Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Through the Storm.
By Edmund Blampied
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Elegy Black Black, a beautiful lithography from Motherwell's elegy series
By Robert Motherwell
Located in London, GB
Robert Motherwell
Elegy Black Black
1983
Lithograph in colors, on TGL handmade paper, Edition of 98< AP XI/XVI
38.1 x 95.9 cms (15 x 37 4/5 ins)
extract from the catalogue raisonné...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
1990s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Lotus
By Maki Hino
Located in New Orleans, LA
Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals.
Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
$85 Sale Price
22% Off
'Psychopathic Ward' — Socially-Conscious Realism
By Robert Riggs
Located in Myrtle Beach, SC
Robert Riggs, 'Psychopathic Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 60, Bassham 78. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A ...
Category
1940s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
P is for Pachyderm
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category
1990s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Twixt Dawn and Day
By Sir Frank Short
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
$500 Sale Price
39% Off
New York Skyline, Sketch
By John Taylor Arms
Located in Myrtle Beach, SC
A fine impression, on cream wove paper, with full margins (5/8 to 1 3/8 inches), in excellent condition. Edition 20. Signed and dated in pencil. Annotated 'Bolton Brown...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Morning
By Caroline Durieux
Located in New Orleans, LA
Caroline Durieux created the technique (electron print) used in the depiction of "Morning".e. This is only one of 5 impressions. Some have theorized that the image is close to that of the artist's brother, Professor Charles Durieux.
In the electron print technique, radioactive isotopes are mixed with printing ink. A drawing is made and exposed face-to-face to paper coated with a radio-sensitized substance. The paper is then developed and produces an exact image of the original drawing.
“The image is transferred from the radioactive drawing to the sensitized paper by invisible beta rays,” says Dr. Wheeler. “Since beta rays are electrons, we named the process Electron Printing.”
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Photographic Paper, Lithograph
$550 Sale Price
38% Off
'Bullfight'— Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bullfight', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '105' (the artist's inventory number) and '13/15' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/16 to 2 3/8 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 5 1/16 x 4 1/16 inches (129 x 103 mm); sheet size 8 9/16 x 6 5/16 inches (217 x 160 mm).
An impression of this work is included in the museum collection of the National Gallery of Art.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
$360 Sale Price
20% Off
Le Jongleur (The Minstrel)
By Georges Rouault
Located in Storrs, CT
Le Jongleur (The Minstrel). 1930. Etching and aquatint printed in colours. Chapon/Rouault 199 d. 12 1/4 x 8 1/2 (sheet 17 1/4 x 13 1/8). Series: Cirque plate 2. Edition 270. Initial...
Category
Early 20th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Aquatint
$1,250 Sale Price
37% Off
Characters from the Sketchbooks (from September Storm plus Self Portrait)
By Jackson Lee Nesbitt
Located in New Orleans, LA
This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio.
From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Graphite
Between Air and Water #18
By Shoichi Ida
Located in Fairlawn, OH
Between Air and Water #18
Color soft ground, Spit Bite Aquatint and Drypoint on Gampi Chine Colle, 1992
Signed, titled, and dated in pencil (see photo)
Annotated: A.P.4 (see photo)
C...
Category
1990s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
'Sailing' — Modernism, New York City WPA
Located in Myrtle Beach, SC
Fred Becker, 'Sailing', wood engraving, c. 1935, edition c. 25. Signed and titled in pencil. A fine, richly-inked impression, on off-white wove paper; with full margins (1 to 2 15/16...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Playboys (2 American male refugees from the Gatsby era preen on Mexican beach)
By Caroline Durieux
Located in New Orleans, LA
In these beady-eyed playboys, Durieux pokes some fun at the pride and pretensions of the Great Gatsby class. Here are two Americans pretending to be macho on a Mexican beach.
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
One Plate, from We Are The Square Jocular Clan
By Takashi Murakami
Located in London, GB
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
Murakami bridges the gap between Fine Art and Pop Art by uniting elements of Japanese anime...
