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Eames Ea216

Office Chair EA216 by Charles and Ray Eames for Vitra, Germany, 1960s
By Charles and Ray Eames, Vitra
Located in Antwerp, BE
Charles and Ray Eames EA216 softpad office chair, produced by Vitra. This distinguished chair
Category

Vintage 1960s German Mid-Century Modern Office Chairs and Desk Chairs

Materials

Chrome

EA 216 Armchair by Charles and Ray Eames for Herman Miller
By Charles and Ray Eames
Located in LYON, FR
Soft Pad EA 216 Lounge Chair by Charles and Ray Eames for Herman Miller Vintage Soft Pad EA 216
Category

Mid-20th Century American Mid-Century Modern Lounge Chairs

Materials

Aluminum

Original EA 216 Sessel Herman Miller Charles Ray Eames soft pad
By Herman Miller, Charles and Ray Eames
Located in Berlin, DE
Wir bieten einen wunderschönen Herman Miller EA 216 Lounge chair zum Verkauf an. Der Stuhl verfügt
Category

Vintage 1970s German Mid-Century Modern Chairs

Materials

Steel, Chrome

Bespoke Charles & Ray Eames Sand Leather EA216 Lounge Chairs
By Vitra, Charles and Ray Eames
Located in Dronten, NL
The EA 216 is the lounge chair in the Soft Pad Group by Charles and Ray Eames. Their dignified
Category

2010s Swiss Mid-Century Modern Lounge Chairs

Materials

Aluminum

Bespoke Charles & Ray Eames Sand Leather EA216 Lounge Chairs
Bespoke Charles & Ray Eames Sand Leather EA216 Lounge Chairs
$2,550 / item
H 35.44 in W 24.41 in D 26.78 in
Ea 216 Soft Pad Desk Chair by Charles & Ray Eames for ICF, 1970s
By Charles and Ray Eames, ICF De Padova
Located in bruxelles, BE
Leather chair with aluminum base and wheels. Stamped ICF under the seat. Turns on itself, reclining and height-adjustable. Seat height: 46 cm, max. seat height: 55 cm. Wear due to ag...
Category

Vintage 1970s Italian Mid-Century Modern Office Chairs and Desk Chairs

Materials

Aluminum

Ea 216 Soft Pad Desk Chair by Charles & Ray Eames for Herman Miller, 1970s
By Charles and Ray Eames, Herman Miller
Located in bruxelles, BE
Leather chair with aluminum base and wheels. Stamped Herman Miller under the seat. The chair turns on itself and reclines. Seat height: 53 cm. Wear due to time and age. For shipping...
Category

Vintage 1970s Central American Mid-Century Modern Office Chairs and Desk...

Materials

Aluminum

Early Pair of 'EA216' Chairs by Charles & Ray Eames for Herman Miller, 1970s
By Charles and Ray Eames
Located in Antwerpen, VAN
An early pair of model ‘EA216’ swivel lounge chairs designed by Charles & Ray Eames in 1969. This
Category

Mid-20th Century American Mid-Century Modern Lounge Chairs

Materials

Aluminum

Recent Sales

Charles Eames Soft Pad Chairs EA 216 Herman Miller / Fehlbaum in Black Leather
By Herman Miller, Charles Eames
Located in Halle, DE
Vintage set of four easy chairs EA 216 soft pad. Manufactured by Herman Miller / Fehlbaum, Germany
Category

Vintage 1960s American Mid-Century Modern Armchairs

Materials

Chrome

Ea 216 Soft Pad Desk Chair by Charles & Ray Eames for ICF, 1970s
By Charles and Ray Eames, ICF Group
Located in bruxelles, BE
Leather armchair with aluminium base and wheels. Stamped under the ICF seat. Height adjustable. Turns on itself. Reclinable. Minimum seat height: 45 cm, maximum: 54 cm. Max chair hei...
Category

Vintage 1970s Central American Mid-Century Modern Office Chairs and Desk...

