paintings were rescued by an art dealer.”
(Courtesy Pennsylvania Art...
Category
20th Century Surrealist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
OLD TREE
By James Fitzgerald
Located in Portland, ME
Fitzgerald, James (1899-1971) OLD TREE. Cat Raisonne 1223. Watercolor on paper, c. 1930. Signed, lower left. 19 x 25 1/2 inches, framed to 27 5/8 x 33 1/4 inches. Provenance: Estate ...
Category
1930s Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
$19,500
John Phillip Kemble as Hamlet, Act V, Scene I
By Eastman Johnson
Located in Fairlawn, OH
Signed and dated (on back) "January 1845/ J.E.J."
Provenance:
Mr. and Mrs. Bertram Rowland, Buckingham, PA
Mr. and Mrs. Edward Abraham, West Chester, PA
Hirschl & Adler Galleries...
Category
1840s Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Charcoal
Temple of Isis, View of Philae (verso)
By Henry Bacon
Located in Fairlawn, OH
Temple of Isis
Philae (verso)
Dpouoble sided watercolor, 1902
Signed on front lower left: "Henry Bacon" and dated 1902
Note:
The Temple of Isis is located on the Island of Philae at ...
Category
Early 1900s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
UNTITLED DRAWING
By William Gropper
Located in Portland, ME
Gropper, William (American, 1897-1977). UNTITLED DRAWING. Blue chalk
on fibrous handmade paper. Signed lower right, and inscribed at left
to Irwin and Sarah Lefcourt. 26 1/2 x 20 1/...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Chalk
Post Office, New York
By Robert Hallowell
Located in Fairlawn, OH
Post Office, New York
Watercolor on paper, c. 1930
Signed with the Estate stamp lower left (see photo)
Illustrated: Marbella Gallery, Robert Hallowell (1886-1939), No. 64
Provenance:...
Category
1930s Abstract Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Cross Roads, Kingston [Jamacia].
By Reynolds Beal
Located in New York, NY
Reynolds Beal painted this watercolor entitled “CROSS ROADS, KINGSTON.” in the spring of 1922. The paper size is 4 7/8 x 7 1/8" (12.4 x 18 cm). It is signed in pencil lower right a...
Category
Early 20th Century American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor, Pencil
![Cross Roads, Kingston [Jamacia].](https://a.1stdibscdn.com/reynolds-beal-paintings-cross-roads-kingston-jamacia-for-sale/a_3312/1599764549324/Reynolds_Beal_Cross_Roads_97814_master.jpg?width=240 "reynolds beal")
Untitled
By Laddie John Dill
Located in Fairlawn, OH
Untitled
Watercolor on paper, c. 1971
Unsigned
From the collection of Ileana Sonnabend (1914-2007)
Laddie John Dill, a Los Angeles artist, had his first solo exhibition in New York C...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Woman with child
By Robert Hallowell
Located in Fairlawn, OH
Woman with child
Watercolor on paper, c. 1930
Signed with the estate stamp lower right (see photo)
Exhibited: Marbella Gallery, New York
Illustrated: Robert Hallowell: An Artist Redi...
Category
1930s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
untitled Woman by the Windows
By Karl Albert Buehr
Located in Fairlawn, OH
Untitled (Woman by the Windows)
Unsigned.
Pastel on board, c. 1915
Created while the artist was in Giverny, France
Provenance:
Gift of the artist to his wife, Mary Hess Buehr
by Desc...
Category
1910s Abstract Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Pastel
Untitled (Two Standing Nudes, one seated nude)
By Boris Lovet-Lorski
Located in Fairlawn, OH
Untitled (Two Standing Nudes, one seated nude)
Graphite on wove paper, heightened with color, c. 1930
Unsigned
From a sketchbook created while the artist was working in Paris
Conditi...
