Athena After Edouard Drouot

In emphasizing emotion and imagination, romantic art shifted away from the restraint of classicism and neoclassicism that had dominated art in Europe since the Renaissance. Romanticism achieved its greatest popularity in art, literature, music and philosophy between 1780 and 1830, although its expression of individual experiences ranging from awe to passion informed culture in the decades after.

Landscape painting was especially popular during the romantic period, as were nature studies of wild animals and fantasies of exotic lands. Romanticism varied across Europe as it reacted to the rise of industrialization, a more personal relationship with faith that was distanced from the church and the rationalist thinking of the Enlightenment.

British painters such as John Constable and J.M.W. Turner responded dramatically to the light and atmosphere of the natural world, while William Blake conveyed humanity’s connection to the divine in his visionary art. In Germany, the late-18th-century Sturm und Drang, or Storm and Drive, movement, with its probing of the unconscious, inspired a sense of mystery in work by romantic artists such as Caspar David Friedrich and Philipp Otto Runge. In France, where the French Revolution had turned tradition upside down, Théodore Géricault and Eugène Delacroix used lush brushwork to paint monumental canvases with tumultuous scenes of nature and history.

The romantic movement and its subject matter were a significant influence on the Pre-Raphaelites, Symbolists and the American painters of the Hudson River School, as well as on other cultural movements in the 19th and 20th centuries that saw artists build on this perspective in which art was guided by emotion rather than reason.

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Figurative sculptures mix reality and imagination, with the most common muse being the human body. Animals are also inspirations for these sculptures, along with forms found in nature.

While figurative sculpture dates back over 35,000 years, the term came into popularity in the 20th century to distinguish it from abstract art. It was aligned with the Expressionist movement in that many of its artists portrayed reality but in a nonnaturalistic and emotional way. In the 1940s, Alberto Giacometti — a Swiss-born artist who was interested in African art, Cubism and Surrealism — created now-iconic representational sculptures of the human figure, and after World War II, figurative sculpture as a movement continued to flourish in Europe.

Lucian Freud and Francis Bacon were some of the leading figurative artists during this period. Artists like Jeff Koons and Maurizio Cattelan propelled the evolution of figurative sculpture into the 21st century.

Figurative sculptures can be whimsical, uncanny and beautiful. Their materials range from stone and wood to metal and delicate ceramics. Even in smaller sizes, the sculptures make bold statements. A bronze sculpture by Salvador Dalí enhances a room; a statuesque bull by Jacques Owczarek depicts strength with its broad chest while its thin legs speak of fragility. Figurative sculptures allow viewers to see what is possible when life is reimagined.

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