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Test Pattern 6 (Grey study)
By Tom McGlynn
Located in London, GB
machinic eye (the camera's eye) in a common tool for this purpose, the test pattern. This is not a strictly
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 6 (Grey study)
Test Pattern 6 (Grey study)

Tom McGlynn
Test Pattern 6 (Grey study), 2005

H 21.97 in W 33 in
Test Pattern 2 (Grey Study)
By Tom McGlynn
Located in London, GB
machinic eye (the camera's eye) in a common tool for this purpose, the test pattern. This is not a strictly
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 2 (Grey Study)
Test Pattern 2 (Grey Study)

Tom McGlynn
Test Pattern 2 (Grey Study), 2005

H 21.97 in W 33 in
Test Pattern 5 (Grey study)
By Tom McGlynn
Located in London, GB
machinic eye (the camera's eye) in a common tool for this purpose, the test pattern. This is not a strictly
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 5 (Grey study)
Test Pattern 5 (Grey study)

Tom McGlynn
Test Pattern 5 (Grey study), 2005

H 21.97 in W 33 in
Test Pattern 4 (Grey Study)
By Tom McGlynn
Located in London, GB
machinic eye (the camera's eye) in a common tool for this purpose, the test pattern. This is not a strictly
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 4 (Grey Study)
Test Pattern 4 (Grey Study)

Tom McGlynn
Test Pattern 4 (Grey Study), 2005

H 21.97 in W 33 in
Camera Obscura Image of Manhattan View Looking West in Empty Room
By Abelardo Morell
Located in Miami Beach, FL
hosted his retrospective "Abelardo Morell and the Camera Eye". Morell served as Professor Emeritus of
Category

Late 20th Century Minimalist Abstract Photography

Materials

Paper

Camera Obscura Image of Manhattan View Looking West in Empty Room
Camera Obscura Image of Manhattan View Looking West in Empty Room

Camera Obscura Image of Manhattan View Looking West in Empty Room, 1996

H 16.5 in W 19.75 in D 2 in
Small Test Pattern 4 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

Early 2000s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Small Test Pattern 4 (Abstract Painting)
Small Test Pattern 4 (Abstract Painting)

Tom McGlynn
Small Test Pattern 4 (Abstract Painting), 2002

H 15.99 in W 20.01 in
Small Grey Test Pattern 2 (Abstract Painting)
By Tom McGlynn
Located in London, GB
color calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the
Category

Early 2000s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Small Grey Test Pattern 2 (Abstract Painting)
Small Grey Test Pattern 2 (Abstract Painting)

Tom McGlynn
Small Grey Test Pattern 2 (Abstract Painting), 2004

H 13.98 in W 18 in
Grey Test Pattern 1 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

2010s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Grey Test Pattern 1 (Abstract Painting)
Grey Test Pattern 1 (Abstract Painting)

Tom McGlynn
Grey Test Pattern 1 (Abstract Painting), 2015

H 18 in W 24.02 in
Large Test Pattern 7 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

Early 2000s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Large Test Pattern 7 (Abstract Painting)
Large Test Pattern 7 (Abstract Painting)

Tom McGlynn
Large Test Pattern 7 (Abstract Painting), 2002

H 18 in W 24.02 in
Test Pattern 6 (Grey study)
By Tom McGlynn
Located in London, GB
color calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 6 (Grey study)
Test Pattern 6 (Grey study)

Tom McGlynn
Test Pattern 6 (Grey study), 2005

H 21.97 in W 33 in
Test Pattern 5 (Grey study) (Abstract Drawing)
By Tom McGlynn
Located in London, GB
refers to the color calibration test of the machinic eye (the camera's eye) in a common tool for this
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 5 (Grey study) (Abstract Drawing)
Test Pattern 5 (Grey study) (Abstract Drawing)

Tom McGlynn
Test Pattern 5 (Grey study) (Abstract Drawing), 2005

H 21.97 in W 33 in
Test Pattern 2 (Grey Study) (Abstract Drawing)
By Tom McGlynn
Located in London, GB
refers to the color calibration test of the machinic eye (the camera's eye) in a common tool for this
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 2 (Grey Study) (Abstract Drawing)
Test Pattern 2 (Grey Study) (Abstract Drawing)

