Texas - Art

acrylic on canvas

oil on canvas

Frederic Remington (1861-1909) New York / Kansas / Connecticut Image Size: 56" across 52" tall 25" deep Medium: Bronze Sculpture Recast "The Bronco Buster"

Early American Impressionist painting by New York born artist André Gisson. The work features a group of three women standing in an open field. The loose brushwork gives the impressi...

Contemporary colorful silkscreen by Louisiana born artist George Rodrigue. The work features Rodrigue's iconic blue dog character dressed in a yellow bandana and a cowboy hat set aga...

"Whiteout" is a part of Christopher Kennedy's "Trees Revered" series. "This particular tree is deep in a huge field in Pennsylvania and so seldom seen by anyone but the wildlife. I...

Signed limited edition print of David Bowie, photographed performing live on stage in Ohio, 1976 by Janet Macoska Available in various sizes: 16x20" Lambda C-Type Edition: 25 20x24...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in a yellow ochre coat with a ...

Lester Hughes (1938-2021) El Paso Artist Image Size: 18 x 36 Frame Size: 20 x 38 Medium: Oil on Canvas "Stagecoach To Nowhere" Biography Lester Hughes (1938-2021) From El Paso, Texas...

Texas Landscape Texas Artist Image Size: 11 x 14 Frame Size: 19.5 x 22.5 Medium: Oil "The Guardian" Texas Landscape

As a renowned graphic designer (with 5 Grammy nominations), Norman Seeff has designed a number of large-scale composites and sequences. Signed limited edition sequence print of comed...

Pierre-Eugene Montezin (French, 1874 - 1946) "Cavaliers Au Bois" Oil on Panel. Signed lower right. Waterhouse & Dodd label verso. Sight Size: 12.75 x 16 in. Overall Framed Size: 21...

Henri Joseph Harpignies (France 1819 – 1916) Oil paint on Canvas Titled: “Bords de l’allier” Impressionist Barbizon landscape painting. Signed lower left H J Harpignies. Sight Size...

"A Step Beyond" is part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

Dorothy Johnson Image Size: 12 x 16 Frame Size: 14.5 x 18.5 Medium: Oil "Prickly Pear"

Artwork size (without frame): 30"h x 22"w

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

William Ballantine Dorsey (1942-2019) California Artist Image Size: 16 x 20 Frame Size: 23.5 x 27.5 Medium: Oil on Canvas "California Landscape"

Modern Cubist inspired colorful abstract still life painting by the French artist Marcel Mouly. The work features a collection of bottles and vases arranged on a red table that has b...

French gouache painting, circa 1930. This abstract piece stands out for its bright hues and sharp, interconnected geometric shapes. Original one-of-a-...

Acrylic body art featuring upper torso, arms and face by American artist Kismine Varner, circa 1990. Signed lower right. Original artwork on paper displaye...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in blue and red stripes with a...

Figurative portrait painting by Houston-based artist Buford Evans. The work features a black figure dressed in red holding a spear. Signed and dated by the artist in the front lower ...

Willem de Kooning (Dutch, 1904 - 1997) Abstract Oil on Newspaper painting (NY Times, Friday Jan. 26, 1973). Pencil signed lower right. Provenance: - Private Collector, East Hampton...

