Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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SUBWAY SHIFT - THE SECOND FRONT
By Benton Murdoch Spruance
Located in Portland, ME
Spruance, Benton (American 1904-1967). SUBWAY SHIFT - THE SECOND FRONT. Fine and Looney 223. Lithograph, 1943. Fine and Looney cite two editions, one of 35 and one of 30, this being ...
Category
1940s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Baigneuse Debout, à Mi-Jambes — French Impressionism
By Pierre-Auguste Renoir
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
U is for Unusual People, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category
1990s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
LE PETIT CAVALIER SUR BOIS.
By Jean Baptiste Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42)
Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....
Category
1850s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Photographic Paper, Etching
CURIOUS GEORGE GOES TO THE HOSPITAL
Located in Portland, ME
Rey, Margaret and H.A. CURIOUS GEORGE GOES TO THE HOSPITAL. Houghton Mifflin, Boston, 1966. 1st Printing stated. INSCRIBED in ink on the front free endpaper "To Edith Bell from the R...
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Bedrock' — Construction of the New Yorker Hotel
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B
Color woodcut, 1959
Signed and dated lower right (see photo)
Titled lower left (see photo)
A trial proof, prior to the edition of 100, signed and numbered
Condition: Excellent
Image size: 14 1/2 x 9 3/4 inches
Provenance: Estate of the artist
by decent to his heirs
"Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio.
Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Those...Plants
By Howard Hodgkin
Located in London, GB
Soft-ground etching from three copper plates printed in sepia, with hand colouring in watercolour (a yellow wash background) and green gouache. On Stoneridge mould-made etching paper
Signed with initials and dated 1980 in black wax crayon, lower centre. Numbered in black wax crayon, lower left
Published by Petersburg Press
Exhibition History: 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
Literature: 'The Tate Gallery: Illustrated Catalogue of Acquisitions 1980-82', London, 1984, p. 261 (ill.); Elizabeth Knowles...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Etching
PKZ Coat
By Otto Baumberger
Located in New York, NY
Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2”
Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
UNE JETEE EN ANGLETERRE
By Félix Hilaire Buhot
Located in Portland, ME
Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...
Category
1870s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Oursikoff - including a copy of the Journal in which it appeared
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), Oursikoff, lithograph, from Actualities, Plate number 72, published in Charivari, 1854. Reference: Daumier Register 2519, second state of two, a newsprint...
Category
1850s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Maisons au Bord de la Mer
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Maisons au Bord de la Mer, etching, 1936, numbered bottom right (26/66) and inscribed in the bottom margin by Suzanne Laboureur (see below). Referen...
Category
1930s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Side (Beijing)
By Martin Puryear
Located in Berkeley, CA
COLOR HARDGROUND ETCHING WITH AQUATINT AND DRYPOINT. RIVES BFK PAPER
IMAGE SIZE: 24” x 24”; PAPER SIZE: 35” x 34”
EDITION OF 40
Category
2010s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Peter Blake, D is for Dwarfs and Midgets, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category
1990s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Avril
By Manuel Robbe
Located in Fairlawn, OH
Avril (April)
Color aquatint and etching, c. 1906
Signed in pencil lower right
Edition: c. 100
Excellent impression, fresh colors
Reference: Merrill Chase Volume 1, No. 9
Condition: ...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Pinto
By Peter Doig
Located in London, GB
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...
Category
Early 2000s Photorealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$33,568
My Bicentennial Print
By Herbert L. Fink
Located in Fairlawn, OH
My Bicentennial Print
Photo etching, 1976
Signed and dated in pencil lower right (see photo)
Titled and numbered in pencil loer left (see photo)
Edition: 21 (16/21) There also appears to be an additon of 100.
Condition: Excellent
Image/Plate size: 14 1/2 x 19 3/4 inches
Sheet size: 22 1/8 X 30 inches
The artist's commentrary on the Bicentennial Year of 1976
In 1965 Fink was awarded a Gugenheim Memorial Foundation Fellowship for Fine Arts.