Tom McGlynn
Test Pattern 2 (Grey Study) (Abstract Drawing), 2005

H 21.97 in W 33 in
Test Pattern 12 (Grey study) (Abstract painting)
By Tom McGlynn
Located in London, GB
refers to the color calibration test of the machinic eye (the camera's eye) in a common tool for this
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 12 (Grey study) (Abstract painting)
Test Pattern 12 (Grey study) (Abstract painting)

Tom McGlynn
Test Pattern 12 (Grey study) (Abstract painting), 2005

H 21.97 in W 33 in
Small Grey Test Pattern 2 (Abstract Painting)
By Tom McGlynn
Located in London, GB
color calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the
Category

Early 2000s Abstract Abstract Paintings

Materials

Gouache, Wood, Acrylic

Small Grey Test Pattern 2 (Abstract Painting)
Small Grey Test Pattern 2 (Abstract Painting)

Tom McGlynn
Small Grey Test Pattern 2 (Abstract Painting), 2004

H 13.98 in W 18 in
Grey Test Pattern 1 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

2010s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Grey Test Pattern 1 (Abstract Painting)
Grey Test Pattern 1 (Abstract Painting)

Tom McGlynn
Grey Test Pattern 1 (Abstract Painting), 2015

H 18 in W 24.02 in
Large Test Pattern 7 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

Early 2000s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Large Test Pattern 7 (Abstract Painting)
Large Test Pattern 7 (Abstract Painting)

Tom McGlynn
Large Test Pattern 7 (Abstract Painting), 2002

H 18 in W 24.02 in
Small Test Pattern 4 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

Early 2000s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Small Test Pattern 4 (Abstract Painting)
Small Test Pattern 4 (Abstract Painting)

Tom McGlynn
Small Test Pattern 4 (Abstract Painting), 2002

H 15.99 in W 20.01 in
Test Pattern 5 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

Early 2000s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Test Pattern 5 (Abstract Painting)
Test Pattern 5 (Abstract Painting)

Tom McGlynn
Test Pattern 5 (Abstract Painting), 2002

H 18 in W 24.02 in
Small Test Pattern 2 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

Early 2000s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Small Test Pattern 2 (Abstract Painting)
Small Test Pattern 2 (Abstract Painting)

Tom McGlynn
Small Test Pattern 2 (Abstract Painting), 2003

H 15.99 in W 20.01 in
Large Test Pattern 3 (Abstract Painting)
By Tom McGlynn
Located in London, GB
calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the test pattern
Category

Early 2000s Abstract Abstract Paintings

Materials

Wood, Acrylic, Gouache

Large Test Pattern 3 (Abstract Painting)
Large Test Pattern 3 (Abstract Painting)

Tom McGlynn
Large Test Pattern 3 (Abstract Painting), 2002

H 18 in W 24.02 in
Test Pattern 2 (Grey Study) (Abstract Drawing)
By Tom McGlynn
Located in London, GB
refers to the color calibration test of the machinic eye (the camera's eye) in a common tool for this
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Gouache, Paper, Ink

Test Pattern 2 (Grey Study) (Abstract Drawing)
Test Pattern 2 (Grey Study) (Abstract Drawing)

Tom McGlynn
Test Pattern 2 (Grey Study) (Abstract Drawing), 2005

H 21.97 in W 33 in
Test Pattern 6 (Grey study)
By Tom McGlynn
Located in London, GB
to the color calibration test of the machinic eye (the camera's eye) in a common tool for this
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 6 (Grey study)
Test Pattern 6 (Grey study)

Tom McGlynn
Test Pattern 6 (Grey study), 2005

H 21.97 in W 33 in
Test Pattern 5 (Grey study)
By Tom McGlynn
Located in London, GB
color calibration test of the machinic eye (the camera's eye) in a common tool for this purpose, the
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 5 (Grey study)
Test Pattern 5 (Grey study)

