Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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'Les Penitentes #3' — 1970s Modernist Abstraction
By Ralston Crawford
Located in Myrtle Beach, SC
Ralston Crawford, 'Los Penitentes #3', etching, 1976, edition 20. Signed and numbered '6/20' in pencil; titled and annotated 'specially selected for Marcelle and Dan' in the bottom s...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Self Portrait-L.B. AET 56
By Leonard Baskin
Located in Fairlawn, OH
Self Portrait-L.B. AET 56
Color woodcut printed in black and green, 1978
Signed in pencil lower right (see photo)
Edition: 150 (97/150)
Condition: Excellent
Image: 32 x 22”
Sheet: 35...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Viel Gluck 1923' (Good Luck Wishes) — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Viel Gluck 1923 Wunscht der Graphikverlag, J.G. Holzwarth/Bad Rothenfelde', woodcut, 1922, edition 20. Signed and numbered op. 135d and 20/20 in pencil. Signed in the image, lower left. Annotated 'Vorgesdruck' [artist’s proof] in pencil. A fine, richly-inked impression, on heavy, cream Japan paper, with full margins (5/8 to 1 1/8 inches), in good condition. With the artist’s blind stamp in the top left margin. Printed by the artist. Matted to museum standards, unframed.
New Year's Greeting - "1923, Good Luck Wishes from the Graphic Press, J.G. Holzwarth/Bad Rothfelde."
Image size 5 x 3 1/2 inches (127 x 89 mm); sheet size 6 5/8 x 5 7/8 inches (168 x 149 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints.
Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Court' — WPA Social Conscience, Woman Artist
Located in Myrtle Beach, SC
Claire Mahl Moore, 'Court' also 'The Authorities', woodcut, 1936, edition 5. Signed 'Mahl' and titled in pencil. A fine, richly-inked impression, on ...
Category
1930s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Hidden Cities III : Continuum
By Peter Milton
Located in New York, NY
“HIDDEN CITIES III : CONTINUUM”
Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is 24 x 37 inches and the paper size 32 x 45 inc...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Etching
The Dance of Death. 1914-1918
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Cudham, Kent
By Graham Sutherland
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$2,800 Sale Price
20% Off
Little Devils Bridge over the Russ, above Alt Dorft Swiss
By Joseph Mallord William Turner
Located in Fairlawn, OH
Little Devils Bridge over the Russ, above Alt Dorft Swiss
From: Liber Studiorum
Etching and mezzotint, 1809
Signed in the plate by JMW Turner and Charles Turner who applied the mezz...
Category
Early 1800s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Circus Girl With Plumed Hat
By Yasuo Kuniyoshi
Located in Santa Monica, CA
YASUO KUNIYOSHI (1893 -1957)
CIRCUS GIRL WITH PLUMED HAT, 1933 (D.L60)
Lithograph, signed in pencil and annotated 25P (edition of 25). Image 12 5/8 x 9 3/8 inches. Full margins w...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$3,200 Sale Price
20% Off
Sail I
By Sam Francis
Located in London, GB
101.6 x 71.1 cms (40 x 28 ins)
Edition of 40
Signed lower left; numbered lower centre, printer's chop lower right.
Publisher: Hollander's Workshop, New ...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Lithograph
$2,500
The Clairvoyant's Dream
By Fred Stonehouse
Located in Lyons, CO
Color lithograph, Edition 25.
I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. This work serves as allegory, political commen...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Navajo Courtship Dance' — Southwest Regionalism, American Indian
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/16 to 2 3/4 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 11 13/16 x 14 13/16 inches (300 x 376 mm); sheet size 13 1/16 x 20 1/8 inches (332 x 511 mm).
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Delta (River delta in front of mountains in volcanic landscape, Iceland)
By Udo Claassen
Located in New Orleans, LA
Delta was first brought to attention as one of the dramatic images illustrated in Carol Wax's book, The Mezzotint, History and Technique. It was also exhibited at the New Orleans Mu...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Blue Coat
By Alex Katz
Located in New York, NY
Image size: 24 x 12 inches
Edition of 30
Portrait of the artist's son Vincent.
Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. ...
Category
1990s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
$10,000
Man in the Waves
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
Man in the Waves
Direct to plate photogravure and aquatint.
Edition of 50
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Le Jongleur (The Minstrel)
By Georges Rouault
Located in Storrs, CT
Le Jongleur (The Minstrel). 1930. Etching and aquatint printed in colours. Chapon/Rouault 199 d. 12 1/4 x 8 1/2 (sheet 17 1/4 x 13 1/8). Series: Cirque plate 2. Edition 270. Initial...