Circa Late 1920s - Early 1930s. It is all Bohlin made and marked to include the saddle, the headstall and the breast collar. All made in Hollywood California. The only non-Bohlin item is the bit which appears to also be early California. There is some interesting provenance of the fine saddle. It was commissioned by Charles R. Bell, married to Margaret Vail Bell who was the daughter of Walter Vail. On the Bolin nameplate it has engraved, Vail Ranch as well as made for Charles Bell. Charles Bell Died in 1939. The Vail Ranch has some great Western History which I will go into a little detail. You see, not only am I selling Saddles, but I’m also selling History. If you want to skip the history lesson you can just scroll down past the following info to images of the saddle. It’s no secret that ranching runs in the family blood. There is no greater example of that than California Rangeland Trust CEO Nita Vail. On April 14, 2018 Nita had the opportunity to witness her great-grandfather Walter L. Vail’s induction into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum. This high honor is bestowed by the Museum to “exceptional individuals who have made an indelible impact upon the history of the great West.” A pivotal figure in early California and Arizona ranching, Walter Vail joins just over only 200 individuals who have been inducted into this esteemed hall. The Vail legacy of advocacy and ranching lives on strongly through his descendants, including Nita. All these years later, Nita carries the mantle of advocacy for ranchers in her own work at the California Rangeland Trust. Reflecting on her great-grandfather’s induction ceremony in Oklahoma, Nita says, “Witnessing my great-grandfather’s induction with family and friends was an incredible experience and a reminder of why I do what I do. Ranching plays an integral role in the culture, economy, and quality of life in California. Generations later, I get to honor Walter L. Vail’s legacy in my work with the California Rangeland Trust every day, preserving those open spaces for new generations and partnering with ranchers to continue to sustain life on the range in California.” Walter Vail History A native of Liverpool, Nova Scotia, Walter Vail purchased the 160-acre Empire Ranch southeast of Tucson, Arizona in 1876, along with an Englishman named Herbert Hislop. In 1882, the Empire Land & Cattle Company was formed with Walter L. Vail as principal shareholder. Over the years Vail, along with various partners, expanded the original land holdings to include over one million acres. The year after Walter purchased the Empire Ranch, the Southern Pacific Railroad built a railroad line, which was great news for the Vail family as it provided a means for them to ship their cattle. Edward L. Vail, George Scholefield and Bird at the mouth of Rosemont Canyon ca. 1896-1898 Standing Up for Ranchers In the fall of 1889, the Southern Pacific Railroad announced they would raise cattle freight rates by 25 percent. They ignored loud protests from ranchers who had already been hit hard by depressed cattle prices. In response, the Vails made a plan to drive the cattle overland themselves without the railroad. They knew that, if they were successful, they could break the railroad’s monopoly on the ranchers and force prices down. Walter’s brother Edward Vail and foreman Tom Turner volunteered to drive the almost 1,000 steers on the 300-mile trip to the Warner Ranch in San Diego. The journey ahead would be grueling. Most of their trip was through desert with water sources 15 to 30 miles apart. The ranchers would face a slew of obstacles—a stampede, a chaotic Colorado River crossing, an encounter with a group of horse thieves. In spite of all the dangers and challenges, they reached their destination. Just 71 days after leaving Arizona, the Empire cowboys arrived at the Warner Ranch. They had only lost 30 steers. The historic Empire Ranch Trail Drive of 1890 inspired other Arizona ranchers to make similar drives as a stand against the railroad. That fall, a group of Arizona cattlemen met and agreed to fund improvements to establish a safe cattle trail from Tucson to California. In response to the united stand of the ranchers, sparked by the Vails, the railroad finally agreed to restore the old freight rate—on the condition that the cattlemen would make no more cattle drives. Walter Vail led by example, but he was also an active representative of ranching interests in the legislature. He served in the 10th Arizona Territorial Legislature in 1878 and in 1884 on the Pima County Board of Supervisors. He introduced two significant bills: One proposing the creation of Apache County in the northeastern corner or Arizona Territory, and the other calling for the repeal and replacement of a Pima County fencing ordinance. Elected to the Arizona Stock Growers Association in 1884, Walter L. Vail advocated for levying fines on outfits that brought diseased cattle into the Territory, proposed a system of recording brands and earmarks, and requested the establishment of the livestock sanitary commission to oversee quarantines on infectious diseases, and tighter trespass laws. Moving to California In the late 1880s when a long drought hit Arizona, the Vails began leasing California pastures and shipping increased numbers of their cattle there to fatten. This marked the beginning of Walter’s efforts to purchase land in Temecula Valley. Vaqueros (Mexican cowboys) at the Empire Ranch in Arizona In 1890, with growing corporate holdings in California, Walter Vail established his headquarters in downtown Los Angeles and moved his family there. By this time, he had pieced together four Mexican land grants—Pauba Rancho, Santa Rosa Rancho, Temecula Rancho and Little Temecula Rancho—to form the Pauba Ranch. Eventually, the Vails would own more than 87,500 acres surrounding the little town of Temecula. In 1892 they leased Catalina Island and in 1901-1902 in partnership with J. V. Vickers, they purchased most of the interests in Santa Rosa from the estate of A.P. More. In March of 1894, Vail and Gates joined Vickers in setting up a third cattle company, the Panhandle Pasture Company, with the hopes of expanding new markets in the east. The Panhandle Pasture Company bought seven thousand acres of grassland in Sherman County, Texas, and an equal amount across the line in Beaver County, Indian Territory (later Oklahoma). Walter Vail was tragically killed in a Los Angeles streetcar accident in 1906. After his death, the Empire Land & Cattle Company (later renamed the Vail Company) assumed control of all his ranches and other real estate holdings. Walter had five sons and they would all have a hand in running the various ranches and the Vail Company as whole throughout their lives. The Empire Ranch in Arizona was sold in 1928. The Temecula area ranches continued to operate until it was sold in 1965. Santa Rosa Island, the last of Walter Vail’s holdings, was sold to the National Park Service in 1986, and ranching operations shut down there in 1998. Walter Lennox Vail (May 13, 1852 - December 2, 1906) was an American businessman, cattle dealer, and politician. He is known for his Empire Land & Cattle Company (later the Vail Company), which spanned over one million acres throughout five states.