Tom McGlynn
Test Pattern 5 (Grey study), 2005

H 21.97 in W 33 in
Test Pattern 12 (Grey study) (Abstract painting)
By Tom McGlynn
Located in London, GB
refers to the color calibration test of the machinic eye (the camera's eye) in a common tool for this
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 12 (Grey study) (Abstract painting)
Test Pattern 12 (Grey study) (Abstract painting)

Tom McGlynn
Test Pattern 12 (Grey study) (Abstract painting), 2005

H 21.97 in W 33 in
Test Pattern 4 (Grey Study) (Abstract Painting)
By Tom McGlynn
Located in London, GB
refers to the color calibration test of the machinic eye (the camera's eye) in a common tool for this
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Gouache

Test Pattern 4 (Grey Study) (Abstract Painting)
Test Pattern 4 (Grey Study) (Abstract Painting)

Tom McGlynn
Test Pattern 4 (Grey Study) (Abstract Painting), 2005

H 21.97 in W 33 in
Eye and Camera, Red, Blue and Yellow
By John Piper
Located in London, GB
extensive series titled ‘Eye and Camera’, the first of which were made in 1967. For these prints, which are
Category

1980s Nude Prints

Materials

Paper, Screen

Eye and Camera, Red, Blue and Yellow
Eye and Camera, Red, Blue and Yellow

John Piper
Eye and Camera, Red, Blue and Yellow, 1980

H 22.84 in W 28.55 in D 1.78 in
John Piper, Eye and Camera: Red, Blue and Yellow, Screenprint Modern British Art
By John Piper
Located in London, GB
C.H. (British 1903-1992) Eye and Camera: Red, Blue and Yellow (Levinson 317) Screenprint in colours
Category

1980s Modern Abstract Prints

Materials

Screen

John Piper, Eye and Camera: Red, Blue and Yellow, Screenprint Modern British Art

John Piper
John Piper, Eye and Camera: Red, Blue and Yellow, Screenprint Modern British Art, 1980

H 15.75 in W 23.82 in
1989 Laurie Simmons 'Walking Camera (Jimmy the Camera)'
By Laurie Simmons
Located in Brooklyn, NY
exhibition poster for "The Developing Eye- 150 Years of Photography from St. Louis Collections" held at the
Category

1980s Contemporary Prints and Multiples

Materials

Offset

1989 Laurie Simmons 'Walking Camera (Jimmy the Camera)'
1989 Laurie Simmons 'Walking Camera (Jimmy the Camera)'

Laurie Simmons
1989 Laurie Simmons 'Walking Camera (Jimmy the Camera)' , 1989

H 36 in W 21 in D 0.1 in
Untitled No. 39
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

2010s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 39

Jen Davis
Untitled No. 39, 2010

H 11 in W 14 in
Pablo and I
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

2010s Contemporary Portrait Photography

Materials

Archival Pigment

Pablo and I

Jen Davis
Pablo and I, 2013

H 11 in W 14 in
Untitled No. 55
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

2010s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 55

Jen Davis
Untitled No. 55, 2013

H 11 in W 14 in
Untitled No. 59
By Jen Davis
Located in New York, NY
sense of acceptance through the camera’s eye.”
Category

2010s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 59

Jen Davis
Untitled No. 59, 2014

H 11 in W 14 in
Untitled No. 29
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 29

Jen Davis
Untitled No. 29, 2008

H 14 in W 11 in
Stephen Sleeping
By Jen Davis
Located in New York, NY
sense of acceptance through the camera’s eye.”
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

Stephen Sleeping

Jen Davis
Stephen Sleeping, 2014

H 11 in W 14 in
Mike and I
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Figurative Photography

Materials

Archival Pigment

Mike and I

Jen Davis
Mike and I, 2006

H 14 in W 11 in
Untitled No. 22
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 22

Jen Davis
Untitled No. 22, 2006

H 14 in W 11 in
Steve and I
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Steve and I

Jen Davis
Steve and I, 2006

H 11 in W 14 in
Untitled No. 16
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 16