Category
Early 20th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Aquatint
$1,250 Sale Price
37% Off
Still Life
By Howard Hodgkin
Located in London, GB
Screenprint from 18 screens. On Velin Arches mould-made paper
Based on 'Still Life', textile dyes on hand-made Indian paper, 1978
Signed with initials and dated 1980 in pencil, lower...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Indiarum Occidentalium Tractus Littorales cum Insulis Caribicis / Pascaert van W
By Louis Renard
Located in New York, NY
This early 18th-century engraved map was published by Louis Renard in Amsterdam. The image size is 19 x 22 " (48.3 x 55.9 cm) plus margins.
A beautifully engraved Dutch sea chart. Shown is the entire Caribbean basin including the eastern seaboard up to Cape Cod and includes Bermuda. Florida is shown with the classic flattened southeastern coast that was derived by Hessel Gerritz. Noted are the routes taken by the Spanish treasure...
Category
18th Century Other Art Style Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Generations 9
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Etching, Aquatint
Winter Garden
By Leonard Edmondson
Located in Santa Monica, CA
LEONARD EDMONDSON (1906 – 2001)
WINTER GARDEN, 1957
Color intaglio, Edition 50. signed, titled and no. in pencil. Image 11 x 8 ¾”, sheet 15 ¾ x 12 3/8”....
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Intaglio
Z is for Zoe
By Harvey Daniels
Located in New Orleans, LA
This is an#1 of an edition of 7
Harvey Daniels (British, 1936-2013)
Born in London, Daniels attended the Willesden School of Art, the Slade School of Fine Art, London University an...
Category
1960s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'The Yankee' — America's Cup, 1934
By Jacques La Grange
Located in Myrtle Beach, SC
Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed.
When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules."
ABOUT THE ARTIST
Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
$560 Sale Price
20% Off
The Large Village Fair
By Cornelis Dusart
Located in Chicago, IL
The Large Village Fair, 1685
Etching
268 x 377 mm.; 10 1/2 x 13 1/4 inches
Watermark:
Arms of Amsterdam
Provenance:
H. Freiherr von und zu Aufsess (Lugt 2749)
M. Menge (Lugt 1893a).
References:
Hollstein 16
Notes:
A fine, early impression (before spots on the sky) of one of Dusart’s most powerful and fanciful works.
Concerning the provenances of this etching:
Hans von und zu Aufsess (1801-1872) was a great book lover and also a major collector of Old Master prints. He was one of the founders, in 1852, of the Germanisches Museum in Nürnberg and was that museum’s director until 1862. Mas Menge (died in 1945) was a famous violinist and also a major collector of Old Master prints and drawings.
Category
17th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Peter Blake, C is for Clown, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category
1990s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
'By the Arks' — Mid-20th Century Surrealism
By Federico Castellon
Located in Myrtle Beach, SC
Federico Castellon, 'By the Arks', 1941, lithograph, edition 250, Freundlich 10D. Signed in pencil. Signed in the stone, lower left. A fine, atmospheric impression on cream, wove pap...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Butterflies, Moths and Caterpillars Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
Mid-18th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Laid Paper
Untitled (Crucifixion)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Crucifixion), lithograph, edition 250, 1929. Signed and numbered 7 in pencil. Number 7 of Volume 1, a series of 10 lithographs published by the artist a...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$760 Sale Price
20% Off
BOUQUET
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. BOUQUET. Tahir 41. Woodcut, 1964. Edition of 150. Signed, titled, dated and numbered 92/150 in pencil. 15 x 18 inches on a sheet 20 x 23 1/2 inches (matted to c....
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
THREE'S A CROWD
By Marguerite Kirmse
Located in Santa Monica, CA
MARGUERITE KIRMSE (English/American 1885-1954)
THREE’S A CROWD, c 1930
Etching, signed and titled in pencil. Plate 6 3/8 x 9 ¾ inches. Full sheet with edges on all sides. Sheet 10 5/8 x 13 5/8 inches. In good condition, save for old tape on sheet edges verso, showing through to recto. A hint of a mat line below the signature
Kirmse is considered to be one of the most important etchers of Dogs.
