Jenette Chair

The Campana Brothers were among Brazil’s foremost contemporary furniture designers. Inspired by their country’s vernacular culture, Humberto and Fernando Campana (b. 1953; 1961–2022) combined everyday objects in unexpected ways — often waste materials like rope, cardboard, plastic tubing, and aluminum wire — to make their singular chairs, decor, lighting and other items. Their designs have been manufactured by such companies as Alessi, Swarovski and Cappellini. And they received numerous honors, including being named Designer of the Year both at Design Miami in 2008, and by Maison & Objet in Paris in 2012.

Humberto Campana was born in Rio Claro in 1953 and earned a bachelor’s degree in law from the University of São Paulo. Fernando was born in 1961 in Brotas, and graduated from the São Paulo School of Fine Arts with a bachelor’s degree in architecture.

The Campana brothers started working together in 1983, crafting furniture using their signature method of adaptive reuse. Their pieces frequently refer to Brazilian social and cultural traditions and entities. Among these are the country’s favelas, or shantytowns, that have grown up around major cities. An homage to the resourcefulness with which the residents of São Paulo’s favelas make use of the materials at hand, repurposing cast-off objects in ingenious designs and constructions, their Favela armchair is made of cast-off strips of wood (the first one was made from discarded slats from a fruit market), which are glued and nailed together seemingly at random. The end result, however, is a compact, solid and well-proportioned chair.

By 1997, some of the Campanas’ pieces were being produced and sold in Italy, including the Edra Vermelha armchair, constructed of cord handwoven around a steel frame. In 1998, the brothers became the first Brazilian designers to have their work exhibited at the Museum of Modern Art in New York. Today their furniture is included in MoMA’s permanent collection and in those of numerous other major institutions, such as the Metropolitan Museum of Art, the Philadelphia Museum of Art, and the Vitra Design Museum.

On 1stDibs, find a collection of Campana Brothers armchairs, case pieces and other furniture.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames. 

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.