Jen Davis
Untitled No. 16, 2005

H 11 in W 14 in
Untitled No. 14
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 14

Jen Davis
Untitled No. 14, 2005

H 11 in W 14 in
Fantasy No. 1
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Fantasy No. 1

Jen Davis
Fantasy No. 1, 2004

H 11 in W 14 in
Untitled No. 21
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 21

Jen Davis
Untitled No. 21, 2006

H 14 in W 11 in
Untitled No. 11
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Untitled No. 11

Jen Davis
Untitled No. 11, 2005

H 11 in W 14 in
Maxwell Street
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Color Photography

Materials

Archival Pigment

Maxwell Street

Jen Davis
Maxwell Street, 2002

H 11 in W 14 in
Pressure Point
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Pressure Point

Jen Davis
Pressure Point, 2002

H 14 in W 11 in
Recessed
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Recessed

Jen Davis
Recessed, 2003

H 11 in W 14 in
Seconds
By Jen Davis
Located in New York, NY
camera’s eye.”
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Pigment

Seconds

Jen Davis
Seconds, 2003

H 11 in W 14 in
Pie Eyed
By Patty Carroll
Located in Sante Fe, NM
made for the camera, addressing women and their complicated relationships with domesticity. By
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Pie Eyed

Patty Carroll
Pie Eyed , 2019

H 15 in W 15 in
Golden Eye
By David Drebin
Located in Malmo, SE
profile advertising campaigns around the world. In 2005, Drebin had his first solo exhibition at Camera
Category

2010s Contemporary Figurative Photography

Materials

C Print

Golden Eye
Golden Eye

David Drebin
Golden Eye, 2017

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H 48.04 in W 72.05 in
Tim Eye to Eye, Kenya, Elephant, b&w photography
By Joachim Schmeisser
Located in Munich, DE
camera and medium format cameras he creates prints even in a format of three to 4 meters or more as a
Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment

Tim Eye to Eye, Kenya, Elephant, b&w photography
Tim Eye to Eye, Kenya, Elephant, b&w photography

Joachim Schmeisser
Tim Eye to Eye, Kenya, Elephant, b&w photography, 2019

H 47.25 in W 35.44 in D 0.2 in
Surreal Yellow Nude with Eye
By Mitchell Funk
Located in Miami, FL
Extreme close up of a eye combined with a full figure nude in a tight and graphic composition. It's
Category

1970s Surrealist Nude Photography

Materials

Inkjet

Surreal Yellow Nude with Eye

Mitchell Funk
Surreal Yellow Nude with Eye, 1973

H 43 in W 29 in D 2 in
"Neiman Marcus, Camera", New York, NY, 1999
By Jose Picayo
Located in Hudson, NY
visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New
Category

1990s Contemporary Black and White Photography

Materials

Photographic Paper

"Neiman Marcus, Camera", New York, NY, 1999

Jose Picayo
"Neiman Marcus, Camera", New York, NY, 1999, 1999

H 11 in W 14 in
Keeping An Eye on Things
By Jessica Houston
Located in Montreal, Quebec
camera lens with colourful felt, giving the effect of a manual sunset or imposed horizon. They can be by
Category

2010s Contemporary Abstract Photography

Materials

Digital

Keeping An Eye on Things
Keeping An Eye on Things

Jessica Houston
Keeping An Eye on Things, 2018

H 22 in W 33 in D 2 in
With the Eye of Faith
By Jessica Houston
Located in Montreal, Quebec
obstructing part of the camera lens with colourful felt, giving the effect of a manual sunset or imposed
Category

2010s Contemporary Abstract Photography

Materials

Digital

With the Eye of Faith

Jessica Houston
With the Eye of Faith, 2018

H 22 in W 33 in D 2 in
Tyler Shields - Camera Barbie, Photography 2020, Printed After
By Tyler Shields
Located in Greenwich, CT
of celebrity subjects makes his photography notably eye-catching. Tyler Shields’ work moves through
Category