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Peter Blake, D is for Dwarfs and Midgets, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category
1990s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Olliver St. John Gogarty
By Gerald Leslie Brockhurst
Located in Storrs, CT
Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-wove paper. Signed in pencil.
The etching was done as a commission for Cuala Press, Dublin, as a frontispiece for Gogarty's book, Elbow Room Before publication, the project was changed and the print was never used.
Oliver Joseph St. John Gogarty (17 August 1878 – 22 September 1957) was an Irish poet...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Grapheme 1
By Matt Magee
Located in Houston, TX
Matt Magee
Grapheme 1, 2013
Lithograph
12 x 10 inches
ed. 15
Framed
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
THE PARTISAN (SF Dock strike)
By Herman Roderick Volz 1
Located in Santa Monica, CA
HERMAN VOLZ (Swiss/American 1904 - 1990)
THE PARTISAN, 1937
Lithograph, signed and no. in pencil. Edition 30. 10 1/2 x 14. Sheet 11 1/4 x 17 1/2" Generally good condition aside fro...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Odalisque, brasero et coupe de fruits
By Henri Matisse
Located in London, GB
Henri Matisse
Odalisque, brasero et coupe de fruits
1929
Lithograph on Arches Velin paper, Edition of 100
Paper size: 38 x 57 cms (15 x 22 1/2 ins)
Image size: 27.9 x 37.6 cms (11 x ...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
One Plate, from We are the Jocular Clan
By Takashi Murakami
Located in London, GB
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in....
Category
2010s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.”
CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art
C.F.W. Mielatz
American, 1860-1919
Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
$400 Sale Price
27% Off
Garden City (green tied square)
By Richard Smith
Located in London, GB
Edition of 50
76 x 76 cms (30 x 30 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Sommeil - In Celebration of Pride Month
By Mikio Watanabe
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
In this mezzotint, the sensual profile of a young nude woman is seen sleeping with ...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
$1,440 Sale Price
28% Off
Ruine di Sepolcro antico
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Grey Folded Clouds - IV Grey
By Joe Goode
Located in London, GB
Joe Goode
Grey Folded Clouds - IV Grey
1971
Lithograph, Edition of 50
50.8 x 75 cms (20 x 29 1/2 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Petrouchka's Predicament' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Petrouchka's Predicament', color lithograph, 1946, edition 20. Signed, dated, titled, and numbered '115' and '14/20' in pen. A fine, richly-inked impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 1/2 inches), in excellent condition. Image size 21 3/4 x 13 3/4 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed.
'Petrouchka', a ballet with music by the Russian composer Igor Stravinsky and choreography by Michel Fokine, is based on the legend of Russian folklore. 'Petrouchka', a puppet made of straw with a bag of sawdust as his body, comes to life and has the capacity to love, a story conceptually resembling that of Pinocchio.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Muse (a young novice in colorful swim suit struggles thru a pool of blue)
By Art Werger
Located in New Orleans, LA
Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Made in China (A lantern with Chinese characters etched on the base)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Made in China", explores the irony that glass, a transparent material alters perceptions of reality. This is the first instance in which Wax explores that iro...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
WE’RE OVER THR MOUNTAIN (Wir sind überm Berg)
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893 – 1980)
WE’RE OVER THR MOUNTAIN (Wir sind überm Berg) (A68, D2718)
Lithograph over tinted ground, signed in pencil and in monogram in the stone. Image, 14 ½ x 19 1/4. Large full sheet with watermark and deckle edge, 24 ½ x 19 ¼. In very good condition.
The A. Paul Weber Museum was inaugurated in Ratzeburg in 1973. Andreas Paul Weber died on 9 November 1980. This important German lithographer, draughtsman and painter bequeathed a comprehensive œuvre, in which critical satirical works figure prominently.