Sheet with even white tone - photos show oblique shadows
From Wikipedia:
Marguerite first trained as a harpist at the Royal Academy of Music but spent much of her spare time drawing animals. She went to the United States in 1910 on holiday with friends but stayed there.[4] She was not successful in advancing her musical career and focused her attention increasingly on her animal drawing, which she developed by frequent sketching trips to the Bronx Zoo.[5]
In 1921 she started producing etchings of dogs...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$506 Sale Price
25% Off
TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985)
TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Frame with Separation
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Minimalist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
I'm Afraid We're Going to Have to Cancel Our Reservation
By Matthew Brannon
Located in New York, NY
Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph, Screen
Emotions Parisiennes
By Honoré Daumier
Located in Santa Monica, CA
Legal print by Honore Daumier (1808-1879)
Lithograph sur blanc (white paper without text on verso) D.726 ii/iii
8 1/2 x 7 1/2 plus text. Plate 48 from the Album Emotion Parisiennes.
Legal subjects are Daumier's most sought after prints. Aside from images in Gens du Justice he used the subject in several other series.. Good impression in excellent condition
Translation: Judge - You did have the means for existence, what did you do...
Category
1840s Barbizon School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$550 Sale Price
50% Off
Water Margin
By Matt Magee
Located in Houston, TX
Matt Magee
Water Margin, 2023
Lithograph
24 1/4 x 18 3/4 in (61.6 x 47.6 cm)
Edition of 20
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
THE FIT YOURSELF SHOP
By Kyra Markham
Located in Santa Monica, CA
KYRA MARKHAM (1891 – 1967)
THE FIT YOURSELF SHOP, 1935
Lithograph, signed, titled, dedicated, dated and no 24/50 in pencil. 12 5/8 x 9 5/8”. Signed in ...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$780 Sale Price
20% Off
In White with Green Stripe
By Robert Motherwell
Located in London, GB
Rober Motherwell
In White with Green Stripe
1987
Lithograph, relief print, embossing and collage
86.4 x 61 cms (34 x 24 ins)
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Paisaje de Memoria (The Landscape of Memory)
By Osmeivy Ortega Pacheco
Located in New Orleans, LA
A snail and the head of a horse figure prominently in the artist's landscape of memory. This image was published at Tamarind
Osmeivy Ortega Pacheco, b...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$585 Sale Price
35% Off
UP TO THE WOOLWORTH
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857- 1926)
UP TO THE WOOLWORTH 1915 (Wuerth 673)
Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...
Category
1910s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Grey Folded Clouds - IV Grey
By Joe Goode
Located in London, GB
Joe Goode
Grey Folded Clouds - IV Grey
1971
Lithograph, Edition of 50
50.8 x 75 cms (20 x 29 1/2 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Lonnie's Flag
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint.
Edition 50
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Intaglio
Characters from the Sketchbooks (from September Storm plus Self Portrait)
By Jackson Lee Nesbitt
Located in New Orleans, LA
This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio.
From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Graphite
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
$100 Sale Price
45% Off
Broadway from the Bowling Green, 1828 — early New York City, hand-coloring
Located in Myrtle Beach, SC
J. R. Hutchinson, 'Broadway from the Bowling Green, 1828', hand-colored etching, 1828. Signed and dated in the plate, beneath the image, lower right. Ann...
Category
1820s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Mount Vesuvius, Italy' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Mount Vesuvius, Italy', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted.
Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches.
From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire.
Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023.
ABOUT THE IMAGE
Mount Vesuvius (Italian: Vesuvio) is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km (5.6 mi) east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure.
The eruption of Mount Vesuvius in AD 79, one of the most catastrophic eruptions of all time, destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, Stabiae, and several other settlements. The eruption ejected a cloud of stones, ashes and volcanic gases to a height of 33 km (21 mi). More than 1,000 people are thought to have died in the eruption.
Vesuvius has erupted about three dozen times since. It is the only volcano on Europe's mainland to have erupted in the last hundred years (1929 and 1944). It is regarded as one of the most dangerous volcanoes in the world—3,000,000 people live near enough to be affected by an eruption, with at least 600,000 in the danger zone, the most densely populated volcanic region in the world. Eruptions tend to be violent and explosive; these are known as Plinian eruptions.
Vesuvius has a long historical and literary tradition. It was considered a divinity of the Genius type (a divine nature much like a guardian angel) at the time of the eruption of AD 79: it appears under the inscribed name Vesuvius as a serpent in the decorative frescos of many household shrines, surviving from Pompeii.