21st Century and Contemporary Color Photography

Materials

Luster, Archival Paper, Photographic Paper, Color, Digital Pigment

Tyler Shields - Camera Barbie, Photography 2020, Printed After
Tyler Shields - Camera Barbie, Photography 2020, Printed After

Tyler Shields
Tyler Shields - Camera Barbie, Photography 2020, Printed After, 2020

H 20 in W 30 in
"Photo of Trees, " Oil Pastel Landscape on Grocery Bag signed by Reginald K. Gee
By Reginald K. Gee
Located in Milwaukee, WI
of a colorful, expressionistic sky. A rectangle around the trees depicts the camera's eye. 15 3/4" x
Category

1990s Contemporary Landscape Drawings and Watercolors

Materials

Oil Pastel

"Photo of Trees, " Oil Pastel Landscape on Grocery Bag signed by Reginald K. Gee
"Photo of Trees, " Oil Pastel Landscape on Grocery Bag signed by Reginald K. Gee

Reginald K. Gee
"Photo of Trees, " Oil Pastel Landscape on Grocery Bag signed by Reginald K. Gee, 1998

H 15.75 in W 11.75 in
Evening, Radcliffe Camera Oxford with Giclée Print by Susan Brown
Located in Deddington, GB
Cities 20 – Evening, Radcliffe Camera Oxford by Susan Brown. A limited edition giclée print. The
Category

21st Century and Contemporary Abstract Figurative Prints

Materials

Giclée, Paper

Evening, Radcliffe Camera Oxford with Giclée Print by Susan Brown

Susan Brown
Evening, Radcliffe Camera Oxford with Giclée Print by Susan Brown, 2010

H 19.69 in W 19.69 in
Intimate Portrait Of A Brown Bear Walking Towards The Camera
By Drew Doggett
Located in US
Brown bear walking towards the camera with eye contact. Each year, brown bears descend on a remote
Category

2010s Minimalist Black and White Photography

Materials

Archival Pigment

Intimate Portrait Of A Brown Bear Walking Towards The Camera

Drew Doggett
Intimate Portrait Of A Brown Bear Walking Towards The Camera, 2023

H 48 in W 37.75 in D 0.1 in
David Drebin - Eye, Photography 2008, Printed After
By David Drebin
Located in Greenwich, CT
Etchings on Glass. In 2005, Drebin had his first solo exhibition at Camera Work in Berlin. This was
Category

2010s Contemporary Color Photography

Materials

Archival Paper, C Print, Digital

David Drebin - Eye, Photography 2008, Printed After

David Drebin
David Drebin - Eye, Photography 2008, Printed After, 2008

H 40 in W 31.3 in
Pinus wallichiana Oculus 'Draconis' - Dragons Eye Pine
By Jose Picayo
Located in Hudson, NY
. Similar to his 2008 Mugshots exhibition, José used his 8” x 10” Deardorff camera, and his 8” x 10
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Pinus wallichiana Oculus 'Draconis' - Dragons Eye Pine

Jose Picayo
Pinus wallichiana Oculus 'Draconis' - Dragons Eye Pine

H 14 in W 11 in
Hand on the Camera, Mexico. Figurative black and white photograph. Framed
By Leo Matiz
Located in Miami Beach, FL
Hand on the camera, Mexico by Leo Matiz Image size: 12 in. H x 15 in. W Frame size: 22 in. H x 30
Category

1940s Other Art Style Black and White Photography

Materials

Other Medium, Black and White

Hand on the Camera, Mexico. Figurative black and white photograph. Framed
Hand on the Camera, Mexico. Figurative black and white photograph. Framed

Leo Matiz
Hand on the Camera, Mexico. Figurative black and white photograph. Framed, 1945

H 22 in W 30 in D 1 in
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Camera Eye For Sale on 1stDibs

You are likely to find exactly the camera eye you’re looking for on 1stDibs, as there is a broad range for sale. You can easily find an example made in the modern style, while we also have 141 modern versions to choose from as well. You’re likely to find the perfect camera eye among the distinctive items we have available, which includes versions made as long ago as the 18th Century as well as those made as recently as the 21st Century. When looking for the right camera eye for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of black, gray, beige and blue. Finding an appealing camera eye — no matter the origin — is easy, but Alex Sher, Lorenzo Agius, Stefanie Schneider, Christian Stoll and David H. Gibson each produced popular versions that are worth a look. These artworks were handmade with extraordinary care, with artists most often working in pigment print, archival pigment print and paper. If space is limited, you can find a small camera eye measuring 3 high and 3.47 wide, while our inventory also includes works up to 152.10001 across to better suit those in the market for a large camera eye.

