Bernhardt Blonde

While many great American furniture brands have come and gone, Bernhardt continues to thrive in its space. Spanning more than 130 years and four generations of family leadership, the company maintains an enduring presence in the modern era. It is a global manufacturer of furniture and home accessories and has garnered widespread acclaim for its signature high-quality craftsmanship. Today Bernhardt lounge chairs, coffee tables and dressers are reliable mainstays in living rooms, bedrooms, offices, school campuses and hospitality properties all over the world.

The company was founded in 1889 by John Bernhardt, a veteran of the sawmill trade who intended to produce durable furniture made of wood from the white oak trees that grew in his native North Carolina. Bernhardt quickly earned a reputation for his exceptionally strong, sturdy, striking pieces and eventually gained competitors in the likes of Broyhill and Kent-Coffey, two Lenoir companies that were established in the early 1900s. Bernhardt created fruitful relationships for distributing his furniture all over the country, and as the business gained steam, the company was able to survive the trials and tribulations of World War I and the Great Depression.

While World War II yielded labor and material shortages, demand for furniture took shape in the postwar years as new homeowners looked to furnish their spaces. Expansion followed for Bernhardt, and in 1958, the company added upholstered furniture to its growing catalog. As often as you can find boxy club chairs in Bernhardt’s inventory that are inspired by iconic designs by Le Corbusier or Milo Baughman, the brand has introduced reproductions of furnishings in period styles such as Chippendale, Hollywood Regency and chinoiserie. 

Bernhardt continued to expand over time and, in 1981, added the Bernhardt Design division, which focuses on furnishing offices and public spaces. It entered the new millennium by announcing a licensed furniture partnership with Martha Stewart in 2001. Bernhardt and Stewart have since collaborated on several additional collections. In 2008 and 2009, the company launched two more divisions: Bernhardt Interiors for customizable and high-design furniture and Bernhardt Hospitality to cater to the needs of the hospitality market.

Bernhardt has garnered many prestigious awards over its long history, including multiple Pinnacle Design Achievement Awards from the American Society of Furniture Designers. The company is also a leader in sustainable manufacturing and works with the Sustainable Forestry Initiative and the Forest Stewardship Council.

In 2019, Bernhardt introduced the Bernhardt Exteriors division for high-quality and innovative outdoor furniture. Today, the company operates eight manufacturing facilities and continues to be a leader and trendsetter in the growing worldwide oak furniture market.

On 1stDibs, find Bernhardt seating, tables, case pieces and more.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.