The Romans regarded Mount Vesuvius as being devoted to Hercules. The historian Diodorus Siculus relates a tradition that Hercules, in the performance of his labors, passed through the country of nearby Cumae on his way to Sicily and found there a place called 'the Phlegraean Plain' ('plain of fire') 'from a hill which anciently vomited out fire ... now called Vesuvius.' It was inhabited by giant bandits, 'the sons of the Earth'. With the gods' assistance, he pacified the region and continued his journey.
The area around Vesuvius was officially declared a national park on June 5, 1995. The summit of Vesuvius is open to visitors, and the park authorities maintain a small network of paths around the volcano. There is access by road to within 200 meters (660 ft) of the summit and a spiral walkway around the volcano from the road to the crater.
ABOUT THE SERIES 'AXIS MUNDI'
"This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures.
"This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures.
"Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation."
—Beth Ganz
ABOUT THE ARTIST
Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing.
Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Photogravure
The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Basilica of Madeleine, Vezelay
By John Taylor Arms
Located in Fairlawn, OH
Basilica of Madeleine, Vezelay
Etching, 1929
Signed and dated lower right (see photo)
Annotated: "Third State" lower left
Printed on a sheet of old book paper
From: French Church Ser...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Pop Art Redefined
By Eduardo Paolozzi
Located in London, GB
Screenprint and collage
Edition of 100
Category
1970s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Nero
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
2-color lithograph, edition 35, 1944, Fine and Looney 233. Signed, dated, titled and annotated 'Ed 35' in pencil. Initialed 'BS' in the image, lower right. A superb, richly inked im...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Nu. Étude d’un mouvement de jambes
By Henri Matisse
Located in London, GB
Henri Matisse
Nu. Étude d’un mouvement de jambes
1929 (printed in 1935)
Lithograph on Arches paper, Edition of 50
Paper size: 50 x 66 cms (19 3/4 x 26 ins)
Image size: 43.3 x 55.5 cm...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Gants de Suede
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Gants de Suede (Suede Gloves)
Lithograph, 1890
Signed in the stone with the butterfly signature (see photo)
Published in: The Studio 3, No. 13 (16 April 1894)
Printed by Way in an ed...
Category
1890s Aesthetic Movement Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
View of the Tiber with Country Landscape
By Jan Dirksz Both
Located in Chicago, IL
Etching on paper with Schriftband watermark.
Reference: Bartsch 7 III/IV (from VI).
A very fine, early impression. Printed with the name of the artist, but before the addition...
Category
15th Century and Earlier Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
The Whale's Back [Connecticut]
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Located in Storrs, CT
The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby.
The scene is probably Westport or Cos Cob, Connecticut.
The scene is probably Westport or Cos Cob, Connecticut.
Kerr Eby...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
![The Whale's Back [Connecticut]](https://a.1stdibscdn.com/kerr-eby-prints-works-on-paper-the-whales-back-connecticut-for-sale/a_3352/a_115476821673484515318/whalesbackeimage3_master.jpg?width=240 "Kerr Eby - The Whale's Back [Connecticut]")
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Tête-à-Tête in the Garden
By James Abbott McNeill Whistler
Located in Storrs, CT
Tête-à-Tête in the Garden. 1894. Lithograph. Way 54, Levy 85, Tedeschi, Stratis and Spink 90. 8 x 6 1/2(sheet 10 7/8 x 8 1/2). Edition of 25-lifetime impressions plus a few proofs re...
Category
Late 19th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$3,750 Sale Price
46% Off
Plant and Lamp (B+Y; Y+B)
By John Baldessari
Located in New York, NY
In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.
Category
1990s Post-Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Portrait de Paul Gauguin
Located in Fairlawn, OH
Portrait de Paul Gauguin
Woodcut, c. 1900
Initialed in pencil lower right
Numbered in pencil lower left
Edition: 100 (34/100)
Annotated verso: “epreuve sur japon”
Condition: Excellent
Image size: 6 3/4 x 4 3/4 inches
Sheet size: 11 x 8 5/8 inches
Note: Born in New York, Monfreid studied in France at the Academy Julian. He was a friend of Gauiguin, Verlaine and Maillol. He formed a noted collection of works by Gauguin. In 1924, Monfreid published the manuscript for Paul Gauguin’s Noa Noa with 24 woodcuts inspired by Gauguin...
Category
Early 1900s Post-Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
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Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
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Located in Myrtle Beach, SC
Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...
Category
1930s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
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By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1830-1903), Battersea Morn (also Battersea Dawn), drypoint, 1875, Kennedy 155, signed in pencil with the butterfly and inscribed “imp”. Kennedy 155, first state (of ...
Category
1870s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Proscenium I (square border around loose lines)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30 1/2 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
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