How Much is a Camera Eye?

The average selling price for a camera eye we offer is $2,232, while they’re typically $36 on the low end and $90,000 for the highest priced.

Finding the Right Photography for You

Find a broad range of photography on 1stDibs today.

The first permanent image created by a camera — which materialized during the 1820s — is attributed to Joseph Nicéphore Niépce. The French inventor was on to something for sure. Kodak introduced roll film in the 1880s, allowing photography to become more democratic, although cameras wouldn’t be universally accessible until several decades later. 

Digital photographic techniques, software, smartphone cameras and social-networking platforms such as Instagram have made it even easier in the modern era for budding photographers to capture the world around them as well as disseminate their images far and wide. 

What might leading figures of visual art such as Andy Warhol have done with these tools at their disposal?

Today, when we aren’t looking at the digital photos that inundate us on our phones, we look to the past to celebrate the photographers who have broken rules as well as records — provocative and prolific artists like Horst P. Horst, Lillian Bassman and Helmut Newton, who altered the face of fashion and portrait photography; visionary documentary photographers such as Gordon Parks, whose best-known work was guided by social justice; and pioneers of street photography such as Henri Cartier-Bresson, who shot for revolutionary travel magazines like Holiday with the likes of globetrotting society lensman Slim Aarons.

Find photographers you may not know in Introspective and The Study — where you’ll read about Berenice Abbott, who positioned herself atop skyscrapers for the perfect shot, or “conceptual artist-adventurer” Charles Lindsay, whose work combines scientific rigor with artistic expression, or Massimo Listri, known for his epic interiors of opulent Old World libraries. Photographer Jeannette Montgomery Barron was given a Kodak camera as a child. Later, she shot on Polaroid film before buying her first 35mm camera in her teens. Barron's stunning portraits of Jean-Michel Basquiat, Warhol and other artists chronicle a crucial chapter of New York’s cultural history.

Throughout the past two centuries, photographers have used their medium to create expressive work that has resonated for generations. Shop a voluminous collection of this powerful fine photography on 1stDibs. Search by photographer to find the perfect piece for your living room wall, or spend some time with the work organized under various categories, such as landscape photography, nude photography and more. 

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Photographer to Know: Rinko Kawauchi

From toddlers playing to fires blazing, the Japanese lenswoman poetically captures fleeting dramas on planet Earth.

Photographer Jerry Schatzberg Remembers a Legendary Shoot with Bob Dylan

The acclaimed lensman and the folk-rock phenomenon clicked, and a captivating portrait followed.

Photographer to Know: Jeannette Montgomery Barron

Her stunning portraits of Jean-Michel Basquiat, Andy Warhol and other artists chronicle a crucial chapter of New York’s cultural history.

11 of Annie Leibovitz’s Most Talked-About Photographs

See why the famed photographer's celebrity portraits have graced magazine covers and become headline grabbers in their own right for five decades and counting.

This Photo of the Salton Sea Captures a Serene Moment Amid an Environmental Disaster

Addison Jones shares how she got this gorgeous minimalist shot while immersed in the stink of dead fish.

This Photo of Big Sur Reveals the Awesomeness and Intimacy of Nature

When a beachcomber accidentally stepped in front of Jeffrey Conley’s camera, a perfect moment was captured.

Photographers to Know: E2 – Kleinveld & Julien

With elaborate staging and meticulous postproduction techniques, the subversive duo is reimagining art history.

Queen Elizabeth’s Life in Photos

She was one of the most photographed women in history, but the world’s longest-reigning queen remained something of a mystery throughout her decades on the throne.

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