THE WEBER MUSEUM HAS ADDITIONAL INFORMATION AND A BIOGRAPHY
The following is a biography taken from the prominent German auction house KETTERER /KUNST:
Andreas Paul Weber attended secondary modern school in Arnstadt between 1903 and 1910 before briefly attending the School for the Decorative and Applied Arts in Erfurt. In 1908 Weber joined the 'Jungwandervogel', a movement which sought to develop a new, modern lifestyle based on walking and living close to nature. At the same time Andreas Paul Weber began experimenting with lithography and worked as a commercial artist. When the first world war broke out, Weber served as a railway engineer on the Eastern Front, where he worked for the army as a draughtsman from 1916. After the war Andreas Paul Weber illustrated numerous books, including Till Eulenspiegel, Reineke Fuchs and the critical contemporary work Der Zeitgenosse by Hjalmar Kutzleb, which were Weber's first successes. In 1925 Weber founded the 'Clan-Presse' ['Clan Press'], where he and his son Christian printed...
Category
1940s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Eyes for the Night' — Mid-Century American Surrealism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Eyes for the Night', color lithograph, 1948, edition 35, Fine and Looney 261. Signed, dated, and titled, and annotated 'Ed 35' in pencil. A fine impression with fresh colors, on cream wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Printed by master lithographer Theodore Cuno. Archivally matted to museum standards, unframed.
Image size 19 x 13 inches; sheet size 21 1/8 x 15 1/4 inches.
Selected by the artist for his retrospective exhibition 'Benton Spruance: Lithographs...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Jane Hading
By Henri de Toulouse-Lautrec
Located in Fairlawn, OH
Jane Hading
Lithograph, 1898
Monogramed in the stone upper left corner (see photo)
From the First Edition, printed posthumously before 1906
c. 400 impressions (per Wittrock)
The sitt...
Category
1890s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Midsummer II
By Robert Kushner
Located in Lyons, CO
Color lithograph with gold leaf, Edition 30
Working from branches and grasses collected in the vicinity of Shark’s studio, Kushner created this composition determined by chance. K...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Symbiosis
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category
1990s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Darius II
By Darius Steward
Located in Fairlawn, OH
Signed in pencil lower right
Edition: 3 impressions
Signed, dated and annotated “1 of 3”
Exhibited: Zygote Press, Cleveland, 2016
Tregoning & Co. 2017
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Broad Street (Wall Street)
By Bror Julius Olsson Nordfeldt
Located in Myrtle Beach, SC
B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed.
Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum.
A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...
Category
1910s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Twilight - In Celebration of Pride Month
By Paul Wunderlich
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Paul Wunderlich created a series of 12 lithographs,Twilight together with his wife,...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Rolling Stock Series (For Chuck)
By Robert Cottingham
Located in New York, NY
Robert Cottingham's Rolling Stock series is a significant part of his artistic portfolio, focusing on railroad imagery. The series features hand-colored etchings, collographs, and mo...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Le Mais (Corn on the cob) in woven basket)
By Laurent Schkolnyk
Located in New Orleans, LA
Maize by Scholnyk is a mezzotint of ears of corn in a woven basket. This impression is #25 of an edition of 80.
Schkolnyk was born in Paris, France in 1953 and currently resides in...
Category
1890s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
$138 Sale Price
63% Off
A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category
Late 19th Century Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Photogravure
THE LITTLE COURT - CLOTH FAIR
By James Abbott McNeill Whistler
Located in Portland, ME
Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly.
Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare.
The following are translations from the entry on Gerstenberg in Lugt:
Lugt 1921:
O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints.
Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings.
Lugt 1956:
During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately.
We will get an idea of the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade.
The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935.
The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...
Category
1880s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Tobias and the Angel
By Hendrik Goudt
Located in Chicago, IL
References:
Bartsch, Dutuit and Hollstein 2
Category
17th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Amanda (Marguèrite), No. 1
By Gerald Leslie Brockhurst
Located in Storrs, CT
Amanda No. 1 (Marguèrite). 1920. Etching. Fletcher 18. 3 1/2 x 2 3/8 (sheet 9 x 7 1/4). Edition 55. . A rich proof printed with plate tone on cream laid paper with full margins. Sign...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$350 Sale Price
22% Off
'Venice, Maria della Salute' — Serenissima Impressionism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...