Herbert Lewis Fink, painter, printmaker, sculptor, and educator, born was in Providence, Rhode Island on September 8, 1921. He studied at the Carnegie Institute of Technology in 1941, he received is B.F.A. degree from the Rhode Island School of Design in 1949, his M.F.A. from Yale University in 1956, and he also studied for a year at the Art Students League and with John Frazier...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Birthday Party
By Howard Hodgkin
Located in London, GB
Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm)
Signed and dated 77 in pencil, lower...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph, Color
DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint
By John Martin
Located in Santa Monica, CA
JOHN MARTIN (1789 – 1854)
DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...
Category
1830s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
'Taos - Relic of the Insurrection of 1845' — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Relic of the Insurrection of 1845' also 'Taos Pueblo with Ruin)', lithograph, 1944, edition 30, Czestochowski 121. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 3/8 to 1 15/16 inches). Very pale light toning within a previous mat opening, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 11 5/8 x 15 1/2 inches (296 x 394 mm); sheet size 15 1/8 x 19 inches (384 x 483 mm).
ABOUT THE IMAGE
The Taos Revolt was a populist insurrection in January 1847 by Hispano and Pueblo allies against the United States occupation of present-day northern New Mexico during the Mexican–American War. The rebels killed provisional governor Charles Bent and several other Americans. In two short campaigns, United States troops and militia crushed the rebellion of the Hispano and Pueblo people. The New Mexicans, seeking better representation, regrouped and fought three more engagements, but after being defeated, they abandoned open warfare. The hatred of New Mexicans for the occupying American army, combined with the rebelliousness of Taos residents against imposed outside authority, were causes of the revolt. In the uprising's aftermath, the Americans executed at least 28 rebels. The Treaty of Guadalupe Hidalgo in 1850 guaranteed the property rights of New Mexico's Hispanic and American Indian residents.
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of American Indian...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Gloucester Harbor' — Mid-Century Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
$520 Sale Price
20% Off
Salade de Alf Landon, from Wild Raspberries
By Andy Warhol
Located in London, GB
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate.
‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...
Category
1950s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph, Ink, Offset
City Scene II — Mid-Century Modernism, Precisionism
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'City Scene II', wood engraving, 1949, artist's proof, edition 100. Signed, titled, and annotated 'A.P.' in pencil. A superb, richly-inked impression, on whit...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Church with House and Tree' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Monseignor St. Thomas
By Cyril Power
Located in New York, NY
Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches.
A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue).
The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin).
The subject matter of this print relates to TS Eliot...
Category
1930s Futurist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
Drawing Boards I (grey / purple)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Elisabeth' — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Elisabeth', woodcut, edition 20, 1923. Signed, dated, and numbered 'op.142b' and '12/20' in pencil. Signed in the block, lower left. Annotated 'Vorgesdruck' [artist’s proof] in pencil.
A fine impression, on heavy fibrous Japan paper, with full margins (1 3/16 to 3 1/2 inches),
in good condition. Printed by the artist, With the artist’s blindstamp in the bottom center margin. Scarce. Matted to museum standards, unframed.
Image size 4 15/16 x 6 inches (131 x 152 mm); sheet size 10 x 6 inches (254 x 152 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints.
Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Untitled
By Alexander Calder
Located in Fairlawn, OH
Untitled
Color lithograph, 1959
Unsigned (as issued)
From: Derriere Le Miroir, No. 113, 1959
Publisher: Editions Pierre a Feu
Editor: A. Maeght
Small edition as it appeared in the ma...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
Alington in Wiltshire (The First Swallow).
By Robin Tanner
Located in Storrs, CT
Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil.
Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition."
Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$1,250 Sale Price
37% Off
Paris Suite 4 (Winter)
By Robert Motherwell
Located in London, GB
Robert Motherwell
Paris Suite IV (Winter)
1980
Lithograph on J.B. Green handmade paper, Edition of 60
47 x 45.7 cms (18.5 x 18 ins)
RM17036
CR 267
18 1/2 ...
Category
1980s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled
By Sam Francis
Located in London, GB
Sam Francis
Untitled
1968
Lithograph, Edition of 3, experimental proof
66 x 47 cms (26 x 18 1/2 ins)
SF15155
Category
1960s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Ladies Dress Shoes. Plate IX.
By T. Watson Greig 1
Located in New York, NY
LADIES DRESS SHOES. Plate IX.
The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe...
Category
Early 1900s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
South
By Ed Ruscha
Located in London, GB
Lithograph on white Rives BFK paper
Proofs: 10AP, 1BAT, 2CTP, 2PP, 4 publisher's proofs, 1 shop proof, 5TP
Inscriptions: Signed and dated in pencil lower right, "Ed Ruscha 91", numbe...
Category
Late 20th Century Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Lithograph
$12,000
STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013
By Katherine Bradford
Located in Portland, ME
Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...
Category
2010s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Monotype
THE WINDOW II
By David Bumbeck
Located in Portland, ME
Bumbeck, David (American, born 1940). WINDOW II. Etching and aquatint, 1966. An Artist's Proof aside from the edition of 35. Ttiled, inscribed "Artist's Proof," and signed and dated,...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
19th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$2,800 Sale Price
20% Off
Mirrors (brown)
By Robyn Denny
Located in London, GB
63 x 46 cms (25 x 18 ins)
Edition of 40
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Screen
RED ROCK CANYON
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
RED ROCK CANYON ca 1936
Color block print. Signed and titled in pencil. 10 x 11” on fibrous paper, sheet 13 3/8 x 15...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
MISSOURI MOUSE - Large Folio "The Viviparous Quadrupeds of North America" Pl.100
By After John James Audubon
Located in Santa Monica, CA
(After) JOHN JAMES AUDUBON (1785 - 1851)
MISSOURI MOUSE, 1846 - Plate 100 (C) No. 20
Lithograph with original hand coloring. From Audubon's "The Viviparous Quadrupeds of North America...
Category
1840s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$600 Sale Price
20% Off
Red Sea III
By Robert Motherwell
Located in London, GB
Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper, Edition of 70
1983
90.2 x 46.4 cms (35 1/2 x 18 1/4 ins)
Category
1980s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
Red Sea I
By Robert Motherwell
Located in London, GB
105.4 x 74 cms (41 1/2 x 29 1/8 ins)
Edition of 100
Paper: Arches Cover
Signature: Signed "Motherwell" in pencil lower right
Inscriptions: Numbered in pencil lower right; artist's c...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Etching, Aquatint
Portrait of Whistler with the Monacle.
By Paul César Helleu
Located in Storrs, CT
Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were onl...
Category
19th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
$1,600 Sale Price
20% Off
Missing Peace (Homage to 911)
By Carol Wax
Located in New Orleans, LA
The Artist's Christmas homage to the attack on the twin towers with reindeer atop the buildings.
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting.
In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Intaglio
Keshin (Incarnation (Moku)
Located in Fairlawn, OH
Keshin (Incarnation (Moku)
Color woodcut, 1958
Signed and dated lower left in pencil (see photo)
An impression is in the collectionof the Asian Art Museum, No. 2012.93, which is not a richly inked s this impression.
Another impression is in the National Museum of Art, Smithsonian, accession no. S2019.3.1297
A third impression is in the collectionof the Art Gallery of Greater Victoria
This appears to be the best and most colorful impression of the museum holdings.
The image is thought to depict a flying crame
Condition: Wrinkles to large sheet of handmade paper. Not objectionable.