Category
1930s Art Deco Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
untitled (Maine Landscape near Mt. Desert Island)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Landscape near Mt. Desert Island)
Watercolor on paper, c. 1945-1955
Signed by the artist lower left (see photo)
Provenance: Estate of the artist
Condition: Excellent
...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Untitled (Letitia, pregnant with Rising Sun)
By Sedrick Huckaby
Located in Fairlawn, OH
Untitled (Letitia, pregnant with Rising Sun)
Graphite on paper, 2005
Signed: "Sedrick Huckaby III" lower right (see photo)
In April 2008, Huckaby was awarded a Guggenheim fellowship ...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
Woman with Bicycle: Two Views
By Frank Duveneck
Located in Fairlawn, OH
Woman with Bicycle: Two Views
Graphite on paper, c. 1890
Unsigned
Graphite study of standing female nude verso
Provenance:
Rookwood Pottery Factory Collection, Cincinnati
Spanierman Gallery, New York (label)
Drawings from the sketchbook are in the collections of the Munson Williams Proctor Institute in Utica, New York and the Picker Art Gallery, Colgate University, Hamilton, New York.
A sister drawing from the same sketchbook was sold at Cowman’s Auction, Cincinnati, October 6, 2018. Accompanied by a letter from the Spanierman Gallery, dated 1997, stating that the drawing is from a sketchbook that was held in the Rookwood Factory Collection.
Sister drawing provenance: Provenance: Terry DeLapp...
Category
1890s American Realist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Graphite
Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design
Gouache on paper, 1920-1935
Signed with the Atelier Stamp verso (see photo)
Numbered with the Atelier Litt Archive number verso
(see photo)
Condition: E...
Category
1930s Abstract Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Gouache
Outgoing Fog (South Bristol, Maine)
Located in Fairlawn, OH
Watercolor on paper, 1976
Painted in South Bristol, Maine
Signed by the artist lower left
Condition: Excellent
Category
1970s Realist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
Academic Nude Study
Located in Fairlawn, OH
Academic Nude Study by E. Rantz
Charcoal on laid paper signed in charcoal
Lalanne Watermark, c. 1880-1900
Image: 24 3/4 x 18 3/4"
Category
Early 1900s Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Charcoal
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled
Pastel on paper, 1922
Signed with the artist's initials in pencil
Provenance: Estate of the artist
Francis M. Nauman (label)
Private collection, NY
A very early abstract/cubist work by Kelly. Created while the artist was studying with Arthur Carles in Philadelphia.
Leon Kelly (October 21, 1901 – June 28, 1982) was an American artist born in Philadelphia, PA. He is most well known for his contributions to American Surrealism, but his work also encompassed styles such as Cubism, Social Realism, and Abstraction. Reclusive by nature, a character trait that became more exaggerated in the 1940s and later, Kelly's work reflects his determination not to be limited by the trends of his time. His large output of paintings is complemented by a prolific number of drawings that span his career of 50 years. Some of the collections where his work is represented are: The Metropolitan Museum in New York, The Whitney Museum of American Art, the Museum of Modern Art, the Philadelphia Museum of Art, and Boston Public Library.
Biography
Kelly was born in 1901 at home at 1533 Newkirk Street, Philadelphia, PA. He was the only child of Elizabeth (née Stevenson) and Pantaleon L. Kelly. The family resided in Philadelphia where Pantaleon and two of his cousins owned Kelly Brothers, a successful tailoring business. The prosperity of the firm enabled his father to purchase a 144-acre farm in Bucks County PA in 1902, which he named "Rural Retreat" It was here that Pantaleon took Leon to spend every weekend away from the pressures of business and from the disappointments in his failing marriage. Idyllic and peaceful memories of the farm stayed with Leon and embued his work with a love of nature that emerged later in the Lunar Series, in Return and Departure, and in the insect imagery of his Surrealist work. "If anything," he once said,"I am a Pantheist and see a spirit in everything, the grass, the rocks, everything."
At thirteen, Leon left school and began private painting lessons with Albert Jean Adolphe, a teacher at the School of Industrial Art (now the University of the Arts) in Philadelphia. He learned technique by copying the works of the old masters and visiting the Philadelphia Zoo, where he would draw animals. Drawings done in 1916 and 1917 of elephants, snakes and antelope, as well as copies of old master paintings by Holbein and Michelangelo, heralded an impressive emerging talent. In 1917, he studied sculpture with Alexander Portnoff but his studies came to an abrupt halt with the start of World War I. Being too young to enlist, he joined the Quartermaster Corp at the Army Depot in Philadelphia, where he served for more than a year loading ships with supplies and, along with other artists, working on drawings for camouflage.
