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Franck Mu

'A King of Flowers' by Frans Mortelmans, Antwerp 1865 – 1936, Belgian Painter
By Frans Mortelmans
Located in Bruges, BE
in Antwerp. Among his notable students were Antoon Marstboom, Franck Mortelmans, and Joris Minne
Category

Late 19th Century Impressionist Still-life Paintings

Materials

Canvas, Oil

Frans Mortelmans, Antwerp 1865 – 1936, Belgian Painter, Acacia Dealbata Mimosa
By Frans Mortelmans
Located in Bruges, BE
generation of artists. Noteworthy pupils include Antoon Marstboom, Franck Mortelmans, and Joris Minne
Category

Early 20th Century Impressionist Still-life Paintings

Materials

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A Still Life with Porcelain and Fruit, Mortelmans Frans, Antwerp 1865 – 1936
By Frans Mortelmans
Located in Bruges, BE
painting at the Art Academy in Antwerp. Some of his outstanding students are Antoon Marstboom, Franck
Category

Early 20th Century Impressionist Still-life Paintings

Materials

Canvas, Oil

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A Still Life with Roses in a Silver Bowl, Frans Mortelmans, Antwerp 1865 – 1936
By Frans Mortelmans
Located in Bruges, BE
painting at the Art Academy in Antwerp. Some of his outstanding students are Antoon Marstboom, Franck
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A Still Life with King’s Roses in a Basket, Frans Mortelmans, Antwerp 1865-1936
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Frans Mortelmans for sale on 1stDibs

Frans Mortelmans, painter extraordinaire renowned for his masterful still lifes, floral arrangements, landscapes, interior scenes, maritime vistas, beachscapes, and portraiture, graced the art world with his prodigious talents. Born on the 1st of May, 1865, in the charming city of Antwerp, Mortelmans was destined to shine as a luminary in his field. Interestingly, he bore a familial connection to artistic brilliance, being the elder brother of the illustrious Flemish composer-conductor, Lodewijk Mortelmans. Mortelmans' formative years unfolded amidst the vibrant aura of Saint Paul's parish, where his artistic inclinations gradually took form. His artistic voyage guided him to the revered halls of the Fine Arts Academy of Antwerp, where his mentors included luminaries like Edward Dujardin, J.E. Van den Bussche, P. Beaufaux, E. Siberdt, J. Geefs, Albrecht De Vriendt, Karel Verlat, and most notably, Lucas Schaefels. Embarking on his artistic journey at a tender age, Frans joined the academy in 1876, forging bonds with fellow students who would become his artistic comrades. Continuing his artistic odyssey, he pursued advanced studies at the Higher Institute of Fine Arts in Antwerp, under the guidance of Juliaan De Vriendt and Frans van Leemputten. Mortelmans ingeniously propelled his craft through diverse exhibitions, collaborating with fellow artists to unveil his creations to a broader audience. Of particular note were his significant participations in the esteemed Triennial Salons of Ghent, Antwerp, and Brussels. His artistry also graced solo exhibitions in prestigious galleries such as Verlat, Lamorinière, and Wijnen in Antwerp. His involvement extended to group exhibitions hosted by cultural associations like Arte et Labore and De Scalden in Antwerp, as well as art associations in Mechelen and beyond (1906-1907). The association De Scalden, founded in 1889, played a pivotal role in nurturing Mortelmans' artistic growth, championing innovative trends and fostering diversification in the arts. In 1910, Mortelmans undertook the mantle of a professor of still-life painting at the Art Academy in Antwerp, imprinting an indelible mark on the upcoming generation of artists. Noteworthy pupils include Antoon Marstboom, Franck Mortelmans, and Joris Minne. Mortelmans' oeuvre encompassed a broad spectrum of subjects, initially marked by meticulously arranged objects executed with precision. However, his artistic evolution gave birth to virtuosity—a symphony of colors gracing canvases without overwhelming them. His works exude a decorative finesse, a perpetual quest for harmonious composition. Operating from his private studio since 1892, he cultivated a distinctive realism that progressively embraced impressionistic nuances, reflecting the maturation of his artistic vision. Tragically, Frans Mortelmans bid adieu to the world on the 11th of April, 1936, within the embrace of his cherished Antwerp. Today, Mortelmans' legacy graces private collections worldwide. Museums also cherish his artworks, with notable holdings at the Royal Museum of Fine Arts in Antwerp, the Antwerp Town Hall, the Museum of Flemish Cultural Life, the Museum Mu-Zee in Ostend, the Kortrijk Museum, the Hof van Busleyden Museum in Mechelen, and the Joslyn Art Museum in Omaha, USA.

A Close Look at impressionist Art

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

Finding the Right still-life-paintings for You

Still-life paintings work as part of the decor in nearly every type of space.

Still-life art, which includes work produced in media such as painting, photography, video and more, is a popular genre in Western art. However, the depiction of still life in color goes back to Ancient Egypt, where paintings on the interior walls of tombs portrayed the objects — such as food — that a person would take into the afterlife. Ancient Greek and Roman mosaics and pottery also often depicted food. Indeed, still-life paintings frequently feature food, flowers or man-made objects. By definition, still-life art represents anything that is considered inanimate.

During the Middle Ages, the still life genre was adapted by artists who illustrated religious manuscripts. A common theme of these paintings is the reminder that life is fleeting. This is especially true of vanitas, a kind of still life with roots in the Netherlands during the 17th century, which was built on themes such as death and decay and featured skulls and objects such as rotten fruit. In northern Europe during the 1600s, painters consulted botanical texts to accurately depict the flowers and plants that were the subject of their work.

Leonardo da Vinci’s penchant for observing phenomena in nature and filling notebooks with drawings and notes helped him improve as an artist of still-life paintings. Vincent van Gogh, an artist who made a couple of the most expensive paintings ever sold, carried out rich experiments with color over the course of painting hundreds of still lifes, and we can argue that Campbell’s Soup Cans (1961–62) by Andy Warhol counts as still-life art.

While early examples were primarily figurative, you can find still lifes that belong to different schools and styles of painting, such as Cubism, Impressionism and contemporary art.

As part of the wall decor in your living room, dining room or elsewhere, a still-life painting can look sophisticated alongside your well-curated decorative objects and can help set the mood in a space.

When shopping for a still-life painting, think about how it makes you feel and how the artist chose to represent its subject. When buying any art for your home, choose pieces that you connect with. If you’re shopping online, read the description of the work to learn about the artist and check the price and shipping information. Make sure that the works you choose complement or relate to your overall theme and furniture style. Artwork can either fit into your room’s color scheme or serve as an accent piece. Introduce new textures to a space by choosing an oil still-life painting.

On 1stDibs, find a collection of still-life paintings in a wide range of styles and subject matter.