Frederick Weinberg On Sale

At 1stDibs, there are many versions of the ideal frederick weinberg on sale for your home. A frederick weinberg on sale — often made from metal, iron and glass — can elevate any home. You’ve searched high and low for the perfect frederick weinberg on sale — we have versions that date back to the 20th Century alongside those produced as recently as the 20th Century are available. A frederick weinberg on sale, designed in the Mid-Century Modern style, is generally a popular piece of furniture.

Prices for a frederick weinberg on sale start at $395 and top out at $3,040 with the average selling for $2,067.

Avid collectors of 1950s sculpture, table lamps and decorative objects have no doubt encountered the quirky mid-century modern creations of Frederic Weinberg, even if they didn’t know his name. Weinberg is best known for his extensive range of wall-mounted sculptures, clocks, lighting and semi-abstract paintings that bring playful figurative art into the home.

Weinberg, a Philadelphia-based artist and industrial designer, trained at the Philadelphia Academy of Fine Arts. Throughout the 1950s, he designed, produced and sold a wide variety of functional and decorative items under his company, Frederic Weinberg Co.

Working with wire, iron and gilded bronze, Weinberg crafted furniture and furnishings for use in homes, businesses and institutions. His most notable pieces included swivel stools with a wrought-iron base and seats made with leather, sheepskin or woven wicker; Atomic Age–style clocks; and sculptural table lamps constructed with paper shades and metal frames shaped like lutes and guitars.

Weinberg also made figurative wall sculptures depicting everything from ancient Roman gladiators and Etruscan-style horses to musicians and dancers to fencers and football players. Figuration also features heavily in his bent iron, brass and fiberglass sculptures, many of which he based on his semi-abstract paintings.

Although little is known about Weinberg’s design career, his pieces are highly sought by modern art collectors and interior designers. Philadelphia designer Ron Rowe and his partner Glenn Nadeau even mounted an extensive showcase of Weinberg’s rarest works in their Cherry Hill, New Jersey, home.

On 1stDibs, discover a range of vintage Frederic Weinberg wall decorations, decorative objects and seating.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.