Ferre Pin Brooch
Vintage 1960s Italian Modern Brooches
Gilt Metal
Vintage 1980s Italian Modern Brooches
Gilt Metal
Vintage 1980s Italian Brooches
Vintage 1980s Italian Brooches
Crystal, Gilt Metal
People Also Browsed
Early 1900s Italian Jackets
1980s Italian Pants
Late 20th Century Brooches
Enamel
Vintage 1970s Italian Brooches
Gold, 18k Gold, Enamel
Mid-20th Century American Retro Dangle Earrings
14k Gold, Gold-filled
Antique Late 19th Century French Belle Époque Bangles
Rose Gold, Sterling Silver
1990s Italian Coats
1990s American Brooches
Diamond, Turquoise, Yellow Gold, Platinum
Vintage 1960s Brooches
1990s Italian Bodysuits
Early 2000s Italian Jackets
Vintage 1980s American Brooches
Enamel, Gilt Metal
1990s Italian Jackets
Vintage 1970s European Retro Wedding Rings
Amethyst, Citrine, Garnet, Peridot, Topaz, 14k Gold
1990s Italian Pants
Vintage 1970s Mexican Native American Brooches
Turquoise, Sterling Silver
Recent Sales
Vintage 1960s Italian Brooches
Gilt Metal
Vintage 1980s Italian Medieval Brooches
Gold Plate
Vintage 1980s Brooches
Gold Plate
Early 2000s Brooches
Silver
Early 2000s Italian Brooches
Early 2000s Brooches
Silver
Early 2000s Brooches
Brass
Early 2000s Other
Gianfranco Ferré for sale on 1stDibs
Remembered fondly with a nod to his architecture education as the “Frank Lloyd Wright of Italian Fashion” and the “Architect of Fashion,” Milanese designer Gianfranco Ferré spent a lifetime creating handbags, dresses, jackets and other garments and accessories that were defined by meticulous tailoring and crisp geometry. Designing the iconic Lady Dior handbag after being named artistic director at Dior during the late 1980s is only one of Ferré’s impressive achievements in the fashion industry.
Ferré was born in Legnano and was raised by his mother and two aunts. He studied architecture at Milan Polytechnic but had a love for fashion, and made belts and other items for female friends in his classes. He graduated in 1969.
Ferré’s accessories caught the eye of Rosy Biffi, who operated boutiques in Milan with her sister, Adele. He was encouraged by Biffi to create clothing, and soon began creating jewelry and accessories for Christiane Bailly and Walter Albini. The latter is an unsung hero of 20th-century fashion, while Bailly was part of a small group of prominent young stylistes who helped build a sterling reputation for French ready-to-wear fashion during the 1960s. Ferré’s work was photographed by Italian Vogue, and he secured commissions from the likes of Karl Lagerfeld and Elio Fiorucci.
Ferré appreciated other cultures and drew inspiration from his travels abroad. His most influential trip — a years-long stint in India — saw him bringing bright colors and patterns to his evening dresses and day dresses. While there he created a collection for the Genoa-based San Giorgio Impermeabili. Ferrè designed for brands such as Les Grenouilles and Baila, and met with Italian businessman and clothing manufacturer Franco Mattioli, who would become an important collaborator.
In 1978, Ferré and Mattioli became equal business partners in establishing Ferré’s own label, for which he designed women’s ready-to-wear and menswear collections in Milan. In 1983, he was named the first professor of fashion at the Domus Academy.
While teaching, Ferré won the Occhio d’Oro — Italy’s award for best fashion designer — six times. In 1986, he introduced his first women’s fragrance, his first couture and fur collections, and a new line called Studio 00l. A few years later, Bernard Arnault, owner of Christian Dior, appointed him artistic director.
It was unexpected for an Italian to be given the job at Dior — one of fashion’s most coveted roles — as that position traditionally went to French designers. There, as Marc Bohan’s successor, Ferré created luxurious and striking gowns that drew on his architecture studies in their sculptural forms while celebrating the long history of the legendary house. He revisited the nipped-waist silhouettes of Dior’s postwar years, and his work dazzled onlookers and exuded femininity. Ferré won the Dé d'Or prize in 1989 for his first collection at the label.
In the early 1990s, Ferré designed the Lady Dior handbag (prior to its 1995 debut, it was called the Chouchou). The boxy top-handled accessory soared to immense popularity after French first lady Bernadette Chirac gave a version in black leather to Diana, Princess of Wales. Each bag, which was eventually named for the Princess, is made from 130 pieces of leather and worked on by seven Dior craftsmen who spend at least eight hours perfecting it.
On 1stDibs, find a collection of vintage Gianfranco Ferré clothing, accessories and handbags and purses.
Finding the Right brooches for You
Antique and vintage brooches, which are decorative jewels traditionally pinned to garments and used to fasten pieces of clothing together where needed, have seen increasing popularity in recent years.
Given their long history, brooches have expectedly taken on a variety of different shapes and forms over time, with jewelers turning to assorted methods of ornamentation for these accessories, including enameling and the integration of pearls and gemstones.
Cameo brooches that originated during the Victorian age are characterized by a shell carved in raised relief that feature portraits of a woman’s profile, while 19th-century micromosaic brooches, comprising innumerable individually placed glass fragments, sometimes feature miniature depictions of a pastoral scene in daily Roman life.
At one time, brooches were symbols of wealth, made primarily from the finest metals and showcasing exquisite precious gemstones. Today, these jewels are inclusive and universal, and you don’t have to travel very far to find an admirer of brooches. They can be richly geometric in form, such as the ornate diamond pins dating from the Art Deco era, or designer-specific, such as the celebrated naturalistic works created by Tiffany & Co., the milk glass and gold confections crafted by Trifari or handmade vintage Chanel brooches of silk or laminated sheer fabric.
Brooches are versatile and adaptable. These decorative accessories can be worn in your hair, on hats, scarves and on the lower point of V-neck clothing. Pin a dazzling brooch to the lapel of your blazer-and-tee combo or add a cluster of smaller pins to your overcoat. And while brooches have their place in “mourning jewelry,” in that a mourning brooch is representative of your connection to a lost loved one, they’re widely seen as romantic and symbolic of love, so much so that a hardcore brooch enthusiast might advocate for brooches to be worn over the heart.
Today, find a wide variety of antique and vintage brooches on 1stDibs, including gold brooches, sapphire brooches and more.