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Audrey Hepburn Telephone

Audrey Hepburn with Curlers, Telephone, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Telephone, c8_5 – While working on the Paramount film Sabrina Fair
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Telephone, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Telephone, c8_5 – While working on the Paramount film Sabrina Fair
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Telephone, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Telephone, c8_5 – While working on the Paramount film Sabrina Fair
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Leaning Against Chair, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r12_5 -- Out take of cover image for December 7, 1953 issue of Life magazine. Mark
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Leaning Against Chair, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r12_5 -- Out take of cover image for December 7, 1953 issue of Life magazine. Mark
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Leaning Against Chair, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r12_5 -- Out take of cover image for December 7, 1953 issue of Life magazine. Mark
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, 1953
By Mark Shaw
Located in New York, NY
photograph of Audrey Hepburn in a white shirt with her telephone. Audrey is laying on her stomach at her home
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, 1953
By Mark Shaw
Located in New York, NY
photograph of Audrey Hepburn in a white shirt with her telephone. Audrey is laying on her stomach at her home
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, 1953
By Mark Shaw
Located in New York, NY
photograph of Audrey Hepburn in a white shirt with her telephone. Audrey is laying on her stomach at her home
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Chin Resting, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_6 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Chin Resting, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_6 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Chin Resting, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_6 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, Tilted, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_7 -- Audrey Hepburn at home. This image is an out take from photos shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hands on Face, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_11 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hands on Face, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_11 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hands on Face, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_11 -- Shot for the Dec. 7, 1953 issue of Life. Initially Audrey Hepburn did all
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, Tilted, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_7 -- Audrey Hepburn at home. This image is an out take from photos shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Hand, Tilted, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_7 -- Audrey Hepburn at home. This image is an out take from photos shot for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Smiling
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_3 -- Audrey Hepburn on the phone at home. This image is an out take from photos
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Fingers on Temples, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_8 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Smiling
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_3 -- Audrey Hepburn on the phone at home. This image is an out take from photos
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Fingers on Temples, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_8 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Smiling
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_3 -- Audrey Hepburn on the phone at home. This image is an out take from photos
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Fingers on Temples, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r14_8 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_3 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_3 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_3 -- Waiting for a call? Shot for the December 7, 1953 issue of Life. Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Chin Down
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_2 -- Audrey Hepburn at home on the phone with her agent. This image is an out
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Chin Down
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_2 -- Audrey Hepburn at home on the phone with her agent. This image is an out
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in White Blouse with Phone, Laying, Hand on Receiver, Chin Down
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r13_2 -- Audrey Hepburn at home on the phone with her agent. This image is an out
Category

1950s Modern Black and White Photography

Materials

Giclée

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Audrey Hepburn Telephone For Sale on 1stDibs

Surely you’ll find the exact audrey hepburn telephone you’re seeking on 1stDibs — we’ve got a vast assortment for sale. On 1stDibs, the right audrey hepburn telephone is waiting for you and the choices span a range of colors that includes gray. Artworks like these — often created in digital print, giclée print and inkjet print — can elevate any room of your home. A large audrey hepburn telephone can prove too dominant for some spaces — a smaller audrey hepburn telephone, measuring 17 high and 11 wide, may better suit your needs.

How Much is a Audrey Hepburn Telephone?

The price for an artwork of this kind can differ depending upon size, time period and other attributes — a audrey hepburn telephone in our inventory may begin at $1,100 and can go as high as $2,500, while the average can fetch as much as $1,500.

A Close Look at Modern Art

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

Finding the Right black-white-photography for You

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.