Image size: 29 15/16 x 21 1/4 inches
Sheet size: 37 3/8 x 27 1/4 inches
Reference: Tadashi Nakiyama Life & Work, Plate F
Tadashi Nakayama - Sosaku hanga artist Tadashi Nakayama initially studied oil painting at Tama Art College, but began creating woodblock prints in 1951. In the 1960s, he traveled to Turkey, Greece, England, and Italy, absorbing influences from Persian and Byzantine art and the renaissance master Paolo Ucello. Throughout his long career, his subjects have included flowers, butterflies, women, and perhaps most famously, horses...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
The Deserted Palace.
By James McBey
Located in Storrs, CT
The Deserted Palace. 1928. Etching. Hardie/Carter 236. 8 1/2 x 10 (sheet 10 1/2 x 12 3/8). Edition 80, #53. A rich impression printed in bistre ink with pl...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$1,800 Sale Price
20% Off
Climber
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 30
Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has become a master...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Sylvan Maze' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Sylvan Maze', color lithograph, 1946, edition 20. Signed, dated, titled and numbered '112' and '11/20' in pencil. A fine, richly-inked impression with fresh colors, on heavy, off-white wove paper; full margins (1 to 1 1/2 inch), in excellent condition. Image size 13 11/16 x 9 11/16 inches; sheet size 16 1/8 x 12 5/16 inches. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Lithographie originale our XXe siecle
By Hans Hartung
Located in Fairlawn, OH
Lithographie originale our XXe siecle
Color lithograph, 1964
Unsigned (as issued)
From: XXe siecle, Permanence du Sacre, No. 24
Publisher: G. di San Lazzaro, Paris
Printed by Mourlot...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Sea Dragon
By Don Ed Hardy
Located in Lyons, CO
Color lithograph with metallic powder, Edition 20.
Don Ed Hardy’s lithographs “Storm Dragon” and “Sea Dragon” continue his lifelong exploration of dragon m...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Hollyhocks
Located in Fairlawn, OH
Hollyhocks
Color woodcut, 1953
Signed with the artist's stamp lower left
Printer: Niimi
Carver: Nagashima
An early printing
Condition: Excellent
Image size: 15 1/2 x 10 3/8 inches
"...
Category
1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Nude at Piano
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'Nude at Piano', 1933, etching, edition 100, (only 85 printed), Morse 265. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, lower right...
Category
1930s Ashcan School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'de Young Mansion' – San Francisco' — California WPA, Woman Artist
Located in Myrtle Beach, SC
Marguerite Redman Dorgeloh, 'de Young Mansion – San Francisco', lithograph, c. 1937, edition 25. Signed and titled in pencil. A fine, richly-inked impr...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Sleeping Car
By James L. Hendershot
Located in New Orleans, LA
Associated American Artists published "Sleeping Car" by James Hendershot. This image shows a rail car filled with passengers and conductors.
This exhibit...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$150 Sale Price
62% Off
Three of a Kind C
By Richard Smith
Located in London, GB
Edition of 60
71 x 79 cms (28 x 31 ins)
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$750 Sale Price
6% Off
The Vraic Season (No 1).
By Edmund Blampied
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$900 Sale Price
40% Off
GIRLS WITH LOTS OF QUAILS
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996)
GIRLS WITH LOTS OF QUAILS, 1965
鶉と少女
Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...
Category
1960s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Stencil
$1,150 Sale Price
23% Off
'Yvette Guilbert, SCALA' — Fin de Siècle, Paris
Located in Myrtle Beach, SC
BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone.
A superb, richl...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Girl's Head - Woman's Head (Harvard)
By Elie Nadelman
Located in Fairlawn, OH
Girl's Head - Woman's Head (Harvard)
Drypoint, 1920
Unsigned (as issued)
From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from the original zinc an...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
'Lomagnupur, South Iceland' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Lomagnupur, South Iceland', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted.
Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches.
From the artist's series of 64 photogravure etchings, 'Axis Mundi...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Photogravure
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