[1] Vail has been called "a pivotal figure in early California and Arizona ranching." Early life Vail was born in Liverpool, Nova Scotia on May 13, 1852, to Mahlon Vail, Sr. and Eliza Vail. Career Empire Ranch The headquarters of the Empire Ranch in the modern day Vail left his family's Plainfield, New Jersey house in the middle of 1875 to pursue riches in the West. He worked for a few months in Virginia City, Nevada as a mine's timekeeper, but in November he wrote of his intention to get involved in Arizona's sheep business. He, along with an Englishman named Herbert R. Hislop, then purchased the Empire Ranch along with its 612 cattle on August 22, 1876. The purchase from Edward Nye Fish and Simon Silverberg cost $1,174 at the time and was only 0.25 square miles (0.65 km2). Vail had met Hislop for the first time in August of that year, at the Lick House in San Francisco. Vail also became the main shareholder of the Empire Land & Cattle Company, which was formed in 1882. Politics Vail additionally served in the House of Representatives on the 10th Arizona Territorial Legislature for two years, starting in 1879. He was one of five representatives from Pima County. There, he proposed the creation of Apache County in the northeast. In 1884, Vail was elected to the Arizona Stock Growers Association, where he introduced many laws relating to cattle farming. California Vail moved his main operations to California in the late 1880s due to a long drought in Arizona. He started leasing Californian land mainly in Temecula Valley, but established his headquarters in downtown Los Angeles. By this time, he had already bought four ranches: the northern half of Rancho Little Temecula, Rancho Pauba, Rancho Santa Rosa, and Rancho Temecula. Later, Vail would own over 135 square miles (350 km2) surrounding the city of Temecula. He also leased Santa Catalina Island and Purchased Santa Rosa Island in 1892 and 1901, respectively. Vail, along with Carroll W. Gates and J.V. Vickers, set up the Panhandle Pasture Company, which bought about 22 square miles (57 km2) in Sherman County, Texas and Beaver County, Oklahoma. Personal life Vail married Margaret "Maggie"[a] Newhall in 1881, with them having five children: Nathan Russel, Mahlon, Mary, Walter Lennox Jr., and William Banning (who used his middle name) together. In 1890, a Gila monster bit Vail on his middle finger, and for years thereafter he experienced bleeding and swelling in his throat, which was thought to be caused by the venom from the bite. Death Vail died at 54 on December 2, 1906, due to complications from a tram (Trolley Car) accident in Los Angeles. He was cremated, then buried at the Hollywood Forever Cemetery on December 6. Legacy Vail's sons took over the company after his death, renaming it to the Vail Company. The Empire Ranch was sold in 1928, and the Temecula ranches were bought by a syndicate of companies, including Kaiser Aluminum, Kaiser Industries, and Macco Realties in 1965. Santa Rosa Island was acquired by the National Park Service in 1986, and ranching ceased in 1998. Vail was inducted into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum in 2018.[2] Various properties have been named after the Vail family including: Vail Headquarters, an outdoor shopping mall, Vail Lake, and Vail, Arizona. In 1867, German immigrant, Louis Wolf, and his Chumash wife, Ramona, built a small adobe trading post next to Temecula Creek. Their Wolf Store helped launch the Temecula community, serving as a saloon, livery stable, legal services, hotel, general store, stagecoach stop, post office, school and employment agency. After Louis and Ramona’s deaths, their land and other Ranchos were purchased by Arizona cattle baron Walter Vail. By 1905, the 87,000-acre Vail Ranch became one of the largest cattle operations in California, stretching from Camp Pendleton to Vail Lake to Murrieta. It operated through the late 1970’s when it was sold to build Temecula’s housing. Some of the ranch’s oldest buildings survived in a cluster around the long-vacant Wolf Store. Together they would wait more than 40 years to be restored and once again become a center for community life in the Temecula Valley. ​ In 1905 after his death, Wolf’s Temecula was purchased by Arizona cattle baron Walter Vail, along with three other Ranchos totaling 87,500 acres. The sprawling Vail Ranch spread from South of Highway 79 to South of Clinton Keith Road, East to Vail Lake Resort and West to Camp Pendleton and continued operations through the late 1970’s when it was sold for housing subdivisions. The remaining buildings that comprised the Vail Ranch Headquarters, several having been demolished, have sat mostly vacant since then awaiting their restoration and re-use. John N. Harvey, Edward L. Vail, Walter L. Vail, 1879 Ned Joins the Partnership - May 1879 In May of 1879 Walter’s older brother, Edward Lang Vail, known as Ned, joined the Empire Ranch partnership. He had no ranching experience but quickly learned. The Empire Ranch herds were finally sufficiently developed for sale, and the Empire Ranch found a ready market in the town of Tombstone and its nearby mines. Walter finally had sufficient funds to begin to pay off some of the loans from his Uncle Nathan and Aunt Anna. North end of the original four rooms of the Empire Ranch House. Empire Ranch Census Records - 1880 The 1880 U.S. Census documents that eight men were living full time at the Empire: the partners, Walter Vail, John Harvey and Ned Vail; John Randolph Vail, Uncle Nathan and Aunt Anna’s son; John Milton Requa, nephew of Isaac Requa who hired Walter in Virginia City; John Dillon, who was instrumental in locating the Total Wreck Mine; Tomás Lopez, a herder; and Mon Ta, the cook. Section of Official Map of Pima County by Roskruge 1893. The Southern Pacific Railroad Arrives in Pantano - April 1880 In 1880 the Southern Pacific Railroad finally reached Tucson and by April it was extended to Pantano, north of the Empire Ranch. The availability of rail transportation was a major boom to the Empire Ranch as it was now possible to sell cattle and beef to markets beyond Southern Arizona. The railroad also increased the availability of goods in Tucson and allowed for much quicker and safer transportation to California and the East. Empire Ranch land acquisitions are highlighted in red. Courtesy of Dave Tuggle Land Holdings Expand-1881-1882 Starting in 1881 the land holdings of the Empire Ranch expanded considerably. They acquired Charles and Agnes Paige’s Happy Valley Ranch near the Rincon Mountains in 1881. 1882 saw the addition of Don Alonzo Sanford’s Stock Valley Ranch totaling over twenty-eight square miles of grassland between the Whetstone and Empire Mountains. Charles Bell Bohlin Saddle. All of the leather has been professionally cleaned and conditioned. All of the sterling has been professionally polished as are all of my saddles. THE BOHLIN BRAND IS AS ICONIC AS THE FAMED WESTERN STARS that wore it. The late actor Richard Farnsworth sported a recognizable gold steer-head Bohlin buckle...