Materials

Aluminum

Ea 216 Soft Pad Desk Chair by Charles & Ray Eames for ICF, 1970s
By Charles and Ray Eames, ICF Milano 1
Located in bruxelles, BE
Leather armchair with aluminium base and wheels. Stamped under the Herman Miller ICF seat. Adjustable in height. Wear due to time and age of the chair (see photo). Maximum height: 10...
Category

Vintage 1970s Central American Mid-Century Modern Office Chairs and Desk...

Materials

Aluminum

Ea 216 Soft Pad Desk Chair by Charles & Ray Eames for ICF, 1970s
By Charles and Ray Eames, ICF Milano 1
Located in bruxelles, BE
Leather armchair with aluminium base and castors. Stamped under the seat Herman Miller ICF. Height adjustable. Turns on itself. Wear due to time and age (see photo). Seat height 50cm.
Category

Vintage 1970s Central American Mid-Century Modern Office Chairs and Desk...

Materials

Aluminum

Ea 216 Soft Pad Desk Chair by Charles & Ray Eames for ICF, 1970s
By Charles and Ray Eames, ICF Milano 1
Located in bruxelles, BE
Leather armchair with aluminum base and castor. stamped under the seat Herman Miller ICF . Adjustable in height. Wear due to time and age of the chair (see photo) Seat height 54cm.
Category

Vintage 1970s Central American Mid-Century Modern Office Chairs and Desk...

Materials

Aluminum

Ea 216 Soft Pad Desk Chair by Charles & Ray Eames for ICF, 1970s
By Charles and Ray Eames, ICF Milano 1
Located in bruxelles, BE
Leather armchair with aluminum base. Adjustable seat height Min: 42cm Max: 50cm. Wear due to time and age of the chair.
Category

Vintage 1970s Central American Mid-Century Modern Office Chairs and Desk...

Materials

Aluminum

Eames Burgungy EA 216 Soft Pad Swiveling Lounge Chair for Herman Miller
By Herman Miller, Charles and Ray Eames
Located in Los Angeles, CA
Burgungy soft pad swiveling lounge chair for Herman Miller. Model EA 216, designed by Charles & Ray
Category

Vintage 1970s American Mid-Century Modern Lounge Chairs

Materials

Aluminum

Eames Leather Swivel Soft Pad EA 216 Lounge Chair by Interform for Herman Miller
By Herman Miller, Charles and Ray Eames
Located in Saint Ouen, FR
Eames black chocolate leather swivel soft pad lounge chair EA 216 by Interform for Herman Miller
Category

Vintage 1970s Mid-Century Modern Lounge Chairs

Materials

Aluminum

Ea 216 Soft Pad Desk Leather Chair by Charles&Ray Eames for Herman Miller, 1960s
By Herman Miller, Charles and Ray Eames
Located in Warszawa, Mazowieckie
American manufacture Herman Miller during the 1960s. This armchair is cataloged under the number EA 216
Category

Vintage 1960s American Mid-Century Modern Office Chairs and Desk Chairs

Materials

Metal

Midcentury Eames for Herman Miller Soft Pad Lounge Chair
By Herman Miller, Charles and Ray Eames
Located in BROOKLYN, NY
Eames black leather swivel soft pad lounge chair EA 216 by Eames for Herman Miller. Early edition
Category

Mid-20th Century American Mid-Century Modern Lounge Chairs

Materials

Aluminum

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Category

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Charles and Ray Eames for sale on 1stDibs

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century. The Eameses were lovers of folk craft who had a genius for making highly original chairs, tables, case pieces and other furniture using traditional materials and forms.

As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.

Charles Eames (1907–78) studied architecture and industrial design. Ray Eames (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.

His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — vintage Eames splints are coveted collectibles today; more so those that Ray used to make sculptures.

The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the Eames chair, the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.

The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. 

Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.

Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

The original Eames furniture for sale on 1stDibs includes chairs, tables, case pieces and other items.

A Close Look at Mid-century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right Seating for You

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.