Kittinger Twin Bedroom Set

Before it became a legendary American manufacturer of traditional furniture, Kittinger Furniture was a paper company called Thompson, Colie & Company (later to become Colie & Son), after its founders, Oliver and George Colie. The father-son entrepreneurs started a small business in 1866 manufacturing paper products and, subsequently, upholstered furniture in Buffalo, New York. Business for the latter was so successful that in order to keep up with demand, the Colies opened a second factory in 1885 that focused on handcrafted furniture designed in 18th-century styles.

Later, George Colie decided to sell his beloved company to his son-in-law, Irvine J. Kittinger Sr., and his brother, Ralph. They changed the name to the Kittinger Furniture Company in 1913. In 1929, the company’s sales exceeded $1 million, which allowed the brothers to expand far beyond Buffalo, opening showrooms in Chicago, Dallas and other cities across the United States, where they could present their expert reproductions of popular historic furniture styles for the home and office.

In 1937, Kittinger was granted an exclusive license to reproduce antique custom furniture for the Colonial Williamsburg Foundation. The company manufactured Hepplewhite-style chests of drawers, mahogany Chippendale dressers, Asian-influenced mid-century modern marble-top coffee tables of ebonized wood and a variety of other pieces. The brand’s revered Mandarin line, a Hollywood Regency–style collection that debuted in the 1940s, included bedroom furnishings such as lacquered wood vanities, nightstands and more, each featuring prominent Greek key drawer pulls and decorative black trim.

Between the mid-1970s and 1990s, Kittinger Furniture changed hands frequently and even went out of business. In 1996, Raymond Bialkowski, a former master cabinetmaker for the company, and his wife, Karen, purchased the company and, along with some other former Kittinger craftsmen, began creating furniture under its name once again in north Buffalo. Over the years, Kittinger has produced furniture for the White House, including a handcrafted conference table and chairs for the Cabinet Room during President Nixon’s administration and chairs for the Roosevelt Room in 2016.

Today, the award-winning Kittinger Furniture continues to make historical and new custom handcrafted pieces of high quality.

Find a range of Kittinger Furniture on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.