Frida and Diego with Gas Mask is a limited edition black and white portrait of Mexican painters Frida Kahlo and Diego Rivera. The couple embraces each other while Frida holds a gas m...

Late 19th century painting done after an 1890 Newsboy Plug Tobacco advertising card titled "The Last Look." At the time, a customer could trade in 10 paper tags that came with the to...

Charming ink and pencil fashion sketch of a long pink overcoat with clasp by Paris fashion house Création Corine Marie, circa 1980. Includes original fabric swatch and designer's sta...

Bob Dylan, taken in 1966 by Art Kane Art Kane, a huge Bob Dylan fan, cornered an uncooperative Dylan on the rooftop of the CBS records building in Los Angeles to get his shot for Mc...

Signed limited edition photographic print of The Rolling Stones singer Mick Jagger posing in a fur parka, with a fur trimmed hood, 1964, by Terry O'Neill Signed limited edition "Lif...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...

A colorful burst of spring set in the hills of an Italian town. Oil on canvas board measures 12 x 16; frame dimensions are 16 3/4 x 20 3/4 x 1 1/2. Housed in a decorative silver-colo...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...

The Sanchez Twins by Baron Wolman, taken in San Francisco in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition ...

Classical mythological painting by Houston artist Edsel Cramer. Known for his classically inspired portraits of prominent Houstonians, this work featuring the myth of the Judgement o...

Stunning French ink drawing of flamenco dancer poised with fan extended, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve...

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

Oil on canvas laid on board measures 14 3/4 x 9 7/8; frame dimensions measure 22 3/8 x 17 x 3 1/4. Artist's signature, lower left. A fragment of a gallery brochure entitled, Peintures de Botkin is included with the painting. A partial title for the painting is listed under Number 3 in the exhibition. On the verso of the brochure is a label from Frank Rehn...