By 1920, the family's fortunes drastically changed. His father's business had failed due to the introduction of ready made clothing and his marriage, unhappy from the beginning, dissolved. Broken by circumstance Pantaleon left Philadelphia to begin a wandering existence looking for work leaving Leon to support his mother and grandmother. He found a job in 1920 at the Freihofer Baking Company where he worked nights for the next four years. Under these circumstances Leon continued to develop his skills in drawing and painting and learned of the revolutionary developments in art that were taking place in Paris.
During the day he was granted permission to study anatomy at the Philadelphia School of Osteopathy where he dissected a cadaver and perfected his knowledge of the human figure. He also met and studied etching with Earl Horter, a well known illustrator, who had amassed a significant collection of modern art which included work by Brancusi, Matisse, and Cubist works by Picasso and Braque. Among the artists around Horter was Arthur Carles, a charismatic and controversial painter who taught at the Pennsylvania Academy of Fine Arts. Leon enrolled in the Academy in 1922, becoming what Carles described as, "his best student".
In the next three years Leon work ranged from academic studies of plaster casts, to pointillism, to landscapes of Fairmount Park in Philadelphia, as well as a series of pastels showing influences from Matisse to Picasso. Clearly influenced by Earl Horter's collection and Arthur Carles he mastered analytical cubism in works such as The Three Pears, 1923 and 1925 experimented with Purism in Moon Behind the Italian House. In 1925 Kelly was awarded a Cresson Scholarship and on June 14 he left for Europe.
Paris
The first trip to Europe lasted for approximately three and a half months and introduced Kelly to a culture and place where he felt he belonged. Though he returned to the Academy in the Fall, he left for Europe again a few months later to begin a four-year stay in Paris. He moved into an apartment at 19 rue Daguerre in Paris and began an existence intellectually rich but in creature comforts, very poor. "I kept a cinderblock over the drain in the kitchen sink to keep the rats out of the apartment" he once explained. He frequented the cafes making acquaintances with Henry Miller, James Joyce and the critic Félix Fénéon as well as others. His days were split between copying old master paintings in the Louvre and pursuing modernist ideas that were swirling through the work of all the artists around him. The Lake, 1926 and Interior of the Studio, 1927, now in the Newark Museum.
Patrons during this time were the police official Leon Zamaran, a collector of Courbets, Lautrecs and others, who began collecting Kelly's work. Another was Alfred Barnes of the Barnes Collection in Philadelphia.
In 1929 Kelly married a young French woman, Henriette D'Erfurth. She appears frequently in paintings and drawings done between 1928 and the early 1930s.
Philadelphia
The stock market crash of 1929 made it impossible to continue living in Paris and Kelly and Henriette returned to Philadelphia in 1930. He rented a studio on Thompson Street and began working and participating in shows in the city's galleries. Work from 1930 to 1940 showed continuing influences and experimentation with the themes and techniques acquired in Paris as well as a brief foray into Social Realism. The Little Gallery of Contemporary Art purchased the Absinthe Drinker...
Category
1920s Abstract Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Pastel
$4,000
Untitled. Still Life.
By Werner Drewes
Located in New York, NY
This gouache painting by Werner Drewes was created in 1942. Signed with a pen in the lower right. Cypher and date are just under the signature. Painted to the papers edge - the pap...
Category
1940s Abstract Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Gouache
Composition in Red
By Sam Francis
Located in London, GB
Sam Francis
Composition in Red
c. 1960
Gouache on paper
52.5 x 24.5 cms (20 11/16 x 9 11/16 ins)
SF14434
$125,000
Exhibited:
Bernard Jacobson Gall...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Gouache
Surrealist landscape with animal and figures
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Surrealist landscape with doorway, animal and figures
Watercolor on heavy paper, n.d.
Unsigned
Stamped with the artist's estate stamp (see photo)
Provenance:
Estate of the artist
R...
Category
Late 20th Century Surrealist Ifpda International Fine Print Dealers Association Drawings and Watercolor Paintings
Materials
Watercolor
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