Category
1930s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Barges, Dordrecht
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Barges, Dordrecht
Etching, c. 1886
Signed in the plate with the butterfly
Edition: One of 10 known impressions of this image. VERY RARE
Provenance:
Frederick Keppel & Co. with their ...
Category
19th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Varietesoubrette, Schwalbennest' also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed.
Published in Die Schaffenden...
Category
1920s Bauhaus Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
'Equus Uirumpu' — Mid-century American Modernism
By James Houston McConnell
Located in Myrtle Beach, SC
James Houston McConnell, 'Equus Uirumpu' (The Man's Horse), color serigraph, c. 1945, edition not stated but small. Signed and titled in pencil. Initialed in the image, lower right. ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
IL A ETE MALTRAITE ET OPPRIME ET IL N'A PA
By Georges Rouault
Located in Portland, ME
Rouault, Georges (French, 1871-1958). IL A ETE MALTRAITE ET OPPRIME ET IL N'A PAS OUVERT LA BOUCHE " (He was oppressed, and he was afflicted, yet he opened not his mouth). Aquatint, ...
Category
1940s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Aquatint
A Lancashire River.
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman 203.viii. 10 7/8 x 15 7/8 (sheet 13 7/8 x 17 7/8). Illustrated: Print Collector's Quarterly 1 (1911): 27. A 1-inch printing fold in the left-hand side of the image, and ...
Category
Late 19th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Portrait du Prince de Phalsbourg
By Jacques Callot
Located in Chicago, IL
Watermark:
Lion and Star (Lieure 38)
References:
Lieure No. 505
Notes:
An early impression of the only state of this major work.
According to Lieure (Jacques Callot: Catalogue de l...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
L'Armoire (2nd State)
By Jean-Honoré Fragonard
Located in Chicago, IL
The Armoire
Etching
340 x 469 mm.; 13 3/8 x 18 1/8 inches
Reference:
Inventaire 18e siècle 9: 289-90, No. 22
Wildenstein 1956, cat. No. 23, State II/IV
Regency to Empire, 1...
Category
18th Century Rococo Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Water Margin
By Matt Magee
Located in Houston, TX
Matt Magee
Water Margin, 2023
Lithograph
24 1/4 x 18 3/4 in (61.6 x 47.6 cm)
Edition of 20
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Violin et Coquille (violin and shell / inscribed Happy New Year 2000)
By Laurent Schkolnyk
Located in New Orleans, LA
This black and white mezzotint of a shell next to a violin is an artist proof that was inscribed Happy New Year 2000 and signed by the artist. The regular e...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953)
CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii)
Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category
Early 1900s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$5,100 Sale Price
26% Off
COMPOSITION - Lovely design portraying a future Abstract Expressionist.
Located in Santa Monica, CA
JAMES CHAPIN (1887 – 1975)
COMPOSITION c. 1940
Lithograph signed in pencil, Image 11 7/8 x 7 ¾ inches, sheet 13 5/8 x 10 5/8 inches. Just a hint of mat line in the margins and on the verso. Some remnants of old tape prImarily at the left & right sheet edges. Rather scarce print but possibly published by Associated American Artists.
WONDERFUL PORTRAYAL OF AN UP AND COMING ARTIST...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Amphitrite Nude Etching
By Raoul Dufy
Located in New York, NY
Original etching. This is the frontispiece etching published in Paris in 1930 by Floury for Marcelle Berr de Turique's monograph on the artist Dufy. Signed by Raoul Dufy within the p...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
A Sandstorm on the Little Colorado River, Arizona
By George Elbert Burr
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Soft-ground etching. Seeber 189. 6 7/8 x 9 3/4 (sheet 9 5/8 x 13). Edition 40, #6. Series: Desert Set. Illustrated: American ...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Watercolor
$750 Sale Price
25% Off
Untitled I
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category
2010s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Linocut, Woodcut
A Yorkshire Dell or The Heron’s Pool.
By Sir Frank Short
Located in Storrs, CT
A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...
Category
Early 20th Century Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint, Etching
$1,000 Sale Price
20% Off
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