Donald Stacy "Purple Head" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art Commission Philadelphia Print...

Blue, pink, and white abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The wo...

Paulette Lee works from her studio on Route 66 in South Pasadena, California. Her loose, expressive painting style is influenced by the Russian Masters of the 19th and 20th Century. ...

Poster Size: 23.5 x 16.5 in. Vintage Gold Leaf Frame Size: 23.5 x 16.5 in. Signed and inscribed in gold marker, bottom right A poster for "The Winter Ball 1988" in Houston, Texas, p...

Co-signed by both Raquel Welch and photographer Terry O'Neill, 20x24" silver gelatin print. Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times...

After a tour of duty in the US Navy, Miles Cleveland Goodwin earned a BFA from Pacific Northwest College of Art in Portland, Oregon, in 2007, and eventually returned to coastal Missi...

W. A. Slaughter (1923 - 2003) Dallas / San Antonio Artist Size: 30 x 40 Frame: 40 x 50 Medium: Oil on Canvas Dated 1974 "Banks of Blue" Texas Bluebonnets Biography W. A. Slaughter (1...

From the estate of Jerry Opper & Ruth Friedman Opper Black Floor c. 1940-1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Contemporary pop culture inspired painting by German artist Jörg Döring. The work features a dynamic depiction of James Dean driving his Porsche 550 Spyder with the iconic number "13...

Contemporary abstract figurative painting by Frisco Pete, The Wild West Art Wrangler. The work features a pair of grey toned figures with cowboy hats standing on the water's edge wit...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 24 Frame Size: 44 x 38 Medium: Oil on canvas “ Gift Of Rain “ G. Harvey (G...

Miss Trixie by Baron Wolman, posing topless with her bass guitar, taken in San Francisco in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited editio...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks in white and black, accented by small beige shapes. Signed,...

Blues Overlapping Orange 47 x 47 Abstract Art Bold Colors $4400 Geometric Shapes Other painting by Marilyn Biles shown in images As life often does, the life of Marilyn Biles h...

Contemporary large scale abstract floral painting by Texas based artist Wood Anthony Francher. Inspired by Mexican floral embroidery patterns and textiles, the work is a burst of bol...

Good Times Drip Painting Abstract Plethora of Colors Contemporary Art Good Time is a new acrylic drip painting by Houston artist Marthann Masterson completed in April 2025 in her ...

Contemporary colorful pastoral landscape by Texas based artist Jacob Spacek. The work features a bright blue shack in the middle of an open field set against a vibrant red sky. Signe...

Contemporary colorful painting by Houston-based artist Peter Healy. The work features expressive pink, blue, yellow, and red strokes against a light gray background. Signed, titled, ...

Chuck Mauldin Born 1949 Fredericksburg Artist Image Size: 18 x 14 Frame Size: 22 x 18 Medium: Oil "Spring In Her Step" Cattle Landscape Texas A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek, Kevin Macpherson, and many others have played a significant role in his development as an artist. He is a member of Oil Painters of America and has achieved Signature membership status in the Louisiana Watercolor Society and the Plein Air Artists of Colorado. Chuck has won numerous awards and has had work accepted into prestigious national juried competitions, such as the Oil Painters of America National Show (2020, 2021), Western Regional Show (2016, 2021, 2022) and Salon Show (2016, 2020). After 28 years in Louisiana, Chuck and his wife, Barbara, moved to Fredericksburg, Texas, in 2005, in order to pursue their passion for art on a full-time basis. In 2008, Chuck started teaching a beginner’s oil painting class and later intermediate classes in composition, landscape painting, and limited palettes. He is represented by Charles Morin Fine Art in Fredericksburg, Texas. Degrees in chemistry from Southern Methodist University (B.S.) and the University of Texas (PhD) led to Chuck's career in research at ExxonMobil Process Research Labs in Baton Rouge, Louisiana. He presently holds 57 U.S. patents in the field of catalysis. He and Barbara have two sons and a daughter, and 8 perfect grandchildren. An Eagle Scout...

Modern pink, yellow, and blue abstract expressionist painting by English artist Tony Magar. The work features bold, emotive strokes that continue around the edges with a patch of whi...

Fluid circular abstract in gold and blue with pop of yellow, circa 2000. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a stan...

Stunning museum quality fine art print of Chrissy Teigen by photographer Markus Klinko from a collection of contemporary nudes by the celebrated photographer, featuring amongst other...